| Two-Part Inventions 2 Trompettes (duo) Charles Colin Music
2 trumpets SKU: M7.AHW-1217 Composed by Johann Sebastian Bach. Edited by ...(+)
2 trumpets SKU:
M7.AHW-1217 Composed
by Johann Sebastian Bach.
Edited by Dominic
Derasse. Sheet music.
Performance score. 35
pages. Charles Colin
Corp. #AHW 1217.
Published by Charles
Colin Corp.
(M7.AHW-1217).
In this volume,
you will find 15 of J.S.
Bach's beautiful Two-Part
Inventions, and 2 of his
Minuets, transcribed and
arranged for two
trumpets. Skillfully
transcribed by Carmelo
Barranco, these duets are
a perfect way for
trumpeters to develop
endurance, agility,
style, and
musicality. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 15 Two-Part Inventions 2 Trompettes (duo) Cimarron Music Press
By Johann Sebastian Bach. Arranged by Henry Howey. For Trumpet Duet. Published b...(+)
By Johann Sebastian Bach.
Arranged by Henry Howey.
For Trumpet Duet.
Published by Cimarron
Music Press.
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto in Eb Major Trompette, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and
Piano, S. 49.
Composed by Johann
Nepomuk Hummel
(1778-1837). Edited by
Elisa Koehler. Arranged
by Elisa Koehler.
Romantic. Score and
part(s). With Standard
notation. 36 8 pages.
Carl Fischer #W002681.
Published by Carl Fischer
(CF.W2681).
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto in E Major Trompette Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet SKU:
CF.W2682 For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major. Edited by
Elisa Koehler, Associate
Professor and Chair of
the Music Department at
Goucher College, this new
edition of Johann Nepomuk
Hummel's Concerto in E
Major for trumpet in E
and piano presented in
its original key. The
concerto by Johann
Nepomuk Hummel
(1778–1837)holds a
unique place in the
trumpet repertoire. Like
theconcerto by Joseph
Haydn (1732–1809)
it was written forthe
Austrian trumpeter Anton
Weidinger
(1766–1852) andhis
newly invented keyed
trumpet, performed a few
timesby Weidinger, and
then forgotten for more
than 150 yearsuntil it
was revived in the
twentieth century. But
unlikeHaydn’s
concerto in Eb major,
Hummel’s Concerto
a Trombaprincipale (1803)
was written in the key of
E major for atrumpet
pitched in E, not
E≤. This difference
of key proved tobe quite
a conundrum for
trumpeters and music
publishersin the
twentieth century. The
first modern edition,
publishedby Fritz Stein
in 1957, transposed the
concerto down onehalf
step into the key of
E≤ to make it more
playable on atrumpet in
Bb, which had become the
standard instrumentfor
trumpeters by the middle
of the twentieth
century.Armando Ghitalla
made the first recording
of the Hummel in1964 in
the original key of E (on
a C-trumpet) after
editinga performing
edition in 1959 in the
transposed key of
E≤ (forBb trumpet)
published by Robert King
Music. Needless tosay,
the trumpet had changed
dramatically in terms of
design,manufacture, and
cultural status between
1803 and 1957, andthe
notion of classical solo
repertoire for the modern
trumpetwas still in its
formative stages when the
Hummel concertowas
reborn.These factors
conspired to create
confusion regarding
thenumerous
interpretative challenges
involved in performingthe
Hummel concerto according
to the composer’s
originalintentions on
modern trumpets. For
those seeking the
bestscholarly
information, a facsimile
of Hummel’s
originalmanuscript score
was published in 2011
with a separatevolume of
analytical commentary by
Edward H. Tarr,1 whoalso
published the first
modern edition of the
concertoin the original
key of E major (Universal
Edition, 1972).This
present
edition—available
in both keys: Eb and
Emajor—strives to
build a bridge between
scholarship
andperformance traditions
in order to provide
viable options forboth
the purist and the
practitioner.Following
the revival of the Haydn
trumpet concerto, acase
could be made that some
musicians were
influencedby a type of
normalcy bias that
resulted in
performancetraditions
that attempted to make
the Hummel morelike the
Haydn by putting it in
the same key,
insertingunnecessary
cadenzas, and adding
trills where they
mightnot belong.2 Issues
concerning tempo and
ornamentationposed
additional challenges. As
scholarship and
performancepractice
surrounding the concerto
have become betterknown,
trumpeters have
increasingly sought to
performthe concerto in
the original key of E
major—sometimes
onkeyed
trumpets—and to
reconsider more recent
performancetraditions in
the transposed key of
Eb.Regardless of the key,
several factors need to
be addressedwhen
performing the Hummel
concerto. The most
notoriousof these is the
interpretation of the
wavy line (devoid of
a “trâ€
indication), which
appears in the second
movement(mm. 4–5
and 47–49) and in
the finale (mm.
218–221).
InHummel’s
manuscript score, the
wavy line resembles a
sinewave with wide,
gentle curves, rather
than the tight,
buzzingappearance of a
traditional trill line.
Some have argued that
itmay indicate intense
vibrato or a fluttering
tremolo betweenopen and
closed fingerings on a
keyed trumpet.3 In
Hummel’s1828 piano
treatise, he wrote that a
wavy line without a
“trâ€sign
indicates uneigentlichen
Triller oder den
getrillertenNoten
[“improperâ€
trills or the notes that
are trilled],
andrecommends that they
be played as main note
trills that arenot
resolved [ohne
Nachschlag].4
Hummel’s piano
treatisewas published
twenty-five years after
he wrote the
trumpetconcerto, and his
advocacy for main note
trills (rather thanupper
note trills) was
controversial at the
time, so trumpetersshould
consider all of the
available options when
formingtheir own
interpretation of the
wavy line.Unlike Haydn,
Hummel did not include
any fermatas
wherecadenzas could be
inserted in his trumpet
concerto. The endof the
first movement, in
particular, includes
something likean
accompanied cadenza
passage (mm.
273–298), a
featureHummel also
included at the end of
the first movement ofhis
Piano Concerto No. 5 in
Ab Major, Op. 113 (1827).
Thethird movement
includes a quote
(starting at m. 168)
fromCherubini’s
opera, Les Deux
Journées (1802), that
diverts therondo form
into a coda replete with
idiomatic fanfares
andvirtuosic figuration.5
Again, no fermata appears
to signal acadenza, but
the obbligato gymnastics
in the solo trumpetpart
function like an
accompanied cadenza.Other
necessary considerations
include tempo choicesand
ornamentation. Hummel did
not include
metronomemarkings to
quantify his desired
tempi for the
movements,but clues may
be gleaned through the
surface evidence(metric
pulse, beat values,
figuration) and from the
stratifiedtempo table
that Hummel included in
his 1828 piano
treatise,where the first
movement’s
“Allegro con
spirito†is
interpretedas faster than
the “Allegroâ€
(without a modifier) of
the finale.6In the realm
of ornamentation, Hummel
includes severalturns and
figures that are open to
interpretation. This
editionincludes
Hummel’s original
symbols (turns and
figuration)along with
suggested realizations to
provide musicians
withoptions for forming
their own
interpretation.Finally,
trumpeters are encouraged
to listen to Mozart
pianoconcerti as an
interpretive context for
Hummel’s
trumpetconcerto. Hummel
was a noted piano
virtuoso at the end ofthe
Classical era, and he
studied with Mozart in
Vienna asa young boy.
Hummel also composed his
own cadenzas forsome of
Mozart’s piano
concerti, and the
twenty-five-year-oldcompo
ser imitated
Mozart’s
orchestral gestures and
melodicfiguration in the
trumpet concerto (most
notably in the
secondmovement, which
resembles the famous slow
movement
ofMozart’s Piano
Concerto No. 21 in C
Major, K. 467). $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cartoon Parade Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1185993-070 The Muppet ...(+)
Brass Quintet - early
intermediate SKU:
BT.DHP-1185993-070
The Muppet Show Theme
- I'm Popeye the Sailor
Man - Mickey Mouse
March. Arranged by
Eric J. Hovi. De Haske
Brass Series.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2018. De Haske
Publications #DHP
1185993-070. Published by
De Haske Publications
(BT.DHP-1185993-070).
ISBN 9789043156578.
International. In
this five-part medley for
brass quintet, we meet
some of the greatest
cartoon characters ever
created: The Muppets,
Popeye and of course
Mickey Mouse. This is a
great arrangement to
feature in your concerts
for kids (and adults!).
In deze medley
voor koperkwintet komen
we een aantal van de
leukste poppen en
stripfiguren tegen die
ooit het wereldpodium
hebben betreden: The
Muppets, Popeye en
natuurlijk Mickey Mouse.
Een weergaloos stuk waar
zowel kinderen als
volwassenen van genieten!
In diesem Medley
für
Blechbläserquintett
treffen wir einige der
großartigsten
Zeichentrickfiguren, die
jemals erfunden wurden:
Die Muppets, Popeye und
natürlich Micky Mouse.
Ein wunderbarer
Konzertbeitrag für
Kinder und Erwachsene!
Dans ce medley
pour quintette de
cuivres, nous rencontrons
quelques-uns des plus
grands personnages
animés jamais
inventés : Les
Muppets, Popeye et bien s
r Mickey Mouse. Les
enfants l'apprécieront
autant que les adultes !
Nel medley
'Cartoon Parade' per
quintetto di ottoni,
incontriamo alcuni dei
più grandi personaggi
dei cartoni animati mai
inventati: i Muppets,
Braccio di ferro e,
naturalmente, Topolino.
Un grande momento per
bambini e adulti nei
vostri concerti! $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music For Judy Trompette et Quatuor à Cordes Theodore Presser Co.
(For Trumpet And String Quartet). Composed by Peter Schickele. For string quarte...(+)
(For Trumpet And String
Quartet). Composed by
Peter Schickele. For
string quartet (trumpet,
2 violins, viola,
violoncello).
Contemporary. Score and
part(s). Standard
notation. Composed April
06 2011. 88 pages.
Duration 17 minutes.
Theodore Presser Company
#164-00280. Published by
Theodore Presser Company
$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compagni, andiam (Chorus from ‘La Favorita’) [Conducteur et Parties séparées] Ut Orpheus
Chamber Music for Wind SKU: UT.TIB-13 Quando corpus morietur (Quartet ...(+)
Chamber Music for Wind
SKU: UT.TIB-13
Quando corpus morietur
(Quartet from
‘Stabat
Mater’) for 2
Trumpets and 2 Trombones.
Reduction by Fermo
Bellini (1804-1865).
Composed by Gaetano
Donizetti and Gioachino
Rossini. Edited by Igino
Conforzi. Saddle
stitching. Classical.
Score and Parts. Ut
Orpheus #TIB 13.
Published by Ut Orpheus
(UT.TIB-13). ISBN
9790215318458. 9 x 12
inches. A talented
and complex figure with a
character of rare depth
and irreproachable
morals, Fermo Bellini
lived a life rich in
experiences in the most
disparate cultural
fields, building his
period in music between
1839 and 1850. A pupil of
the distinguished
violinist and conductor
Gaetano Zocca in Ferrara,
he specialized on the
trombone, perhaps
encouraged by his
teacher, who had invented
a new form of bow for
this instrument. His son
relates his success in
the various theatres
where he performed and in
Milan, where he was held
in esteem both as a
composer and a theorist,
transcribing opera scores
particularly for wind
instruments according to
the fashion of the day.
He was musically
productive from 1833, the
date of the printing of
his first work continuing
til the middle of the
century when his passion
for literature and social
comment took on greater
significance. Treatises,
duets, trios, quartets
and divertimenti
demonstrate his
considerable mastery and
knowledge of wind
instruments. such that it
made him the leading
exponent of the Milanese
scene: works which were
published by the major
publishers of Milan such
as Francesco Lucca and
the Ricordi family
confirm the reputation
and success that Bellini
achieved there. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano seul - Intermédiaire Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Piano Classics: 104 Pieces for Early and Intermediate Players Piano seul [Partition] - Facile Dover Publications
Edited by Ronald Herder. For Piano. Piano Collection. Masterwork. Book. Publishe...(+)
Edited by Ronald Herder.
For Piano. Piano
Collection. Masterwork.
Book. Published by Dover
Publications.
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata For Trumpet And Piano Trompette, Piano Theodore Presser Co.
Chamber Music Piano, Trumpet SKU: PR.114419070 Composed by Martin Amlin. ...(+)
Chamber Music Piano,
Trumpet SKU:
PR.114419070 Composed
by Martin Amlin. With
Standard notation. 20+16
pages. Duration 9
minutes. Theodore Presser
Company #114-41907.
Published by Theodore
Presser Company
(PR.114419070). ISBN
9781491113493. UPC:
680160671540. 9 x 12
inches. Martin
Amlin’s first
recital work for Trumpet
and Piano brings all the
iridescent excitement
that has intrigued other
performers. Composed for
his renowned colleague
Terry Everson,
Amlin’s sonata
pours new wine into old
bottles with its three
movements titled: 1.
Invention, 2. Chaconne,
and 3. Moto Perpetuo. The
publication provides solo
parts for both C and
E-flat
Trumpet. Composer and
pianist Martin Amlin has
received grants from the
National Endowment for
the Arts, Tanglewood
Music Center,
Massachusetts Cultural
Council, Massachusetts
Artists Foundation, St.
Botolph Club Foundation,
and the Massachusetts
Council for the Arts. He
was a recipient of an
ASCAP Grant to Young
Composers and has
received many ASCAPlus
Awards. He has been a
resident at Yaddo, the
Virginia Center for the
Creative Arts, and the
MacDowell Colony, where
he was named a Norlin
Fellow.Much of
Amlin’s music is
characterized by a
pungent tonality and
energetic rhythms. His
Sonata for Piccolo and
Piano and Sonata No. 2
for Flute and Piano both
won the National Flute
Association’s
Newly Published Music
Competition. Concerto for
Piccolo and Orchestra was
premiered by the Atlanta
Symphony Orchestra,and he
has had performances of
his music by the Pro Arte
Chamber Orchestra,
Tanglewood Festival
Chorus, John Oliver
Chorale, Back Bay
Chorale, Webster Trio,
and the American Vocal
Arts Quintet. He has had
commissions from the
Seattle Flute Society,
Pacific Serenades, the
Chicago Flute Club, ALEA
III, the James
Pappoutsakis memorial
flute competition,
pianist Andrew Willis,
and clarinetist Michael
Webster.Martin Amlin is
Chairman of the
Department of Composition
and Theory at Boston
University and Director
of the Young Artists
Composition Program at
the Boston University
Tanglewood Institute. He
is also recipient of
Boston
University’s Kahn
Award for his Piano
Sonata No. 7. He studied
with Nadia Boulanger at
the Ecoles d’Art
Américaines in
Fontainebleau and the
Ecole Normale de Musique
in Paris, and received
masters and doctoral
degrees as well as the
Performer’s
Certificate from the
Eastman School of Music.
Mr. Amlin has appeared as
soloist with the Boston
Pops Orchestra in
performances of
Mendelssohn’s
Piano Concerto No. 1 and
Gershwin’s
Rhapsody in Blue, and has
performed on the Boston
Symphony
Orchestra’s
Prelude concerts at both
Symphony Hall and
Tanglewood. He has also
appeared on the
FleetBoston Celebrity
Series and been pianist
for the M.I.T.
Experimental Music Studio
and the New England
Ragtime Ensemble. He has
often been heard live on
Boston’s WGBH
radio station as both
performer and composer,
and has given world
premieres of many new
works.Martin Amlin has
recordings on the Albany,
Ashmont Music, Centaur,
Crystal, Folkways,
Hyperion, Koch
International, Opus One,
Titanic, and Wergo
labels. . $18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A First Book Of Inventions Study Score For Chamber Orchestra Orchestre Schott
Orchestra (pic(fl).1.2.2.1.cbsn-2.2 .0.0-str(12-14.10-12.8-10 .6-8.4-6)) SKU:...(+)
Orchestra
(pic(fl).1.2.2.1.cbsn-2.2
.0.0-str(12-14.10-12.8-10
.6-8.4-6)) SKU:
HL.49019158 For
orchestra. Composed
by Ryan Wigglesworth.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2010.
60 pages. Duration 9'.
Schott Music #ED13471.
Published by Schott Music
(HL.49019158). ISBN
9790220133206.
8.25x11.75x0.222
inches. Written in
2010 for the Royal
Liverpool Philharmonic,
Wigglesworth's
nine-minute work explores
the idea of perpetuum
mobile (continuous
movement) in seven
connected, miniature
inventions. A regular
pulse forms the work's
core, with elaborations
of the central musical
idea shifting constantly
around it in jagged
rhythms and sumptuous
orchestration. The
composer writes, The
seven sections can very
briefly be described
thus: 1) an active,
miniature 'theme and
variations'; 2) the
juxtaposition of various
fragmentary two-part
inventions; 3) a tremolo
string ostinato with
woodwind interjections,
building towards the
first climax; 4) an
ostinato passing between
horns and muted trumpets
together with a dialogue
for high woodwind and low
strings; 5) a very slow
canon for string
harmonics and pizzicato
double basses; 6) a fast,
one-part invention
beginning with solo
piccolo, and gradually
leading to the second
climax; 7) chorale.This
is a lively orchestral
miniature which gives the
impression of a
kaleidoscope, with short
musical ideas cutting
across each other in
quick succession. $36.00 - Voir plus => Acheter | | |
| The Piano Bench Of Classical Music
Piano seul [Partition] Music Sales
Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With f...(+)
Edited by Amy Appleby.
For piano. Format: piano
solo book (spiral bound).
With fingerings.
Renaissance, baroque,
classical period,
romantic period,
impressionistic and 20th
century. 400 pages. 9x12
inches. Published by
Amsco.
(6)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Piano Treasury of Classical Music Piano seul [Partition + CD] - Intermédiaire Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Trumpet Concerto in E flat major Hob VIIe:1 Breitkopf & Härtel
Continuo realization (solo: trp - 2.2.0.2 - 2.2.0.0 - timp - str - bc) SKU: B...(+)
Continuo realization
(solo: trp - 2.2.0.2 -
2.2.0.0 - timp - str -
bc) SKU:
BR.OB-4760-12
Composed by Franz Joseph
Haydn. Arranged by Gunter
Raphael. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Joseph Haydn's Trumpet
Concerto in E flat major
Hob VIIe:1 was composed
in 1796 for the Vienna
court trumpeter Anton
Weidinger. The key
trumpet which he
developed possessed a
broader range of notes
than the trumpets of that
time. Solo concerto;
Classical. Part. 12
pages. Duration 15'.
Breitkopf and Haertel #OB
4760-12. Published by
Breitkopf and Haertel
(BR.OB-4760-12). ISBN
9790004320693. 10 x 12.5
inches. Joseph
Haydns Trumpet Concerto
in E flat major Hob
VIIe:1 was composed in
1796 for the Vienna court
trumpeter Anton
Weidinger. The key
trumpet which he
developed possessed a
broader range of notes
than the trumpets of that
time, and allowed
chromatic sequences as
well.The cadenzas to be
played in Haydns trumpet
concerto have not been
transmitted. The present
piano reduction contains
a cadenza suggestion for
the first movement; in
the final movement, the
performer is encouraged
to invent an original
cadenza. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Richard and Renée Orchestre d'harmonie Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Clarinet 4,
Contrabassoon, Flute 1,
Flute 2, Flute 3, Flute
4, Horn 1, Horn 2, Horn
3, Oboe 1, Oboe 2,
Piccolo, Trumpet 1,
Trumpet 2, Trumpet 3,
alto Saxophone and more.
SKU: PR.115402050
For Wind Symphony and
Piano. Composed by
Carter Pann. Sws score.
Wind Band Select.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2009.
4+4+4+4+4+4+4+4+4+4+4+4+4
+4+4+4+4+4+4+4+4+4+4+4+4+
4+4+4+4+4+4+12+4+4+4+4+4+
42 pages. Duration 10
minutes. Theodore Presser
Company #115-40205.
Published by Theodore
Presser Company
(PR.115402050). ISBN
9781491102152. UPC:
680160594252. 9 x 12
inches. Key: Bb
mixolydian. RICHARD
AND RENÉE (2009) is a
two-part gift to the
composer’s
friends, conductor
Richard Floyd and
clarinetist Renée
Kershaw. Movement I is
“Renée’s
Reply†to Erik
Johnson’s marriage
proposal when the two
were visiting Pann in
Positano, Italy. Movement
II is
“Floyd’s
Fantastic Five-Alarm Foxy
Frolic,†a joyous
ragtime two-step
featuring the inventive
exuberance that has
garnered great excitement
for Pann’s
music. $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The 20th Century - Elementary Level Piano seul - Facile Schirmer
(33 Piano Pieces by Béla Bartók, Dmitri Kabalevsky and Dmitri Shos). Compose...(+)
(33 Piano Pieces by Béla
Bartók, Dmitri
Kabalevsky
and Dmitri Shos).
Composed
by Various. Edited by
Richard Walters. For
Piano.
Schirmer Performance
Editions. Softcover. 32
pages. Published by G.
Schirmer
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Baroque to Modern: Elementary Level Piano seul - Facile Schirmer
33 Pieces by 10 Composers in Progressive Order. Composed by Various. Edited by R...(+)
33 Pieces by 10 Composers
in Progressive Order.
Composed by Various.
Edited by Richard
Walters. Schirmer
Performance Editions.
Baroque, Classical,
Modern. Softcover. 40
pages. Published by G.
Schirmer
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem in D major ZWV 46 Breitkopf & Härtel
Violin 1 (solos: SATB - choir: SATB - 2.2.chal.0(2) - 2.2.0.0. - timp - theorbe ...(+)
Violin 1 (solos: SATB -
choir: SATB -
2.2.chal.0(2) - 2.2.0.0.
- timp - theorbe - str)
SKU: BR.OB-5593-15
Urtext. Composed
by Jan Dismas Zelenka.
Edited by David Erler.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Royal Funeral
Music Requiem;
Baroque. Part. 20 pages.
Breitkopf and Haertel #OB
5593-15. Published by
Breitkopf and Haertel
(BR.OB-5593-15). ISBN
9790004344316. 10 x 12.5
inches. For the
funeral rites after the
death of King Augustus I.
of Saxony (Augustus the
Strong), Zelenka composed
the Requiem in D (ZWV 46)
and the Officium
Defunctorum (ZWV 47),
both integral parts of
the exequies for the
Saxon-Polish ruler.
Zelenka had to finish
this work in a great
hurry, and implemented -
suitable to the occasion
- an impressing abundance
of sound colors and
inventiveness: muted
trumpets and horns,
chalumeau, obligate
fagotti as well as
extremely virtuoso solo
parts and fully developed
counterpoints in the
choral settings. With the
present Urtext edition
David Erler is closing
one of the last gaps in
the series of large-scale
sacred works of Zelenka
in Breitkopf & Hartel's
catalog.Have a look into
the piano vocal
score.
Royal
Funeral Music. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Definitive Classical Collection Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...(+)
133 Selections by 43
Composers. Piano Solo
Mixed Folio (Intermediate
to advanced piano
arrangements with no
lyrics). Size 9x12
inches. 480 pages.
Published by Hal Leonard.
(1)$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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