Composed by Bernard Lallement. Collection. Secular. Choir part. 44 pages. Published by Editions a Coeur Joie (CJ.A135300156).

By Nicola LeFanu (1947-). For SSA choir a cappella. Women's Choir (commissioned by MUSE, Cincinnati's Women's Choir, artistic director Catherine Roma, for first performance in Cincinnati, November 22nd, 2008). Modern. Vocal score

By Nicolae Bogdan. For trumpet and piano/organ. Published by Musikk-Husets Forlag

For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Nicolas Sloninsky. For Piano. New Music. Classical. Solo part. 20 pages. Published by Theodore Presser Company.

Composed by Nicola Vaccai (1790-1848), edited by Elio Battaglia. Instructional book and accompaniment CD for soprano voice, tenor voice and piano accompaniment. With introductory text, instructional text, vocal melody, piano accompaniment and lyrics. Text language Italian, English. 68 pages. Published by Ricordi.

Clarinet and Piano

SKU: HL.14018819

Composed by Nicola LeFanu. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV361053. Published by Music Sales (HL.14018819).

ISBN 9780853609827.

Comm issioned by The Muhlfeld Trio in 1988, Lullaby is one of a pair of pieces by Lefanu based around twilight and night. The piece features six miniatures, illustrating a mother's experiences watching her child drifting into slumber. The miniatures are performed without breaks, as one continuous piece, with fluctuations, surprises and long stretches of blissful chords and undulating textures. The clarinet part is also included on a separate insert. The second piece of the pair, Nocturne for Cello and Piano, is available: item code NOV361054.

Opera

SKU: HL.14013308

Composed by Nicola LeFanu. Music Sales America. Opera or Operetta. Book [Softcover]. Music Sales #NOV072475. Published by Music Sales (HL.14013308).

ISBN 9780853608349.

A major dramatic work for children, published for the first time. This is an exciting opera for schools, community groups and professional companies to perform, exploring universal issues of tolerance, love and friendship, communication and language.

By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag

Edited by Heidi Pegler, Nicola-Jane Kemp. Collection and accompaniment CD for low voice and piano accompaniment. Text language Italian, German, French, and Spanish. 80 pages. Published by Faber Music.

Edited by Heidi Pegler, Nicola-Jane Kemp. Collection and accompaniment CD for high voice and piano accompaniment. Text language Italian, German, French, and Spanish. 80 pages. Published by Faber Music.

(October/November 2013). By Josh Groban and Nicola Benedetti. By John Jacobson and Rollo Dilworth. Arranged by Emily Crocker and Roger Emerson. For Choral (BASIC COMPLETE PAK). Music Express. Published by Hal Leonard

By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag

(CME In High Voice). By Nicola Porpora (1686-1768). Edited by Joan Whittemore. For Choral (SSAA). In High Voice. Boosey and Hawkes #M051475698. Published by Boosey and Hawkes

Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by Kevin Mayhew Publishers