Par TELEMANN GEORG PHILIPP. Solo for Flute and Basso continuo in B minor (TWV 41:h4) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover anindividual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière et Basse Continue

Par DEBUSSY CLAUDE. Transcription par Georges Lambert et Yung Wha Lee. / classique / Répertoire / Flûte Traversière et Harpe ou Piano

Par GRANADOS ENRIQUE. Transcription: Georges Lambert et Yvon Rivoal. / classique / Répertoire / Flûte Traversière et Guitare

Par ALBENIZ ISAAC. Transcription: Georges Lambert et Yvon Rivoal. / classique / Répertoire / Flûte Traversière et Guitare

Par GRANADOS ENRIQUE. Arrangements : Jung Wha Lee et Georges Lambert. / classique / Répertoire / Flûte Traversière et Harpe ou Piano

Playing with the Chamber orchestra. Par SCHWARZ OTTO M.. The recordings for the POESIA production were made by a chamber orchestra supported by electric bass and drums. Recordings and sheet music of the highest quality are the trademarks of composer Otto M. Schwarz and Symphonic Dimensions Publishing. Let this music transport you into the dreamworld of masks, fairy tales and romance!/ Répertoire / Flûte Traversière

5 Selected Songs. Par MAHLER GUSTAV. The only known chamber music by Gustav Mahler is a movement for piano quartet from his student days at the Conservatorium in Vienna (1875-1878). The present new arrangements by Ronald Kornfeil go some way to addressing this gap while they also enrich the repertoire with pieces that are very interesting and demanding in their own right. The composer's rich song output includes his Wunderhorn songs, the Songs of a Wayfarer, the Rückert songs, the Kindertotenlieder (Songs on the Death of Children) as well as movements from his symphonies and the Song of the Earth. This book includes a selection of pieces that best suit the sound of the flute while providing plenty of variety. The arrangements transform Mahler's songs from their original conception for voice and piano or orchestral accompaniment into a purely instrumental dialogue between two equally important instrumentalists. In most cases the colourful orchestral versions provide the starting point. The omission of the text also demands different compositional techniques to bring out the various effects between indulgent sweetness and grotesque irony. The internationally acclaimed flautist, Emmanuel Pahud presents further publications in this new series bringing together selected pieces from the repertoire of famous flautists./ Répertoire / Flûte Traversière et Piano

Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 for Richard Adeney, who premiered it at the Aldeburgh Festival with the English Chamber Orchestra. Cast in three movements, this delightful 14-minute concerto is scored for solo flute, pairs of oboes and horns, and strings. / Instrumental Music / Répertoire / Flûte Traversière et Piano

Par SCHUBERT FRANZ. Schubert’s music is impervious to the passage of time, and the Arpeggione Sonata, with its ethereal beauty, has become one of the immortal treasures of the chamber music repertoire. This has led to the unique situation of a major work of art existing for an instrument that has long been extinct. - Urtext of the New Schubert Edition/ Répertoire / Flûte Traversière

Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra, this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong> Concerto for Flute and Strings is quite unusual as it was only created in two movements, each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest ; Concours de Genève in 2014, this concerto requires advanced skills. Andre Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière et Piano

D-Dur (Rv 427) / G-Dur (Rv 438) / F-Dur, Op. 10/5. Par VIVALDI ANTONIO. From the Italian master of Baroque music comes this collection of three magnificent flute concerti. The F-major concerto, taken from Vivaldi\'s Opus 10 collection, is particularly notable, as in it Vivaldi slightly reworked his legendary RV442 treble recorder concerto, using an accompaniment of muted strings throughout. All three of these are perfect for any flutist with a flair for the Baroque. Includes a printed music score and online audio featuring a complete performance and a second performance minus the soloist so you can play along and be the star. Performed by Vaclave Sykora, flute Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens The audio isaccessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Répertoire / Flûte Traversière

for Flute Orchestra. Par MENDELSSOHN-BARTHOLDY FELIX. Some of Felix Mendelssohn's earliest compositions include a set of 12 string symphonies which he composed between the ages of 12 and 14. Coming from a wealthy family, a private orchestra often premiered his works at chamber concerts held in his home. This arrangement by Shaul Ben-Meir consists of the first movement of Sinfonia No. 9, the Grave-Allegro. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par SAINT-SAENS CAMILLE. The Romance for a melodic instrument and Piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for Violin, Cello, and Horn. His only Romance for Flute was composed in 1871, shortly after the Société nationale de musique had been founded. It was premiered in this new forum for Piano music and chamber works a year later, too. In spite of its brevity, the piece contains numerous harmonic and melodic refinements, which rapidly made it popular among flautists – both in the original setting with Piano accompaniment as well as in the later orchestral version. The Henle Urtext edition is the firstcritical edition of this piece, which is also very popular with learners of the Flute. / Jost, Peter / Répertoire / Flûte Traversière et Piano

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano