(BWV 933-938, 917, 918, 921, 922, 894-896, 903, 903a) Composed by Johann Sebastian Bach (1685-1750), edited by Uwe Wolf. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 95 pages. Published by Baerenreiter-Ausgaben (German import).

Composed by Johann Sebastian Bach (1685-1750). Edited by Christoph Wolff and Martina Rebmann. This edition: facsimile. Half-leather- binding. Documenta musicologica II/54 / Barenreiter Facsimile. Facsimile. BWV 248. 148/33 pages. Baerenreiter Verlag #BVK02448. Published by Baerenreiter Verlag

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

Scholarly-critical performing edition. Composed by Johann Sebastian Bach (1685-1750). Edited by Douglas Woodfull-Harris and Bettina Schwemer. This edition: Facsimile, Urtext edition. In a folder. Barenreiter Urtext. Six Suites for Violoncello solo. Performance Score(s), anthology, book, facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05217. Published by Baerenreiter Verlag

with Performance Notes. By Johann Sebastian Bach. Edited by Rudolph Steglich. Piano (Harpsichord), 2-hands. Pages: 66. Urtext edition-paper bound. Published by G. Henle.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100214

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 2. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.002/14. Published by Carus Verlag (CA.3100214).

ISBN 9790007041373. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and part available separately - see item CA.3100200.

SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3115113

Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/13. Published by Carus Verlag (CA.3115113).

ISBN 9790007049409. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.

Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100.

Edited by Ron Purcell. For Guitar (Classical). Duets. Classic. Level: Intermediate-Advanced. Book. Size 11.75x8.75. 144 pages. Published by Mel Bay Publications, Inc.

Collection of First Editions. Edited by Rampe, Siegbert. For Organ / Harpsichord / Piano. This edition: Urtext Edition. Playing score. Collection. 98 pages. Published by Baerenreiter Verlag (German import).

For Piano. This edition: New International. Book; Method/Instruction; Piano - Suzuki Method. The Suzuki Method Core Materials. 52 pages

By Johann Sebastian / Mozart Bach. Edited by Uwe Wolf. This edition: linen cover. Complete Editions. Complete edition. 168 pages

Kantate zum 27. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Horn, Paul. Arranged by Paul Horn. For Soli STB, SATB Choir, [Cor], 2 Oboes, Taille (English Horn), Vl pic, Strings, Bassoon, Organ. BWV 140. Full score available separately - see item CA.3114000. Cantatas; Stuttgart Urtext editions; Occasions: Mourning, Death; Use during church year: Advent, End of the church year. Part: Violin 1. Language: German/English. Composed 1731. 16 pages. Duration 31 min. Published by Carus Verlag (German import).

By Johann Sebastian Bach. For 2 Guitars. Score and Parts. Published by Ut Orpheus. (CH 05)

(Kantate zum Sonntag Septuagesimae). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For soprano voice solo, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo. BWV 84. Full score available separately - see item CA.3108400. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Special Days. Level 3. Part: Violin 1. Language: German/English. Composed 1727 (?). 8 pages. Duration 16 min. Published by Carus Verlag

Score and Parts Concert Band; Wind Orchestra (Score & Parts) - Grade 5

SKU: HL.4008644

Wind Orchestra, Grade 5, 12:45 Score and Parts. Composed by Johann Sebastian Bach. Arranged by Franco Cesarini. Editions Franco Cesarini. Classical, Fugue. Softcover. Duration 765 seconds. Hal Leonard #EFC004-CBHA. Published by Hal Leonard (HL.4008644).

ISBN 9798350115024. UPC: 196288189695.

The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini’s arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The “Thema fugatum” which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful “Neapolitan sixth” chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.

Piano

SKU: PR.700675060

From The Clavier-Übung, Part III. Composed by Johann Sebastian Bach. Arranged by John Musto. Peermusic Classical #70067-506. Published by Peermusic Classical (PR.700675060).

UPC: 884088960681.

Double bass (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-27

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-27. Published by Breitkopf and Haertel (BR.OB-4065-27).

ISBN 9790004303535. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

(2 ob,cont,str,ATB soli,SATB chorus)

SKU: TM.05020SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A2463. Published by Lucks Music Library (TM.05020SC).

Vicino a te through the end of the opera. Includes: La nostra morte e il trionfo dell'amor! Sc. pg 332-end; Vs 232-end. Rehearsal No. 7.

Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.2.0.0 - 0.0.corn.1.0 - str - bc)

SKU: BR.EB-7135

3rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Bernhard Todt. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 7135. Published by Breitkopf and Haertel (BR.EB-7135).

ISBN 9790004172896. 7.5 x 10.5 inches. German.

4 guitars - Intermediate

SKU: DZ.DZ-2021

Composed by Johann Sebastian Bach. Arranged by Jurg Kindle. Score and parts. Les Productions d'OZ #DZ 2021. Published by Les Productions d'OZ (DZ.DZ-2021).

ISBN 9782896559206.

ATB vocal soli, SATB choir, flute, 2 oboe d'amore, corno da tirarsi (trumpet, horn), 2 violins, viola, basso continuo - Level 3

SKU: CA.3106711

Kantate zum Sonntag Quasimodogeniti. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Halt im Gedachtnis. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Violin 1. Composed 1724. BWV 67. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.067/11. Published by Carus Verlag (CA.3106711).

ISBN 9790007044084. Key: A major. Language: German/English.

Sco re available separately - see item CA.3106700.

Mixed Ensemble

SKU: BT.EMBZ40079

By Istvan Mariassy. By Johann Sebastian Bach. EMB Study Scores. Solo & Concerto. Book Only. Composed 1987. 28 pages. Editio Musica Budapest #EMBZ40079. Published by Editio Musica Budapest (BT.EMBZ40079).