| Celtic Guitar Delights Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire Mel Bay
Celtic, Squareback saddle stitch. Fingerpicking Guitar. Book and online audi...(+)
Celtic, Squareback saddle
stitch. Fingerpicking
Guitar.
Book and online audio.
Mel Bay
Publications, Inc
#30847M.
Published by Mel Bay
Publications, Inc
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Compare Notes for Violin and Piano Violon et Piano Hal Leonard
By Nico Muhly. Music Sales America. Softcover. Hal Leonard #SRO100046. Published...(+)
By Nico Muhly. Music
Sales America. Softcover.
Hal Leonard #SRO100046.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Phrasing for Trombone, vol.1 (2 CD set) Trombone Greg Fishman Jazz Studios
Trombone SKU: GF.JPTB Composed by Greg Fishman. Play-Along (Book+CD). Pub...(+)
Trombone SKU:
GF.JPTB Composed by
Greg Fishman. Play-Along
(Book+CD). Published by
Greg Fishman Jazz Studios
(GF.JPTB).
Milwaukee
Avenue
Ogden
Avenue
Narragans
ett
Avenue
Belden
Avenue
Chicago
Avenue
Quincy
Street
Rockwell
Street
Dearborn
Street
Franklin
Street
Pearson
Street Jazz Phrasing
for Trombone features ten
melodic pieces which are
easy to play, yet convey
the essence of mainstream
(Swing/Bebop/Bossa) jazz
vocabulary. The pieces
are catchy and melodic,
demonstrating the use of
sequence and
voice-leading to make a
musical statement.
This book
includes a play-along CD
featuring trombonist Russ
Phillips playing each
song with a world-class
rhythm section. The CD
also includes tracks
featuring Greg Fishman
demonstrating each song
on alto saxophone, giving
trombone players the
option of playing along
with Russ Phillips on
trombone or with Greg
Fishman on alto
saxophone. In
addition, there are
play-along tracks
featuring just the rhythm
section. These tracks are
great for practicing the
songs, chords, scales,
voice-leading lines and
soloing over the chords
progressions.
Jazz Phrasing for
Trombone will provide
valuable insights into a
melodic approach to jazz
improvisation. This book
is recommended for
trombone players of all
levels who wish to
improve their tone,
articulation, phrasing,
and understanding of
thematic development.
Special Features
of Jazz Phrasing for
Trombone: o
Suggested Use Section -
Provides detailed
instructions on a variety
of ways to work with the
book. Style & Analysis
Section - Provides clear,
concise explanations of
sequence, variation and
voice-leading
Thematic Index - Lets you
compare the opening
themes of all ten songs
in convenient two page
at-a-glance format. Also
includes detailed
information on the
opening interval of each
song, as well as harmonic
context of the opening
interval.
Endorsements for Jazz
Phrasing for
Trombone: Greg has
done it again. Great
melodies, interesting
rhythms and beautiful
chord progressions. This
is the perfect foundation
for learning jazz. -
Jamey Aebersold This
book is a monument to
Greg Fishman's superb
teaching skills, as well
as his clear
understanding of the jazz
student's early needs. He
has purposefully selected
accessible tempos,
significant melodic
rhythms (with their
appropriate phrasing) and
sensitive note choices,
utilizing commonplace
chord progressions within
the jazz repertory, all
impeccably demonstrated
on the accompanying
compact disc. This book
is a must for the early
conditioning of jazz
students! - Jerry
Coker Greg Fishman has
created a book of fun,
well-written, catchy
tunes in a variety of
styles for developing
jazz players---highly
recommended. - Dr.
Gregory W. Yasinitsky,
Regents Professor of
Music & Coordinator of
Jazz Studies, Washington
State University
Songs included in
Jazz Phrasing for
Trombone - Volume 1: o
Milwaukee Avenue Ogden
Avenue Narragansett
Avenue Belden
Avenue Chicago
Avenue Quincy
Street Rockwell
Street Dearborn
Street Franklin
Street Pearson
Street A few words
from the preface of the
book: Applying
good phrasing to music is
like using good
punctuation in written or
spoken language. It
involves the grouping of
ideas to make the meaning
of the words clear to the
listener. The words are
grouped into sentences,
and the sentences are
then grouped into
paragraphs. The same is
true when interpreting a
piece of music.
Good phrasing
requires a musician to
interpret the notes he
plays, and determine
which notes need to be
grouped together to form
a complete musical idea.
Each song in Jazz
Phrasing for Trombone is
designed to train your
ear to hear the logical
grouping of phrases
through the use of
sequence and thematic
development.
While the art of
good phrasing involves
the interpretation of
note groupings and their
relationships, it also
involves deciding where
you're going to take a
breath. Read the
following sentences aloud
to compare examples of
good and bad phrasing.
Good phrasing,
spoken in one continuous
breath: Ladies
and gentlemen, it gives
me great pleasure to
introduce the senior
class president.
Bad phrasing,
spoken with extra
breaths, disrupting the
flow and grouping of the
words: Ladies and
gentlemen, it gives
(breath) me great
pleasure to introduce the
senior class (breath)
president. The
difference between these
two sentences is very
similar to the difference
between a professional
musician's phrasing and a
student's phrasing. Both
may be playing the
correct notes with the
correct rhythm, but the
professional musician
knows how to group the
notes in a smooth,
flowing fashion, while
the student takes breaths
at random, not even aware
that he's disrupting the
phrasing. Jazz
Phrasing for Trombone has
been carefully designed
to help you learn to
phrase like a
professional player.
These are pieces
that will be fun for all
musicians who love
melodic writing with good
thematic
development.. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Interactive Rock Guitar Guitare [CD-ROM] EMedia
| | |
| ASCAP Centennial Songbook Guitare Hal Leonard
Piano/Vocal/Guitar SKU: HL.120772 By Various. Piano/Vocal/Guitar Songbook...(+)
Piano/Vocal/Guitar
SKU: HL.120772 By
Various.
Piano/Vocal/Guitar
Songbook. Music Business,
Pop, Pop Reference.
Softcover. 288 pages.
Published by Hal Leonard
(HL.120772). ISBN
9781480350519. UPC:
884088917463.
9.0x12.0x0.687
inches. 55 song
highlights from the
history of ASCAP,
celebrating their
representation of some of
the best songwriters of
all time. Songs include:
Ah! Sweet Mystery of Life
* Ain't No Mountain High
Enough * As Time Goes By
* At Last * Before He
Cheats * Bleeding Love *
Blue Skies * Defying
Gravity * Gonna Make You
Sweat (Everybody Dance
Now) * I Will Survive *
Just the Way You Are *
Livin' on a Prayer * Moon
River * My Funny
Valentine * Over the
Rainbow * Raindrops Keep
Fallin' on My Head *
Single Ladies (Put a Ring
on It) * Someone to Watch
over Me * Tenderly * The
Way We Were * We've Only
Just Begun * You Are the
Sunshine of My Life * and
more. Includes an
introduction by ASCAP, a
foreword by Paul
Williams, song notes by
decade, plus photos! $19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Chord Voicings for Right Hand Piano seul Santorella Publications
Jazz Chord Voicings for Right Hand arranged by James Progris. For jazz piano. Th...(+)
Jazz Chord Voicings for
Right Hand arranged by
James Progris. For jazz
piano. This edition:
Paperback. Instructional.
Chords. Book. Text
Language: English. 32
pages. Published by
Santorella Publications
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa "Pater noster" Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-3145-02 Urtext. Composed by Giovanni...(+)
Chorus a cappella SKU:
BR.CHB-3145-02
Urtext. Composed
by Giovanni Pierl da
Palestrina. Edited by
Rudolf Ewerhart. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Renaissance/early
Baroque. Choral score. 28
pages. Breitkopf and
Haertel #ChB 3145-02.
Published by Breitkopf
and Haertel
(BR.CHB-3145-02). ISBN
9790004403501. 7.5 x 10.5
inches. Palestrina'
s Missa Paternoster is
one of the masses by this
composer that were
published neither during
his lifetime nor after
his death. The work has
come down to us in one
single manuscript source
from the collections of
the Cappella Sistina in
Rome, a copy transcribed
by D. Brancadore in
1618.The mass is written
on motifs from the
ancient plainchant Pater
noster melody from the
mass liturgy, which
underlays the movements
in an admirable
multiplicity of melodic
forms. New counterpoints
are repeatedly
intertwined with the
themes of the title
melody over the course of
the mass. Certain
idiosyncrasies in the
voice-leading and the
austere sonorities that
recall the late
Netherlandish tradition
give rise to the
hypothesis that this is a
relatively early work of
Palestrina.Several
decades ago, the Missa
Paternoster was published
by Breitkopf & Hartel in
a performance edition
prepared by Hermann
Bauerle. The present
edition is based on the
copy of the work printed
in the Choirbook 68
(Cappella Sistina) of the
Biblioteca Vaticana in
Rome. The poor condition
of the source made it
necessary to compare it
with Haberl's Complete
Edition as weil, after
which two errors have to
be corrected. Our edition
cannot pretend to offer a
definitive reading of the
accidentals, since they
are difficult to
distinguish in the
original. The work was
transposed, as this
seemed more appropriate
to present-day choral
practice. Finally, the
note values were reduced
by a half and the closing
notes reproduced
uniforrnly as longae.
Palestrina's Missa
,,Pater noster occupies a
distinguished position
next to its better known,
four-part fellow works.
lt deserves this rank
thanks to its dignified
and broadly sweeping
themes, the archaic
loftiness of its sound,
and the wealth of motivic
work contained within it.
We sincerely hope that
this new edition will
stimulate choirs to turn
their attention once
again to this rarely sung
mass by the great Roman
master.Rudolf
Ewerhart,January 1962,
Munster (Westf.). $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Complete Clarinet Player - Book 2 Clarinette Music Sales
Written by Paul Harvey. For clarinet. Format: instructional book. With standard ...(+)
Written by Paul Harvey.
For clarinet. Format:
instructional book. With
standard notation,
instructional text,
instructional photos and
introductory text. Learn
to play. 48 pages. 9x12
inches. Published by
Music Sales
(1)$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Phrasing Voix seule [Partition + CD] Second Floor Music
A Workshop for the Jazz Vocalist. Vocal Collection. Book and CD Package. Size 9x...(+)
A Workshop for the Jazz
Vocalist. Vocal
Collection. Book and CD
Package. Size 9x12
inches. 56 pages.
Published by Second Floor
Music.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231). ISBN
9781491153314. UPC:
680160910816. Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lo, Judah's Lion Chorale SATB SATB, Clavier - Débutant GIA Publications
SATB choir, keyboard accompaniment - Beginning SKU: GI.G-6828 Composed by...(+)
SATB choir, keyboard
accompaniment - Beginning
SKU: GI.G-6828
Composed by Stephen J.
Rohde. Eastertide, Easter
Vigil, Easter Sunday.
Choral. Sacred. Octavo. 8
pages. GIA Publications
#6828. Published by GIA
Publications (GI.G-6828).
UPC: 785147682806.
English. Text Source:
The Lutheran
Hymnal, 1940,
Bohemian, ca. 1650;
Translation: John
Bajus. The notes on
this piece state,
“‘Lo,
Judah’s
Lion’ should take
on the character of a
wild victory
dance.†Indeed, the
hymn text (with roots in
early-17th century
Bohemia) takes on a whole
new exuberance through
the constant 3+3+2
rhythmic pattern. The
words compare
Jesus’ victory
over death with the
conquests of David and
Samson, each verse ending
with an Alleluia and an
invitation to praise the
Lord. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Six Suites for Violoncello solo, BWV 1007-1012 Violoncelle Barenreiter
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello SKU:
BA.BA05278 Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew. When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$123.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prelude and Fugue #21 in B-Flat Major Piano seul [Feuillet] Alfred Publishing
By Johann Sebastian Bach. Edited by Willard A. Palmer. For Piano. Piano Solo. Ma...(+)
By Johann Sebastian Bach.
Edited by Willard A.
Palmer. For Piano. Piano
Solo. Masterwork. Level:
Early Advanced (grade 6
). Sheet. 8 pages.
Published by Alfred
Publishing.
$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Johann Sebastian Bach : 2 and 3 Part Inventions (leather Bound) Piano seul Alfred Publishing
By Johann Sebastian Bach. Keyboard. Alfred's Masterwork Piano Library and Stand...(+)
By Johann Sebastian
Bach. Keyboard. Alfred's
Masterwork Piano Library
and Standard Collections.
Published by Alfred
Publishing.
$50.00 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Revelation in the Courthouse Park Schott
Choir; Orchestra; Vocal (Score) - difficult SKU: HL.49033017 After The...(+)
Choir; Orchestra; Vocal
(Score) - difficult
SKU: HL.49033017
After The Bacchae by
Euripides. Composed
by Harry Partch. This
edition: Ring/Spiral
binding. Sheet music.
Edition Schott. Opera.
Softcover. Composed 1960.
270 pages. Duration 4800
seconds. Schott Music
#ED9339. Published by
Schott Music
(HL.49033017). ISBN
9790001130400. UPC:
841886029422.
9.0x11.75x0.671 inches.
English. Revelation
in the Courthouse Park is
a setting of the tragedy
The Bacchae of Euripides
that Harry Partch
completed in 1960. The
plot is in America, but
also in Old Thebes:
Partch compares American,
extremely religious
followers with the insane
women from the Greek
tragedy. The play takes
up many of the
characteristics of its
earlier main works, and
therefore requires an
orchestra consisting of
almost all of its
self-made instruments.
Facsimile study score,
spiral bound with
foreword by Charles
Corey, and extensive
notes. $86.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 9 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello SKU:
PR.11441733S Composed
by Richard Wernick.
Premiered by the
Juilliard String Quartet,
Perelman Theater,
Philadelphia Chamber
Music Society;
Philadelphia, PA.
Contemporary. Score. With
Standard notation.
Composed February 19
2015. 27 pages. Duration
19 minutes. Theodore
Presser Company
#114-41733S. Published by
Theodore Presser Company
(PR.11441733S). UPC:
680160631865. Strin
g Quartet No. 9 is the
fourth that Wernick has
written for the Juilliard
Quartet. A commission by
the Philadelphia Chamber
Music Society, Wernick's
ninth string quartet was
premiered by the
Juilliard in November,
2015 and subsequently
taken on tour. The first
movement's affect (marked
'Assertive, Aggressive')
[compares] to Rockport's
forbidding coastline in
the eyes of the first.
settlers. This was an apt
analogy since the work's
musical language is, in
today's vernacular,
'gnarly.' [The second
movement]...a
'never-ending throb of
repeated notes'...the
effect of steadily
diminishing life-force,
though with a 'final
burst of hope from the
solo cello.' Again, the
composer made intriguing
use of many of the
different ways stringed
instruments can produce
sound. Geoffrey Wieting,
The Boston Musical
Intelligencer. $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 9 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello SKU:
PR.114417330 Composed
by Richard Wernick.
Premiered by the
Juilliard String Quartet,
Perelman Theater,
Philadelphia Chamber
Music Society;
Philadelphia, PA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed February 19
2015. 27+8+8+8+8 pages.
Duration 19 minutes.
Theodore Presser Company
#114-41733. Published by
Theodore Presser Company
(PR.114417330). UPC:
680160631841. Strin
g Quartet No. 9 is the
fourth that Wernick has
written for the Juilliard
Quartet. A commission by
the Philadelphia Chamber
Music Society, Wernick's
ninth string quartet was
premiered by the
Juilliard in November,
2015 and subsequently
taken on tour. The first
movement's affect (marked
'Assertive, Aggressive')
[compares] to Rockport's
forbidding coastline in
the eyes of the first.
settlers. This was an apt
analogy since the work's
musical language is, in
today's vernacular,
'gnarly.' [The second
movement]...a
'never-ending throb of
repeated notes'...the
effect of steadily
diminishing life-force,
though with a 'final
burst of hope from the
solo cello.' Again, the
composer made intriguing
use of many of the
different ways stringed
instruments can produce
sound. Geoffrey Wieting,
The Boston Musical
Intelligencer. $37.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| First Lessons Folk Harp Harpe [Partition + Accès audio] - Débutant Mel Bay
Composed by Star Edwards. Saddle-stitched. First Lessons. Book and Online Aud...(+)
Composed by Star Edwards.
Saddle-stitched. First
Lessons. Book and Online
Audio. 36 pages.
Published
by Mel Bay Publications,
Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tablature Des Doigtes Compares Des Notes Sur-aigues (saxophone Solo Saxophone Leduc, Alphonse
Saxophone (Saxophone) SKU: HL.48183140 Composed by Jean-Marie Londeix. Le...(+)
Saxophone (Saxophone)
SKU: HL.48183140
Composed by Jean-Marie
Londeix. Leduc.
Classical. Softcover.
Alphonse Leduc #AL25120.
Published by Alphonse
Leduc (HL.48183140).
UPC:
888680908690. Chart
of comparative Fingering
(French, English and
German text). $13.85 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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