Bass Clarinet and Orchestra SKU: HL.14001122 Composed by Asbjorn Schaathu...(+)
Bass Clarinet and
Orchestra
SKU:
HL.14001122
Composed
by Asbjorn Schaathun.
Music Sales America.
Classical. Score. Music
Sales #KP00663. Published
by Music Sales
(HL.14001122).
ISBN
9788759855669.
Danish.
ACTIONS,
INTERPOLATIONS AND
ANALYSES, symphonies for
bass-clarinet and large
ensemble (1987-90), is
what is commonly termed a
work in progress. So far
Schaathun has completed
three of five parts. The
is the composer's first
large-scale attempt to
investigate possible
connections between
ostensibly unrelated
material. Explained in
simple terms, it involves
taking two of Schaathun's
own type of texture
(composed by means of
different techniques) and
letting them rotate
around a familiar musical
object (in this case a
short excerpt from
Stravinskij's Symphonies
of Wind instruments in
which he employs the
famous frozen chords). In
the course of the piece
the elements takes over
various characteristics
from one another and the
form progresses from
fairly clear-cut textures
to a situation where the
various textures are
superimposed, creating a
dramatic flow. On a more
advanced level, the piece
is about trying to
mediate between different
musical textures as
metaphors for the
different levels of the
sound itself. One of the
main questions in this
context is; What is size
in music? Is it possible
to take a small
chord(i.e. narrow
register, few
instruments, simple tone
colours) and then blow it
up (wide register, many
instruments, advanced
mixtures) in such a way
that the listener still
perceives it as the same
chord? You have simply
moved closer to the
sound. At any rate, when
Schaathun composed the
piece, he himself
travellig into the sound,
as if were viewing a
texture from a distance.
He then recomposed the
same situation and drew
closer, and then
recompose it a third time
and simply get close
enough to discover the
world of sounds that thus
emerged. A world of
sounds capable of
travelling at a
tremendous speed...
However, like all
concertos, the piece is
of course about the
individual and his
relationship to his
surroundings (society).
Schaathun has often
pondered on the reason
for this preoccupation
wih solo concertos. The
answer derives from his
firm conviction that
nothing would ever happen
if it weren't for the
initiative, the Action,
of the individual.
Chamber Music Bass, Violin SKU: PR.141401040 Composed by Ellen Taaffe Zwi...(+)
Chamber Music Bass,
Violin
SKU:
PR.141401040
Composed
by Ellen Taaffe Zwilich.
Set of Score and Parts. 8
4 pages. Duration 4
minutes. Merion Music
#141-40104. Published by
Merion Music
(PR.141401040).
ISBN
9781491136379. UPC:
680160688913. English.
Comments by guests of
Soup Kitchen.
This
theatrical miniature has
carved a unique place in
music literature, thanks
to many warm hearts and
minds. In 2005 the
distinguished violinist
Kelly Hall-Tompkins
started a project called
Music Kitchen where the
homeless and needy, after
a meal provided by a soup
kitchen, were treated to
a concert performed by
some of the best
musicians in New York.
After these concerts,
Hall-Tompkins asked the
listeners for comments.
This became inspiration
for Zwilichâ??s MUSIC
KITCHEN INTERPLAY, which
includes vocal settings
of listenersâ?? comments
in musical counterpoint
with reworked fragments
of her Fantasy for Solo
Violin. In 2005 the
wonderful violinist,
Kelly Hall-Tompkins,
started a project called
Music Kitchen where needy
(often homeless) people,
after a meal provided by
a Soup Kitchen, were
treated to a concert
performed by some of the
best musicians in New
York. After the concerts,
Kelly asked the listeners
if they had any comments,
and she saved these.To
celebrate of 10 years of
the project, in 2015
Kelly asked a number of
composers to write a
composition for Music
Kitchen. I loved the
idea, and I was
particularly inspired by
the comments that the
listeners had made.The
premiere of Music Kitchen
Interplay featured
Kellyâ??s performance,
based on my Fantasy for
Solo Violin, with
audience comments (like
â??never been so close
to a violinâ?) given
voice by the outstanding
Bass, Mark Risinger. The
music is meant to
celebrate the
receptiveness and
understanding of our
fellow humans who, like
me, need music to enrich
our lives.
Composed by Brendan
Mcbrien. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 132 pages.
Duration 3:30.
Highland/Etling
#00-29727. Published by
Highland/Etling
(AP.29727).
UPC:
038081320731.
English.
Performers
and audiences alike will
enjoy the varied colors
and counterpoint in this
energetic work.
Interplay, as the name
implies, features the
interaction of various
melodic and rhythmic
elements arranged above a
cello and bass ostinato.
Tonalities shift from
major to minor adding to
the challenge and
excitement! (3:30).
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Gong, Horn,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal and
more. - Grade 2
SKU:
CF.YPS150
Composed by
Bill Calhoun. SWS FS. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+4+8
+12+6+4+6+4+1+3+10+24
pages. Duration 4
minutes, 12 seconds. Carl
Fischer Music #YPS150.
Published by Carl Fischer
Music (CF.YPS150).
ISBN 9781491140505.
UPC: 680160628568. 9 x 12
inches. Key: Eb
major.
As the title
implies, this dynamic new
piece from Bill Calhoun
is full of interplay
between sections of the
band, colors of sound,
harmonic progressions and
even contrasting styles.
This piece has a little
bit of everything: a
fanfare opening, a bold
brass melody, lush
woodwinds and so much
more. You will love the
slow, beautiful middle
section that will stretch
the musicianship of your
young band. This piece
will be the highlight of
your next concert or
festival performance.
Composed by Brendan
Mcbrien. String
Orchestra.
Highland/Etling String
Orchestra. Score. 16
pages. Duration 3:30.
Highland/Etling
#00-29727S. Published by
Highland/Etling
(AP.29727S).
UPC:
038081320748.
English.
Performers
and audiences alike will
enjoy the varied colors
and counterpoint in this
energetic work.
Interplay, as the name
implies, features the
interaction of various
melodic and rhythmic
elements arranged above a
cello and bass ostinato.
Tonalities shift from
major to minor adding to
the challenge and
excitement! (3:30).
(For Piano 4 Hands Or 2 Pianos). By Arvo Part (1935-). For Piano 4 Hands Or 2 Pi...(+)
(For Piano 4 Hands Or 2
Pianos). By Arvo Part
(1935-). For Piano 4
Hands Or 2 Pianos. Study
score. 5 pages. Duration
5 minutes. Published by
Universal Edition
By Denes Agay (Editor). For Piano. Published by Music Sales. Ideal for the y...(+)
By Denes Agay (Editor).
For Piano. Published by
Music Sales.
Ideal for the young
Pianist. Includes Birds
in the Morning, Having
Fun, Little March,
Interplay, Parade of the
Clowns, Here Comes the
Circus, Monkey Dance and
many more!
Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN601
Composed by Wolfgang
Amadeus Mozart. Edited by
Ernst Herttrich. Piano
Solo, Piano and Keyboard,
Repertoire, Solos. Piano
Sonata G major K. 283
(189h). Classical.
Softcover Book. 19 pages.
G. Henle #HN601.
Published by G. Henle
(HU.HN601).
Easy Guitar with Riffs and Solos. Performed by Black Sabbath. Easy Guitar (Simpl...(+)
Easy Guitar with Riffs
and Solos. Performed by
Black Sabbath. Easy
Guitar (Simplified
arrangements for guitar).
With notes and tablature.
Size 9x12 inches. 80
pages. Published by Hal
Leonard.
By David Bradley. Arranged by Martin Shellard. Music Sales America. Pop and Rock...(+)
By David Bradley.
Arranged by Martin
Shellard. Music Sales
America. Pop and Rock.
Book Only. 48 pages. Wise
Publications
#MUSAM1001616. Published
by Wise Publications
Performed by Black Sabbath. For guitar and voice. Format: guitar tablature songb...(+)
Performed by Black
Sabbath. For guitar and
voice. Format: guitar
tablature songbook. With
guitar tablature,
standard notation, vocal
melody, lyrics, chord
names and guitar notation
legend. Metal and hard
rock. Series: Hal Leonard
Guitar Recorded Versions.
128 pages. 9x12 inches.
Published by Hal Leonard.
Performed by Black Sabbath. For bass guitar. Format: bass tablature book. With b...(+)
Performed by Black
Sabbath. For bass guitar.
Format: bass tablature
book. With bass
tablature, standard
notation, instructional
text, black and white
photos, bass tablature
notation legend and
introductory text. Metal
and hard rock. 80 pages.
9x12 inches. Published by
Cherry Lane Music.
Summer Dance Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS19.
Published by Carl Fischer
Music (CF.YAS19).
ISBN
9780825854859. UPC:
798408054854. 8.5 X 11
inches. Key: D
major.
Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yet
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yetA
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerfulA
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel. A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a
powerful divisi
voicing on beat 3 of m.
63, right before the
final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by
Yukiko Nishimura. Set of
Score and Parts.
1+2+2+2+2+2+2+2+1+2+1+2+2
+2+2+2+1+2+1+3+2+24+24+10
+10+10+24 pages. Carl
Fischer Music #C1233.
Published by Carl Fischer
Music (CF.C1233).
ISBN
9781491162316. UPC:
680160921065.
First
written for string
orchestra and later
arranged for concert
band, Water
Reflections by Yukikko
Nishimura has now been
beautifully scored for
full orchestra. In this
setting, the
gorgeous melodies are
expanded with new
harmonic depth and rich
textures. Lush interplay
between winds and strings
is enhanced with stately
percussion, timpani, and
optional harp. The gentle
opening melody leads to a
faster, joyful middle
section that eventually
returns to the original
lyrical theme. First
written for string
orchestra and later
arranged for concert
band, Water
Reflections by Yukiko
Nishimura has now been
beautifully scored for
full orchestra. In this
setting, the
gorgeous melodies are
expanded with new
harmonic depth and rich
textures. Lush interplay
between winds and strings
is enhanced with stately
percussion, timpani, and
optional harp. The gentle
opening melody leads to a
faster, joyful middle
section that eventually
returns to the original
lyrical theme. First
written for string
orchestra, Water
Reflections by Yukiko
Nishimura has now been
beautifully scored for
full orchestra. In this
setting, the
gorgeous melodies are
expanded with new
harmonic depth and rich
textures. Lush interplay
between winds and strings
is enhanced with stately
percussion, timpani, and
optional harp. The gentle
opening melody leads to a
faster, joyful middle
section that eventually
returns to the original
lyrical theme.
Chamber Music String Quartet SKU: PR.14440385S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440385S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 20 minutes.
Theodore Presser Company
#144-40385S. Published by
Theodore Presser Company
(PR.14440385S).
UPC:
680160029907.
A
shorter and less
stringent work than my
two previous quartets
(1992 and 1994), the
Fourth Quartet is
comprised, almost
obsessively, of the
interplay between two
thematic kernels: (1) a
5-note motto, announced
at the outset, derived
from pitches in my own
name; and (2) a brief
legato line of expressive
sevenths (minor/major),
which is itself born out
of the first cell. Both
of these fragments
constantly pervade the
entire work, albeit in
ever-changing raiment.
The piece is extremely
classical in design: four
movements played without
interruption -
slow/fast/slow/fast -
with the first and third
sections alternating
declamatory and calmer
gestures, and the second
and fourth being, in
effect, almost variants
of each other. Quartet
No. 4 is approximately 20
minutes in duration and
each movement, as noted,
was written in memory of
dear friends who passed
away during late 1995 and
early 1996. The work was
completed in April of
1996 in Ormond, Florida
and Fairport, New York.
--Sydney Hodkinson. A
shorter and less
stringent work than my
two previous quartets
(1992 and 1994), the
Fourth Quartet is
comprised, almost
obsessively, of the
interplay between two
thematic kernels: (1) a
5-note motto, announced
at the outset, derived
from pitches in my own
name; and (2) a brief
legato line of expressive
sevenths (minor/major),
which is itself born out
of the first cell.Â
Both of these fragments
constantly pervade the
entire work, albeit in
ever-changing raiment.The
piece is extremely
classical in design: four
movements played without
interruption –
slow/fast/slow/fast
– with the first
and third sections
alternating declamatory
and calmer gestures, and
the second and fourth
being, in effect, almost
variants of each
other.Quartet No. 4 is
approximately 20 minutes
in duration and each
movement, as noted, was
written in memory of dear
friends who passed away
during late 1995 and
early 1996. The work
was completed in April of
1996 in Ormond, Florida
and Fairport, New
York.—Sydney
Hodkinson.
Composed by
Yukiko Nishimura. Full
score. 24 pages. Carl
Fischer Music #C1233F.
Published by Carl Fischer
Music (CF.C1233F).
ISBN 9781491162323.
UPC:
680160921072.
First
written for string
orchestra and later
arranged for concert
band, Water
Reflections by Yukikko
Nishimura has now been
beautifully scored for
full orchestra. In this
setting, the
gorgeous melodies are
expanded with new
harmonic depth and rich
textures. Lush interplay
between winds and strings
is enhanced with stately
percussion, timpani, and
optional harp. The gentle
opening melody leads to a
faster, joyful middle
section that eventually
returns to the original
lyrical theme. First
written for string
orchestra, Water
Reflections by Yukiko
Nishimura has now been
beautifully scored for
full orchestra. In this
setting, the
gorgeous melodies are
expanded with new
harmonic depth and rich
textures. Lush interplay
between winds and strings
is enhanced with stately
percussion, timpani, and
optional harp. The gentle
opening melody leads to a
faster, joyful middle
section that eventually
returns to the original
lyrical theme.
Composed by
Asa Taccone, Brian
Holland, Eric Howk,
Freddy Gorman, Georgia
Dobbins, Jason Sechrist,
John Gourley, John Hill,
Kyle O'Quin, Robert
Bateman, William Garrett,
and Zach Carothers.
Arranged by Alan
Billingsley. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Pop; Rock;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-47137. Published by
Alfred Music (AP.47137).
UPC: 038081539089.
English.
Check out
this cool retro-pop tune
from the rock band
Portugal. The Man that
instantly snags the
listener with its catchy
hook: Oo, I'm a rebel
just for kicks now!
Listen closely for clever
interpolations of the
'60s hit Please Mister
Postman. This Hot 100
charter achieved #1
status on Billboard
magazine's US Alternative
Songs and went on to win
a 2018 GRAMMY for Best
Pop Duo/Group
Performance. A bona fide
crowd-pleaser!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.