Music by Ludwig van Beethoven (1770-1827), arranged by Mervyn Warren, adapted by...(+)
Music by Ludwig van
Beethoven (1770-1827),
arranged by Mervyn
Warren, adapted by Roger
Emerson. Octavo for
2-part choir and piano
accompaniment. With chord
names. Series: Hal
Leonard Choral. 12 pages.
Published by Hal Leonard.
Arranged by Mac Huff. Octavo for 2 part choir and piano accompaniment. With chor...(+)
Arranged by Mac Huff.
Octavo for 2 part choir
and piano accompaniment.
With chord names. Series:
Hal Leonard Choral. 24
pages. Published by Hal
Leonard.
The Gospel Train Chorale 2 parties 2 parties, Piano Faber Music Limited
(A Gospel Medley and Classic Spiritual). Arranged by Alexander L'Estrange. Choir...(+)
(A Gospel Medley and
Classic Spiritual).
Arranged by Alexander
L'Estrange. Choir
Secular. For with Piano
(2-Part Choir). Book;
Choral Collection. Faber
Edition: Choral Basics.
Gospel. Published by
Faber Music
(from Sister Act 2: Back in the Habit) Discovery Level 3. By Ludwig van Beethove...(+)
(from Sister Act 2: Back
in the Habit) Discovery
Level 3. By Ludwig van
Beethoven. Arranged by
Audrey Snyder, Mervyn
Warren. (2 part).
Discovery Choral. 12
pages. Published by Hal
Leonard.
High Voice and Orchestra SKU: HL.14020965 Composed by Sir Peter Maxwell D...(+)
High Voice and Orchestra
SKU: HL.14020965
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 92 pages. Chester
Music #CH60950. Published
by Chester Music
(HL.14020965).
ISBN
9780711936959.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. This
suite begins with the
act's opening number: a
boisterous, stamping
dance to which the people
rudely mock Queen
Caroline Mathilde and her
lover Struensee. After
this comes a dark Adagio,
The Conspiracy, in which
the theme passes like
persuasion from mouth to
mouth, its variations
suggesting the different
attitudes of the
conspirators, firmly
controlled by the
brass-driven gestures of
the Queen Dowager. The
conspiracy then works
itself out at a court
masked ball, from which
the suite includes two
dances: a gavotte, and a
slow, lubricious
passacaglia that is a pas
de deux for Caroline
Mathilde and Struensee.
The Arrest comes with a
gathering rush of music
that envelops the King,
the Queen and Struensee,
leading to a vociferous
climax in which they are
held apart. In The
Execution, slow white
music for wordless female
voices, harp and low
strings is interrupted by
pathetic, alienated
outbursts from the King.
The suite ends, as does
the ballet, with a quiet
adagio lament for
clarinets and alto flute
as the Queen goes into
exile. Score. Duration c.
33mins.
((from Sister Act 2)) Composed by Ludwig van Beethoven (1770-1827), arranged by ...(+)
((from Sister Act 2))
Composed by Ludwig van
Beethoven (1770-1827),
arranged by Mervyn
Warren, Roger Emerson.
Set of performance parts
(choral parts available
separately) for 2
trumpets (1 and 2), tenor
saxophone, trombone,
keyboard, guitar, bass,
drum set and percussion.
With drum notation and
chord names. 12 pages.
Published by Hal Leonard.
(from Sister Act 2) Arranged by Mervyn Warren, Roger Emerson. Accompaniment CD. ...(+)
(from Sister Act 2)
Arranged by Mervyn
Warren, Roger Emerson.
Accompaniment CD. CD only
- no sheet music. Series:
ShowTrax CD. Published by
Hal Leonard.
Joyful, Joyful Chorale 3 parties 3 parties Mixtes Hal Leonard
(from Sister Act 2). By Ludwig van Beethoven. Arranged by Roger Emerson, Mervyn ...(+)
(from Sister Act 2). By
Ludwig van Beethoven.
Arranged by Roger
Emerson, Mervyn Warren.
(3 Part Mixed). Disney
Choral. Size 6.75x10.5
inches. 12 pages.
Published by Hal Leonard.
Joyful, Joyful CD Chorale [CD d'accompagnement] Hal Leonard
(from Sister Act 2: Back in the Habit) Discovery Level 3. By Ludwig van Beethove...(+)
(from Sister Act 2: Back
in the Habit) Discovery
Level 3. By Ludwig van
Beethoven. Arranged by
Audrey Snyder, Mervyn
Warren. (VoiceTrax CD).
Discovery Choral. CD
only. Published by Hal
Leonard.
Adapted by Roger Emerson, composed by Ludwig van Beethoven (1770-1827), arranged...(+)
Adapted by Roger Emerson,
composed by Ludwig van
Beethoven (1770-1827),
arranged by Mervyn
Warren. Octavo for SATB
choir and piano
accompaniment. With chord
names. Choral. 12 pages.
Published by Hal Leonard.
Joyful, Joyful Chorale 3 parties 3 parties Mixtes Hal Leonard
(from Sister Act 2: Back in the Habit) Discovery Level 3. By Ludwig van Beethove...(+)
(from Sister Act 2: Back
in the Habit) Discovery
Level 3. By Ludwig van
Beethoven. Arranged by
Audrey Snyder, Mervyn
Warren. (3 Part Mixed).
Discovery Choral. 16
pages. Published by Hal
Leonard.
Composed by Ludwig van Beethoven (1770-1827), arranged by Mervyn Warren, Roger E...(+)
Composed by Ludwig van
Beethoven (1770-1827),
arranged by Mervyn
Warren, Roger Emerson.
Octavo for SSA choir and
piano accompaniment (with
optional intrumental
accompaniment). With
chord names. Choral. 12
pages. Published by Hal
Leonard.
Saint Francis of Assisi is an opera in 3 acts by Olivier Messiaen. This volume i...(+)
Saint Francis of Assisi
is an opera in 3 acts by
Olivier Messiaen. This
volume is part of the
edition that includes the
books with the full
Orchestra scores, as well
as the explanations,
analysis and comments of
each tableau. It is
focused on the ?Act 1,
Tableau 2. Les laudes?
which tells of the moment
when Saint Francis his
requests to God to meet a
leper and to be able to
love him. This tableau
depicts Saint Francis and
the ?Mineurs Brothers?
singing the morning
service until the bells
ring, leaving Saint
Francis alone to pray. It
includes Saint Francis?
prayers, some parts of
Cantique des creatures on
Brother Wind, Sister
Water, Brother Fire and
Mother Earth and the
Sanctus. Based on the
life of Saint Francis of
Assisi, this opera is set
in Italy and is composed
as per below: Act I: 1.
La croix 2. Les laudes 3.
Le baiser au lepreux Act
II 4. L?ange voyageur 5.
L?ange musicien 6. Le
preche aux oiseaux Act II
7. Les stigmates 8. La
mort et la nouvelle vie
This opera was first
played at the Paris Opera
in 1983. Olivier Messiaen
(1908-1992) was a French
organist and composer
passionate about
Ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the 'Bird Catalogue' in 7
volumes and the 'Treatise
on rhythm, colour and
ornithology' in 7
volumes.
Horn and orchestra (solo: hn - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-151...(+)
Horn and orchestra (solo:
hn - 2.2.2.2 - 2.2.0.0 -
timp - str)
SKU:
BR.PB-15163
Urtext
edition based on HN 7255
(G. Henle Verlag,
Munich). Composed by
Richard Strauss. Edited
by Hans Pizka. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early modern.
Full score. 88 pages.
Duration 20'. Breitkopf
and Haertel #PB 15163.
Published by Breitkopf
and Haertel
(BR.PB-15163).
ISBN
9790004215890. 10 x 12.5
inches.
Richard
Strauss composed his
second horn concerto
about 60 years after his
first horn concerto,
having recently
considered that his
actual creativity had
come to an end with his
opera Capriccio. The late
work was just a wrist
exercise and not by any
means intended for
publication during his
lifetime, though it does
not reveal the depressing
circumstances of its
genesis during World War
II. In the key of E-flat
major, with the classic
three movements including
a rondo finale, the
concerto has is a
reminiscence of its
earlier sister work and
seems like a nostalgic
retrospect of his youth
from an almost
80-year-old Strauss. Hans
Pizka, editor of this
work's first Urtext
edition, has experienced
the performance tradition
and history of this
concerto at first hand,
both as a pupil of
Gottfried von Freiberg,
soloist of the world
premiere, and also as the
former solo hornist of
the Bavarian State Opera
in Munich.