| String Quartet No 5 Quatuor à cordes: 2 violons, alto, violoncelle Dantalian
By Donald Martino (1931-2005). For Violin, Violin, Viola, Cello. This edition: S...(+)
By Donald Martino
(1931-2005). For Violin,
Violin, Viola, Cello.
This edition: Study
Score. Contemporary
Classical. Conservatory.
Sheet music
$15.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Mon Film Quatuor de Saxophones: 4 saxophones [Conducteur et Parties séparées] - Facile FLEX Editions
Saxophone Quartet Soprano, Alto, Tenor, Baritone Saxophones - Grade 3 SKU: FL...(+)
Saxophone Quartet
Soprano, Alto, Tenor,
Baritone Saxophones -
Grade 3 SKU:
FL.FX070688 Composed
by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070688.
Published by FLEX
Editions (FL.FX070688).
Mon film is a
soulful composition that
uses minor mode. It is
built of 64 bars
dedicated to my Cousin,
born in 1964, and
prematurely deceased. I
shoot here the film based
on her life's
scenario... $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Paul Robeson Told Me Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] Boosey and Hawkes
String Quartet and Pre-recorded Sound. Composed by Michael Daugherty (1954-). Bo...(+)
String Quartet and
Pre-recorded Sound.
Composed by Michael
Daugherty (1954-). Boosey
and Hawkes Chamber Music.
Classical. Softcover with
CD, Score and Parts. 52
pages. Boosey and Hawkes
#M051105922. Published by
Boosey and Hawkes
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Come, Taste and See Chorale 3 parties SAB, Piano - Débutant GIA Publications
SAB choir, cantor, voice solo, assembly, keyboard accompaniment, violin 1, violi...(+)
SAB choir, cantor, voice
solo, assembly, keyboard
accompaniment, violin 1,
violin 2, viola, cello,
guitar - Beginning
SKU: GI.G-7062
Composed by Chris De
Silva. Ordinary Time,
Lent 4 A, Lent 4 C, OT 19
B, OT 20 B, OT 21 B.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#7062. Published by GIA
Publications (GI.G-7062).
UPC: 785147706205.
English. Text Source:
Based on Psalm
34:2–3,
4–5, 6–7.
Text by Chris de Silva.
Scripture: Psalm
34:2–3,
4–5,
6–7. Scored
in 3/4 but with
directions to use a 9/8
feel, this soulful but
rather simple setting of
Psalm 34:2–7 is
scored for SAB voices in
the refrain and under the
solo verses, and has the
option of an added string
quartet. For cantor or
soloist A soulful
but rather simple setting
of Psalm
34:2–7. $1.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mon Film Quatuor de Flûtes : 4 flûtes [Conducteur et Parties séparées] - Facile FLEX Editions
Flute Quartet 4 Flutes - Grade 3 SKU: FL.FX070693 Composed by Alain Lopez...(+)
Flute Quartet 4 Flutes -
Grade 3 SKU:
FL.FX070693 Composed
by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070693.
Published by FLEX
Editions (FL.FX070693).
Mon film is a
soulful composition that
uses minor mode. It is
built of 64 bars
dedicated to my Cousin,
born in 1964, and
prematurely deceased. I
shoot here the film based
on her life's
scenario... $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mon Film Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] - Facile FLEX Editions
Clarinet Quartet 3 Bb Clarinets, 1 Bass Clarinet - Grade 3 SKU: FL.FX070748(+)
Clarinet Quartet 3 Bb
Clarinets, 1 Bass
Clarinet - Grade 3
SKU: FL.FX070748
Composed by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070748.
Published by FLEX
Editions (FL.FX070748).
Mon film is a
soulful composition that
uses minor mode. It is
built of 64 bars
dedicated to my Cousin,
born in 1964, and
prematurely deceased. I
shoot here the film based
on her life's
scenario... $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto For Oboe And Orchestra [Conducteur] Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S). UPC:
680160680344. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L). UPC:
680160680337. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Southern Gospel Songs - Choral Book Word Music
SKU: WD.080689543173 Composed by Marty Hamby. Choral, cantatas. Southern ...(+)
SKU:
WD.080689543173
Composed by Marty Hamby.
Choral, cantatas.
Southern Gospel Songs.
Book. Word Music
#080689543173. Published
by Word Music
(WD.080689543173).
UPC:
080689543173. Southern Gospel
Songs… <
br/>Just mention that
phrase, and a certain
sound and style
immediately come to mind.
And it comes
simultaneously as both a
visual and an audible
trigger. It is sight and
sound encapsulated in so
many shapes and
forms…from the
original, iconic male
quartet with a
stride-style piano man,
to the famous mixed
groups—usually a
family; Dad, Mom, sons
and daughters,
spouses—to the not
infrequent trio,
sometimes all male,
sometimes all female,
sometimes mixed voices,
and even the occasional
solo artist…all
delivering soulful,
joyful, heartfelt and
inspiring songs. Songs
for the church.
Southern Gospel
Songs. Songs
about life, about prayer,
about joy, about sadness,
about Heaven, about
victory, about coming
home and about going
home; songs of cheer,
songs of love, songs of
conviction, songs of
salvation…Sou
thern Gospel
Songs. And
whether you first heard
one of these songs sung
by a quartet, a mixed
group, a trio, a soloist,
performed with piano
accompaniment only, a
full band, or accompanied
by an orchestra, you
haven’t really
heard it until
you’ve heard it
sung by a choir!
Southern Gospel
Songs for
Southern Gospel
Choirs...one of the
sweetest sounds this side
of
Heaven!
Thatâ
™s what this book,
with its dynamic
arrangements by Marty
Hamby, is all about --
Southern Gospel radio
hits, classic Southern
Gospel songs, and new and
emerging Southern Gospel
hits; they are all ready
and waiting for you to
add the one missing
ingredient… your
choir! So grab your
robes, get your choir
folders in hand, do a
vocal warm-up or two, and
get ready to “sing
the glory downâ€
with this great new
collection of
Southern Gospel
Songs! $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Persistence [Conducteur] Theodore Presser Co.
Chamber Music Bass Trombone, tenor Trombone 1, tenor Trombone 2, tenor Trombone ...(+)
Chamber Music Bass
Trombone, tenor Trombone
1, tenor Trombone 2,
tenor Trombone 3 SKU:
PR.11441527S For
Four Trombones.
Composed by Martin
Kennedy. Premiere: Tim
Myers, Vanesa Fralick,
Jonathan Reycraft, Gerard
Pagano, trombones; St.
Louis, MO. Contemporary.
Full score. With Standard
notation. Composed 2010.
16 pages. Duration 7:30.
Theodore Presser Company
#114-41527S. Published by
Theodore Presser Company
(PR.11441527S). UPC:
680160605088. 8.5 x 11
inches. Trombone
quartets will embrace
Kennedy's soulful writing
for the low brass. See an
excellent performance on
YouTube video by the
Trombones of the Saint
Louis Symphony Orchestra.
For advanced performers.
Duration: 7'30. $18.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Go Tell It on the Mountain Chorale SATB [Octavo] Alfred Publishing
Arranged by Philip Kern. Choir Secular. SATB choir. Choral Octavo. Choral Design...(+)
Arranged by Philip Kern.
Choir Secular. SATB
choir. Choral Octavo.
Choral Designs.
Christmas; Gospel;
Spiritual; Winter. Choral
Octavo. 16 pages.
Published by Alfred Music
Choral Octavo
Christmas; Gospel;
Spiritual; Winter
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Go Tell It on the Mountain Chorale 3 parties SAB A Cappella [Octavo] Alfred Publishing
Arranged by Philip Kern. For Choir. (SAB). Choral Octavo. Choral Designs. Gospe...(+)
Arranged by Philip Kern.
For Choir. (SAB). Choral
Octavo. Choral Designs.
Gospel; Spiritual,
Christmas. Choral Octavo.
16 pages. Published by
Alfred Publishing.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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