(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131).
ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches.
Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017.
Piano SKU: BT.MUSAM39645 The Complete Piano Player. Tuition. Book Only. C...(+)
Piano
SKU:
BT.MUSAM39645
The
Complete Piano Player.
Tuition. Book Only.
Composed 1992. 232 pages.
Music Sales #MUSAM39645.
Published by Music Sales
(BT.MUSAM39645).
ISBN
9780711906723.
English.
All five
books of The Complete
Piano Player series are
published in this single
volume at a substantial
savings over the price of
the five individual
books. Complete with
keyboard chart.
Silent Night Chorale 3 parties SAB, Piano [Octavo] Alfred Publishing
Arranged by Mark Hayes. Octavo for SAB choir and piano accompaniment. Traditiona...(+)
Arranged by Mark Hayes.
Octavo for SAB choir and
piano accompaniment.
Traditional German Carol.
C Major. Series: Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
Silent Night Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS38 Composed by Franz ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS38
Composed by Franz Xaver
Gruber. Arranged by Roy
Phillippe. Carl Fischer
First Plus String
Orchestra Series. Sacred,
Christmas. Score and
Parts. With Standard
notation. 8 pages. Carl
Fischer Music #FAS38.
Published by Carl Fischer
Music (CF.FAS38).
ISBN
9780825861130. UPC:
798408061135. 8.5 X 11
inches. Key: D
major.
One of the
most beloved of all
Christmas carols is
presented in an easy, yet
beautiful arrangement by
Roy Phillippe. Every
sections is given a
chance to play the melody
in the very playable
setting. The optional
piano part adds interest
and colorful lines to
this already very special
piece. I am of the
opinion that a piece of
music is not judged by
how difficult it is to
play, but by how good it
sounds. While my
arrangement of Silent
Night is written for
beginning string players,
I have tried to keep it
interesting for all
players. It should be
played warmly with
expression to create a
full sound.The piece
begins with an
introduction based on the
three-note Silent Night
motive. The main melody
is introduced in m. 5 by
the first Violins, and is
harmonized by the second
Violins and Violas. The
Cellos reiterate the
motive in mm. 6,8,10 and
11. Beginning at m.12 the
motive alternates between
the Violin II and the
Cellos. The melody is
played tutti until the
key change at m.29, at
which point when the
Cellos and Basses take
the melody with light
accompaniment in the
Violins and Violas. The
final statement of the
melody is played by the
first violins beginning
in m. 37. The Silent
Night motive from the
beginning alternates
between Violin II and the
Cellos to the end.
Choral Piano, Unison choir SKU: PR.462000220 A Christmas Choral Progra...(+)
Choral Piano, Unison
choir
SKU:
PR.462000220
A
Christmas Choral Program
of Treble Voices with
Descants. Composed by
Marie Westervelt.
Classical. Score. With
Standard notation.
Theodore Presser Company
#462-00022. Published by
Theodore Presser Company
(PR.462000220).
(Something New Every Lesson) Written by John Thompson. Instructional book for pi...(+)
(Something New Every
Lesson) Written by John
Thompson. Instructional
book for piano. With
introductory text,
instructional text,
instructional photos,
illustrations, easy piano
notation, fingerings and
lyrics (on some songs).
79 pages. Published by
Willis Music Company.
Silent Night Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS9 Composed by Franz X...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS9
Composed by Franz Xaver
Gruber. Arranged by
Andrew Balent. Carl
Fischer First Plus String
Orchestra Series. Sacred,
Christmas. Score and
Parts. With Standard
notation. 8 pages.
Duration 1 minute, 55
seconds. Carl Fischer
Music #FAS9. Published by
Carl Fischer Music
(CF.FAS9).
ISBN
9780825844768. UPC:
798408044763. 8.5 X 11
inches. Key: D
major.
This gentle
arrangement of the
Christmas classic
Silent Night
will help young string
players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring. Performance
Time: 1:55. This
gentle arrangement of the
Christmas classicA
Silent Night
will help young string
players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring. Performance
Time: 1:55. This
gentle arrangement of the
Christmas classic Silent
Night will help young
string players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring. Performance
Time: 1:55. This
gentle arrangement of the
Christmas
classic Silent Night
will help young string
players in the
development of legato
playing. All
countermelodies must be
balanced with the main
theme. The eighth notes
should be played evenly
in a legato style. If the
students have good bow
control it is recommended
that slurs be used for
each measure of eighth
and quarter notes as in
the Violin II/Viola part
at the beginning. If
students are not advanced
enough to play the slurs,
have them play as legato
as possible without
slurring.Performance
Time: 1:55.
Short Solos in all major and minor keys. By Victor Labenske. For Piano. Piano Co...(+)
Short Solos in all major
and minor keys. By Victor
Labenske. For Piano.
Piano Collection. Book.
28 pages. Published by
Alfred Publishing.
(29153)
Level: Intermediate.
(Volumes 1-5, Complete) Written by Kenneth Baker. For piano. Format: instruction...(+)
(Volumes 1-5, Complete)
Written by Kenneth Baker.
For piano. Format:
instructional book. With
standard notation, chord
names, lyrics,
instructional text,
illustrations, fingerings
and pull-out keyboard
chart. Learn to play. 240
pages. 9x12 inches.
Published by Music Sales.
Organ solo SKU: CA.1805200 Composed by Various. Edited by Helmut Volkl. T...(+)
Organ solo
SKU:
CA.1805200
Composed
by Various. Edited by
Helmut Volkl. This
edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Intonationen +
Begleitsatze. Organ music
based on hymns, Whole
church year / Omni
tempore. Collection. 440
pages. Carus Verlag #CV
18.052/00. Published by
Carus Verlag
(CA.1805200).
Organ solo SKU: CA.1805220 Composed by Various. Edited by Helmut Volkl. T...(+)
Organ solo
SKU:
CA.1805220
Composed
by Various. Edited by
Helmut Volkl. This
edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Vorspiele
+Begleitsatze. Organ
music based on hymns,
Advent, End of the church
year, Epiphany, Lent and
Passiontide, Ascension,
Easter and Eastertide,
Whitsun, Trinity,
Christmas, Eucharist,
Communion, Wedding,
Confirmation, Morning,
midday, evening.
Collection. 160 pages.
Carus Verlag #CV
18.052/20. Published by
Carus Verlag
(CA.1805220).
ISBN
9790007100223.
Scor
e available separately -
see item CA.1805200.
For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody...(+)
For voice and piano.
Format: easy
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
big note notation and
optional duet part.
Children's. 128 pages.
9x12 inches. Published by
Cherry Lane Music.
SKU: CA.4015000 Composed by Hans Georg Pfluger. Edited by Hans Georg Pflu...(+)
SKU: CA.4015000
Composed by Hans Georg
Pfluger. Edited by Hans
Georg Pfluger. This
edition: Paperbound.
Hymns by Martin Luther:
Gelobet seist du, Jesu
Christ, Nun komm, der
Heiden Heiland. German
title: Stille Nacht (47
Weihnachtslieder). Sacred
vocal music, Hymn
settings, Christmas
Carols, Advent, End of
the church year,
Epiphany, Christmas,
Praise and thanks. Full
score. Carus Verlag #CV
40.150/00. Published by
Carus Verlag
(CA.4015000).
ISBN
9790007063115.
Illustrator: HAP
Grieshaber.
Silent
Night with 47 Christmas
carols and 32 wood
cuttings by H.A.P.
Grieshaber, many in
color; First edition
1976, reviesed 2nd
edition 1998; 1-4 voices,
piano.
Clarinet; Piano Accompaniment (Clarinet With Piano Accomp.) SKU: HL.383837(+)
Clarinet; Piano
Accompaniment (Clarinet
With Piano Accomp.)
SKU: HL.383837
For Clarinet and Piano
21st Century Clarinet
Series. Composed by
Jacob Gade. Arranged by
Paula Corley. Southern
Music Woodwind. Latin,
Recital, Tango.
Softcover. 12 pages.
Lauren Keiser Music
Publishing #SU840.
Published by Lauren
Keiser Music Publishing
(HL.383837).
ISBN
9781638870371. UPC:
196288022138.
9.0x12.0x0.053
inches.
Jalousie is
a tango written by Danish
composer Jacob Gade in
1925, originally scored
for full orchestra. It
soon became popular
around the world and is
today a classic in the
modern repertoire,
including many
arrangements for various
instruments and
ensembles. This
publication is the first
for clarinet and piano,
arranged by Paula Corley,
former Pedagogy Chair for
the International
Clarinet Association,
with piano accompaniment
edited by Stephanie
Bruning. The work
consists of two themes
the first a temperamental
theme in D minor,
followed by a lyrical
section in D major, both
with a typical tango
rhythm. It became Gade's
most popular and
successful work, enjoying
numerous radio broadcasts
and recordings. The work
was premiered as
accompaniment for the
Danish screening of the
silent film, Don Q, Son
of Zorro on September 14,
1925 under the baton of
the composer.
Recorder performed by Marion Verbruggen, Viola da gamba performed by Mary Spring...(+)
Recorder performed by
Marion Verbruggen, Viola
da gamba performed by
Mary Springfels,
Harpsichord performed by
Arthur Haas. For
Recorder. Recorder Method
(Suzuki). CD. 1 pages.
Published by Alfred
Publishing.
A
Simply WordKidz Musical
for Christmas.
Composed by Gina Boe.
Choral, cantatas. Simply
WordKidz. Bulk CD
(10-pak). Duration 29
minutes. Word Music
#080689857720. Published
by Word Music
(WD.080689857720).
UPC: 080689857720.
Produced by Dave
Clark.
The Power of
the KING is the latest
Christmas musical from
Simply WordKidz, the
best-selling easy-learn,
easy-sing series for
children's choir from
Word Music & Church
Resources. The story
behind The Power of the
KING, written and created
by Gina Boe and Barb
Dorn, revolves around
radio station K-I-N-G. A
major winter storm is
threatening to shut down
the entire state. The
power grid is failing all
around, and highways are
closing due to dangerous
road conditions. A bus
transporting a children's
choir on their Christmas
tour is stranded by the
storm, so the choir takes
refuge at the radio
station. The timing of
the winter storm couldn't
be worse, as the
station's power goes off
just as they are about to
broadcast the annual
Christmas show. Unable to
play any recorded music
due to the limitations of
the back-up generator,
the radio station staff
hastily scrambles to put
together a live radio
broadcast telling the
joyous Good News of the
Christmas story, with the
help of the stranded
children's choir! The
Power of the KING from
the Simply WordKidz
Series... the perfect way
to bring your church and
community together this
Christmas, in celebration
of the miracle of
Christ's
birth!
Song
Titles: K-I-N-G Christmas
* The Power of the KING *
Christmas Medley-Part 1
(O Come, O Come,
Emmanuel); Christmas
Medley-Part 2 (O Little
Town of Bethlehem and
Silent Night) * This
Thing that Has Happened *
How Great Our Joy! *
Reprise (The Power of the
KING with K-I-N-G
Christmas).
A
Simply WordKidz Musical
for Christmas.
Composed by Gina Boe.
Choral, cantatas. Simply
WordKidz. Accompaniment
DVD. Duration 29 minutes.
Word Music #080689595097.
Published by Word Music
(WD.080689595097).
UPC: 080689595097.
Produced by Dave
Clark.
The Power of
the KING is the latest
Christmas musical from
Simply WordKidz, the
best-selling easy-learn,
easy-sing series for
children's choir from
Word Music & Church
Resources. The story
behind The Power of the
KING, written and created
by Gina Boe and Barb
Dorn, revolves around
radio station K-I-N-G. A
major winter storm is
threatening to shut down
the entire state. The
power grid is failing all
around, and highways are
closing due to dangerous
road conditions. A bus
transporting a children's
choir on their Christmas
tour is stranded by the
storm, so the choir takes
refuge at the radio
station. The timing of
the winter storm couldn't
be worse, as the
station's power goes off
just as they are about to
broadcast the annual
Christmas show. Unable to
play any recorded music
due to the limitations of
the back-up generator,
the radio station staff
hastily scrambles to put
together a live radio
broadcast telling the
joyous Good News of the
Christmas story, with the
help of the stranded
children's choir! The
Power of the KING from
the Simply WordKidz
Series... the perfect way
to bring your church and
community together this
Christmas, in celebration
of the miracle of
Christ's
birth!
Song
Titles: K-I-N-G Christmas
* The Power of the KING *
Christmas Medley-Part 1
(O Come, O Come,
Emmanuel); Christmas
Medley-Part 2 (O Little
Town of Bethlehem and
Silent Night) * This
Thing that Has Happened *
How Great Our Joy! *
Reprise (The Power of the
KING with K-I-N-G
Christmas).
A
Simply WordKidz Musical
for Christmas.
Composed by Gina Boe.
Choral, cantatas. Simply
WordKidz. Youth large.
Duration 29 minutes. Word
Music #679143072849.
Published by Word Music
(WD.679143072849).
UPC: 679143072849.
Produced by Dave
Clark.
The Power of
the KING is the latest
Christmas musical from
Simply WordKidz, the
best-selling easy-learn,
easy-sing series for
children's choir from
Word Music & Church
Resources. The story
behind The Power of the
KING, written and created
by Gina Boe and Barb
Dorn, revolves around
radio station K-I-N-G. A
major winter storm is
threatening to shut down
the entire state. The
power grid is failing all
around, and highways are
closing due to dangerous
road conditions. A bus
transporting a children's
choir on their Christmas
tour is stranded by the
storm, so the choir takes
refuge at the radio
station. The timing of
the winter storm couldn't
be worse, as the
station's power goes off
just as they are about to
broadcast the annual
Christmas show. Unable to
play any recorded music
due to the limitations of
the back-up generator,
the radio station staff
hastily scrambles to put
together a live radio
broadcast telling the
joyous Good News of the
Christmas story, with the
help of the stranded
children's choir! The
Power of the KING from
the Simply WordKidz
Series... the perfect way
to bring your church and
community together this
Christmas, in celebration
of the miracle of
Christ's
birth!
Song
Titles: K-I-N-G Christmas
* The Power of the KING *
Christmas Medley-Part 1
(O Come, O Come,
Emmanuel); Christmas
Medley-Part 2 (O Little
Town of Bethlehem and
Silent Night) * This
Thing that Has Happened *
How Great Our Joy! *
Reprise (The Power of the
KING with K-I-N-G
Christmas).