The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians standard to learn and enjoy. Duos and Trios for Flute features selected highlights from For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and other works, imaginatively arranged for two or three flutes by Hywel Davies. The collection provides ideal flexible small ensemble material for teaching and performance. An accompanying audio CD features demonstration and minus-one tracks. / 2 Ou 3 Flûtes Traversières

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Flûte Et Piano

Arrangements of familiar pieces for two flutes were very popular in the romantic era. This enabled works which were current at that time to be played in salons and at home. Folk songs, opera arias, piano and concert pieces were arranged by such figures as Giuseppe Gariboldi, Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund Wächter have selected and arranged the most beautiful and best-known pieces for this edition making these melodies accessible even to the less experienced musician. / 2 Flûtes Traversières

Twelve arias from the Bach cantatas selected and edited as flute duets. These bass arias as written by Bach consist only of the vocal line (1st Flute) and basso continuo (2nd Flute). The bass figures have been omitted, but each aria-duet is presented in its entirety. Excellent material for teacher-pupil duets.

Flute. Look, Listen & Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/CD packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes. Some of the most beautiful melodies from the world of music theatre over the last several decades are collected together in Play Musicals. They have been arranged in increasing order of difficulty in such a way that they can be used in conjunction with all three volumes of Look, Listen & Learn. Students can also play along to the provided accompaniment tracks which are available to download or stream. Look, Listen & Learn has set the standard for contemporary brass and woodwind teaching. These exciting method book/online audio packs for beginners engage students and develop their understanding of music and their instrument through songs, puzzles, games and lots of fun pieces to play. Three progressive method books form the basis of the series, enhanced by several corresponding supplementary volumes. Some of the most beautiful melodies from the world of music theatre over the last several decades are collected together in Play Musicals. They have been arranged in increasing order of difficulty in such a way that they can be used in conjunction with all three volumes ofLook, Listen & Learn. Students can also play along to the provided accompaniment tracks which are available to download or stream. / Niveau : Facile / TV, Film, Comédie musicale / Date parution : 1905-07-10/ Recueil / Flûte Traversière

Ces compositions originales permettent à l'élève de se concentrer sur un aspect particulier de la technique instrumentale, de travailler davantage le phrasé et la musicalité dans des morceaux amusants à jouer et plaisants à écouter. / Flûte Traversière / niveau : Elémentaire / Partition

Par LEMMENS JACQUES-NICOLAS. Fanfare by Belgian composer Jacques-Nicolas Lemmens, arranged for Flute Choir by Matt Johnston. Jacques-Nicolas Lemmens (1823?1881) is a composer unfamiliar to most, unless you happen to be either an organist, or a Belgian (or a Belgian organist!). At the age of 26, he was appointed organ teacher at the Royal Conservatory of Brussels with two of his most accomplished students being Alexandre Guilmant and Charles-Marie Widor. In 1879 he founded a school for church music in Mechelen, Belgium, which would later bear his name upon moving to Leuven in 1968. The Lemmensinstituut has since broadened its curriculum beyond church music and is a prominent, award-winning music conservatory. This Fanfare of Lemmens is an organ piece popular to play as a postlude or as a wedding recessional. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par TAFFANEL PAUL / GAUBERT. From two of the most prolific flautists of all time, Claude-Paul Taffanel and Philippe Gaubert 's Methode Complète de Flûte provides an essential and well-informed aid to Flute studies. With notes in French, English, German and Spanish, this volume is highly accessible and versatile. The first volume of Methode Complète de Flûte addresses a huge number of musical elements, including tone, articulation, syncopation, key signatures, scales, breath control, ornaments and tonguing, among many other aspects. Having been outstanding performers on the Flute, as well as providingsignificant contributions to teaching of the instrument, the pair saw the need for their detailed Methode Complète de Flûte, compiling it with their combined, invaluable expertise. Considering that two great names are associated, and that the compilation is packed full of technical exercises, this study book makes for an irresistable purchase for aspiring flautists. / Niveau : Débutant / Pédagogie / Méthode / Flûte Traversière

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs./ Recueil / Flûte Traversière

Carl Fischer Progressive Duets Volume 2 - Flute is part of a comprehensive publication comprising two volumes of graded duets for Flute. Playing duets is an excellent way for the student to build ensemble skills with a colleague or teacher. / Flûte

The long-awaited third volume of the much-loved and often used fake book series. Includes choice standards, motown and pop classics, Blue Note and jazz classics, and even contemporary tunes with no duplication of tunes from Volumes 1 or 2. / Instruments En Do

Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Flûte Traversière / 44 pages / niveau : Elementaire / Partition