Trombone (Trombone)

SKU: HL.48185247

Composed by David Uber. Robert King. Classical. Softcover. 23 pages. Alphonse Leduc #AL28609. Published by Alphonse Leduc (HL.48185247).

UPC: 888680859909. 9.0x12.0x0.126 inches.

American composer, trombonist, conductor and teacher, David Uber (b. 1921) is a virtuoso performer on the Trombone, as well as a popular music professor. His 23 Virtuoso Clef Studies remain significant for Trombone, Baritone, Euphonium and Tenor Tuba players. Uber's 23 Virtuoso Clef Studies were compiled in 1982 and address advanced musical techniques, including unusual time signatures, complex rhythms, accidentals, variations in performance directions, breath control, unusual intervals, complex key signatures, ornamentation and articulation, among other aspects. For all advanced Trombone, Baritone, Euphonium and Tenor Tuba players, Uber's 23 Virtuoso Clef Studies ensure progressive technical studies..

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

Composed by Jaroslav Cimera. Arranged by Tom Ervin. For trombone. Study Book. Intermediate to advanced. Booklet. Published by Cherry Classics

(14 Advanced Studies for Solo Violin). By Mary Cohen. For Violin. Book; String - Violin Studies or Collection; Technique Musicianship. Faber Edition. Advanced. Published by Faber Music

Chamber Music Trumpet

SKU: CF.W2686

For Trumpet in B-flat. Composed by Jean-Baptiste Arban. Edited by Thomas Hooten Jennifer Marotta. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2686. Published by Carl Fischer Music (CF.W2686).

ISBN 9781491150948. UPC: 680160908448. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trumpet in Bb, edited by Thomas Hooten and Jennifer Marotta, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) will end.There are things which appear clear enough when stated verbally but which when written downon paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech nor wordcan clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level of perfection,should above all things, always try to hear good music well interpreted. They must seek out,among singers and instrumentalists, the most illustrious models, and by doing this purifytheir taste, develop their sentiments, and bring themselves as near as possible to that which isbeautiful. Perhaps then the innate spark which may someday be destined to demonstrate theirown talent, will reveal itself and render them worthy of being, in their turn, cited and imitatedin the future.

Trumpet

SKU: HL.48181770

Composed by Reginaldo Caffarelli. Leduc. Classical. Softcover. 16 pages. Alphonse Leduc #AL21662. Published by Alphonse Leduc (HL.48181770).

UPC: 888680862879. 9x12 inches.

“Regi naldo Caffarelli compiles 16 Advanced Studies from a wealth of experience and expertise. With detailed instruction in French, English, Italian, German and Spanish, this study book is highly versatile. 16 Advanced Studies for Trumpet addresses articulation, intervals, style, complex rhythms, ornamentations, unusual time signatures, varied performance directions, phrasing, scales, arpeggios, fingering, chromaticism and triplets, amongst other aspects. For all advanced trumpeters, Caffarelli's 16 Advanced Studies is essential to a perfected technique.&rdquo.

41 Studies for Embouchure Development. By Walter M. Smith. Text: Walter M. Smith. For Trumpet. Soft Cover. 19 pages. Published by Carl Fischer.

Studies in Style for the Advanced Snare Drummer. Composed by Rick Dior. Book CD-ROM. 140 pages. Published by Tapspace Publications (TA.TSPB-28).

Flute SKU: HL.49047379 42 Imaginative Studies Exploring the Extended Technique and Unusual Sounds. Composed by Gergely Ittzé and s. Woodwind Method. Classical, Instruction, Technique. Softcover. Schott Music #ED23693. Published by Schott Music (HL.49047379).

Composed by Mimi Fox. Saddle-stitched. Mel Bay's Private Lessons. Book and online audio. Published by Mel Bay Publications, Inc (MB.20623M).

Piano

SKU: HL.49045896

50 Studies for Piano. Composed by Barbara Heller. Piano. Classical. Softcover. 108 pages. Schott Music #ED22874. Published by Schott Music (HL.49045896).

Barbara Heller opens a new world of etudes by combining finger technique with vocal quality. Pianist and teacher Irina Schwertfeger presents all these studies in progressive order from easy to difficult. This edition is a collection of different studies, containing both diatonic, chromatic and bitonal studies as well as studies using only black keys, and easy triad exercises and studies concerning unusual rhythmic figurations, touch technique, and hand postures. All studies are fairly short and designed to develop dexterity, strength and agility.

Band jazz ensemble - Grade 2

SKU: KJ.ZB366

Composed by Bruce Pearson and Dean Sorenson. Standard of Excellence Jazz Ensemble Method. Jazz. Score and parts. Neil A. Kjos Music Company #ZB366. Published by Neil A. Kjos Music Company (KJ.ZB366).

UPC: 8402701731.

Snowdog s Rock was commissioned by the Central Middle School Jazz Ensemble in White Bear Lake, Minnesota. The piece introduces some different musical elements in the context of a familiar groove (rock) and familiar chord progression (blues). The bridge sections (bars 17-24 and 41-48) feature tone clusters that are somewhat unusual in jazz ensemble pieces. Play the piece on a cold winter's night to heat up the band and the audience!

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

Alto Saxophone

SKU: HL.48180543

For Alto Saxophone and Piano. Composed by Henri Tomasi. Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL18122. Published by Alphonse Leduc (HL.48180543).

UPC: 888680796044. 9x12 inches.

French composer and conductor, Henri Tomasi (1901-1971) published his Corsican Song for alto saxophone and piano in 1932. As with his other wind compositions, Corsican Song was well-received by audiences. Tomasi was born in Marseille, but his father and mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his grandmother in to his compositions, as is the case with Corsican Song. This Tomasi work is unusual in composition through its exploitation of tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced saxophonists, provides an exciting, alternative addition to the repertoire.

Band jazz ensemble - Grade 2

SKU: KJ.ZB366F

Composed by Bruce Pearson and Dean Sorenson. Standard of Excellence Jazz Ensemble Method. Jazz. Score. Neil A. Kjos Music Company #ZB366F. Published by Neil A. Kjos Music Company (KJ.ZB366F).

UPC: 8402701731.

Snowdog s Rock was commissioned by the Central Middle School Jazz Ensemble in White Bear Lake, Minnesota. The piece introduces some different musical elements in the context of a familiar groove (rock) and familiar chord progression (blues). The bridge sections (bars 17-24 and 41-48) feature tone clusters that are somewhat unusual in jazz ensemble pieces. Play the piece on a cold winter's night to heat up the band and the audience!

About Standard of Excellence Jazz Ensemble Method

The Standard of Excellence Jazz Ensemble Method is designed to help both you and your jazz ensemble students explore the world of jazz through easy-to-use Rhythm Studies, Improvisation Studies, Instrument Specific Exercises, and full ensemble jazz charts. The approach is non-theoretical and aurally based. Each part book comes with an accompaniment CD, so like every great jazz player throughout history, students learn to play jazz by listening!

SKU: HL.48182001

Composed by Henri Tomasi. Leduc. Classical. Softcover. 15 pages. Alphonse Leduc #AL22798. Published by Alphonse Leduc (HL.48182001).

UPC: 888680847227. 9x12 inches.

“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet (Pipe), Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.&rdquo.

Trumpet

SKU: HL.48182310

Composed by Henri Tomasi. Leduc. Classical. Softcover. 9 pages. Alphonse Leduc #AL23437. Published by Alphonse Leduc (HL.48182310).

UPC: 888680839703. 9.0x12.0x0.086 inches.

“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Gregorian Variations on a Salve Ragina 1964. As with his other wind compositions, Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Gregorian Variations on a Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality, rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters, providing an exciting, alternative addition to the instrument's repertoire.”.

Composed by Mark Kailana Nelson. Perfect binding, Methods. Book and online audio. Published by Mel Bay Publications, Inc (MB.21050M).

Composed by William Bolcom. E.B. Marks. Softcover. 60 pages. Published by Edward B. Marks Music

By Thielmans. Arranged by Rob Roy Mcgregor. For Brass Quintet. Published by Carl Fischer/Balquhidder Music.

Piano (Piano Solo)

SKU: HL.354338

For Solo Piano. Composed by Richard Wilson. Peermusic Classical. Classical. Softcover. Duration 600 seconds. Peermusic Classical #70303-501. Published by Peermusic Classical (HL.354338).

ISBN 9781705107669. UPC: 840126936964. 9.0x12.0x0.109 inches.

Richard Wilson was born in Cleveland on May 15, 1941. He studied piano with Roslyn Pettibone, Egbert Fischer, and Leonard Shure, andcello with Robert Ripley and Ernst Silberstein. After beginning composition studies with Roslyn Pettibone and Howard Whittaker, he went on in 1959 to Harvard, studying with Randall Thompson, G.W. Woodworth, and principally with Robert Moevs, and graduating in 1963 magna cum laude. Awarded the Frank Huntington Beebe Award for study abroad, he continued studying piano with Friedrich Wührer in Munich, and composition, again with Moevs, in Rome, where he also gave piano recitals. Wilson joined the faculty of Vassar College in 1966. He was appointed to the Mary Conover Mellon Professorship of Music there in 1988, and he has served three times as chairman of the Department of Music. Wilson has been commissioned by the San Francisco Symphony, the American Symphony, the New Juilliard Ensemble, the Koussevitzky Foundation, the Fromm Foundation, Chamber Music America, the Chicago Chamber Musicians, the Walter W. Naumburg Foundation, and the Library of Congress. His works have been heard in such American musical centers as New York, Philadelphia, Washington, Boston, Cleveland, and Los Angeles and at the Aspen Music Festival, but also in London, Berlin, Frankfurt, Zurich, Milan, Amsterdam, Graz, Leningrad, Stockholm, Tokyo, Bogota, and a number of Australian cities. The recipient in 1992 of a Guggenheim Fellowship, he was awarded the Elise L. Stoeger Prize of the Chamber Music Society of Lincoln Center in 1994, the Academy Award from the American Academy of Arts and Letters in 2004, and has served as composer in residence with the American Symphony Orchestra since 1992. Wilson has been praised by 21st Century Music as a “splendidly talented and highly accomplished composer whose music rewards seeking out” and by the New York Sun as “possessed of a hard-won idiom that has grown and developed over the years into a probing blend of wit, classic form, modern harmony, and impressionistic color.” Writing in the New Yorker, Andrew Porter called his String Quartet No. 3 a “richly wrought and unusual composition,” while the New York Times called it “a work of substance and expressivity ... [that] merits a place in the active repertory.”.