Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. Klaus Dickbauer makes scales and blues scales for flute fun - his modern approach to elementary technique is an invaluable and highly effective training tool for developing improvisation skills. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - The perfect tools for building first improvisation skills on the flute. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/grooveconnection/ Etude / Flûte Traversière

Easy Instrumental Duets. 22 Christmas favorites for two instrumentalists are featured in this collection. Songs include: Angels We Have Heard on High · Away in a Manger · Deck the Hall · Jingle Bells · Joy to the World · O Holy Night · Silent Night · We Wish You a Merry Christmas · and more. This book can also be played with the clarinet, alto sax, trumpet, or trombone editions. 22 Christmas favorites for two instrumentalists are featured in this collection. Songs include: Angels We Have Heard on High - Away in a Manger - Deck the Hall - Jingle Bells - Joy to the World - O Holy Night - Silent Night - We Wish You a Merry Christmas - and more. This book can also be played with the clarinet, alto sax, trumpet, or trombone editions./ Recueil / Flûte Traversière

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This enables the flutist to maintain a natural flow during his performance. Since there is very little original literature for the flute ensemble, a pedagogue is often required to draw on arrangements in which the lowest voices are frequently comprised of non-flute accompanying motifs. In chorale music, all voices are equally employed in a voice-leading manner. The phrasing slurs depend upon the text. The breathing signs in some cases only serve to clarify the musical line in general and are not to be used for strong breathing. The arrangements are created for flute ensembles with four voices. In each case the lowest voice can also be performed with an alto flute as an alternative. An according part is attached to the edition. Ideal for group teaching Choral music from the Renaissance and Romantic eras arranged for four flutes All parts are melodic and are musically equal Practice at home using the Play-Along CD which includes all parts / Niveau : Facile / Recueil / 4 Flûtes Traversières

Par SCHOCKER GARY. Gary Schocker's Three Dances for Two Flutes has long been a staple of the flute repertoire - in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer's flute quartet version of the famous Coffee Nerves movement. Schocker has arranged Three Dances for one solo flute with piano, incorporating all of the original work's counterpoint, beauty, and spice, into this practical and concise instrumentation.Gary Schocker's Three Dances for Two Flutes has long been a staple of the flute repertoire - in its original voicing with piano, as well as in transcriptions with string orchestra or band accompaniment, for alto saxophone duo with piano, and even in the composer's flute quartet version of the famous Coffee Nerves movement. Schocker has arranged Three Dances for one solo flute with piano, incorporating all of the original work's counterpoint, beauty, and spice, into this practical and concise instrumentation./ Répertoire / Flûte Traversière et Piano

Par CASTEREDE JACQUES. Cinq Bagatelles pour Quatre Flutes by Jacques Castérède: The Cinq Bagatelles for four flutes, composed in 1980, take up where Castérède left off nearly 20 years earlier with his Flu^tes en vacances. The composer requires a whole assortment of instruments, varying from movement to movement and included everything from piccolo to contrabass. Stylistically, these Bagatelles range from the strangely archaic sounds of the opening movement to the frilly neo-Classicism of the closing Scherzo. In five movements: Incantation, L'hésitante, Musique de nuit, Intermezzo, Scherzo. Instrumentation: Player 1: C Flute, Piccolo; Player 2: Alto Flute, C Flute, Piccolo; Player 3: Bass Flute, C Flute, Alto Flute; Player 4, Contrabass Flute, Alto Flute / Date parution : 2022-11-29/ Répertoire / 4 Flûte Traversières

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun.Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead British Isles folk songs' is a collection of old favourites from all around the UK and Ireland. These simple, idiomatic arrangements give young players the opportunity to play well known tunes either as solo performances or as part of a group. With a choice of backing CD accompaniment or playing along with guitar or piano 'Take the Lead' offers both teacher and student ultimate flexibility.

Movie themes have their own special appeal. Their role is to convey and amplify the atmosphere and emotions of moving pictures. In many cases they take on a life of their own and it is such titles as these, classics in their own right, which we selected for this book.With a lot of effort and patience in both arranging this broad musical palette and recording the play-along CD, Alfred Music Publishing have been able to create play-alongs that are live studio recordings. Through this we can make a broad spectrum of styles accessible to the player, be it a classical orchestra, a jazz orchestra, a jazz combo, a rock and pop band or any of the possible line-ups in between.We are especially proud to have top-class musicians of the contemporary European music scene on our recordings. Their unique interpretations make it a worthwhile experience to just listen to the tracks, let alone having yourself accompanied by top notch musicians. The chord symbols are meant for accompaniment by a teacher or duet partner so that the themes can be played independently from the CD. This is why the symbols are shown in concert pitch, even in the editions for transposed instruments (i.e. clarinet, alto and tenor saxophone). The chord symbols also make it possible to perform tunes from 'Cinema Classics' live with a duet partner or band. / Flûte

10 pieces in 10 styles from around the world. Par MOWER MIKE. From Rio to Red Square, Mike Mower's Musical Postcards features ten captivating pieces in different musical styles from around the world. Experience the thrill of Puerto Rican salsa, the magic of an Irish reel, the romance of French café music, and much more ' Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid improvisation. Every piece is brought to life with a postcard of essential background information and playing tips. A book of keyboard accompaniments is available separately. Spectacular and authentic audio performances and backing tracks of every piece played by bands and musicians from all ten countries are available online. A professional musician for 40 years, Mike Mower has played in orchestras, big bands, chamber ensembles, shows, jazz bands, and recording sessions around the world in classical, jazz, Latin, and rock styles on flutes, saxophones, and clarinets. He has written concertos for international solo artists and orchestras and concert music for ensembles of all sizes ' in addition to composing, arranging, and producing TV themes and commercial music albums. His fun but challenging educational music has been enjoyed by a generation of younger players. The Musical Postcards and Junior Musical Postcards series (with accompaniment by some international recording artists too famous to mention!) celebrates authentic music genres from all over the globe. / Date parution : 2024-01-06/ Recueil / Flûte Traversière

Cette série unique présente de la musique qui instrumentistes veulent jouer avec un CD exceptionnel play-long d'une bande de concert réelle. Le joueur devra toujours la ligne de la mélodie, ajoutant des heures de plaisir et de jouissance en jouant au plomb. Publié pour les flûte, clarinette, saxophone alto, trompette et trombone - tous les livres sont compatibles où différents instruments peuvent être joués ensemble pour l'ajout d'amusement. La collection comprend huit des thèmes classiques populaires de tous les temps par Bizet, Fauré, Holst, Tchaïkovski et bien d'autres ! Thèmes de Jupiter par Gustav Holst, Pavane Opus 50 par Gabriel Fauré, danse des gorges par Nikolaï Rimski-Korsakov, MIME de casse-noisette de Peter Ilitch Tchaïkovski, Danse hongroise #5 par Johannes Brahms, Mars par Gustav Holst, Bacchanale de Samson et Dadila par Camille Saint-Saens, Suite de Carmen de Georges Bizet / Flûte Traversière

Two Flutes and Piano. Par MAGALIF EUGENE. This atmospheric duet with piano accompaniment was commissioned by La Cote Flute Festival. Versions for two flutes and flute and alto flute are available from the publisher./ Répertoire / 2 Flûtes Traversières et Piano

Arrangeur: Jeffrey Beyer. Par ROSSINI GIOACCHINO. These six arias from Gioacchino Rossini's beloved opera 'The Barber of Seville' were first arranged for two bassoons in the 1820's by French bassoonist François-René Gebauer. During this time, Gebauer was performing with the Paris Opera. He arranged two volumes of these arias, and flutist Jeffrey Beyer has chosen to transpose, adapt and arrange the following selections for C Flute and Alto Flute duet: Ecco, ridente in cielo, Largo al factotum, Una voce poco fa, Dunque io son, Zitti zitti, piano piano, and Di si felice innesto./ Répertoire / 2 Flûtes Traversières

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre