For Vocal Soprano. Classical (Opera with Orchestra). Includes a printed vocal sc...(+)
For Vocal Soprano.
Classical (Opera with
Orchestra). Includes a
printed vocal score on
high-quality ivory paper,
with informative liner
notes; and a compact disc
with complete versions
(with soloist) followed
by stereo orchestral
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One
Composed by Michael John Trotta. Presbyterian Association of Musicians Series. H...(+)
Composed by Michael John
Trotta. Presbyterian
Association of Musicians
Series. Holy Week/Three
Days, Lent, Tenebrae,
21st Century. Octavo.
Published by MorningStar
Music Publishers
(MN.50-3979).
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2021. 40 pages.
Anglo Music Press #AMP
503-140. Published by
Anglo Music Press
(BT.AMP-503-140).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
‘kley’
(instrument) and
‘zemer’
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned bythe
‘Hasidim’
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De première
vond in oktober 2020
plaats tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en getto’s van
Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze melodieën
die worden gezongen door
de orthodoxe chassidische
joden. De melodieën
die in de vier delen van
A Little Klezmer
Suite zijn gebruikt,
werden vanoorsprong ten
gehore gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung fand
im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetl“
(Dörfern) und in den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorim“, seit
dem frühen Mittelalter
bei Festen, insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmer“ ist ein
jiddischer Begriff, der
die hebräischen
Wörter kley“
(Instrument) und
zemer“ (Lied)
miteinander kombiniert.
Der Ursprung des Stils
liegt in weltlichen
Melodien,
Volkstänzen,jüdisch
er Hazanut“
(Kantorenmusik) und in
den Nigunim“
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A Little
Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Concert Band/Harmonie - Grade 3.5 SKU: BT.AMP-503-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.AMP-503-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score and
Parts). Composed 2021.
Anglo Music Press #AMP
503-010. Published by
Anglo Music Press
(BT.AMP-503-010).
English-German-French-
Dutch.
A Little
Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
programme. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated inthe
ââ¬Ështetlâ
¬â¢ (villages)
and the ghettos of
Eastern Europe, where
itinerant Jewish
troubadours, known as
ââ¬ËklezmorimÃ
¢â¬â¢, had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish termcombining the
Hebrew words
ââ¬Ëkleyââ
¬â¢ (instrument)
and
ââ¬Ëzemerââ
¬â¢ (song). The
roots of the style are
found in secular
melodies, popular dances,
Jewish
ââ¬Ëhazanutâ
â¬â¢ (cantorial
music) and also the
ââ¬Ënigunimâ
â¬â¢, the
wordless melodies intoned
bythe
ââ¬ËHasidimâ
â¬â¢ (orthodox
Jews). The melodies used
in the four movements of
A Little Klezmer
Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
A
Little Klezmer Suite
werd geschreven in
opdracht van de Rushton
Park High School ter
gelegenheid van het
vijftigjarig bestaan van
het blaasorkest van de
school. De
première vond in
oktober 2020 plaats
tijdens een
virtueelonlineconcert.
Klezmermuziek is ontstaan
in de 'sjtetls' (dorpen)
en gettoââ¬â¢s
van Oost-Europa, waar
rondreizende Joodse
troubadours, de zogeheten
klezmorim, sinds de
vroege middeleeuwen
optraden bij feesten, met
name bruiloften.Klezmer
is een Jiddische term
waarin de Hebreeuwse
woorden 'kley'
(instrument) en 'zemer'
(lied) zijn gecombineerd.
De oorsprong van de stijl
is te vinden in
wereldlijke
melodieën,
populaire dansen, de
chazanoet muziek uit
desynagoge met een
voorzanger en de nigunim,
de tekstloze
melodieën die
worden gezongen door de
orthodoxe chassidische
joden. De
melodieën die in
de vier delen van A
Little Klezmer Suite
zijn gebruikt, werden
vanoorsprong ten gehore
gebracht op Joodse
bruiloftsplechtigheden en
huwelijksfeesten.
A Little Klezmer
Suite wurde von der
Rushton Park High School
in Auftrag gegeben, um
den 50. Geburtstag ihres
Blasorchesters zu feiern.
Die Uraufführung
fand im Rahmen eines
virtuellen
Online-Konzerts im
Oktober 2020 statt.Die
Klezmer-Musik entstand in
den sogenannten
Schtetlââ¬Å
(Dörfern) und in
den
osteuropäischen
Ghettos, in denen
fahrende jüdische
Troubadoure, bekannt als
Klezmorimââ¬Å,
seit dem frühen
Mittelalter bei Festen,
insbesondere
beiHochzeiten,
aufgetreten sind.
Klezmerââ¬Å ist
ein jiddischer Begriff,
der die
hebräischen
Wörter
kleyââ¬Å
(Instrument) und
zemerââ¬Å
(Lied) miteinander
kombiniert. Der Ursprung
des Stils liegt in
weltlichen Melodien,
Volkstänzen,jÃ
¼discher
Hazanutââ¬Å
(Kantorenmusik) und in
den Nigunimââ¬Å
Melodien ohne Text, die
von den Chassidim
(orthodoxen Juden)
intoniert wurden. Die
Melodien, die in den vier
Sätzen von A
Little Klezmer Suite
vorkommen,
wurdentraditionell bei
jüdischen
Hochzeitszeremonien und
Feiern
gespielt.
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
are giving lessons to
horn players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Chris Tedesco
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trumpet" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Chris
Tedesco Chris Tedesco has
distinguished himself as
a soloist, chamber
artist, orchestral and
commercial trumpeter in
Los Angeles for over 20
years. His early
classical training
included studies with
Chuck Lirette of the
Buffalo Philharmonic and
college training with
Gilbert Johnson, (former
principal trumpet of the
Philadelphia
Philharmonic) at the
University of Miami in
Florida. Chris Tedesco's
road travels included
concert tours with the
Glenn Miller Band, Tommy
Dorsey Orchestra, but it
was Cruise Ships that
brought him to Los
Angeles in 1987. Chris
Tedesco can be heard on
the movie soundtracks of
Finding Nemo, Road to
Perdition, Boat Trip, The
Mexican, Best in Show,
Ring of Fire, After the
Storm, Durango Kids,
Winchell, Absolute Power,
Star Trek - First
Contact, Nixon,
Stonebrook, Heaven and
Earth, Cool World and
Lorenzoes Oil. On the
small screen you can hear
his solo Trumpet on the
theme to the hit TV show
"The District" along with
many national TV
commercials. Chris
Tedesco has recorded with
Joe Cocker, Natalie
Merchant, Ellis Hall,
Royal Crown Revue, Pat
Boone, Cher, Brian
Setzer, Dwight Yoakum,
Juan Carlos Quintero,
Thom Rotella, Jump with
Joey, Leslie Paula, Boom
Shaka and for The Disney
Afternoon. For more
information about Chris
Tedesco visit:
www.christedesco.com.
Concert Band (SCORE PARTS) - Level 3.5 SKU: HL.4007191 Composed by Philip...(+)
Concert Band (SCORE
PARTS) - Level 3.5
SKU: HL.4007191
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert.
Softcover. Duration 435
seconds. Anglo Music
Press #032939. Published
by Anglo Music Press
(HL.4007191).
UPC:
840126966428.
A
Little Klezmer Suite was
commissioned by Rushton
Park High School to
celebrate the 50th
anniversary of their band
program. They gave the
premiere in a virtual
online concert in October
2020. Klezmer music
originated in the
'shtetl' (villages) and
the ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as 'klezmorim', had
performed at
celebrations,
particularly weddings,
since the early Middle
Ages. 'Klezmer' is a
Yiddish term combining
the Hebrew words 'kley'
(instrument) and 'zemer'
(song). The roots of the
style are found in
secular melodies, popular
dances, Jewish 'hazanut'
(cantorial music) and
also the 'nigunim', the
wordless melodies intoned
by the 'Hasidim'
(orthodox Jews). The
melodies used in the four
movements of A Little
Klezmer Suite have
traditionally been used
in Jewish wedding
ceremonies and
celebrations.
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L).
UPC:
680160610860. 11 x 14
inches.
One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement.
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe
SKU:
CF.WF229
15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229).
Composed by David Gleba. Text: Missale Romanum. A setting of the actual Communio...(+)
Composed by David Gleba.
Text: Missale Romanum. A
setting of the actual
Communion Antiphon for
Midnight Mass. Christmas.
Octavo. Published by
CanticaNOVA Publications
(C5.5007).
By George Frideric Handel. Edited by Roth. For female voice, piano. Arias from O...(+)
By George Frideric
Handel. Edited by Roth.
For female voice, piano.
Arias from Oratorios and
Operas,in original
language(20 It.,10
Eng-Ger),for
Soprano(15),Alto(7),Contr
alto(8). Published by
C.F. Peters.
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445).
ISBN
9790014135041. 297 x 420
mm inches.
German.
ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss.
Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte).
Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung!
Bernd
Franke. Leipzig,
11.10.2019
W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano.
14
songs for solo
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006
AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything:
Every
flame, every fire, every
light, every warmth is
AGNI.
AGNI is
omnipresent, establishing
everything and ending
everything.
AGNI is
often depicted with seven
tongues which represent
different aspects of his
being.
These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming.
Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet.
This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies.
The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer.
W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work.
Score and
horn
part.
Contempo
rary work for Horn in F
and
piano
Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010.
Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music.
Contemp
orary piece for solo
cello
Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006
to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006
Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual.
This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788
A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'.
Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano.
14
songs for solo high
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of sacred and
secular Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298
for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony.
W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind.
I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation.
The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world.
The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello.
The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020.
Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Chamber Music oboe SKU: PR.114422520 Sonata for Oboe and Piano. Co...(+)
Chamber Music oboe
SKU: PR.114422520
Sonata for Oboe and
Piano. Composed by
Katherine Needleman. Set
of Score and Parts. 24+8
pages. Duration 15:45.
Theodore Presser Company
#114-42252. Published by
Theodore Presser Company
(PR.114422520).
ISBN
9781491134788. UPC:
680160683833.
After
decades as a renowned
oboe virtuoso, Katherine
Needleman was improvising
at the piano during the
quarantine summer of 2020
when her ideas congealed
in a powerful way. Within
a week she completed a
16-minute oboe sonata
inspired by the
world’s
overlapping crises. This
riveting three-movement
sonata bears the title
qua resurget ex favilla,
drawn from the Dies Irae
text referring to rising
back from ashes.
Needleman won the
International Double Reed
Society’s
Inaugural Commissioning
Competition by entering
her own recording of this
work, performing as
both oboist and pianist
from her living room. As
a result, IDRS
commissioned her to
compose a new work for
English horn and piano
which was premiered at
their 2021 Virtual
Symposium and programmed
for the live 2022
convention. I’m
not exactly sure how, in
a life consumed by music,
I never put anything on
paper between the time I
stopped at age 10 and the
age of 42. I mean, I have
some ideas why, but that
could easily dissolve
into a feminist manifesto
or a condemnation of my
musical education and the
overwhelming culture of
American oboe playing,
the vehicle through which
I’ve made a living
my entire adult life.
Rather than go there, I
will just say this is the
first piece I put on
paper in my adult
life.Six months into
COVID-19 lockdown in the
US, the world was feeling
pretty weird. I had
familiarized myself with
the music notation
program, Sibelius, for
recent arranging
projects. I had written
some mockeries of A.M.R.
Barret oboe etudes in
response to an assignment
I was given (and did
appropriately first).
When I descended into a
dark chorale in the
middle of the fourth
mockery, I realized I
needed a new vehicle. I
wrote a short, ridiculous
piece for my
husband’s
birthday, and then, the
next night, when
improvising at the piano,
like I’ve done
since I was seven years
old, this piece came to
me. However, this time, I
sketched it out into
Sibelius. Over the course
of the next week, I found
notating and picking
permanent, official notes
to enter into the
computer challenging. But
it was all done on paper
in seven days, and I took
another few for dynamics
and articulations
thinking they might be
useful for someone else,
if I would ever be lucky
enough for someone else
to play it.I don’t
have much to say about
the music of qua resurget
ex favilla itself.
It’s a personal
statement couched in the
feelings of that time.
The US presidential
election was looming
large and ugly in my
mind, well, that and the
end of life as we knew
it, but I also had some
bizarre feeling that
everything would be
okay.
Euphonium Concerto No. 3. Composed by Philip Sparke (1951-). Anglo Instrumental ...(+)
Euphonium Concerto No. 3.
Composed by Philip Sparke
(1951-). Anglo
Instrumental series. Book
Only. Composed 2012. 32
pages. Anglo Music Press
#AMP 374-401. Published
by Anglo Music Press
Guitar. Classical.
Softcover. Composed 2016.
Ricordi #HMGB19.
Published by Ricordi
(HL.50600705).
GTRSO
inches. Italian. Author:
Rick
Peckham.
Impara gli
accordi piu usati nel
jazz!
Questo
dizionario include oltre
cento tipi di accordi
jazz, dalle forme base di
settima con tutte le
tensioni sostitutive e le
alterazioni piu comuni,
fino agli accordi con i
toni guida e alle triadi
subasso. Il contenuto e
organizzato in modo da
evidenziare le relazioni
tra i vari tipi di
accordi e per aiutarti a
imparare i voicing in
maniera veloce, esaustiva
e facile da ricordare.
Potrai quindi migliorare
la tua tecnica di
accompagnamento equella
solistica, impadronendoti
della tastiera e
arricchendo il tuo
linguaggio armonico.
Per ciascun
accordo, nel Dizionario
troverai: * notazione
tradizionale, diagrammi e
tablature; * oltre
100forme mobili; *
varie versioni con
ilbarre e di forme di
settima con tensioni
sostitutive e
alterazioni; * triadi
su basso, rivolti e
accordi con i toni
guida; * esercizi
diatonici.
Gloriosi Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, trumpet in
B-flat, trumpet in C,
cello, guitar - Early
intermediate
SKU:
GI.G-10515
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. Lent,
Eastertide, Holy
Thursday, Good Friday,
Easter Vigil, Easter
Sunday, Easter PM.
Sacred. With guitar chord
names. 296 pages. GIA
Publications #10515.
Published by GIA
Publications
(GI.G-10515).
SAB choir, cantor, priest, assembly, 2 C instruments, trumpet in B-flat, trumpet...(+)
SAB choir, cantor,
priest, assembly, 2 C
instruments, trumpet in
B-flat, trumpet in C,
cello, guitar
SKU:
GI.G-10515C
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Choral edition.
Sacred. 128 pages. GIA
Publications #10515C.
Published by GIA
Publications
(GI.G-10515C).
Guitar SKU: GI.G-10515G Music of the Paschal Triduum / Música del T...(+)
Guitar
SKU:
GI.G-10515G
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 168
pages. GIA Publications
#10515G. Published by GIA
Publications
(GI.G-10515G).
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1145615-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1145615-140
As performed by
Sting. Composed by
Sting. Arranged by Roland
Kernen. DHP Pop, Film and
Show. Score Only.
Composed 2014. De Haske
Publications #DHP
1145615-140. Published by
De Haske Publications
(BT.DHP-1145615-140).
Sting’s
song about an Englishman
who lives in New York but
still sees himself as an
outsider became a huge
hit for the
singer-songwriter and has
gone on to be a true
classic. The central
message ‘Be
yourself, no matter what
they say’ is as
timeless and universal as
the melody of the song,
which in Roland
Kernen’s wind band
arrangement is sure to
delight your audience.
De Britse
singer-songwriter Sting
scoorde met dit lied over
een Engelsman die in New
York steeds een
vreemdeling is gebleven,
een grote hit, die
inmiddels een evergreen
is geworden. De boodschap
erachter ‘Blijf
jezelf, wat ze ook
zeggen’ is net zo
tijdloos en universeel
als de melodie, die in
deze blaasorkestversie
van Roland Kernen
uitstekend tot haar recht
komt.
Dem
britischen Sänger und
Songwriter Sting gelang
mit Lied über einen
Engländer, der in New
York stets ein Fremdling
belieben wird, ein
großer Hit, der
mittlerweile zum
Evergreen geworden ist.
Die zentrale Botschaft:
Bleib du selbst, egal,
was sie sagen“ ist
jedoch so zeitlos und
universal wie auch die
Melodie des Liedes, das
in Roland Kernens
Blasorchesterversion bei
jedem Publikum gut
ankommen wird.
In
questa canzone il
cantante e compositore
inglese Sting racconta la
storia di un inglese
eccentrico che arriva a
New York. Il messaggio
centrale « siate voi
stessi, non importa
ciò che gli altri
dicono », resta
attuale e universale,
così come
l’indimenticabile
melodia di questa
splendida canzone.