By Cat Stevens. Easy Guitar. Folk Rock. Guitar/vocal songbook (softcover). With ...(+)
By Cat Stevens. Easy
Guitar. Folk Rock.
Guitar/vocal songbook
(softcover). With
standard notation, vocal
melody, lyrics, chord
names, guitar chord
diagrams and strum and
pick patterns. 48 pages.
Music Sales #AM74741.
Published by Music Sales
(Recorded live). By Camerata Vocale Sine Nomine de Cuba. Release date: 2014. Mar...(+)
(Recorded live). By
Camerata Vocale Sine
Nomine de Cuba. Release
date: 2014. Mark Records.
Listening CD. Duration
45:08:00. Published by
Mark Custom Music
Level 4 Mixed, Performance/Accompaniment CD. By Glenda Casey, Brad White, Jan Ju...(+)
Level 4 Mixed,
Performance/Accompaniment
CD. By Glenda Casey, Brad
White, Jan Juneau, Bobbie
Douglass. (Mixed
Perf/Acc CDs (2)).
Essential Elements Choir.
CD only. 288 pages.
Published by Hal Leonard.
Summer Is Gone Chorale SATB SATB A Cappella Gentry Publications
SATB a cappella Choral (SATB a cappella) SKU: HL.1197761 Out from the ...(+)
SATB a cappella Choral
(SATB a cappella)
SKU:
HL.1197761
Out
from the Shadows: A
Contemporary Choral
Series. Composed by
Samuel Coleridge-Taylor.
Edited by James E. Green
and Marques L. A.
Garrett. Gentry
Publications. Concert.
Octavo. 8 pages. Duration
180 seconds. Gentry
Publications #JG2655.
Published by Gentry
Publications
(HL.1197761).
UPC:
196288134930.
6.75x10.5x0.019
inches.
The Out
from the Shadows Choral
Series brings you
“Summer Is
Gone,†a new
setting of British poet
Christina Rosetti's 1862
poem “Bitter for
Sweet.†The
composer, Samuel
Coleridge Taylor,
displays superb control
of text painting and
dynamics, creating vocal
lines as natural as
speech. In perfect
harmony with Rosetti's
text, falling chromatic
figures tossed back and
forth among voice parts
create an inescapable
sense of decay and
sorrow. Taylor's harmonic
rhythm conveys the latent
impression of time
stretching and
constricting. A truly
masterful work, this
piece makes for a great
festival or competition
performance. A fun
challenge for an
accomplished chamber or
larger choir, and a
memorable addition to any
concert. Samuel
Coleridge-Taylor
(1875-1912) was an
English-born composer and
conductor who hailed from
an English and African
musical family. After
discovering his inherent
musical ability,
Coleridge-Taylor's family
arranged for him to study
at the Royal College of
Music under composition
professor Charles
Villiers Stanford. After
completing his degree,
Coleridge-Taylor was
appointed a professor at
the Crystal Palace School
of Music and became the
conductor of the Croydon
Conservatoire Orchestra.
With his compositions,
Samuel Coleridge-Taylor
sought to draw from
traditional African music
and integrate it into the
classical tradition, in a
similar fashion to Brahms
and Dvorak with Hungarian
and Bohemian music. He
was a prolific composer
and a well-respected
conductor in England and
America, even touring in
America and being
received at the White
House by President
Theodore Roosevelt. His
most celebrated work was
his cantata Hiawatha's
Wedding Feast. On his
death, close friend and
poet Alfred Noyes said,
“Too young to die:
his great simplicity, his
happy courage in an alien
world, his gentleness,
made all that knew him
love him.â€.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Bass-Baritone. By Benjamin Britten. Arranged by Dan Dressen. (Baritone/Bass). B...(+)
Bass-Baritone. By
Benjamin Britten.
Arranged by Dan Dressen.
(Baritone/Bass). Boosey
and Hawkes Voice. Size
9x12 inches. 38 pages.
Published by Boosey and
Hawkes.
SATB choir SKU: ST.EM22 Composed by Thomas Bateson. Edited by Edmund H Fe...(+)
SATB choir
SKU:
ST.EM22
Composed by
Thomas Bateson. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart. Paperback.
Madrigals. Choral Score.
Stainer & Bell Ltd.
#EM22. Published by
Stainer & Bell Ltd.
(ST.EM22).
ISBN
9790220200861.
CONT
ENTS Ah, Cupid, grant
(SSATTB) All the day
I waste (SSA(or T)A(or
T)B) Camilla fair
tripped o'er the plain
(SSA(or T)T(or B)B)
Come, Sorrow, help me to
lament (SSATB) Cupid
in a bed of roses
(SSATTB) Cytherea
smiling said (SSATTB)
Down the hills Corinna
trips (SSATB) Fond
love is blind
(SSATTB) Have I found
her? (SST(or A)BB)
Her hair the net of
golden wire (SSATTB)
I heard a noise
(SSATB) If floods of
tears (S(or T)Solo)
If I seek to enjoy
(SST) In depth of
grief (SA(or T)TTB)
Life of my life
(SSATB) Live not,
poor bloom (SSA(or
T)B) Love is the fire
(SAT) My mistress
after service due
(SAT) O what is she?
(SSAB) One woman
scarce of twenty
(SST) Pleasure is a
wanton thing (SST)
Sadness, sit down
(SSATB) See forth her
eyes (SAA(or T)B(or
T)) She with a cruel
frown (SSTTBB) Sweet
those trammels of your
hair (SAT) The
nightingale in silent
night (SSAT) When to
the gloomy woods
(SATB) Why do I,
dying, live? (SSA(or
T)TB) Why dost thou
fly? (SSA(or T)T(or
A)B) With bitter
sighs (SS(or A)A(or
T)TB).
Performed by James Taylor. Edited by Carol Cuellar. Songbook (Piano/Vocal/Chords...(+)
Performed by James
Taylor. Edited by Carol
Cuellar. Songbook
(Piano/Vocal/Chords.
Arrangements for piano
and voice with guitar
chords). Published by
Alfred Publishing.
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Hit
the Keys!. Funk. 272
pages. Published by
Alfred Music Publishing
Chamber Music Piano, soprano voice SKU: PR.411411690 Composed by Nkeiru O...(+)
Chamber Music Piano,
soprano voice
SKU:
PR.411411690
Composed
by Nkeiru Okoye. 32
pages. Duration 25
minutes. Theodore Presser
Company #411-41169.
Published by Theodore
Presser Company
(PR.411411690).
UPC:
680160686032.
The
four name arias in
HARRIET TUBMAN: When I
crossed that Line To
Freedom, portray stages
in the title character's
transformation from slave
to freedom-fighter.
First, as a child, she
introduces herself as
Araminta, who is often
called, Minty. Her naive
prattlings establish a
dramatic contrast between
childhood's contentment
and the harsh realities
of slave existence. My
name is Harriet, now.
Don't call me Minty any
more, declares the
teenaged heroine. Having
survived a series of
abusive masters and a
debilitating injury, she
asserts her rites of
womanhood through the
shedding of her childhood
moniker. The grown
Harriet Tubman
reintroduces herself as a
free woman, recounting
the harrowing tale of
escape from slavery.
Confronted by bittersweet
poignancy at having
crossed the line to
freedom without family to
welcome her, she is
inspired towards a new
goal: returning home to
rescue loved ones. In the
final aria, Tubman, a
seasoned conductor on the
Underground Railroad,
embraces the folkloric
title given to her by
escapees and aspiring
runaways. I am 'Moses,
the Liberator,' she
proclaims. Her
transformation is
complete. The four
“name†arias
in HARRIET TUBMAN: When I
crossed thatLine To
Freedom, portray stages
in the title character's
transformationfrom slave
to freedom-fighter.First,
as a child, she
introduces herself as
“Araminta,â€
who is oftencalled,
“Minty.†Her
naïve prattlings
establish a dramatic
contrastbetween
childhood's contentment
and the harsh realities
of
slaveexistence.“My
name is Harriet, now.
Don't call me Minty any
more,†declares
theteenaged heroine.
Having survived a series
of abusive masters and
adebilitating injury, she
asserts her rites of
womanhood through
theshedding of her
childhood moniker.The
grown Harriet Tubman
reintroduces herself as a
free woman,recounting the
harrowing tale of escape
from slavery. Confronted
bybittersweet poignancy
at having crossed the
line to freedom
withoutfamily to welcome
her, she is inspired
towards a new goal:
returninghome to rescue
loved ones.In the final
aria, Tubman, a seasoned
conductor on the
UndergroundRailroad,
embraces the folkloric
title given to her by
escapees andaspiring
runaways. “I am
'Moses, the
Liberator,'†she
proclaims.
Hertransformation is
complete.
Fanfare Band - Grade 3 SKU: BT.DHP-1206249-020 As performed by Burt Ba...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1206249-020
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2020. De Haske
Publications #DHP
1206249-020. Published by
De Haske Publications
(BT.DHP-1206249-020).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus
dem Jahr 1967 ist ein
echter Klassiker, was
teilweise auf die
Interpretationen der
beiden Queens of
Soul“ Dionne
Warwick und später
auch Aretha Franklin
zurückzuführen ist.
Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und
sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die
meisten Blasorchester gut
spielbar.
Fanfare Band - Grade 3 SKU: BT.DHP-1206249-120 As performed by Burt Ba...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1206249-120
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2020. 14 pages. De Haske
Publications #DHP
1206249-120. Published by
De Haske Publications
(BT.DHP-1206249-120).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus
dem Jahr 1967 ist ein
echter Klassiker, was
teilweise auf die
Interpretationen der
beiden Queens of
Soul“ Dionne
Warwick und später
auch Aretha Franklin
zurückzuführen ist.
Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und
sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die
meisten Blasorchester gut
spielbar.