Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Concertino for Flute in 1946. As with his other wind compositions, Concertino was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Concertino for Flute and Piano Reduction is a highly unusual and modern work in three movements; 1) Cadence and Allegretto, 2) Largo, and 3) Finale. This Tomasi piece is suitable to advanced flautists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Orchestre Flûte Traversière et Piano

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Sonatine for solo Flute in 1949. As with his other wind compositions, Sonatine was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profilecomposer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Sonatine for solo Flute is a highly unusual, complex and modern work in three movements; 1) Prelude and Scherzo, 2) Pastorale, and 3) Finale. This Tomasi piece is suitable to advanced flautsits, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Flûte Traversière

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Le Tombeau De Mireille in 1959. As with his other compositions, Le Tombeau De Mireille for Galoubet (Pipe), Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Le Tombeau De Mireille is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire./ Répertoire / Galoubet ou Petite Flûte Traversière ou Hautbois e

It was in 1990 - more than 250 years after the publication of 'Il Pastor Fido' - that the masterful forgery was exposed: not Antonio Vivaldi but in fact the French composer Nicolas Chédeville (1705-1782) turned out to be the true author of this sonata collection, which was subtly foisted upon the unsuspecting Parisian public in the middle of the 18th Century, at the height of Vivaldi's popularity in France. Vivaldi himself never came to know anything of the misuse of his name and musical intellectual property.'Il Pastor Fido' offers a 'Mélange' of very simple, movements and gallantries in the French style, as well as some throughout original movements of exceptionally fine music and powerful compositional ideas. Approximately ninety percent of 'Il Pastor Fido? is Chédeville's own work - for the remainder, he adopted and built upon themes (or those which he thought to be) by Vivaldi, all the while demonstrating a thorough understanding of the style that he was striving to imitate.As with all of Chédeville's other works and numerous other collections from the time, the original title mentions a series of instruments, all of which are suitable for performing these sonatas: the musette, hurdy-gurdy, flute, oboe and violin. Whilst the first two, which were popular instruments at the time and corresponded to the Arcadian sensibilities of the Age of Enlightenment, have long since been out of fashion, the flute is particularly well suited today to reflect the pastoral character - noted in the title of the collection ('Il Pastor Fido?: the Faithful Shepherd) - of the music.The Bärenreiter Urtext edition was edited by the reputable Vivaldi scholar and conductor Federico Maria Sardelli. In addition to the musical text of the six sonatas, it contains a detailed preface (German / English), which not only tells the enthralling story of the forgery and reveals the 'ingredients? required for such a composition. It also contains inspiring information on performance practice, whilst presenting a critical report with references to readings and editorial decisions. / Flûte (ou Hautbois, Violon) Et Basse Continue

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Two Sketches being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Two Sketches for Flute and Piano, which is made up of two movements. The first of these, Night on thePlain, conveys many technical features, including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Night on the Plain from Two Sketches is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Par BACH JOHANN SEBASTIAN. Bach\'s Suite No. 2 is a large-scale Baroque piece in eight movements based on different dance forms. It remains one of the great Baroque works for flute. A must for the repertory of all serious flutists. Includes a printed solo part and access to online audio of the concerto, including demonstration and backing tracks. Performed by Jeffery Zook, flute Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn / Date parution : 2022-08-27/ Répertoire / Flûte Traversière

D-Dur (Rv 427) / G-Dur (Rv 438) / F-Dur, Op. 10/5. Par VIVALDI ANTONIO. From the Italian master of Baroque music comes this collection of three magnificent flute concerti. The F-major concerto, taken from Vivaldi\'s Opus 10 collection, is particularly notable, as in it Vivaldi slightly reworked his legendary RV442 treble recorder concerto, using an accompaniment of muted strings throughout. All three of these are perfect for any flutist with a flair for the Baroque. Includes a printed music score and online audio featuring a complete performance and a second performance minus the soloist so you can play along and be the star. Performed by Vaclave Sykora, flute Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens The audio isaccessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Répertoire / Flûte Traversière

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the instrument's repertoire, Ballade being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his famous Ballade which premiered in 1927. Addressing many technical features including flourishing semiquaver passages and awide range, Ballade is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Performed by Katarzyna Bury Accompaniment: Rousse Phliharmonic Orchestra Conductor: Nayden Todorov Here are two of the great Romantic works for flute and orchestra in a fabulous MMO package. Listen to master flutist Katarzyna Bury perform these beloved classics with the Rousse Symphony Orchestra, then she stands aside and you take her place as the star virtuoso with the full orchestra under Maestro Todorov! Includes an authoritative solo part and access to online audio featuring professional recordings of a complete performance of each piece with orchestra and soloist, and a second performance minus you, the soloist. The audio is accessed online using the unique code inside eachbook and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Partitions classique / Piano - instruments à clavier / Piano / HAL LEONARD

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 3 being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 3, which was published in 1934. Addressing many technical features, including flourishing semiquaver passages, a widerange, emotion, intervals, chromaticism and complex rhythms, Sonata No. 3 is a challenging yet riveting and stirring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sicilienne being no exception. After a prominent career as a flautist with the Paris Opera, he was appointed as professor of Flute at the Paris Conservatoire, as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sicilienne which was published in 1914. Addressing many technical features, including flourishing semiquaver passages, awide range, changing time signatures, chromaticism, a variety in dynamics and dotted rhythms, Sicilienne is a pleasantly inspiring piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

Par GAUBERT. Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, his Deux Esquisses being no exception. After a prominent career as a flautist with the Paris Opera, Gaubert was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Deux Esquisses for Flute and Piano, which is made up of two movements. The secondof these, Oriental, conveys many technical features including flourishing semiquaver passages, a wide range, lyricism, intervals, chromaticism and complex rhythms. Oriental from Deux Esquisses is a challenging yet exciting piece for aspiring flautists./ Répertoire / Flûte Traversière et Piano

The great talent of Cécile Chaminade (1857-1944) showed very early: At the age of 12, she published her first composition. Georges Bizet, a friend of the family, predicted her great future. After her successful debut as a pianist in Paris in 1877, she began busy concert activities as a solo pianist, chamber musician and conductor in many European countries as well as in the USA and Canada.Although many of her compositions became bestsellers during her lifetime, they are almost all missing in the concert programmes of today. Only the Concertino for flute and orchestra Op. 107 is still performed regularly. The demanding piece was written in 1902 as a competition piece at the Paris Conservatoire - initially still with piano accompaniment. The orchestral version was composed by Chaminade two years later.The piece begins with a wide melody and then turns into a virtuoso solo section which is followed by a cadenza. The piece ends with the initial theme as recapitulation and a coda. / Flûte Et Piano