| First 50 Acoustic Songs You Should Play on Piano Piano seul - Facile Hal Leonard
Composed by Various. Easy Piano Songbook. Acoustic, Pop. Softcover. 272 pages....(+)
Composed by Various. Easy
Piano Songbook. Acoustic,
Pop. Softcover. 272
pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| First 50 Bluegrass Solos You Should Play on Guitar Guitare notes et tablatures - Facile Hal Leonard
Arranged by Fred Sokolow. Guitar Collection. Bluegrass. Softcover. With guitar...(+)
Arranged by Fred Sokolow.
Guitar Collection.
Bluegrass.
Softcover. With guitar
tablature. 112 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Busk It Country Fake Book Piano seul Music Sales
| | |
| 101 Broadway Songs for Violin Violon Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Trombone Trombone Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Cello Violoncelle Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Clarinet Clarinette Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 114 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 114 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Tenor Sax Saxophone Tenor Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Viola Alto seul Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Alto Sax Saxophone Alto Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Trumpet Trompette Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Broadway Songs for Horn Cor Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 112 pages. Published by Ha...(+)
Composed by Various.
Instrumental Solo.
Softcover. 112 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keyboard Kids - Complete (Book 1 and 2) Piano seul [Partition] Santorella Publications
Keyboard Kids * Complete Piano Method composed by Carolyn Carson. For easy piano...(+)
Keyboard Kids * Complete
Piano Method composed by
Carolyn Carson. For easy
piano. This edition:
Paperback. Instructional.
Keyboard Kids series.
Method. 2 method books.
Text Language: English.
192 pages. Published by
Santorella Publications
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Œuvres pour piano Piano seul - Intermédiaire Salabert
Piano - late intermediate SKU: BT.SLB-00595000 Édition Originale(+)
Piano - late intermediate
SKU:
BT.SLB-00595000
Édition
Originale. Composed
by Frederic Mompou.
Durand-Salabert-Eschig-Le
s Éditions
Originales. Book Only.
Composed 2015. 236 pages.
Editions Salabert #SLB
00595000. Published by
Editions Salabert
(BT.SLB-00595000).
English-German-French-
Italian. This
volume in the series
“Les éditions
originales Durand •
Salabert •
Eschig†contains
Frederic Mompou’s
works for piano taken
from the editions in
Salabert catalogue. The
original engravings are
reproduced, giving
musicians a valuable
record of howthese major
works were first
published, whether in the
composer’s
lifetime or
posthumously.
Der
vorliegende Band aus der
Reihe Les éditions
originales Durand •
Salabert • Eschig
enthält die Werke
für Klavier von
Frederic Mompou aus dem
Salabert-Katalog.
Abgedruckt ist der
ursprüngliche
Notensatz, der den
Interpreten ein
lebendiges Bildvon den
Erstausgaben vermittelt,
wie sie zu Lebzeiten des
Komponisten und nach
seinem Tod
veröffentlicht
wurden.
Ce volume
dans la série «Les
éditions originales
Durand • Salabert
• Eschig»
présente le
répertoire pour piano
de Frederic Mompou repris
des éditions qui
figurent au catalogue
Salabert. Ces gravures
originales, publiées
du vivant du compositeur
ou titre posthume,
fournissent aux
interprètes un
cliché de
l’apparence
initiale de ces
Å“uvres devenues
incontournables.
I
n questo volume della
collana “Les
éditions originales
Durand • Salabert
• Eschigâ€
è presentata
l’opera per
pianoforte di Frederic
Mompou tratta dalle
edizioni del catalogo
Salabert. Le incisioni
originali qui riprodotte
forniscono agli
interpretil’immagi
ne di come tali opere
siano state pubblicate
per la prima volta,
vivente il compositore o
postume. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Look Inside Masters of the Mandolin Mandoline Hal Leonard
130 of the Greatest Bluegrass and Newgrass Solos. Mandolin. Bluegrass. Softcov...(+)
130 of the Greatest
Bluegrass
and Newgrass Solos.
Mandolin.
Bluegrass. Softcover.
With
guitar tablature. 184
pages.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Carl Sigman Piano seul [Partition] - Facile Alfred Publishing
Arranged by John Brimhall. For Piano. Piano - Easy Piano Collection. Composer Se...(+)
Arranged by John
Brimhall. For Piano.
Piano - Easy Piano
Collection. Composer
Series. Jazz; Pop. Level:
Easy Piano. Book. 52
pages. Published by
Alfred Publishing.
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto For Oboe And Orchestra [Conducteur] Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S). UPC:
680160680344. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L). UPC:
680160680337. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Michael Giacchino Sheet Music Collection Piano seul Hal Leonard
Composed by Michael Giacchino. Piano Solo Composer Collection. Movies. Softcov...(+)
Composed by Michael
Giacchino.
Piano Solo Composer
Collection. Movies.
Softcover.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solos of Comfort and Healing Piano seul [Partition] Jackman Music Corporation
By Various. Arranged by David Naylor. For Piano Book. Level: Varied. Published b...(+)
By Various. Arranged by
David Naylor. For Piano
Book. Level: Varied.
Published by Jackman
Music Corporation.
(1)$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Student's Choice Piano seul [Partition] - Intermédiaire Alfred Publishing
Arranged by Allan Small. For Piano. Piano Collection. Masterwork. Level: Interme...(+)
Arranged by Allan Small.
For Piano. Piano
Collection. Masterwork.
Level: Intermediate
(grade 4/5). Book. 112
pages. Published by
Alfred Publishing.
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| War Horse Piano seul [Partition] Hal Leonard
(Music from the Motion Picture Soundtrack). By John Williams. Piano Solo Songb...(+)
(Music from the Motion
Picture
Soundtrack). By John
Williams.
Piano Solo Songbook.
Softcover. 56 pages.
Published
by Hal Leonard
(1)$14.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Milestones on the Journey Piano seul [Partie séparée] FJH
Arranged by Don Phillips. Performance part for piano solo. Series: The FJH Sacre...(+)
Arranged by Don Phillips.
Performance part for
piano solo. Series: The
FJH Sacred Library. 47
pages. Published by The
FJH Msic Company.
$7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Annie’s Gone Home [Conducteur] - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS108F
Composed by Bud Woodruff.
First-Plus String
Orchestra (FAS). Full
score. With Standard
notation. 8 pages. Carl
Fischer Music #FAS108F.
Published by Carl Fischer
Music (CF.FAS108F).
ISBN 9781491151761.
UPC: 680160909261. 9 x 12
inches. Annie's
Gone Home, composed in
the style of a spiritual,
was written as a tribute
to composer Bud
Woodruff's mother. The
tune is built on phrases
of easily understandable
material, but the
poignant nature of the
piece is marked with
profundity. From the
subtle bass solo to the
emotional high points,
the piece is inspired by
this strong woman in the
life of the
composer.
Annies Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (19232017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annieas Gone
HomeA is a tribute
to my Mother, Annette
Fenner Hains (1923a2017).
Her siblings and cousins
always called her
aAnnie.a She loved music,
and her influence was the
primary inspiration for
me to go into music. Her
tastes were wildly
diverse, loving
everything from symphonic
music to Country/Western,
to various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's Gone
Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. . Annie's
Gone Home is a tribute to
my Mother, Annette Fenner
Hains (1923-2017). Her
siblings and cousins
always called her Annie.
She loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and spirituals.
While it is easy to
interpret grief in this
music, and its presence
is undeniable, it is
really intended more as a
song of the ultimate
triumph of goodness. In
her wisdom, she was able
to capture deep thoughts
within simple phrases,
which I have also tried
to capture. Her life was
one of frequent
struggles, yet she was
inspiring to many. She
emerged from every
difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. Annieâ€
s Gone Home is a
tribute to my Mother,
Annette Fenner Hains
(1923–2017). Her
siblings and cousins
always called her
“Annie.†She
loved music, and her
influence was the primary
inspiration for me to go
into music. Her tastes
were wildly diverse,
loving everything from
symphonic music to
Country/Western, to
various styles of folk
music, to pop, to
marches, but she had a
very tender spot for
hymns and
spirituals.While it is
easy to interpret grief
in this music, and its
presence is undeniable,
it is really intended
more as a song of the
ultimate triumph of
goodness. In her wisdom,
she was able to capture
deep thoughts within
simple phrases, which I
have also tried to
capture. Her life was one
of frequent struggles,
yet she was inspiring to
many. She emerged from
every difficulty, never
unscathed, but always
victorious, with clear
eyes and head held high,
until her last battle,
which brought about her
greatest victory. This
sentiment is what I tried
to capture. If too slow a
tempo is taken, that
feeling is lost and a
sense of grief takes
over. That may be what a
conductor wants to
convey, but is not what I
intended. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Guitar Omnibook Guitare notes et tablatures Hal Leonard
For C Instruments Transcribed Exactly from Artist Recorded Solos. By Various....(+)
For C Instruments
Transcribed Exactly from
Artist Recorded Solos. By
Various. Jazz
Transcriptions. Jazz.
Softcover. Published by
Hal
Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pieces for Children Piano seul Schirmer
Piano Solo. By Charles Tomlinson Griffes. Piano Collection. Size 9x12 inches. 40...(+)
Piano Solo. By Charles
Tomlinson Griffes. Piano
Collection. Size 9x12
inches. 40 pages.
Published by G. Schirmer,
Inc.
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| My Favorite Baptist Hymns, Book 3 Piano seul [Partition] - Intermédiaire FJH
Arranged by Edwin McLean. For Piano. The FJH Sacred Piano Library. Book 3 in thi...(+)
Arranged by Edwin McLean.
For Piano. The FJH Sacred
Piano Library. Book 3 in
this piano solo
collection of hymns for
home or church continues
the series progression,
with the aspiring church
pianist in mind!. Sacred.
Level: Early
Intermediate/Intermediate
. Book. Published by The
FJH Music Company Inc.
(1)$8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Keyboard of the Winds Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418160 Composed by Stacy Garrop. Performan...(+)
Chamber Music Piano
SKU: PR.110418160
Composed by Stacy Garrop.
Performance score. With
Standard notation. 16
pages. Duration 8:30.
Theodore Presser Company
#110-41816. Published by
Theodore Presser Company
(PR.110418160). ISBN
9781491114049. UPC:
680160640393. 9 x 12
inches. Stacy
Garrop began hiking in
northern
Colorado’s Rocky
Mountain National Park in
her early 20s. From the
start, she was drawn to a
jagged stretch of rock
formations linking Longs
Peak to Pagoda Mountain,
at over 13,000 feet.
These formations are
called the
“Keyboard of the
Winds,†as their
thin, spindly peaks
suggest splintered keys
of an old, broken piano.
Inspired by one
particular journey the
composer took through the
Keyboard of the Winds en
route to Pagoda’s
summit, this work is a
tribute to the Keyboard
of the Winds. Its fast,
whirling gestures depict
swirling clouds above,
and the musical high
points represent a hiker
reaching the peak of
Pagoda Mountain. These
sections are set in
contrast with quiet,
introspective material
embodying the hiker
quietly surveying the
grandeur and beauty of
the valley below, as well
as the soaring pinnacle
of Longs Peak
overhead. I began
hiking in the Rocky
Mountain National Park in
northern Colorado when I
was in my early twenties.
RMNP is home to some of
the most gorgeous
mountains in North
America, encompassing
265,000 acres of
wilderness, flora, and
fauna. Among the
park’s numerous
summits is Longs Peak, a
mountain that is 14,259
feet high (the highest in
the region). From my
earliest days of hiking,
I was drawn to Longs
Peak, as well as to a
jagged stretch of rock
formations that link
Longs Peak to Pagoda
Mountain (which stands at
13,497 feet). These
formations are called the
Keyboard of the Winds, as
their thin, spindly peaks
loosely suggest the
splintered keys of an
old, broken piano.One
summer, I made the ascent
to Pagoda Mountain using
a route that took me
along the right side of
the Keyboard of the
Winds. My hiking partner
and I started up the
trail in the pre-dawn
hours, and the weather
was stormy. Dawn had
broken by the time we
reached the base of the
Keyboard, but its peaks
were still surrounded by
clouds. As we climbed
higher and higher, the
Keyboard’s thin
spires became visible,
along with the top of
Pagoda Mountain. We
reached the summit of
Pagoda, admired the view
(what we could see
through the clouds), and
made our descent.My piece
is a tribute to the
Keyboard of the Winds.
The fast, whirling
gestures depict swirling
clouds, and the musical
high points represent a
hiker reaching the peaks
of the Keyboard. I have
contrasted these sections
with quiet, introspective
material; these embody
the hiker quietly
surveying the grandeur
and beauty of the valley
below (on a cloudless
day), as well as the
soaring pinnacles of
Longs Peak and Pagoda
Mountain overhead. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An Introduction To Classics To Moderns - Easy Piano
Piano seul [Partition] - Facile Music Sales
(Forty Very Easy Original Keyboard Pieces) Edited by Denes Agay. For piano. Form...(+)
(Forty Very Easy Original
Keyboard Pieces) Edited
by Denes Agay. For piano.
Format: easy piano solo
book. With fingerings.
Renaissance, baroque,
classical period and
romantic period. 32
pages. 9x12 inches.
Published by Music Sales.
(5)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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