Piano

SKU: BT.GS27400

Composed by Felix Bartholdy Mendelssohn. Songbook . G. Schirmer #GS27400. Published by G. Schirmer (BT.GS27400).

English.

Work for Solo Piano.

Chamber Music Piano

SKU: PR.110418470

Composed by Lora Al-Ahmad. 8 pages. Duration 4:30. Theodore Presser Company #110-41847. Published by Theodore Presser Company (PR.110418470).

ISBN 9781491137253. UPC: 680160688777.

Grief and gratitude for a departed friend mingle in this short yet impactful solo. Textures and harmonic turns are fresh and unexpected, though never jarring and always from the heart. Composed in remembrance of musicologist, record producer, and self-described “sound archaeologist” Allan Evans, CONSOLATION is a moving addition to recital repertoire as well as for use at memorial services.

SATB choir

SKU: CA.701800

Composed by Philipp Jansen. Sacred vocal music, Mass, latin, Unvollstandige Mass (auch Missa Brevis). German title: Missa consolationis in Deo. Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Full score. Carus Verlag #CV 07.018/00. Published by Carus Verlag (CA.701800).

ISBN 9790007013103. Key: E flat major. Language: Latin.

By The Raconteurs. This edition: 1847726728. Guitar Recorded Version. Softcover. Guitar tablature. 96 pages. Published by Hal Leonard.

By Franz Liszt. Edited by Howard Ferguson. For Piano solo. Level: 5, 6, 7, 8. 48 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Chamber Music String Quartet

SKU: PR.14440652S

For String Quartet. Composed by Felix Bartholdy Mendelssohn. Arranged by Paul Salerni. Romantic. Full score. With Standard notation. Composed 2014. 12 pages. Duration 10 minutes. Theodore Presser Company #144-40652S. Published by Theodore Presser Company (PR.14440652S).

UPC: 680160634002. 9 x 12 inches.

Salerni, whose recent works include two one-act operas (Tony Caruso's Final Broadcast and The Life and Love of Joe Coogan), turns to the piano works of Mendelssohn and fashions four beautiful string quartet arrangements. While Consolations is lush and languid, Hunting-Song and Unrest will require a tight rhythmic control. Includes Consolation, Op. 30, No. 3; Hunting-Song, Op. 19, No. 3; Venetian Boat-Song No. 1, Op. 19, No. 6; Unrest, Op. 30, No. 2.

(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. Beginner. 40 pages. Published by Alfred Music

Chamber Music String Quartet

SKU: PR.144406520

For String Quartet. Composed by Felix Bartholdy Mendelssohn. Arranged by Paul Salerni. Romantic. Set of Score and Parts. With Standard notation. Composed 2014. 12+8+8+8+8 pages. Duration 10 minutes. Theodore Presser Company #144-40652. Published by Theodore Presser Company (PR.144406520).

UPC: 680160633982. 9 x 12 inches.

Salerni, whose recent works include two one-act operas (Tony Caruso's Final Broadcast and The Life and Love of Joe Coogan), turns to the piano works of Mendelssohn and fashions four beautiful string quartet arrangements. While Consolations is lush and languid, Hunting-Song and Unrest will require a tight rhythmic control. Includes Consolation, Op. 30, No. 3; Hunting-Song, Op. 19, No. 3; Venetian Boat-Song No. 1, Op. 19, No. 6; Unrest, Op. 30, No. 2.

Edited by Steven Osborne. Classical. Textbook. Trinity College London #TCL024091. Published by Trinity College London

By Franz Liszt. Arranged by John Brimhall. For Piano. Published by Carl Fischer.

(The World's Great Classical Music) For piano. Format: piano solo book. With composer biographies. Baroque, classical period, romantic period and impressionistic. 240 pages. 9x12 inches. Published by Hal Leonard.

Edited by Albert Weir, Amy Appleby. For piano. Format: piano solo book. With fingerings. Baroque, classical period and romantic period. 400 pages. 9x12 inches. Published by Music Sales.

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

Composed by Franz Liszt (1811-1886). For piano. Les Classiques favoris. Classical. Level 5. Score. 125 pages. Published by Editions Henry Lemoine

By Terre Johnson. For TTBB choir and piano. General. Moderately Easy. Published by MorningStar Music Publishers

By Terre Johnson. For SSA choir, piano accompaniment. Lent, Holy Week/Three Days, Grace, Lament/Grief/Sorrow, Healing. Moderately Easy. Published by MorningStar Music Publishers

10 Hymn Arrangements Inspired by Romantic Masterworks. Arranged by Faye López. Book; Piano Collection; Piano Supplemental; Worship Resources. Sacred Performer Collections. Form: Medley. Hymn; Masterwork Arrangement; Romantic; Sacred. 40 pages. Published by Alfred Music

Chamber Music

SKU: CF.WE40

Composed by Martin Bresnick. Set of Score and Parts. 40+12+12+12+12 pages. Carl Fischer Music #WE40. Published by Carl Fischer Music (CF.WE40).

ISBN 9781491161975. UPC: 680160920655.

In his poem Mending Wall, the inspiration for this piece, Robert Frost famously says “Something there is that doesn’t love a wall.” Mending Time, composed for Soprano, Alto, Tenor and Baritone Saxophones, explores the many meanings of walls in life, from barriers of safety, to murals upon which the art and history of people are transcribed. This 'musical wall of sound' is intended to invoke reflection and encourage mending to bring unity in times of joy, contemplation, and consolation.
Robert Frost thought that poetry was, as he wrote, “a momentary stay against confusion.” In his poem Mending Wall, the inspiration for my piece, Frost famously says “Something there is that doesn’t love a wall.”Confusion indeed!As the always tricky Frost well knew:A wall may be the strong barrier that protects our young or old from harm.A wall may be the mural upon which we inscribe the art and the history of our people.A wall may the sacred, embroidered fabric that keeps us from the cold.A wall may be the skin of our lovers and the dearest ones we treasure.And so, the barriers and walls between us may be, at last, paradoxically, the special place where we as neighbors meet together, if only to repair those walls and build them up again.But walls and barriers must also have a passage through them or what lies within and without them will surely starve and die.“Mending Time” is musical wall of sound, written to help our mending, to help bring us together in joy, contemplation, and consolation.Martin Bresnick.

For piano. Format: piano solo book. Baroque, Classical Period and Romantic Period. 208 pages. 9x12 inches. Published by Schirmer.

Composed by Alexandre Sorel. Classical. Score and CD. 111 pages. Paul Beuscher #BESTPIA1. Published by Paul Beuscher (LM.BESTPIA1).

Piano - Grade 3

SKU: BT.EMBZ14622

By Judit Peteri. By Franz Liszt. Book Only. Composed 2008. 36 pages. Editio Musica Budapest #EMBZ14622. Published by Editio Musica Budapest (BT.EMBZ14622).

Hungarian-English-Germ an-French.

Liszt was one of the greatest piano virtuosos of the 19th century and a very influential teacher who played an enormous part in the development of modern piano technique. For this reason the majority of his works make the highest technical demands of the performer - this selection, however, contains only pieces at an intermediate difficulty level. In addition to the hits (D flat major Consolation, Liebestraum No. 3) the moderately advanced student or amateur player will discover real finds such as the three pieces in the Bunte Reihe ( Colourful Series ), the earlier version of the Valse impromptu and the Romance oubliée ( Forgotten Romance ) and the later, simplified versionthe composer made of the i>Grand galop chromatique. This publication was based on the EMB New Liszt Edition, but bearing practical considerations in mind. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence.

Franz Liszt war einer der größten Klaviervirtuosen des 19. Jahrhunderts und als Lehrer von großem Einfluss, in der Entwicklung der modernen Klaviertechnik spielte er eine herausragende Rolle. Gerade deswegen konfrontiert ein Großteil seiner Werke die Vortragenden mit höchsten technischen Anforderungen - diese Auswahl beinhaltet aber nur Stücke, die auch schon auf einer mittleren Stufe spielbar sind. Neben den Schlagern“ (Consolation in Des-Dur, Liebesträume Nr. 3) können die drei Stücke aus dem Zyklus Bunte Reihe“, die frühere Version des Valse impromptu und der Vergessenen Romanze, bzw. die von dem Komponisten im nachhinein gefertigte, vereinfachte Version des Grandgalop chromatique für die mäßig fortgeschrittenen Schüler oder Musikamateure eine wahre Entdeckung bedeuten. Die Ausgabe wurde aufgrund der Neuen Liszt-Gesamtausgabe des Verlags Editio Musica Budapest, aber unter Berücksichtigung praktischer Aspekte, angelegt.