Composed by Jill Jackson and Sy Miller. Arranged by Jonathon Robbins. For alto sax solo and piano accompaniment. Solo with Accompaniment. Popular. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

(from the Opera Die Zauberflote). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Roger Niese. For Choir and Concert Band. Grade 3. Score. Duration 1:30

By Tom Shelton. For SATB/SAB Choir, Piano, descant, steel Drums, percussion (with optional bass). Concert, Multicultural. Octavo. Published by Heritage Music Press

Band concert band - Grade 4.5

SKU: CF.SPS75

Composed by Brant Karrick. SWS FS. Carl Fischer Symphonic Performance Series. Set of Score and Parts. With Standard notation. 3+12+12+6+12+12+12+6+6+6+ 6+6+6+9+9+9+6+6+9+9+9+9+6 +12+6+9+3+9+9+40 pages. Duration 6 minutes, 44 seconds. Carl Fischer Music #SPS75. Published by Carl Fischer Music (CF.SPS75).

ISBN 9781491147702. UPC: 680160905201. 9 x 12 inches. Key: F major.

When Hearts Tremble is an emotion packed piece dedicated to musician friends lost all to soon. This beautiful composition by Brant Karrick reflects on the fragility of human existence, joyous memories of loved ones and their effect on everyone around them, and maintaining hope for what the future will hold when all feels lost. This tour de force piece perfectly displays Karrick's polished compositional craft with impeccable scoring, beautiful melodic writing, and exceptional orchestrational color.
While the day-to-day grind of our lives can be filled with overwhelming obligations, goals and commitments, it is sometimes very easy to forget just how precious and fragile life is . It is so easy to get caught up in our own personal feelings and worries that we sometimes don’t realize and appreciate the many blessings we have, especially friendships . On Wednesday, November 18, 2015 the Jefferson High School Band in Jefferson, Georgia lost two of its members to a fatal car accident . The victims were brothers . Music was a constant part of their lives, and the boys were talented percussionists in the marching band . To help with the grieving process the school and community commissioned this piece to celebrate the lives of William and Alex Trimble .As a father, I cannot imagine losing a child, let alone two, and beginning this piece was very difficult as I felt extreme anguish, especially for the parents . But it was decided the piece should primarily reflect the enthusiasm, youthful spirits and positive influence these two young men demonstrated as they were deeply loved by their band mates, community and family . There are four main themes, each representing the feelings and emotions that are certain to occur after a loss of loved ones . The first theme is a short, introductory fanfare, strong and bold, to stand for courage . A second dance-like melody features a liltingly mixed meter to portray a youthful and carefree innocence . This soon changes into a third more song-like, and stately theme intended to provide encouragement as we move forward through life .The middle of the piece includes a soft transition as two snare drummers give voice to the boys, allowing them to thank their friends and assuring them that it will be okay . This moves directly into a slow melody introduced by the saxophones (Alex, the younger brother was also a saxophonist) and is a time for reflection and allows for feelings of sadness at losing beloved friends . However, a second statement of the same theme, now at full volume with a strong percussion cadence, intends to lift the spirits and allows all friends to unite in joyous celebration of life . Both the enthusiastic dance theme and stately lyrical theme return, now in different keys, and work their way toward the highly energetic burst of glorious sound in the short and wild coda . When Hearts Tremble was written to celebrate the joys of youth and life, and should remind us that our friends and loved ones are precious, and we should live each day to bring more joy into the world and into the lives of others .

Composed by Gwyneth W. Walker (1947-). For SATB choir, organ accompaniment. General. Published by E.C. Schirmer Publishing

One Holy Lamb (A Musical for Easter). By David Guthrie. Arranged by Lari Goss. For SATB choir. Musical. Modern Christian, Easter. Easy. Choral Book. Duration 38'00". Published by Word Music (

Choir Secular Double Choir and Violoncello

SKU: PE.EP73479

Composed by Francis Pott. Choral Works (inc. Oratorios). Edition Peters. Living Composer. Vocal Score. 164 pages. Edition Peters #98-EP73479. Published by Edition Peters (PE.EP73479).

ISBN 9790577019888. 297 x 210mm inches. English.

At First Light was commissioned by Eric Bruskin, a resident of Philadelphia, USA, in memory of his mother. Eric had a longstanding enthusiasm for my work, and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense, no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances - but in memory I carry the deaths of both my own parents, and I was able to draw upon that. Eric's fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo 'cello part in the new work - but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore, the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent.

Eric's Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually, though, I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general, but balances it with a secular approach to loss, celebration, remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name, taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement, the texts by the Lebanese-born Kahlil Gibran and the US, Kentuckian poet Wendell Berry first address the departed loved one directly, then place us within an imaginary funeral cortege, where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer, requested and provided by Eric Bruskin, which serves to mirror its Latin counterpart heard at the outset.

Throughout , the lamenting cello represents a commentary on the experience articulated in the text. It evokes and, in a sense, tries to embrace and sanctify the individual existential journeys of the bereft, as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called 'the unbearable beauty of the dead' (movement 5).

In a modern world hostage to ever greater menace, displacement, bloodshed and anguish, I hope fervently that this music not only brings a measure of solace to the person who commissioned it, but also makes its own small contribution to bailing out the sinking ship of humanity.

For piano. Piano. Method. Level: Primer. Music Book. Published by Neil A. Kjos Music Company.

For Piano. By Wolfgang Amadeus Mozart. Arranged by Fazil Say. This edition: ED20209. Piano. 8 pages. Published by Schott.

By Edmund Shay. For Organ. Christian: Worship. 3-hole punched heavy stock paper. Published by MorningStar Music Publishers. (10-611) Level: Moderately Easy .

(Suite for Violoncello and Piano). Composed by Mikis Theodorakis (1925-). For Cello, Piano Accompaniment. String. Softcover. 76 pages. Schott Music #ED21249. Published by Schott Music

By Wolfgang Amadeus Mozart. Arranged by Wilby/Childs. Solo. For Euphonium & Piano. Two varied movements illustrate the flexibility of the instrument. Classical. Level: Advanced. Piano score and parts. Standard Notation. Duration 8:00. Published by Winwood Music (U.K. Import).

Choral Hand Clap, Voice 1, Voice 2, Voice 3

SKU: CF.CM9600

Composed by American Folk Song. Arranged by Michael John Trotta. Sws. Mjts. Performance Score. 20 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9600. Published by Carl Fischer Music (CF.CM9600).

ISBN 9781491154229. UPC: 680160912728. 6.875 x 10.5 inches. Key: G major. English. Traditional.

About the song . . .

This beloved American folk song is set atop a rhythmic vocal ostinato that casts this familiar tune in a new light. The energetic ostinato provides the backdrop for the soaring vocal line. Cued notes provide additional options for performance, based on the needs of the ensemble and the discretion of the director.

About the text . . .

The text for this song dates back to the 19th century when one of its many variants appeared in Harpers New Monthly Magazine in 1882. While there is some debate about the exact origin of the song, it is likely linked to the fur trade that existed along the Missouri river. The song quickly spread along these trade routes and exists to this day as one of the most familiar and beloved American folk songs.

This popular song has been recorded by many artists including Judy Garland, Bruce Springsteen, Bob Dylan, Renee Flemming, the King Singers, Chanticleer and many more.

.

About the song . . .

This beloved American folk song is set atop a rhythmic vocal ostinato that casts this familiar tune in a new light. The energetic ostinato provides the backdrop for the soaring vocal line. Cued notes provide additional options for performance, based on the needs of the ensemble and the discretion of the director.

About the text . . .

The text for this song dates back to the 19th century when one of its many variants appeared in Harpers New Monthly Magazine in 1882. While there is some debate about the exact origin of the song, it is likely linked to the fur trade that existed along the Missouri river. The song quickly spread along these trade routes and exists to this day as one of the most familiar and beloved American folk songs.

This popular song has been recorded by many artists including Judy Garland, Bruce Springsteen, Bob Dylan, Renee Flemming, the King Singers, Chanticleer and many more.

.
About the song . . . This beloved American folk song is set atop a rhythmic vocal ostinato that casts this familiar tune in a new light. The energetic ostinato provides the backdrop for the soaring vocal line. Cued notes provide additional options for performance, based on the needs of the ensemble and the discretion of the director. About the text . . . The text for this song dates back to the 19th century when one of its many variants appeared in Harpers New Monthly Magazine in 1882. While there is some debate about the exact origin of the song, it is likely linked to the fur trade that existed along the Missouri river. The song quickly spread along these trade routes and exists to this day as one of the most familiar and beloved American folk songs. This popular song has been recorded by many artists including Judy Garland, Bruce Springsteen, Bob Dylan, Renee Flemming, the King Singers, Chanticleer and many more.
About the song . . .This beloved American folk song is set atop a rhythmic vocal ostinato that casts this familiar tune in a new light. The energetic ostinato provides the backdrop for the soaring vocal line. Cued notes provide additional options for performance, based on the needs of the ensemble and the discretion of the director.About the text . . .The text for this song dates back to the 19th century when one of its many variants appeared in Harpers New Monthly Magazine in 1882. While there is some debate about the exact origin of the song, it is likely linked to the fur trade that existed along the Missouri river. The song quickly spread along these trade routes and exists to this day as one of the most familiar and beloved American folk songs.This popular song has been recorded by many artists including Judy Garland, Bruce Springsteen, Bob Dylan, Renee Flemming, the King Singers, Chanticleer and many more.

Chamber Music flute, piano

SKU: PR.144407310

Composed by Johann Sebastian Bach. Arranged by Ali Ryerson. Sws. Set of Score and Parts. 4+2 pages. Duration 1:30. Theodore Presser Company #144-40731. Published by Theodore Presser Company (PR.144407310).

ISBN 9781491132319. UPC: 680160681662. 9 x 12 inches.

Inspired by one of the flute repertoire’s loveliest melodies, SICILIANO (REIMAGINED) is a gently adapted “jazz-flavored† setting of the slow movement from Bach’s Sonata in Eb Major. Solo parts are provided both for C Flute and for Alto Flute. With a fairly close rendering of the authentic flute line and more contemporary chords in the piano part, SICILIANO (REIMAGINED) is an inviting way to play music with a modernized jazz sound, while reading traditional classical notation.
Inspired by one of the flute repertoire’s loveliest melodies, Siciliano (Reimagined) never strays far from the source, except for its reharmonization. Occasional jazz-infused touches give the melody a fresh perspective, without diluting its purity. I am always moved by how beautifully the music of the 18th century and contemporary music coexist.Performers may play this arrangement in the Baroque style.

Piano - beginner, intermediate, advanced

SKU: KJ.TW520

TCW Resources. Method Book. TCW Resources #TW520. Published by TCW Resources (KJ.TW520).

UPC: 8402702088.

About TCW Resources

TCW Resources exists to create music teaching materials designed to inspire teachers and students to reach beyond the ordinary. We are committed to producing quality products that utilize sound educational principles. With the knowledge that music can enhance every child's life, we offer students and teachers fresh new tools that will promote their love of music and make music a valued gift for the rest of their lives.

TCW Resources was founded in 1993 by Laura G. Zisette, Charlene Zundel, and Kathleen Lloyd to create teaching materials that are thorough, easy to use, and fun and stimulating for students. The materials are age- and level-appropriate, well-paced, and employ multiple approaches to accommodate varied learning styles.

TCW materials are piloted through the Utah State University Youth Conservatory, a music preparatory program for community children. This conservatory serves over 250 students, ages 5-18, through group theory classes and individual piano lessons. Its curriculum offers weekly group theory classes and individual piano lessons as well as many other extra-curricular programs. The National Association of Schools of Music (NASM) stated that the USUYC should be a national model for music preparatory programs.

TCW materials are used in many other preparatory programs and conservatories around the United States and Canada.

By Taylor Swift. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. 122 pages. Published by Hal Leonard