Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo [3 trumpets, timpani] - Grade 3

SKU: CA.3321512

Composed by Carl Philipp Emanuel Bach. Edited by Gunter Graulich. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Violin 2. Innovative practice aids, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Violin 2. Composed 1749. BR-CPEB E 4 (Wq 215). 32 pages. Duration 42 minutes. Carus Verlag #CV 33.215/12. Published by Carus Verlag (CA.3321512).

ISBN 9790007051686. Language: Latin.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious settings of the Hymn to the Virgin Mary (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur, dignity, polyphonic and concertante choral movements, sensitive (empfindsam) and expressive arias, a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.), which is almost one hour in duration, would be well suited, for example, as the central work on every Christmas or pre-Christmas concert programme. Score and part available separately - see item CA.3321500.

(Chorale cantata). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For Bass Voice Solo, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, 2 Violas, 2 Cellos, Contrabass. This edition: Paperbound. Stuttgart Urte full score Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion

Soprano voice solo, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 violas, cello/bassoon/contrabass, organ

SKU: CA.4004412

Composed by Wolfgang Amadeus Mozart. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Benedictus Sit Deus Pater Rev.2001. Sacred vocal music, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Violin 2. Composed 1768. KV 117. 4 pages. Duration 11 minutes. Carus Verlag #CV 40.044/12. Published by Carus Verlag (CA.4004412).

ISBN 9790007058548. Key: C major. Language: Latin.

Score available separately - see item CA.4004400.

(Cantata for the Feast of John the Baptist). Composed by Johann Sebastian Bach (1685-1750). Edited by Julia Doht. For SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Special days. Full score. Text language: German/English. Composed 1738(?). BWV 30. Duration 38 minutes. Published by Carus Verlag

Orchestra Soli SBar, Coro SATB, 2 Cor, 2 Tr, 3 Trb, Timp, Vl solo, 2 Va, 2 Vc, Cb, Org, Arpa

SKU: CA.2731102

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. With attachement. Sacred vocal music, Requiem. Vocal score. Composed 1901. 40 pages. Duration 35 minutes. Carus Verlag #CV 27.311/02. Published by Carus Verlag (CA.2731102).

ISBN 9790007246778. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score available separately - see item CA.2731100.

Orchestra tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4016913

Oratorio fragament. Part I: The Birth of Christ; Part II: The Passion of Christ. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Christus-Oratorium (Fragment). Innovative practice aids, Sacred vocal music, Oratorios, Lent and Passiontide, Holy Week, Christmas. Single Part, Viola. Composed 1847. Op. 97, MWV A 26. 4 pages. Duration 21 minutes. Carus Verlag #CV 40.169/13. Published by Carus Verlag (CA.4016913).

ISBN 9790007063559. Language: German/English.

Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.

(Choralkantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Oswald Bill. For Bass Solo, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Violins, 2 Violas, 2 Cellos, Contrabass. Full score available separately - see item CA.4018600. Genres: Cantatas; Stuttgart Urtext Editions; Use / Occasion: Eucharist; Use during church year: Lent and Passiontide, Holy Week. Level 3. Part: Violoncello 2. Language: German/English. Composed 1830. 8 pages. Duration 12 min. Published by Carus Verlag

By Wolfgang Amadeus Mozart (1756-1791). For Solo Soprano, SATB Choir, 2 Flutes, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. KV 117 (66a = 47b). Full score available separately - see item CA.4004400. Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use during church year: Easter and Eastertide, Trinity. Set of instrumental parts (except strings). Language: Latin. Composed 1768. 14 pages. Duration 11 min. Published by Carus Verlag

Orchestra SATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 trumpets, 3 trombones, timpani, 2 violins, viola, harp, Carillons, organ, basso continuo

SKU: CA.5505301

Oratorio. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Saul Hwv 53 Kartoniert. Sacred vocal music, Oratorios. Full score. Composed 1739. HWV 53. 304 pages. Duration 165 minutes. Carus Verlag #CV 55.053/01. Published by Carus Verlag (CA.5505301).

ISBN 9790007143367. Language: English/German.

Sau l, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score available separately - see item CA.5505300.

By Lubos Fiser (1935-1999). For piano, orchestra (piano solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, strings). Czech title: Concerto da camera per piano ed orchestra. Classical. Score. Publication language: Czech/German. Publishe. Score. Classical.

Marienantiphon. By Wolfgang Amadeus Mozart. Edited by Martin, Christine. Arranged by Paul Horn. For Solo Soprano, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. KV 127. Full score available separately - see item CA.4004800. Stuttgart Urtext editions; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours; Use during church year: Easter and Eastertide. Part: Violoncello/Contrabass. Language: Latin. 8 pages. Duration 17 min. Published by Carus Verlag (German import).

(Hymne). By Hector Berlioz (1803-1869). Edited by Denis McCaldin. For tenor voice solo, double STB choir, SA children's choir, 4 flutes, 2 oboes, 2 clarinets, 4 bassoons, 4 horns, saxhorn, 2 trumpets, 2 cornets, 3 trombones, ophicleide, tuba, timpani, per Score

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706012

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

By Daniel Bernard Roumain. For Solo Trumpet, 2 Flutes & Strings. Study Score. Composed 2007. Duration 15'. Published by Subito Music Corporation

Jazz Ensemble plus 2 flutes, oboe, 2 clarinets, bass clarinet, bassoon, F horn, tuba & bells - Grade 3

SKU: KN.52500S

Composed by Traditional. Arranged by Sammy Nestico. Kendor Archive Editions. Kendor Music Inc #52500S. Published by Kendor Music Inc (KN.52500S).

Scored for augmented jazz ensemble, this adaptation of the famous Scottish tune alternates between traditional 6/8 and swingin' 4/4 meters while the tempo remains constant. Good balance between woodwinds and brasses is essential, and a solo presentation of the refrain melody by trombone is especially nice.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For Soprano Voice Solo, SATB Choir, 2 Flutes, 2 Oboes, 2 Horns, 2 Clarinos/Trumpets, Timpani, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. This edition: Paperbo full score Easter and Eastertide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours

Concert Band

SKU: YM.GTW01101612

Composed by Giacomo Puccini. Arranged by Hideaki Miura. New Sounds in Brass. Arranged Classic. Score and parts. Yamaha Music Media #GTW01101612. Published by Yamaha Music Media (YM.GTW01101612).

ISBN 9784636113037. 8.25 x 11.75 inches.

The famous aria sung in the third act of Puccini's opera Turandot has been arranged in the style of EDM (electronic dance music). Be sure to try out the trumpet solo played by Eric Miyashiro in the recording.
Instrumentation: Conductor×1; Piccolo×1; 1st & 2nd Flutes×2; *Oboe×1; *Bassoon×1; Clarinet in E♭×1; 1st Clarinet in B♭×3; 2nd Clarinet in B♭×3; 3rd Clarinet in B♭×3; *Alto Clarinet in E♭×1; Bass Clarinet in B♭×1; 1st Alto Saxophone in E♭×1; 2nd Alto Saxophone in E♭×1; Tenor Saxophone in B♭×1; Baritone Saxophone in E♭×1; 1st Trumpet in B♭×1; 2nd Trumpet in B♭×1; 3rd Trumpet in B♭×1; 1st & 2nd Horns in F×2; 3rd & 4th Horns in F×2; 1st Trombone×1; 2nd Trombone×1; Bass Trombone×1; Euphonium×2; Tuba×2; Electric Bass Guitar×1; *Electric Guitar×1; Drums×1; Timpani×1; Cymbals, Tambourine, Wood Block & Bass Drum×1; Wind Chime & Suspended Cymbal×1; Glockenspiel×1; Xylophone, Marimba & Chimes×3 The composition can also be performed without the instruments marked with *.
Performance time: Approximately 4 minutes 15 seconds
Difficulty Level: 3.

Vocal Solo (Key of F)

SKU: HP.9120

Composed by William Runyan. Arranged by Mary McDonald. Piano Accompaniment with Optional Orchestra. Vocal Score. 8 pages. Hope Publishing Company #9120. Published by Hope Publishing Company (HP.9120).

UPC: 763628191207. Thomas O. Chisholm.

Classic hymn tune Fully expressing God's unchangeable faithfulness in any circumstance, this epic choral setting displays the power and grandeur of this cherished hymn. The orchestration by Michael Lawrence magnifies the dramatic sweep of this ebullient, raise the rooftops setting. Orchestration: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello and String Bass.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4017014

Oratorio fragament. Part I: The Birth of Christ; Part II: The Passion of Christ. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Christus-Oratorium (Fragment). Innovative practice aids, Sacred vocal music, Oratorios, Lent and Passiontide, Holy Week, Christmas. Single Part, Cello. Composed 1847. Op. 97, MWV A 26. 4 pages. Duration 21 minutes. Carus Verlag #CV 40.170/14. Published by Carus Verlag (CA.4017014).

ISBN 9790007063658. Language: German/English.

Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.