Revised Edition. Composed by Johannes Brahms (1833-1897). Edited by Camilla Cai. Henle Music Folios. Softcover. 44 pages. G. Henle #HN560. Published by G. Henle (HL.51480560).

Music for Solo Piano and Piano, Four Hands. By Ricky Ian Gordon. Solo piano. For Piano. Classical. Performance score. 80 pages. Published by Carl Fischer.

By Timothy Broege. (Score & Parts). MusicWorks Grade 2. Concert Band. Score and full set of parts. Published by Hal Leonard.

Guitar

SKU: HL.49010834

Volume 1. Composed by Anton Stingl. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 23 pages. Schott Music #GA 420. Published by Schott Music (HL.49010834).

ISBN 9790001096706. UPC: 073999637540. 9.0x12.0x0.082 inches.

Contents: Light Suites in C (Variations) * Three Folksong dances * Three light Pieces in C Major * Four little Studies * Light Sonatina in G * Abends will ich schlafen gehn (Variations) * Prelude and March in E minor.

By Malcolm Arnold. For Violin, Piano Accompaniment. 20th Century. Sheet Music. 32 pages. Published by Novello & Co Ltd.

(Orchestra). By Malcom Arnold. For Orchestra (Study Score). Music Sales America. 67 pages. Novello and Co Ltd. #NOV162206. Published by Novello and Co Ltd.

For Orchestra. Music Sales America. Post-1900. 40 pages. Novello and Co Ltd. #NOV951984. Published by Novello and Co Ltd. . Post-1900.

By Malcolm Arnold. For Orchestra. Dance, 20th Century, Scottish. Sheet Music. 56 pages. Published by Paterson Ltd.

Organ

SKU: SU.80101335

For Organ. Composed by Franklin Ashdown. Keyboard, Organ. Score. Zimbel Press #80101335. Published by Zimbel Press (SU.80101335).

Organ Duration: 12'30 Composed: 2013 Published by: Zimbel Press Ancient Dances is a delightful set of four organ pieces inspired by Renaissance and baroque music. The four movements are Rigadoon, Sarabande, Pavane, and Gigue.

Ensemble

SKU: HL.14003796

Composed by Hans Abrahamsen and Johann Sebastian Bach. Music Sales America. Score Only. Edition Wilhelm Hansen #KP01266. Published by Edition Wilhelm Hansen (HL.14003796).

Danish.

A Chorale arranged for 15 Instruments. Full Score for ensemble.

Bach 's Befichl du deine Wege is a chorale setting (BWV 272), which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments, both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending, the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second, ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background, and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders.
 &nb sp;   &nbs p;     ;   - Thomas Michelsen

Arrangement
< br>

• 1 Flute
• 1 Oboe
• 1 Clarinet In Bb
• 1 Bassoon
• 1 Horn in F
• 1 Trumpet in Bb
• 1 Trombone (Tenor)
• 1 Vibraphone (Motor Off)
• 1 Harp
• 1 Piano
• 1 Violin I
• 1 Violin II
• 1 Viola
• 1 Cello
• 1 Double Bass

A Chorale arranged for 15 Instruments. Full Score for ensemble.

Bach 's Befichl du deine Wege is a chorale setting (BWV 272), which Hans Abrahamsen has arranged for fifteen instruments. In Hans Albrahamsen's adaptation Bachs chorale gradually ernerges from two melodic fragments, both borrowed from the Danish composer Poul Ruders' Four Dances in One Movernent'. In fact both fragments are taken from the last three bars of Ruders' composition. One of Ruders' small melodies is descending, the other is ascending. The metamorphosis from Ruders to Bach can be accomplished because both of Ruders' melodic fragments are in fact 'hidden' among the parts of this Bach choraleinasmuch as the composer has transposed it into B minor. In the first verse we hear only the descending Ruders melody. In the secend verse Ruders' second, ascending and chrornatically coloured melody is added. In the subsequent verses more and more melodies are added. Thus the piece begins with Poul Ruders' melodic fragment in the foreground. In the course of the next verse Ruders' material gradually recedes into the background, and permits Bachs face to ernerge with increasing clarty in the foreground. The piece is dedicated to Poul Ruders.
 &nb sp;   &nbs p;     ;   - Thomas Michelsen

Arrangement
< br>

• 1 Flute
• 1 Oboe
• 1 Clarinet In Bb
• 1 Bassoon
• 1 Horn in F
• 1 Trumpet in Bb
• 1 Trombone (Tenor)
• 1 Vibraphone (Motor Off)
• 1 Harp
• 1 Piano
• 1 Violin I
• 1 Violin II
• 1 Viola
• 1 Cello
• 1 Double Bass

String Quartet

SKU: ST.Y248

Composed by Morgan Hayes. String music. Score and parts. 6 minutes. Score and parts. Stainer & Bell Ltd. #Y248. Published by Stainer & Bell Ltd. (ST.Y248).

ISBN 9790220222351.

Comm issioned by Bromsgrove Concerts with financial assistance from Arts Council England
1st perf: Smith Quartet, Artrix, Bromsgrove, 27 February 2009

Favoured by English composers from Purcell to Vaughan Williams and Britten, the ground-bass form receives a contemporary makeover in Morgan Hayes's Dances on a Ground. Artfully four-square, a cello ostinato stays stubbornly true to its original thoughts. Meanwhile, above it a capricious ensemble of two violins and viola swaggers its way through flights of melody and jumpy pizzicati to an ecstatic conclusion. Commissioned by Bromsgrove Concerts with funding provided by Arts Council England, Dances on a Ground was first performed by the innovative Smith Quartet at the Artrix, Bromsgrove, on 27 February 2009.

Euphonium & piano - advanced

SKU: CY.CC2588

Composed by Ernest Chausson. Arranged by Ralph Sauer. French Romantic. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2588).

The Quelques Dances (Some Dances) Opus 26, arranged by Ralph Sauer for Euphonium and Piano were originally composed for Piano during the summer of 1896. The four movements are:
Dedicace
Sar abande
Pavane
For lane

Opus 26 is dedicated to Madame Robert de Bonnieres. Many of Chausson's trademarks are present in this work: lyricism, sensuousness, stateliness and beautiful part-writing combined with constant harmonic progression.
This work of 15 minutes in length is appropriate for advanced performers.

The mp3 sound clip features Ralph Sauer (Trombone) and Miriam Hickman (Piano).

Violin 1 part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-15

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-15. Published by Breitkopf and Haertel (BR.OB-5273-15).

ISBN 9790004332498. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Woodwinds (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-30

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Folder. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Set of parts. 344 pages. Duration 35'. Breitkopf and Haertel #OB 5273-30. Published by Breitkopf and Haertel (BR.OB-5273-30).

ISBN 9790004332542. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Piano

SKU: BO.B.3661

Composed by Joan Comellas. Published by Editorial de Musica Boileau (BO.B.3661).

The Sonatas de Paris are divided into two books. Comellas began the series in early 1952 and they were finished in 1955. As with most of his works, he composed without having a plan to premier them or a commission. So upon having them completed, he filed them away. On many occasions, his close friend Jordi Giro would read thrue the pieces or Anna Ricci would sing his songs, but very little of his music was performed during his life time.

The two books entitled Sonatas de Paris are really to books with totally different character. The first book is made up of short piano pieces in a neo baroque style. More than following strict forms of the baroque suite, the pieces are more a evoking of the baroque style. Book one loosely follows the idea of a suite or ordre, where as book two is much freer in structure being made up of various pieces, a few in memory of his favored composers (Albeniz, Debussy, and Granados) ending with a group of four dances, Las indias danzantes [Dances of the Indian girls], that refer to an Indian dance. This group of dances is not really playable by one pianist and seems to be really meant to be performed piano 4 hands, but since there is no note about this in the score it is hard to say. A few of these pieces were performed by Rosa Sabater in Paris in 1980.

The present edition is based on manuscripts that are in the Joan Comellas deposit in the National Catalonian Library in Barcelona.

Flute, piano (solo: fl - 0.0.0.2.dble bsn - 3.3.0.0. - timp.perc(3) - hp - str)

SKU: BR.EB-8912

Dances with the Winds. Composed by Einojuhani Rautavaara. Solo instruments; stapled. Edition Breitkopf.

World premiere: Stockholm, May 4, 1974

Solo concerto; Music post-1945. Piano reduction. 40 pages. Duration 21'. Breitkopf and Haertel #EB 8912. Published by Breitkopf and Haertel (BR.EB-8912).

ISBN 9790004185780. 9 x 12 inches.

The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2

World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.

Clarinet Quartet

SKU: AY.CQ3412PM

Composed by Gene Pritsker. Woodwinds - Clarinet. Score & Parts. Duration 6'30. Periferia Publishing #CQ3412PM. Published by Periferia Publishing (AY.CQ3412PM).

ISBN 9790543573710.

Drum mer Dances is based primarily on rhythms from two famous drum solos. The first 30 bars take the rhythms from Max Roach's solo in 'Delilah Dances', as recorded on the Clifford Brown and Max Roach album. The music develops further using the four bar drum breaks from the same composition. Elvin Jones' drum solo 'Monks Dream' is the other rhythmical source material in this piece. I use 32 bars of this solo in a more linear development. Two distinct melodies are heard throughout this piece, they appear in different variations within the various rhythms the two drum solos provide.

Violoncello part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-23

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 26 pages. Duration 35'. Breitkopf and Haertel #OB 5273-23. Published by Breitkopf and Haertel (BR.OB-5273-23).

ISBN 9790004332528. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Double bass part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-27

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-27. Published by Breitkopf and Haertel (BR.OB-5273-27).

ISBN 9790004332535. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Trombone and piano - advanced

SKU: CY.CC2587

Composed by Ernest Chausson. Arranged by Ralph Sauer. French Romantic. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2587).

The Quelques Dances (Some Dances) Opus 26, arranged by Ralph Sauer for Trombone and Piano were originally composed for Piano during the summer of 1896. The four movements are:

Dedicace
Sarabande
Pavane
Forlane

Opus 26 is dedicated to Madame Robert de Bonnieres. Many of Chausson's trademarks are present in this work: lyricism, sensuousness, stateliness and beautiful part-writing combined with constant harmonic progression.

Thi s work of 15 minutes in length is appropriate for advanced performers.

The mp3 sound clip features Ralph Sauer (Trombone) and Miriam Hickman (Piano).

2nd violin part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-16

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-16. Published by Breitkopf and Haertel (BR.OB-5273-16).

ISBN 9790004332504. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Piano

SKU: BO.B.3662

Composed by Joan Comellas. Published by Editorial de Musica Boileau (BO.B.3662).

The Sonatas de Paris are divided into two books. Comellas began the series in early 1952 and they were finished in 1955. As with most of his works, he composed without having a plan to premier them or a commission. So upon having them completed, he filed them away. On many occasions, his close friend Jordi Giro would read thrue the pieces or Anna Ricci would sing his songs, but very little of his music was performed during his life time.

The two books entitled Sonatas de Paris are really to books with totally different character. The first book is made up of short piano pieces in a neo baroque style. More than following strict forms of the baroque suite, the pieces are more a evoking of the baroque style. Book one loosely follows the idea of a suite or ordre, where as book two is much freer in structure being made up of various pieces, a few in memory of his favored composers (Albeniz, Debussy, and Granados) ending with a group of four dances, Las indias danzantes [Dances of the Indian girls], that refer to an Indian dance. This group of dances is not really playable by one pianist and seems to be really meant to be performed piano 4 hands, but since there is no note about this in the score it is hard to say. A few of these pieces were performed by Rosa Sabater in Paris in 1980.

The present edition is based on manuscripts that are in the Joan Comellas deposit in the National Catalonian Library in Barcelona.

Guitar - easy

SKU: HL.49010945

For Four Guitars. Composed by Manolo Murciano. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Score and Parts. 26 pages. Schott Music #GA 533. Published by Schott Music (HL.49010945).

ISBN 9790540010027. UPC: 884088098476. 9.0x12.0x0.109 inches.

These four easy folkloristic pieces are suitable for tuition and group practice. The Spanish composer M. Murciano (born 1962) used elements of traditional Spanish forms: the dances from the area around Seville are strongly infuenced by the Flamenco.