Chorus a cappella

SKU: BR.CHB-2879-02

Composed by Johann Nepomuk David. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Early modern. Choral score. Composed 1939. 16 pages. Breitkopf and Haertel #ChB 2879-02. Published by Breitkopf and Haertel (BR.CHB-2879-02).

ISBN 9790004402382. 6.5 x 9.5 inches.

1. Wer Ohren hat zu horen - ChB 2878 2. Und ich sah einen neuen Himmel - ChB 2879.

By Matthew H. Corl. For organ. Organ Music. Level: Medium. Published by MorningStar Music Publishers.

Piano

SKU: BR.SMV-60004

Composed by Walter Georgii. Edited by Walter Georgii. Solo instruments; Softbound. Monuments of German Music. Baroque; Early classical. Score. 96 pages. Breitkopf and Haertel #SMV 60004. Published by Breitkopf and Haertel (BR.SMV-60004).

ISBN 9790004571446. 0 x 0 inches. English.

Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31).

Chorus (with soloists) and piano (solos: SB - choir: SATB - 0.2.0.0. - 0.0.0.0. - org - str - bc.)

SKU: BR.EB-7047

17th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Bernhard Todt. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 28 pages. Duration 19'. Breitkopf and Haertel #EB 7047. Published by Breitkopf and Haertel (BR.EB-7047).

ISBN 9790004172018. 7.5 x 10.5 inches. German.

(Easy Guitar Tab). By Various. Easy Guitar. Softcover. Guitar tablature. 144 pages. Published by Hal Leonard

By Franz Joseph Haydn (1732-1809). Edited by H.C. Robbins Landon. Standard notation. Published by Universal Edition

(Sinfonie Nr. 1 e-moll op. 39). By Jean Sibelius (1865-1957). Edited by Timo Virtanen. For orchestra. This edition: Urtext. Complete Works. Score. Opus 39. 288 pages. Published by Breitkopf and Haertel

Basso (cello/double bass) (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-5137-26

Composed by Wolfgang Amadeus Mozart. Stapled. Orchester-Bibliothek (Orchestral Library). You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. Solo concerto; Classical. Part. 12 pages. Duration 29'. Breitkopf and Haertel #OB 5137-26. Published by Breitkopf and Haertel (BR.OB-5137-26).

ISBN 9790004329283. 9 x 12 inches.

(cello or contrabass). By Johann Sebastian Bach (1685-1750). For Solo Parts, Mixed Choir, Orchestra. This edition: cello or contrabass. Orchester-Bibliothek (Orchestral Library). Individual part. 20 pages. Published by Breitkopf and Haertel

Viola (0.2.0.0. - 2.0.0.0. - str - bc)

SKU: BR.OB-5059-19

Composed by Johann Christian Bach. Edited by Hanspeter Gmur. Stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Early classical. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 5059-19. Published by Breitkopf and Haertel (BR.OB-5059-19).

ISBN 9790004328200. 9 x 12 inches.

By Franz Lachner. For Soprano, Horn, Piano. This edition: paperback. 28 pages. Published by Breitkopf and Haertel (German import).

By Franz Schubert. For orchestra. Breitkopf Orchestral Library. Published by Breitkopf and Haertel (German import).

Chorus with inst.

SKU: BR.PB-5390

The Burial of Christ. Composed by Sigfrid Karg-Elert. Choir; Softcover. Partitur-Bibliothek (Score Library).

During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.

Cantata; Early modern; Late-romantic. Score and parts. 32 pages. Breitkopf and Haertel #PB 5390. Published by Breitkopf and Haertel (BR.PB-5390).

ISBN 9790004211236. 9 x 12 inches. German.

Oliver Hilmes's four new editions of Karg-Elert's most substantial choral works are being published with the same consistency and compactness shown by Karg-Elert when he wrote them in 1912/13. The reception of Karg-Elert's works, which has been quite strong in the organ domain, now obtains decisive impulses in a new direction. Joining the previously published choral canzonas Benedictus Op. 82 No. 1 and Vom Himmel hoch Op. 82 No. 2 are Naher, mein Gott, zu dir Op. 81 and the Passion Canzona Op. 84. Particularly charming is the unique instrumental color with which Karg-Elert sensitively enhances the choral sound in each work of this little group.,,Die eminent wichtige Neuausgabe der Choralkanzonen wird hoffentlich diesen grandiosen Kompositionen Karg-Elerts endlich die Stellung zukommen lassen, die sie im Bereich von Musik in der Kirche eigentlich seit ihrer Entstehung verdient hatten. (Jorg Stodthoff, Forum Kichenmusik)

Durin g his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.

Men's choir (TTBB) and wind band (POS2) - intermediate

SKU: HL.49025905

Klingling, bumbum und tschingdada. Composed by Helmut Scheck. This edition: Folding. Sheet music. Schott Chorverlag (Choral Music). Individual part. 4 pages. Duration 4'. Schott Music #C 44570-25. Published by Schott Music (HL.49025905).

ISBN 9790001014168. German.

Violoncello (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-23

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 65'. Breitkopf and Haertel #OB 5641-23. Published by Breitkopf and Haertel (BR.OB-5641-23).

ISBN 9790004348819. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.

(viola). By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For orchestra. Breitkopf Orchestral Library. Individual part, Urtext. 16 pages

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1074203-140

Composed by Irving Gordon. Arranged by Toshio Mashima. New Sounds for Concert Band. Score Only. Composed 2006. 24 pages. De Haske Publications #DHP 1074203-140. Published by De Haske Publications (BT.DHP-1074203-140).

9x12 inches. English-German-French-Dut ch.

The phenomenal success of the singer Nat King Cole, eclipsed the talent of the jazz pianist to a legacy that remains a jazz master and model. For all of us, there remains his own unique interpretations of such classic songs as Sweet Lorraine, Mona Lisa, Embraceable You, Besame Mucho and, of course, Unforgettable, which was re-released many years after his death by his daughter, Natalie Cole. With more than 60 million discs sold, Nat King Cole was one of the first black American artists to attain such international notoriety. His clear and distinguished voice allowed for him to become a renowed crooner to his legions of loyal fans.

Unforgett able von Irving Gordon, der zahlreiche Hits für große Künstler wie Bing Crosby, Billie Holiday, Duke Ellington u.v.m. schrieb, gesungen von Nat King Cole im Jahr 1951. Dessen Tochter Natalie Cole wurde mit einer Neuaufnahme, auf der ihre Stimme und die ihres Vaters zu hören sind, im Jahr 1992 einen Grammy für die Single des Jahres verliehen. Toshio Mashima arrangierte das wahrlich unvergessliche“ Lied für Blasorchester.

Le succès phénoménal du chanteur Nat King Cole, a éclipsé le talent du pianiste qui reste pour le monde du jazz un maître et un modèle. Pour tous, il reste aussi l’interprète inoubliable de Sweet Lorraine, Mona Lisa, Embraceable You, Besame Mucho ou encore Unforgettable, repris des années plus tard par sa fille Natalie Cole. Avec plus de 60 millions de disques vendus, Nat King Cole est un des premiers artistes noir-américains atteindre une telle notoriété internationale. Sa voix claire et distinguée lui a permis de devenir un crooner de renom au physique de dandy élégant.

String Quartet (clar,vl,vc,pno)

SKU: BR.KM-2516

Composed by Isabel Mundry. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). World premiere of the 1st version: Dresden, Semperoper, June 6, 2008. Music post-1945; New music (post-2000). Score and parts. Composed 2007/09. 60 pages. Duration 15'. Breitkopf and Haertel #KM 2516. Published by Breitkopf and Haertel (BR.KM-2516).

ISBN 9790004502938. 11.5 x 16 inches.

Der Komposition gehen keine aussermusikalischen Eindrucke voraus, sondern sie konzentriert sich auf innermusikalische Uberlegungen, weshalb es nicht leicht ist, uberhaupt Worte fur sie zu finden. In einem losen Zyklus, den ich in den nachsten Jahren fortsetzen mochte, will ich mich auf das Phanomen der innermusikalischen Bindungen konzentrieren sowie auf ihr Gegenuber, die Einschnitte, Trennlinien oder Kontraste. Jenseits der Tonalitat stellt sich mit jeder neuen Komposition auch die Frage erneut, was zwei Klange zusammenhalten kann, was Ferne und Nahe bedeuten, was das Lose ist und was das Gebundene. Stehen solche Uberlegungen in meinen anderen Kompositionen im Dienste anderer Visionen, so will ich ihnen hier wie ein Geologe auf den Grund gehen.Immer wieder ziehen sich Linien durch die Musik, im konkreten Sinne melodischer Phrasen, aber auch im allgemeinen Sinne der Weiterfuhrung von Klangcharakteren. So unterliegt die Musik permanenten Wandlungen, gehalten von imaginaren Faden, die sich auch verknoten, vernetzen oder vervielfaltigen konnen. Gleichzeitig gibt es auch Einschnitte, scheinbar losgeloste Geschehnisse, die wie unbegrundet hineinplatzen, und dennoch vergleichbar mit einem Stein in einem Fluss ihren Einfluss auf den Verlauf des Ganzen nehmen.Liaison - der Titel beschreibt zwei Seiten dieses Projektes, namlich einerseits die Bindung als innermusikalisch fokussiertes Thema, andererseits den Antrieb, sich mit einem solch basalen Phanomen der Musik erneut zu beschaftigen: die Liaison als Liebesbeziehung, in der die einfachsten Dinge doch wieder zu einem Ratsel werden konnen.(Isabel Mundry).