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5 Danses Profanes Et Sacrees (TOMASI HENRI)
78.10
5 Danses Profanes Et Sacrees (TOMASI HENRI)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Leduc, Alphonse
Pour Quintette de Vents. Par TOMASI HENRI. French composer and conductor, Henri ...
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Pour Quintette de Vents. Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions, Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance, 2) Secular Dance, 3) Sacred Dances, 4) Bridal Dance, and 5) Warrior Dances, Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet, providing an exciting alternative addition to the ensemble repertoire./ Répertoire / Quintette à vent
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Ballet Music from Othello for Flute Orchestra (VERDI GIUSEPPE)
37.30
Ballet Music from Othello for Flute Orchestra (VERDI GIUSEPPE)
Ensemble de Flûtes
Megido Publications
Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giu...
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Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes
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Mien (WENNAKOSKI LOTTA)
43.60
Mien (WENNAKOSKI LOTTA)
Quintette à Vent
[Conducteur et Parties séparées]
Fennica Gehrman
Par WENNAKOSKI LOTTA. Lotta Wennäkoski's Mien (2014) for wind quintet is based ...
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Par WENNAKOSKI LOTTA. Lotta Wennäkoski's Mien (2014) for wind quintet is based on rippling, wavering, timbre changing effect of bisbigliando. The good-humoured piece has a swinging jingle, and with duration of approximately 5 minutes is suitable for many kinds of programming. Mien was premiered in February 2015 by the wind quintet of the Lapland Chamber Orchestra. This product includes the full score and a set of parts. Instrumentation: alto flute, cor anglais, clarinet, horn and bassoon. / Date parution : 2022-05-31/ Répertoire / Quintette de Vents
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Flute Concerto No.2 (ARNOLD MALCOLM)
20.60
Flute Concerto No.2 (ARNOLD MALCOLM)
Flûte traversière et Piano
[Partition]
Faber Music Limited
Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 fo...
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Par ARNOLD MALCOLM. Malcolm Arnold composed his Second Flute Concerto in 1972 for Richard Adeney, who premiered it at the Aldeburgh Festival with the English Chamber Orchestra. Cast in three movements, this delightful 14-minute concerto is scored for solo flute, pairs of oboes and horns, and strings. / Instrumental Music / Répertoire / Flûte Traversière et Piano
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