SKU: LO.99-3899L Composed by Patricia Mock. Arranged by Faye Lopez. Chora...(+)
SKU: LO.99-3899L
Composed by Patricia
Mock. Arranged by Faye
Lopez. Choral. Sacred
Anthem.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/3899L.
Published by Lorenz
Publishing Company
(LO.99-3899L).
UPC:
000308150544.
Perfo
rmance/accompaniment CD
for Heart Song of Praise
(10/5154L) With lyrics
drawn from the Psalms,
this anthem reflects on
the wonders of
God’s grace and
urges the listener to
respond by lifting up a
Heart Song of Praise.
Containing moments of
tenderness and soaring
majesty, this memorable
piece is enhanced by a
lovely oboe part (which
can also be performed by
flute or violin).
Children's Choir; Choral (2-Part Treble) SKU: HL.35027760 Composed by Ali...(+)
Children's Choir; Choral
(2-Part Treble)
SKU:
HL.35027760
Composed
by Alice Brotherton and
Mark Williams. Harold
Flammer WorshipSongs Jr.
Children'S Choir,
Concert, General Worship.
Octavo. 8 pages. Duration
127 seconds. Published by
Shawnee Press
(HL.35027760).
UPC:
884088539078.
6.75x10.5x0.019 inches.
Alice Brotherton/Mark
Williams.
Uses:
General, Spring Concert
Scripture: Luke 12:27
This song is a precious
message of God's
protection and provision
for our lives. The lovely
melody arches with
sensitivity to the words
and an optional second
part adds warmth and
tenderness.
SATB with flute Choral (SATB) SKU: HL.35019680 Composed by Celsie Stagger...(+)
SATB with flute Choral
(SATB)
SKU:
HL.35019680
Composed
by Celsie Staggers,
Robert Staggers, and Ruth
Elaine Schram. Shawnee
Sacred. Christmas Sacred,
Christmas/Advent Sacred.
Octavo. 12 pages. Shawnee
Press #A7829. Published
by Shawnee Press
(HL.35019680).
UPC:
747510065227.
6.75x10.5x0.029 inches.
Celsie and Robert
Staggers/Ruth Elaine
Schram.
Ruth Elaine
Schram has a special gift
for writing memorable
melodies. This piece is
no exception as she
tenderly cradles a
picturesque text with
exquisite tuneful beauty.
The contrasting middle
section is a challenge
for all to hurry and
behold the Savior:
“Run, run, run to
Bethlehem! See this thing
which has come to
pass...†Then the
quietness of the manger
returns with a quote from
the familiar carol:
“O come, let us
adore Him.†The
optional flute part adds
a lovely shimmer to this
beautiful nocturne.
“Shepherd's
Carol†is a must
for your Christmas
programming.
Composed
by Tomaso Giovanni
Albinoni. Edited by
Michael Talbot. Voice
(Soprano) & Basso
Continuo. Full score and
parts. Duration 7
minutes. Edition HH Music
Publishers #HH145-FSP.
Published by Edition HH
Music Publishers
(HH.HH145-FSP).
ISBN
9790708041962.
This
cantata, from an
important manuscript in
Berlin containing 18
Albinoni cantatas for
soprano and continuo, is
on a more serious subject
than most. Standing at
the deathbed of Lidio,
who has undeviatingly
loved her without
reciprocation all his
life, Clori is stricken
by remorse at her
ingratitude and enjoins
others to surrender to
Cupid. As usual, Albinoni
does not wallow in the
lachrymose, but there is
an affecting tenderness
that suffuses the whole
cantata.
By Dennis Alexander. For Piano. Piano Solo. Intermediate level piece for the Pia...(+)
By Dennis Alexander. For
Piano. Piano Solo.
Intermediate level piece
for the Piano Solo event
with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Sheet. 4
pages. Published by
Alfred Publishing.
Chorus a cappella SKU: BR.CHB-5234-02 Composed by Fanny Cecile Mendelssoh...(+)
Chorus a cappella
SKU:
BR.CHB-5234-02
Composed by Fanny Cecile
Mendelssohn. Edited by
Gottfried Heinz and J.
Draheim. Choir; stapled.
Chor-Bibliothek (Choral
Library). Fanny Hensel's
choral works not only
stand up to comparison
with any of the rich and
varied choral works of
the Romantic era - they
also rank among the best.
Very likely to become
hits! (Musica). Song;
Romantic. Choral score. 4
pages. Breitkopf and
Haertel #ChB 5234-02.
Published by Breitkopf
and Haertel
(BR.CHB-5234-02).
ISBN
9790004411537. 7.5 x 10.5
inches.
German.
Madame
Hensel, Mendelssohn's
sister, whose eyes speak
intelligence and
profundity''. This diary
entry made by Robert
Schumann in June 1843
succinctly but fittingly
characterizes Fanny
Hensel, without a doubt
the most significant
woman composer of the
19th century. Born in
Hamburg on 14 November
1805, she was the eldest
sister of Felix
Mendelssohn Bartholdy and
the granddaughter of the
philosopher Moses
Mendelssohn. In 1829 she
married the Prussian
court painter and
occasional poet Wilhelm
Hensel (1794-1861). After
her sudden death in
Berlin on 14 May 1847 as
a result of a stroke, the
music journalist Ludwig
Rellstab poignantly wrote
that she shared the
brotherhood ef talent
with her famous
sibling.Fanny Hensel was
given the same excellent
and comprehensive musical
training as her
precocious brother,
including composition
lessons with Goethe's
friend Carl Friedrich
Zelter. Felix and Fanny
not only loved each other
tenderly, but they also
maintained an intensive,
life-long exchange of
ideas which proved
musically profitable to
both of them. However, it
was only in 1846 that
Mendelssohn gave up his
resistance to Fanny's
publication plans. And
so, just shortly before
her death, she was able
to publish a carefully
selected sample of her
songs and piano
pieces.Not only these
pieces, but also a few
orchestral and
chamber-music works (e.g.
the String Quartet in E
flat major, KM 2255) and,
in particular, choral
music occupy an important
position in her oeuvre.
Most of her choral works
were written in 1846, and
she was able to rehearse
them with the chorus she
conducted at the famous
Sunday Concerts in the
Mendelssohn home. She had
six of these choral songs
published in a revised
version under the title
Gartenlieder Op. 3 by the
Berlin music publisher
Bote & Bock. The title of
the Gartenlieder brings
to mind Mendelssohn's
well-known Lieder im
Freien zu singen (Opera
41, 48, 59; ChB
4763-4780), published
before 1846. But, as far
as the quality of their
melodic writing, the
compositional technique,
and the choice of texts
are concerned, as well as
the perfect balance
between folk-like
simplicity and polished
design, they are as
outstanding as the works
of her
brother.
Fanny
Hensel's choral works not
only stand up to
comparison with any of
the rich and varied
choral works of the
Romantic era - they also
rank among the best. Very
likely to become hits!
(Musica).