Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
Melodica SKU: HL.1315785 By Various. Melodica. Classical, Pop, Standards,...(+)
Melodica
SKU:
HL.1315785
By
Various. Melodica.
Classical, Pop,
Standards, Traditional.
Softcover. Published by
Hal Leonard (HL.1315785).
ISBN 9798350110319.
UPC: 196288179078.
9.0x12.0 inches.
So
you've just started
playing this compact
wonder – now what? Hal
Leonard's First 50 series
is here to help! Designed
for new players, First 50
Songs You Should Play on
Melodica features a
variety of accessible
songs in a wide range of
styles, simply arranged
so you can start playing
right away. Choose to
play just the melody or
enhance it using the
chord labels or left hand
part – the
possibilities are endless
for wherever you are on
your melodica journey!
Songs include: All of Me
• Blinding Lights •
Cabinessence • Canon in
D • Easy on Me •
Final Countdown • The
Flight of the Bumblebee
• Hallelujah • Heart
of Gold • Imagine • A
Million Dreams •
Perfect • Someone Like
You • Toccata in D
Minor • Wellerman •
You Raise Me Up • and
more.
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for
Performance and Personal
Enjoyment). Composed by
David Mcdonald. For voice
solo. Sacred Vocal.
Published by Lillenas
Publishing Company
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Easy Piano Piano/Keyboard SKU: HL.282476 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282476
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Standards.
Softcover. 352 pages.
Published by Hal Leonard
(HL.282476).
ISBN
9781540034335. UPC:
888680789206.
9.0x12.0x0.846
inches.
100 songs
popularized in the World
War II era of the 1940s
are included in this
collection arranged for
easy piano with lyrics.
Songs include:
Ac-cent-tchu-ate the
Positive * Besame Mucho
(Kiss Me Much) * Boogie
Woogie Bugle Boy *
Chattanooga Choo Choo *
Don't Get Around Much
Anymore * A Dream Is a
Wish Your Heart Makes *
How High the Moon * I Get
a Kick Out of You * It
Might As Well Be Spring *
Java Jive * Laura *
Moonlight in Vermont * A
Nightingale Sang in
Berkeley Square * On a
Slow Boat to China *
Perfidia * Route 66 *
Sentimental Journey *
Some Enchanted Evening *
The Surrey with the
Fringe on Top * Take the
A Train * Time After Time
* When You Wish upon a
Star * You'd Be So Nice
to Come Home To *
Zip-A-Dee-Doo-Dah * and
more.
Journey: Journey Guitare notes et tablatures [Partition] - Intermédiaire Warner Brothers
Performed by Journey. For guitar and voice. Format: guitar tablature songbook. W...(+)
Performed by Journey. For
guitar and voice. Format:
guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar tab glossary. Rock
and Hard Rock. Series:
Guitar Anthology Series.
168 pages. 9x12 inches.
Published by Warner
Brothers.
Chamber Music Flute, Harp, Viola SKU: PR.114423470 Composed by Shulamit R...(+)
Chamber Music Flute,
Harp, Viola
SKU:
PR.114423470
Composed
by Shulamit Ran. Set of
Score and Parts.
24+12+12+16 pages.
Duration 13 minutes.
Theodore Presser Company
#114-42347. Published by
Theodore Presser Company
(PR.114423470).
ISBN
9781491137314. UPC:
680160687473.
A
commission from the Santa
Fe Chamber Music
Festival, for any
combination of
instruments of her
choosing, quickly sparked
Shulamit Ran to create a
trio for Flute, Viola,
and Harp. She writes of
this instrumentation:
“something about
its color palette
reminded me of the image
I have of Santa Fe as a
sun-drenched city of warm
hues, a thriving arts
scene, and a spirit of
relaxed tolerance.â€
In this subtle, yet
dramatic work, the
instruments begin the
journey with distinct,
contrasting musical
personalities, which
gradually begin to
coalesce, though not
without surprise twists
along the road. Being
commissioned by the Santa
Fe Chamber Music Festival
to create a new work for
the major milestone of
its 50th anniversary was
both an honor and a
special delight. My
choice of the flute,
viola, and harp
combination for this
composition was reached
quickly and almost
instinctively, motivated
not only because I
relished the thought of
composing for an
instrumental ensemble I
had not previously
written for, but also
because something about
its color palette
reminded me of the image
I have of Santa Fe as a
sun-drenched city of warm
hues, a thriving arts
scene, and a spirit of
relaxed tolerance.In All
Roads Leading I treat the
instruments
intermittently as three
distinct characters who
have their own individual
“voices†and
musical materials, while
at other times they
coalesce into a single,
more unified entity. In
the sections expressive
of the
instruments’
individual
“soulsâ€â€
as I like to call
them—the music
ranges from the songful,
to the impassioned, but
also the volatile. In
contrast, where all three
instruments act as a
single entity, the music
tends to be highly
rhythmic, sometimes
dance-like, even angular,
and spiky.As the work
progresses, the
boundaries between these
contrasting approaches
become deliberately
blurrier and more
intertwined, perhaps
reminding one of a tale
with various twists and
turns in the plot. And
although eschewing a
formal recapitulation,
various motivic threads
as well as emotive
“states†are
eventually brought full
circle, as if to fulfill
an intended role that
crystallizes only as All
Roads Leading plays out
its full journey.
Simultaneously with the
general unwinding and
relaxation that is
reached nearthe end, a
mutation of an earlier
more threatening element
appears at the very
closing of the work,
perhaps a reminder that
the unknown always lies
ahead.
Piano, Voix et Guitare [Partition] - Intermédiaire Warner Brothers
Performed by Journey. For voice, piano and guitar chords. Format: piano/vocal/ch...(+)
Performed by Journey. For
voice, piano and guitar
chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams and color
photos. Rock and hard
rock. 64 pages. 9x12
inches. Published by
Warner Brothers.
Unexpected Songs Piano, Voix et Guitare - Intermédiaire Hal Leonard
22 Songs by Lyricist Don Black. By Don Black. Piano/Vocal/Chords Composer Collec...(+)
22 Songs by Lyricist Don
Black. By Don Black.
Piano/Vocal/Chords
Composer Collection
(Arrangements for piano
and voice with guitar
chords). Size 9x12
inches. Published by Hal
Leonard.
Follow the Drinking Gourd Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Arranged by Carrie Lane Gruselle. Arr. Carrie Lane Gruselle. For String Orchestr...(+)
Arranged by Carrie Lane
Gruselle. Arr. Carrie
Lane Gruselle. For String
Orchestra. String
Orchestra. String
Orchestra. Folk Song;
Spiritual. Level: 3
(grade 3). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Rep...(+)
By Elizabeth Alexander.
For Men's Chorus (TTBB
choir a cappella).
Collegiate Repertoire,
Community Chorus, Concert
Music. Courage, Hardship,
Sacred (Worship and
Praise), Choral.
Moderately Advanced.
Octavo. Text language:
English. Duration 6
minutes. Published by
Seafarer Press
(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. B...(+)
(Easy Piano). Arranged by
Dan
Coates. For Piano. This
edition: Easy Piano.
Book;
Piano - Easy Piano
Collection.
The Giant Book of Sheet
Music.
Movie; TV. Easy Piano.
168
pages. Published by
Alfred
Music
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
(50 Current Rock and Pop Hits). For Guitar. This edition: Guitar TAB Edition...(+)
(50 Current Rock and Pop
Hits). For Guitar. This
edition: Guitar TAB
Edition.
Artist/Personality; Book;
Guitar Mixed Folio;
Guitar
TAB. The Guitar
Collection.
Pop; Pop/Rock; Rock. 256
pages. Published by
Alfred
Music
SATB choir SKU: WD.080689673023 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689673023
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Christmas.
Practice trax. Word Music
#080689673023. Published
by Word Music
(WD.080689673023).
UPC:
080689673023.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689751721 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689751721
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. Bulk CD
(10-pak). Word Music
#080689751721. Published
by Word Music
(WD.080689751721).
UPC:
080689751721.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689826221 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689826221
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. Listening CD.
Word Music #080689826221.
Published by Word Music
(WD.080689826221).
UPC:
080689826221.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.
SATB choir SKU: WD.080689550362 An Easter Invitation For SATB Choir(+)
SATB choir
SKU:
WD.080689550362
An
Easter Invitation For
SATB Choir. Composed
by Marty Parks. Arranged
by Marty Parks. Choral,
cantatas. Easter,
Musical. CD preview pak.
Word Music #080689550362.
Published by Word Music
(WD.080689550362).
UPC:
080689550362.
Song
of the Lamb extends an
invitation to join a
journey; it's a journey
from despair to hope and
from death to life, and
it all begins with a
Lamb. Veteran arranger
Marty Parks has woven
classic hymns, modern
worship songs and
inspirational favorites
into a 39-minute work of
timeless beauty.
Featuring accessible
vocal and piano parts and
two solos, this offering
from Simply Word is ideal
for groups with limited
rehearsal time. Churches
may choose between a
poignant, Scripture-based
narration or an optional
dramatic script, making
Song of the Lamb flexible
enough to meet a wide
variety of performance
and worship needs for the
Easter season and beyond.
The invitation still
stands: Come join the
journey, and help deliver
eternity's message to
your church and
congregation this Easter.
Accessible vocal
and piano parts for
churches with limited
rehearsal time. Conceived
for the small to mid-size
church. Includes
narration AND an optional
dramatic script. Veteran
arranger Marty Parks.