Par VERDI GIUSEPPE. Othello (or Otello) is an opera in four acts composed by Giuseppe Verdi, premiered in February 1887. As was customary at the time, a short ballet sequence was composed for the opera, to be inserted into Act III, just prior to the entrace of Lodovico, ambassador to the Venetian Republic. When Verdi sent the original manuscript to his publisher Ricordi, he included this detailed description of the scenario: 'Looking at the splendid, colonnaded scene of the Third Act, I decided to make the music go as follows: At the very beginning, to the sound of horns, a group of Turkish slave-girls dance with reluctance and ill-humor because of the very fact they are slaves. Then, hearing the strains of the Arab Song, they grow livelier and at the end dance quite wildly... At the Invocation to Allah, they all fall to the ground... Just then a group of beautiful Greek girls appears among the columns, and four measures later another similar group; at the thirteenth measure these two groups join in a quiet, aristocratic, classical dance. The next motif is that of La Muranese, which heralds the appearance of a 'group' (!) of Venetians... Eight measures later, another group of Venetians enters and at the eighteenth measure (fortissimo) these two groups meet and dance at the front of the stage. After the fortissimo there is a passage of very light music in F-sharp, which should be danced by couples. This motif is repeated, louder, and then all the Venetians dance together. The 6/8 motif reappears, and here I should like to see another group of Venetians come forward. The War Song should be danced by men alone. At the recurrence of the first motif, all the Venetians dance again, then at the più mosso, Venetians, Turks, Greeks, and the rest all dance together... Amen.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Favourite Italian melodies. Par DIVERS AUTEURS (ARR.ZAMARIN ARNOLD). Italian culture infects many art forms and perhaps none more so than music. In this album, Arnold Zamarin has arranged, for flute and piano, eleven well-known pieces that simply shout 'ITALY” at you! 'Italian Classics” includes the unforgettable 'O Sole Mio”, 'La Donna e Mobile”, 'Funiculi, Funicula” and Verdi's 'Chorus of the Hebrew Slaves”. For intermediate players, 'Italian Classics” should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Zamarin's 'Classical Favourites from Russia” for two flutes (and maybe a glass of vodka!)/ Recueil / Flûte Traversière et Piano

Fur Flote Und Klavier. Par VERDI GIUSEPPE. / Répertoire / Flûte Traversière et Piano

Douze oeuvres classiques arrangées pour le vent ou en laiton avec play-along CD.Comprend des oeuvres de Gounod, Leoncavallo, Beethoven, Borodine,Meyerbeer, Verdi, Chopin, Dvorak, Bizet, Schubert et Brahms. Unelivre accompagnement au piano est également disponible pour des concerts. / Flûte Traversière / 24 pages / niveau : Elémentaire / Partition + Cd

The Doppler brothers, both, flautists and composers, were contemporaries of Verdi and performed their Fantasy on Rigoletto only a few years after the opera was premiered. For 2 flutes and orchestra Arranger: Gamzou Yoel

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Verdier Jean-François et éditée par Billaudot cette partition est idéale pour les joueurs de Flûte Traversière. Si l'instrumentation Flûte Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Flûte Et Piano / Partition

Pasticche Verdi per flauto e pianoforte (2012). Par COLLA ALBERTO. Pasticche Verdi Per Flauto E Pianoforte (2012) / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Flûtorama 2A, c'est un répertoire de morceaux spécialement arrangés pour la flûte traversière, tous styles (classique, variété française et internationale, jazz, musiques de films...). Ce volume est accessible dès la 3e année d'apprentissage de l'instrument et permet de perfectionner son jeu en réconciliant travail et plaisir, en jouant des morceaux connus, avec la possibilité de s'accompagner à l'aide du playback (CD inclus). Progressif, adapté au travail professeur-élève, chaque pièce du recueil est agrémentée d'annotations historiques et de commentaires techniques. Air du toréador de Verdi Le Tambourin de Rameau Summertime de Gershwin Singing in the rain (musique du film) One Note samba de Carlos Jobim Over The Rainbow de Harold Harlen Rêve d'amour de Liszt Munahuanqui (Trad) Kalinka (Trad) La Javanaise de Gainsbourg Hallelujah de Leonard Cohen The Mission (musique du film) Chattanoogha choo choo Air de la Reine de la Nuit de Mozart Mason's Apron (Trad) Je te veux de Satie Imagine de Lennon Le grand blond avec une chaussure noire ( musique du film) Le lac des cygnes de Tchaikovski Le vieux château de Mussorgsky

Italian Classics Favourite Italian melodies Com­po­si­teur: Diverse, Adap­ta­teur: Zamarin, Arnold Italian culture infects many art forms and perhaps none more so than music. In this album, Arnold Zamarin has arranged, for flute and piano, eleven well-known pieces that simply shout 'ITALY' at you! 'Italian Classics' includes the unforgettable 'O Sole Mio', 'La Donna è Mobile', 'Funiculi, Funicula' and Verdi's 'Chorus of the Hebrew Slaves'. For intermediate players, 'Italian Classics' should complement your repertoire collection just as a glass of Soave accompanies Pasta alla Carbonara. And for antipasto, try Zamarin's 'Classical Favourites from Russia' for two flutes (and maybe a glass of vodka!)

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Une collection de bumoper de toutes les mélodies les plus connues et thèmes du répertoire classique, édité avec soin pour solo Flute. Avec 100 arrangements de ligne mélodie des thèmes classiques populaires et bien-aimées qui incluent : Bolero (Ravel), de Nimrod (Elgar) et de Radetzky (Strauss), c'est un must pour tous les flûtistes classiques. / Flûte Traversière / 64 pages / Partition

Arrangeur : Schwab, Siegfried / Preludio e Finale / 2 melody instruments (flute, violin, oboe, clarinet in Bb, Viiola, horn) and guitar