Composed by Johann
Rosenmuller. Edited by
Michael Heinemann. Sheet
music. Set of parts, Set
of parts contains:
2/2/2/2/1, bassoon,
organ, cello. MDS (Music
Distribution Services)
#DOHR 10211. Published by
MDS (Music Distribution
Services)
(M7.DOHR-10211).
ISBN
9790202022115.
Latin.
Die
vorliegende Einzelausgabe
für den praktischen
Gebrauch basiert auf der
wissenschaftlichen
Gesamtausgabe,
herausgegeben von Holger
Eichhorn. Während die
wissenschaftliche Ausgabe
die originalen
Schlüssel
übernimmt, ist die
praktische Ausgabe in
modernen Schlüsseln
ediert. Ein
ausführliches Vorwort
und der kritische Bericht
finden sich im
entsprechenden Band der
wissenschaftlichen
Gesamtausgabe.
Kantate zum 1. Advent. Klavierauzug nach dem Urtext der Neuen Bach-Ausgabe - Can...(+)
Kantate zum 1. Advent.
Klavierauzug nach dem
Urtext der Neuen
Bach-Ausgabe - Cantata
for the First Sunday of
Advent. Vocal Score based
on the Urtext of the New
Bach Edition. By Johann
Sebastian Bach. Edited by
Alfred Durr. Arranged by
Gunter Raphael. For
Soprano Solo, Tenor Solo,
Bass Solo, Mixed
Choir-SATB, Bassoon,
Violin (2), Viola (2),
Violoncello/Contrabass/Ba
sso Continuo, Organ.
Piano Reduction/Vocal
Score. BWV 61. Published
by Baerenreiter-Ausgaben
(German import). (BA10061
90)
(Kantate zum Michaelistag). By Johann Sebastian Bach (1685-1750). Edited by Ulri...(+)
(Kantate zum
Michaelistag). By Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger.
Arranged by Paul Horn.
For Soli SATB, SATB
Choir, 3 Oboes, Bassoon,
3 Trumpets, Timpani, 2
Violins, Viola, Violone,
Basso continuo. This
edition: paperbound. BWV
149. Full score available
separately - see item
CA.3114900. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Special
Days. Piano/Vocal score.
Language: German/English.
32 pages. Duration 22
min. Published by Carus
Verlag
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, basso
continuo. BWV 149. 12
pages. Duration 22
minutes. Carus Verlag #CV
31.149/14. Published by
Carus Verlag
(CA.3114914).
ISBN
9790007208592. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Viola. BWV
149. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.149/13. Published by
Carus Verlag
(CA.3114913).
ISBN
9790007208585. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. 1x 31.149/21 oboe
1, 1x 31.149/22 oboe 2,
1x 31.149/23 oboe 3, 1x
31.149/24 bassoon, 4x
31.149/31
trumpet/timpani.
Stuttgart Urtext Edition:
Bach vocal. German title:
Man singet mit Freuden
vom Sieg. Sacred vocal
music, Cantatas, Special
days. Set of Orchestra
Parts. BWV 149. Duration
22 minutes. Carus Verlag
#CV 31.149/09. Published
by Carus Verlag
(CA.3114909).
ISBN
9790007208554. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Set of Orchestra Parts.
BWV 149. Duration 22
minutes. Carus Verlag #CV
31.149/19. Published by
Carus Verlag
(CA.3114919).
ISBN
9790007141233. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and parts
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 2.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/12. Published by
Carus Verlag
(CA.3114912).
ISBN
9790007208578. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Organ. BWV
149. 16 pages. Duration
22 minutes. Carus Verlag
#CV 31.149/49. Published
by Carus Verlag
(CA.3114949).
ISBN
9790007208608. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Choral Score. BWV 149. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.149/05. Published by
Carus Verlag
(CA.3114905).
ISBN
9790007161958. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score available
separately - see item
CA.3114900.
Cantata
for St. Michael.
Composed by Johann
Sebastian Bach. Edited by
Ingrid Jach. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Man singet
mit Freuden vom Sieg.
Sacred vocal music,
Cantatas, Special days.
Single Part, Violin 1.
BWV 149. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.149/11. Published by
Carus Verlag
(CA.3114911).
ISBN
9790007208561. Key: D
major. Language:
German/English. Text:
Henrici (Picander),
Christian Friedrich.
Text: Christian Friedrich
Henrici
(Picander).
In
composing the Cantata BWV
149 Bach reverted to
parts of an earlier work:
The opening chorus is a
parody of the Jadgkantate
BWV 208 (Hunting
Cantata). In addition to
smaller changes which
were made necessary due
to the text, Bach used
trumpets instead of
horns. For this purpose
he transposed the
movement from F major to
C major. Musically, the
form of the three arias
and their instrumentation
is rich in variety. The
bass aria (2nd mvt.) is
characterized by an
active continuo
accompaniment. After the
secco recitative an
extended dance like
soprano aria with string
accompaniment follows.
The third aria (6th mvt.)
is impressive due to the
animated melody and the
forming of a canon
between the voices, and
especially through the
entry of the bassoon as
the instrumental
counterpart to a duet
between the alto and
tenor. Score and part
available separately -
see item CA.3114900.
(Cantata for Sunday Sexagesimae). Composed by Johann Sebastian Bach (1685-1750)....(+)
(Cantata for Sunday
Sexagesimae). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Werner Neumann. For solo
voices, choir, orchestra
(soprano voice solo,
tenor voice solo, bass
voice solo, SATB choir, 2
alto recorders, bassoon,
4 violas, cello, basso
continuo (double
bass/organ)). This
edition: Urtext edition.
Stapled. Barenreiter
Study scores. Leipzig
Version. Level 4. Study
score. BWV 18. Duration
21 minutes. Published by
Baerenreiter Verlag
(Missa Cellensis in honorem BVM. Cacilienmesse). By Franz Joseph Haydn (1732-180...(+)
(Missa Cellensis in
honorem BVM.
Cacilienmesse). By Franz
Joseph Haydn (1732-1809).
Edited by Riedel,
Leonhard. For Soprano
solo voice, Alto solo
voice, Tenor solo voice,
Bass solo voice, SATB
Chorus, 2 oboes, 2
bassoons, 2
Clarinos/Trumpets,
timpani, 2 violins,
viola, basso continuo [2
horns in Benedictus],
organ. Hob. XXII:5. Full
score available
separately - see item
CA.4060400. Masses,
Latin; Stuttgart Urtext
editions. Part: Violin 1.
Language: Latin. Composed
1766. 40 pages. Duration
68 min
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911313
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. TVWV 1:1724.
Viola. Sacred vocal
music, Trinity. Single
Part, Viola. TVWV 1:1724.
2 pages. Duration 15
minutes. Carus Verlag #CV
39.113/13. Published by
Carus Verlag
(CA.3911313).
ISBN
9790007215514. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score and part
available separately -
see item CA.3911300.
Mass in B minor, BWV 232 Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Barenreiter
By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. For 2 Soprano solo voi...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. For 2 Soprano
solo voices, Alto voice
solo, Tenor voice solo,
Bass voice solo, SSAATTBB
mixed choir, Orchestra.
Barenreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition
(paperbound). BWV 232.
Duration 2 hours, 15
minutes. Published by
Baerenreiter Verlag
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911314
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. TVWV 1:1724.
Violoncello/double bass.
Sacred vocal music,
Trinity. Single Part,
Cello/Double Bass. TVWV
1:1724. 4 pages. Duration
15 minutes. Carus Verlag
#CV 39.113/14. Published
by Carus Verlag
(CA.3911314).
ISBN
9790007215521. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score and part
available separately -
see item CA.3911300.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911309
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. TVWV 1:1724.
Harmony parts. Sacred
vocal music, Trinity. Set
of Orchestra Parts. TVWV
1:1724. 10 pages.
Duration 15 minutes.
Carus Verlag #CV
39.113/09. Published by
Carus Verlag
(CA.3911309).
ISBN
9790007215484. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score and parts
available separately -
see item CA.3911300.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911303
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. This edition:
Paperbound. TVWV 1:1724.
Sacred vocal music,
Trinity. Vocal score.
TVWV 1:1724. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
39.113/03. Published by
Carus Verlag
(CA.3911303).
ISBN
9790007095062. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score available
separately - see item
CA.3911300.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911300
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. This edition:
Paperbound. TVWV 1:1724.
German title: Wo soll ich
fliehen hin. Sacred vocal
music, Trinity. Full
score. TVWV 1:1724. 20
pages. Duration 15
minutes. Carus Verlag #CV
39.113/00. Published by
Carus Verlag
(CA.3911300).
ISBN
9790007094362. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911319
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Complete
orchestral parts. Sacred
vocal music, Trinity. Set
of Orchestra Parts. TVWV
1:1724. Duration 15
minutes. Carus Verlag #CV
39.113/19. Published by
Carus Verlag
(CA.3911319).
ISBN
9790007144319. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score and parts
available separately -
see item CA.3911300.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911312
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. TVWV 1:1724.
Violin 2. Sacred vocal
music, Trinity. Single
Part, Violin 2. TVWV
1:1724. 2 pages. Duration
15 minutes. Carus Verlag
#CV 39.113/12. Published
by Carus Verlag
(CA.3911312).
ISBN
9790007215507. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score and part
available separately -
see item CA.3911300.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911311
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. TVWV 1:1724.
Violin 1. Sacred vocal
music, Trinity. Single
Part, Violin 1. TVWV
1:1724. 2 pages. Duration
15 minutes. Carus Verlag
#CV 39.113/11. Published
by Carus Verlag
(CA.3911311).
ISBN
9790007215491. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score and part
available separately -
see item CA.3911300.
Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bass...(+)
Bass voice solo or
baritone voice solo, SATB
choir, flute (recorder),
oboe, bassoon, 2 violins,
viola and basso continuo
SKU: CA.3911305
Kantate zum 22.
Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. TVWV 1:1724.
Sacred vocal music,
Trinity. Choral Score.
TVWV 1:1724. 2 pages.
Duration 15 minutes.
Carus Verlag #CV
39.113/05. Published by
Carus Verlag
(CA.3911305).
ISBN
9790007130558. Language:
German.
A solo
cantata for bass-baritone
(B-f1), whose two
recitatives and arias are
framed with two chorale
verses sung by the choir.
Particularly beautiful is
the first aria,
accompanied by flute,
oboe and basoon. The
flute part can be also be
performed by an alto
recorder. Score available
separately - see item
CA.3911300.