Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon,Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. / Flûte

Daniel Dorffs first collection of flute duets contains settings of four familiar favorites: Oh Susanna, Red River Valley, Shenandoah, and Cindy. Folk Song Suite is equally attractive either for concert performance or informal duet playing, and each movement may be performed individually. For advanced intermediate to advanced flutists. / 2 Flûtes

Essential Practice Material for all intermediate and advanced flautists. Par WYE TREVOR. The complete daily exercise which flautists world-wide use in their daily practice, now in one volume, featuring warm-ups, scale and arpeggio exercises over the full compass, a section concentrating on the third octave and a definitive collection of popular daily studies. Based on the established French School techniques plus plenty of hints, tips and original studies by Trevor Wye. Complete with practice card to plan out your time. Essential practice material for all intermediate to advanced flautists. / Niveau : Intermédiaire / Méthode en anglais / Etude / Flûte Traversière

Per Flauto E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano

Par HARBERG AMANDA. Commissioned by a consortium of nearly two dozen piccoloists, Amanda Harberg's 12-minute Sonata is a substantial and exciting addition to the piccolo repertoire. Harberg's uniquely American sound gives voice to the full range of the piccolo's expressive and virtuosic powers within a traditional three-movement sonata. Featuring driving rhythms, engaging melodies, and jazz-tinged harmonies, the sonata is ideal for advanced and professional performers. Commissioned by a consortium of nearly two dozen piccoloists, Amanda Harberg's 12-minute Sonata is a substantial and exciting addition to the piccolo repertoire. Harberg's uniquely American sound gives voice to the full range of the piccolo's expressive and virtuosic powers within a traditional three-movement sonata. Featuring driving rhythms, engaging melodies, and jazz-tinged harmonies, the sonata is ideal for advanced and professional performers./ Répertoire / Piccolo et Piano

Par LEDEUIL ERIC. Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the wonderful compilation, 3 Expeditions Pour Flûte Aventureuse. With text in four languages, this exciting study book explores the extended techniques of the Flute. Made up of three movements; Rainforests, Ice Lands, and Bush and Savannah, an extensive glossary explains how to address each technique. 3 Expeditions Pour Flûte Aventureuse is an exciting and varied addition to progression of the instrument. Ledeuil 's piece isessential to advanced flautists seeking to improve their technique to a high standard. / Pop & rock / Date parution : 2012-02-17/ Recueil / Flûte Traversière

Par GAUBERT PHILIPPE. This first-ever collection of essential flute solo music was selected and edited by legendary flute artist and teacher, Sir James Galway. Volume 2 contains the following works of Philippe Gaubert: Deux Esquisses Nos. 1 and 2, Romance (1908), Suite, and Sur l'eau. For intermediate to advanced players. / Date parution : 2023-10-31/ Recueil / Flûte et Piano

Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA (ARR.FERESHTEH RAHBARI). Béla Bartók's '44 Duos” for violins are a set of marvelous musical miniatures that draw on the composer's love of Eastern European folk music. Ranging from easy to advanced standard, they have long been the province only of string players with arrangements first for cellos and more latterly for violas. Now they are available to delight flautists and will be ideal for recitals, either as a main program item or as encores, just as violinists have enjoyed them since their composition. Arranger Fereshteh Rahbari comments that it is thanks to the development of the flute over the last four decades, especially in its speaking quality, that these effective new arrangements could be made./ Répertoire / 2 Flûtes Traversières

Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Adoration (Borowski) - Allegro from Sonata in Bb Major (Koepke) - Alleluja (Mozart) - Barcarole, Op. 30, No. 3 (Köhler) - The Dance of Elizabeth (Hurrell) - Meadowlark (Koepke) - Pavane pour une Infante Defunte (Ravel) - Poplars in the Wind (Koepke) - Sakura, Sakura (Cherry Blossoms) (folk song) - Serenade (Saint-Saëns) - Sonata in F Major (Telemann) - Three Aquarelles (Koepke) - Wind in the Pines (Johnson). / Flûte Traversière

A 50-week workout program for developing, improving, and maintaining flute technique for all levels, beginners to advanced! In other words, you get one year of workouts with a two-week vacation! The online audio provides professional demo tracks of all the exercises. Techniques covered include: tone development, scales and arpeggios, finger mobility, articulation, flexibility, and intonation. The benefits of this program include facile technique, better intonation, improved tone, heightened rhythmic acuity, extended range, increased style vocabulary, improved ensemble playing, and more!

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Concertino for Flute in 1946. As with his other wind compositions, Concertino was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Concertino for Flute and Piano Reduction is a highly unusual and modern work in three movements; 1) Cadence and Allegretto, 2) Largo, and 3) Finale. This Tomasi piece is suitable to advanced flautists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Orchestre Flûte Traversière et Piano

Composed by Armando Ghidoni , Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes, it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical, this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience.Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc. / Flûte Traversière

Giulio Briccialdi (1818-1881) has been one of the major European flutists of the Nineteenth Century. Praised by coeval critics as 'the first among the living flutists? in a period when virtuosos were reaching extraordinary levels, Briccialdi was a unique artist with a quintessentially Romantic personality. His refined activity as a composer is nowadays mostly known thanks to his paraphrases on operatic themes and to his didactic output, but it is through his concertos - a real cornerstone in the instrumental virtuosic repertoire of the 1800s - that Briccialdi exploits the pinnacle of his opera-influenced style. Briccialdi's concertos are intended for technically and stylistically advanced performers. / Flûte Traversière Et Piano

Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra, this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong> Concerto for Flute and Strings is quite unusual as it was only created in two movements, each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest ; Concours de Genève in 2014, this concerto requires advanced skills. Andre Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière et Piano