Rumanische Volkstanze. Composed by Bela Bartok (1881-1945). Arranged by T...(+)
Rumanische
Volkstanze. Composed
by Bela Bartok
(1881-1945). Arranged by
Teodoro Anzellotti.
Contemporary. Full score
(study). Universal
Edition #UE36727.
Published by Universal
Edition (PR.UE036727).
Accordion (Accordion) SKU: HL.50488309 By Karola Bartok. EMB. Pedagogical...(+)
Accordion (Accordion)
SKU: HL.50488309
By Karola Bartok. EMB.
Pedagogical performance
pieces. Book [Softcover].
Editio Musica Budapest
#Z5320. Published by
Editio Musica Budapest
(HL.50488309).
ISBN
9790080053201. B/4 (24,3
x 33,6 cm) inches.
Hungarian, German. Karola
Bartok.
Accordion (Accordion) SKU: HL.50488298 Composed by Karola Bartok. This ed...(+)
Accordion (Accordion)
SKU: HL.50488298
Composed by Karola
Bartok. This edition:
Z5267. EMB. Pedagogical
performance pieces. Book
[Softcover]. 70 pages.
Editio Musica Budapest
#Z5267. Published by
Editio Musica Budapest
(HL.50488298).
ISBN
9790080052679. UPC:
884088403300.
9.25x12.25x0.178 inches.
Karola Bartok; Istvan
Bogar.
Accordion (Accordion) SKU: HL.50488206 Composed by Karola Bartok. EMB. Me...(+)
Accordion (Accordion)
SKU: HL.50488206
Composed by Karola
Bartok. EMB. Method. Book
[Softcover]. 56 pages.
Editio Musica Budapest
#Z4673. Published by
Editio Musica Budapest
(HL.50488206).
ISBN
9790080046739.
9.0x12.0x0.165 inches.
Karola Bartok.
This
volume of accordion
studies is related to the
material used in the
first few years of
tuition. As a polyphonic
instrument, the accordion
draws its material mainly
from the piano
literature. For this
reason we are providing
learners with piano
studies, which we have
adapted only to the
extent demanded by the
accordion. Instead of
soulless practising,
endless repetition of
studies, we recommend
transposing the exercises
into as many keys as
possible. This will
greatly increase their
value and usefulness for
development.
Das
vorliegende Heft der
Akkordeon-Etuden knupft
sich an den Lehrstoff der
ersten Unterrichtsjahre.
Das Akkordeon als
polyphones
Musikinstrument schopft
sein Material vor allem
aus der Klavierliteratur.
Deshalb geben wir den
Schulern Klavieretuden in
die Hand, die wir
lediglich den
Anforderungen des
Akkordeons anpassten.
Anstelle eines
unbeseelten Etudenspiels,
eines endlosen
Wiederholens der Etuden
empfehlen wir, die
Ubungen in moglichst
viele Tonarten zu
transponieren. Ihr
Lernwert und ihr Nutzen
wachsen somit um ein
Vielfaches.