A cappella,SATB choir SKU: GI.G-005790 Composed by William Tortolano. Chr...(+)
A cappella,SATB choir
SKU: GI.G-005790
Composed by William
Tortolano. Christ the
King Year C, Christ the
King Year B, Christ the
King Year A. Sacred.
Octavo. GIA Publications
#005790. Published by GIA
Publications
(GI.G-005790).
UPC:
641151057903. Latin,
English.
With over
six hundred songs (
Lieder.) to his name,
Franz Schubert was one fo
the most prolific and
gifted composers of the
genre who ever lived. His
wonderful sense of
beautiful melody pervades
much of his
music--symphonic, stage
and opera, choral,
chamber, and piano solos
and duets. A devout
Catholic and former
Vienna Boys Choir singer,
he composed six Latin
settings of the Mass as
well as settings of the
Salve Regina, Tantum
Ergo., and numerous other
works. Schubert's
Antiphons for Palm
Sunday., Opus 113, are a
set of four easy
liturgical motets for a
cappella .choir. A
singable English
translation is provided
with the original Latin.
The four Gregorian chant
compositions for the same
Sunday are also provided
in Latin and English.
Hosanna Filio David .is
sung for the blessing of
the palms. The responsory
In Monte Oliveti .can be
sung between the Epistle
reading and the Gospel,
followed by Pueri
Hebraeorum .for the
distribution of the palms
and Cum Angelis. for the
procession of the
palms.--Dr. William
Tortolano.
Choral (SATB) SKU: HL.14020971 Composed by Sir Peter Maxwell Davies. Musi...(+)
Choral (SATB)
SKU:
HL.14020971
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical,
General Worship, Sacred.
Choral Score. Composed
1999. 8 pages. Chester
Music #CH59881. Published
by Chester Music
(HL.14020971).
ISBN
9780711928756.
6.75x9.75x0.039
inches.
This work
was commissioned for the
choir of St. Paul's Old
Church, Edinburgh, who
gave the first
performance on the 11th
of June 1989 at St.
Giles' Church, Edinburgh,
conducted by Leslie
Shankland. This is a
setting in Scots of the
passage in the Apocalypse
where St. John hears a
voice from the throne,
that voice appearing here
as soprano-alto duets
from a distance,
building, as Davies has
said, ' fine bridge' from
the time of the Edinburgh
church to the present.
Both vocal groups sing in
translucent modal harmony
with organ support.