Brewer Mike (Arranger). Par BREWER MIKE. Hamba Lulu is a fantastic addition to the choral repertoire. A breath of fresh air in the classroom and for any choir wanting a challenge. These stirring songs are addictive, so you can tailor performances to local resources increasing the technical demand according to their experience. Easy to learn and sure to make an instant impact on audiences, the songs tap into the rich seam of African culture. / Date parution : 1999-11-18/ Recueil / SATB

Cette charmante collection comprend dix des sélections de concert préférés et les plus demandés de chanteurs du roi. Cette collection n'est pas seulement une valeur excellente, mais deviendra une addition précieuse à votre bibliothèque chorale ainsi. Chaque chanson soigneusement arrangé pour choeur avec les divisions. / Voix Mixtes

Par PLANZER EMANUEL / RUPPEL PAUL-ERNST / SCHWEIZER RO. Gattungen: Messen-Sätze, Psalmen, deutsch - Verwendung / Anlässe: Gebet, L Hautbois und Dank, Vater unser -/ Répertoire / Choeur Mixte

Par FREEMAN ALEX. Alex Freeman's A Wilderness of Sea (SSSSAAAATTTTBBBB) draws from four of Shakespeare?s most famous works. It emphasizes a common thread among those works that addresses two of the most universal aspects of human existence: water and impermanence. The recording of the work by Helsinki Chamber Choir conducted by Nils Schweckendick is published by the label BIS - follow the link to listen to it. Duration: c. 15' Alex Freeman (b. 1972) grew up in Raleigh, North Carolina. Around the age of 13 he became interested in composing. In 1998 he moved to New York to begin his Doctoral studies at the Juilliard School, studying with Christopher Rouse. The focus of his doctoral document led him to Finland. The recipient of a Fulbright Full Fellowship, he moved to Helsinki in 2001 to research Sibelius's sketches and study composition with Eero Hämeenniemi at the Sibelius Academy. Dr. Freeman is currently composing full-time and lives with his wife and children in Finland. / Date parution : 2022-05-31/ Répertoire / Choeur Mixte

Par DIVERS AUTEURS / PRAETORIUS MICHAEL. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Wei cor achten -/ Répertoire / Choeur Mixte

Ich will den Herren. Par CLEMENS NON PAPA JACOBUS / STERN HERMANN / TELEMAN. Gattungen: Messen-Sätze, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank -/ Répertoire / Choeur Mixte

Par LIEMANS Pierre. / Niveau : 2 / Partition / Choeur à quatre voix mixtes et Piano

Niels W. Gade. Works Iv-9. Par WILHELM GADE NIELS. Works for Mixed Choir Niels W. Gade. Werks Volume IV/9 Niels Wilhelm Gade (1817& 1890) Works Edited by the Foundation for the Publication of the Works of Niels W. Gade, Copenhagen Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific œ uvre has appeared in print. Given this fact and the growing current interest in Gade, there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers. This edition will contain all of Gade's completed compositions and separate movements as well as the arrangements he madeof his own works and those of other composers. In general, the main text presents the ; definitive version based on Gade's personal copy of the printed work. However, all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English). Gade's interest in choral music spanned his entire career. This volume presents more than 40 of his shorter works for mixed chorus, both without and with accompaniment (piano, organ, harmonium or, in one case, brass ensemble). They occupy a no less prominent place in his oeuvre than his large-scale choral works with orchestra. Written between 1839 and 1885, they were intended for many different areas of application: songs for school chorus stand alongside liturgical music, pièces d'occasion, chorales and freely composed works for amateur choirs. The best-known are his Five Songs (op. 13) on poems by Emmanuel Geibel and Ludwig Tieck and the motet O du, der du die Liebe bist, both composed in Leipzig in 1846./ Répertoire / Choeur Mixte

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Mozart's Missa in C for SATB. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. / Messe / Répertoire / Solistes SATB, Choeur SATB/SATB, Flûte Traversière

Par REGER MAX. Die Drei Chören (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on August 1, 1892: 'I will send the choruses op. 6 ? which your son liked very much ? to you tomorrow morning [...]'. George Augener had spent five weeks from undergoing treatment in Wiesbaden and had met on this occasion not only Hugo Riemann but also his 'favorite pupil' Reger. After the publication, the Allgemeine Musik-Zeitung remarked on the 'entirely Brahmsian character to the work'. It praised its polyphonic structure and its'romantic chiaroscuro [...], the effect of which the accompanying piano knows how to exalt excellently'. The work was nevertheless to remain Reger's only composition for this instrumentation.Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works. / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Par FAURE GABRIEL. Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Faure 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Faure (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saë ns. Faure 's career saw him succeed Theodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns waswritten towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Faure mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Faure 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire./ Répertoire / Choeur à 4 Voix et Piano

Ce livre est un recueil de choeurs mixtes - clairement disposées selon les professions (SAB, SATB, SATB +) et sur ??la base des niveaux de difficulté triés. De vieux maîtres au tableau le titre actuel ici tous les genres de style est représenté. Beaucoup de titres pour la première fois et exclusivement apparaissent dans ce tout nouveau arrangements de arrangeurs bien connus. Dans le même temps le choix du répertoire est le résultat d'un enseignement et chorale longue et intensive conduite pratique. Il ya aussi de nombreux accompagnements au piano, aides pratiques et textes de base, et un espace en ligne privé. Le Choeur du livre 2 continue le succès 'Le chant est une grande' série continue de faCon transparente et s'appuie sur le premier livre de cantiques bande (Schott ED 20930 - S / SA / SSA / SAB SATB et phrases lumineuses). / Choeur Mixte (SATB)

Par GOODALL HOWARD. Ce paramètre de masse combine puissant, dramatique écrit avec un charme mélodieux qui caractérise la musique chorale Goodall. Une remplacée par nouveaux travaux de ISBNstantial de difficulté modérée, il sera trouvé précieux pour l'église et de concert. Accompagnement alternative pour cordes et orgue disponible sur demande auprès du département de location de musique Faber./ Répertoire / Chorale

Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Orchestre

Par MATHIAS WILLIAM. Written for the choirs of Chichester, Winchester and Salisbury Cathedrals, An Admonition to Rulers Op. 43 was composed shortly before Mathias's choral masterpiece, This Worlde's Joie, but has remained unpublished until now. Its powerful text from Wisdom 6 and 7, clothed in the composer's colouful, dramatic music, make it an ideal choice of anthem for Remembrance Sunday, or any occasion when justice, order, and the role of those who govern are the focus of worship. For SATB Choir with Organ accompaniment./ Feuillet / SATB et Orgue