ISBN
9790006558209. 33.5 x
25.7 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
The opera
“Naïs†was
premiered on 22 April
1749 at the Acadmie
royale in the
Palais-Royal, Paris, in
celebration of the
signing of the so-called
Treaty of Aachen. It was
revived again in August
1764 shortly before
Rameau’s death and
achieved great success as
the “opera of
peace,†even though
it did not appear in
print during the
composer’s
lifetime.
In
numerous arias Rameau
provides his singers
ample opportunity to
shine, while he reveals
his orchestral mastery,
in particular in the
chaconne and the various
other ballets.
The
work appears here for the
first time in a vocal
score with a keyboard
reduction. The reduction
is by François
Saint-Yves on the basis
of the new critical
edition by Pascal
Dencheau which is part of
Opera Omnia Rameau edited
by Sylvie
Bouissou.
This
edition is the result of
a meticulous comparison
of all known musical
sources. In the main
section, it presents the
version that Rameau
approved for the
performances of 1749. The
appendix contains those
passages that the
composer cut during the
rehearsals in 1749 and
all changes that he
undertook for the 1764
revival.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558193. 27 x 19 cm
inches. Text Language:
French. Preface:
Denecheau, Pascal. Louis
de Cahusac.
The
opera Nais received its
premiere at the Academie
Royale in the
Palais-Royal, Paris, on
22 April 22 1749 to
celebrate the signing of
the Treaty of
Aix-la-Chapelle. It was
revived in August 1764,
shortly before Rameau's
death and achieved great
success as a 'peace
opera'. This
scholarly-critical
edition, published by
Pascal Denecheau in
theOpera Omnia Rameau, is
the fruit of a meticulous
comparison of every known
musical source. The main
body of the edition
presents the version
pronounced valid by
Rameau for the 1749
performances. The
appendices contain those
passages that he deleted
during the 1749
rehearsals and all the
changes he made for the
new production of 1764.
It is here, and
especially in the
ballets, that Rameau
reveals his consummate
mastery of the
orchestra.
ISBN
9790006523368. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
ISBN
9790006558216. 33.7 x
25.8 cm inches. Text
Language: French.
Preface: Bouissou, Sylvie
/ Kocevar, Érik.
Text: Charles
Colle.
The heroic
pastoral Daphnis et Egl
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version—which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas—but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Th
e first version of
“Dardanusâ€,
which was performed at
the end of 1739, was
composed apparently in
only six months and marks
a particularly productive
phase in Rameau’s
career. In a period of
only six years five of
his major works were
performed at the Acadmie
Royale de Musique in
Paris. The theme is
taken from Greek
mythology: The opera
describes the war between
Teucer (the future
founder of Troy), his
Phrygian people and the
army of Dardanus.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(SATB) SKU: HL.48186175 Composed by Cassané and a de Mondonville. L...(+)
(SATB)
SKU:
HL.48186175
Composed
by Cassané and a de
Mondonville. Leduc.
Classical. Softcover. 26
pages. Alphonse Leduc
#AL30201. Published by
Alphonse Leduc
(HL.48186175).
UPC:
888680828233. 0.114
inches.
French
violinist and composer,
Jean-Joseph Cassanea de
Mondonville (1711-1772)
was a young contemporary
of Rameau. De Mondonville
was successful in his
day, Dominues Regnavit
being no exception. Best
known for his Operas and
Sacred music, De
Mondonville's
compositions won the
composer the post of
Master of the Music of
the Royal Chapel. Dominus
Regnavit was composed in
1935 and is a Large Motet
based on Psalm 92. With a
typical performance
lasting about 23 minutes,
de Mondonville's Dominus
Regnavit for choir is a
sublime addition to the
repertoire..
ISBN 9790006558148. 27
x 19 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier.
A unique
edition - all readings at
a glance
This new
edition, in contrast to
the array of Bach Cello
Suite publications
available today, has made
use of all the five
sources which have come
down to us. The basis for
this edition is the most
reliable of the sources,
the manuscript copy in
the hand of Anna
Magdalena Bach. All
variant readings from the
four other sources are
clearly laid out for
performance. Cellists now
have the possibility of
rendering performances
based on just one of the
five sources as well as
the option of combining
the sources in a mixed
version.
This flyer
takes you through
our various editions of
Bach's Cello
Suites.
The Palms (Les Rameaux) (SATB with Piano or Organ). By Jean-Baptiste Faure (1830...(+)
The Palms (Les Rameaux)
(SATB with Piano or
Organ). By Jean-Baptiste
Faure (1830-1914). Edited
by Bryceson Treharne. For
Choral (SATB). Music
Sales America. Sacred. 12
pages. Boston Music
#BMC8377. Published by
Boston Music
