Composed
by Johann Stadlmayr.
Edited by Konrad Ruhland.
Coppenrath Series. German
title: Coelo Rores
1501301. Sacred vocal
music, Advent. Set of
Orchestra Parts. Composed
1638. 4 pages. Carus
Verlag #CV 91.119/11.
Published by Carus Verlag
(CA.9111911).
ISBN
9790007232337. Key: F
major. Language:
Latin.
Bis hin
an des Kreuzes Stamm.
Composed by Andreas
Hammerschmidt. German
title: Vom Leiden
Christi. Sacred
concertos, Sacred vocal
music, Lent and
Passiontide, Holy Week.
Single Part, Violin 3. 2
pages. Duration 3
minutes. Carus Verlag #CV
05.076/13. Published by
Carus Verlag (CA.507613).
ISBN 9790007007539.
Key: C dorian. Language:
German.
Bis hin
an des Kreuzes Stamm.
Composed by Andreas
Hammerschmidt. German
title: Vom Leiden
Christi. Sacred
concertos, Sacred vocal
music, Lent and
Passiontide, Holy Week.
Single Part, Viola 2. 2
pages. Duration 3
minutes. Carus Verlag #CV
05.076/15. Published by
Carus Verlag (CA.507615).
ISBN 9790007007553.
Key: C dorian. Language:
German.
Composed
by Johann Rosenmuller.
Edited by Dietrich
Kruger, Hans Grischkat.
Daran Ist Erschienen Die
Liebe G. Sacred vocal
music, Cantatas,
Christmas. Set of
Orchestra Parts. Carus
Verlag #CV 10.024/19.
Published by Carus Verlag
(CA.1002419).
ISBN
9790007189198. Language:
German.
Score and
parts available
separately - see item
CA.1002400.
Osterhistorie.
Composed by Thomas Selle.
Edited by Klaus Vetter.
German title:
Osterhistorie Und Da Der
Sabbat. Sacred vocal
music, Cantatas,
Oratorios, Easter and
Eastertide. Choral Score.
8 pages. Carus Verlag #CV
10.156/05. Published by
Carus Verlag
(CA.1015605).
ISBN
9790007020354. Key: G
minor. Language:
German.
Aus: Israelsbrunnlein.
Geistliche Madrigale.
Composed by Johann
Hermann Schein. Edited by
Gunter Graulich. Arranged
by Paul Horn. German
title: Wende dich, Herr,
und sei mir gnadig.
Sacred, Motets;
Occasions: Prayer,
Psalms. Full score.
Composed 1623. No. 6.
Duration 4 minutes. Carus
Verlag #CV 01.806/00.
Published by Carus Verlag
(CA.180600).
ISBN
9790007037550. Language:
German/English.
Joh
ann Hermann Schein's
Israelsbrunnlein,
published in Leipzig in
1623, is a supreme
achievement not only
among the works of this
composer, who had been
Thomaskantor in Leipzig
since 1616, but also for
the entire body of German
music written during the
first half of the 17th
century. Among the 26
motets written in the
Italian madrigal manner
23 are settings of Old
Testament texts, a fact
to which the collection
owes its title. The
source for the text of
this collection is the
inexhaustible fountain of
the Psalms, the books of
Moses, the Prophets, the
Songs of Solomon, and
other books of the Old
Testament.
Composed by Johann
Christoph Bach. Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Sei getreu bis in den
Tod. Sacred, Motets;
Stuttgart Urtext
editions; Occasions:
Confirmation, Mourning,
Death. Choral Score. 4
pages. Duration 5
minutes. Carus Verlag #CV
30.563/05. Published by
Carus Verlag
(CA.3056305).
ISBN
9790007102852. Language:
German/English.
Sco
re available separately -
see item CA.3056300.
SSATB choir, basso continuo - Level 3 SKU: CA.113900 Composed by Samuel S...(+)
SSATB choir, basso
continuo - Level 3
SKU: CA.113900
Composed by Samuel
Scheidt. Edited by Ursula
Herrmann. German title:
Hosianna filio David.
Sacred, Motets; Use
during church year:
Advent. Full score. 12
pages. Duration 3
minutes. Carus Verlag #CV
01.139/00. Published by
Carus Verlag (CA.113900).
ISBN 9790007000967.
Key: G dorian. Language:
Latin/German.
Composed
by Johann Rosenmuller.
Edited by Albrecht
Tunger. German title:
Also hat Gott. Sacred
vocal music, Cantatas,
Whitsun, Christmas.
Single Part, Violin 1.
Composed 1652. 4 pages.
Carus Verlag #CV
10.064/11. Published by
Carus Verlag
(CA.1006411).
Aus: Israelsbrunnlein.
Geistliche Madrigale.
Composed by Johann
Hermann Schein. Edited by
Gunter Graulich. Arranged
by Paul Horn. German
title: Ich Lasse Dich
Nicht, Du Segnest Mich
De. Sacred, Motets;
Occasions: Psalms. Full
score. Composed 1623. No.
4. Duration 3 minutes.
Carus Verlag #CV
01.804/00. Published by
Carus Verlag (CA.180400).
ISBN 9790007036911.
Language:
German/English.
Joh
ann Hermann Schein's
Israelsbrunnlein,
published in Leipzig in
1623, is a supreme
achievement not only
among the works of this
composer, who had been
Thomaskantor in Leipzig
since 1616, but also for
the entire body of German
music written during the
first half of the 17th
century. Among the 26
motets written in the
Italian madrigal manner
23 are settings of Old
Testament texts, a fact
to which the collection
owes its title. The
source for the text of
this collection is the
inexhaustible fountain of
the Psalms, the books of
Moses, the Prophets, the
Songs of Solomon, and
other books of the Old
Testament.
Composed
by Johann Rosenmuller.
Edited by Albrecht
Tunger. German title:
Also hat Gott. Sacred
vocal music, Cantatas,
Whitsun, Christmas.
Single Part, Viola 1.
Composed 1652. 4 pages.
Carus Verlag #CV
10.064/13. Published by
Carus Verlag
(CA.1006413).
Composed
by Andreas Hofer. Edited
by Wolfgang Furlinger.
Coppenrath Series. German
title: Missa Valete
1700101. Sacred vocal
music, Masses, Latin.
Choral Score. 28 pages.
Carus Verlag #CV
91.206/05. Published by
Carus Verlag
(CA.9120605).
Motetto per
Natale. Composed by
Francesco Maria
Benedetti. Edited by
Jurgen Heller. Coppenrath
Series. German title:
Ecce Annuntio Vobis
5040301. Sacred,
Christmas. Choral Score.
8 pages. Carus Verlag #CV
92.265/05. Published by
Carus Verlag
(CA.9226505).
ISBN
9790007117306. Key: G
major. Language:
Latin.
Composed by Andreas
Hammerschmidt. German
title: Wo ist der
neugeborne Konig. Sacred
concertos, Sacred vocal
music, Epiphany,
Christmas. Single Part,
Violin 2. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 05.165/12.
Published by Carus Verlag
(CA.516512).
ISBN
9790007009175. Key: A
minor. Language:
German.
Composed by Johann
Rosenmuller. Edited by
Dietrich Kruger, Hans
Grischkat. This edition:
Paperbound. German title:
Danksaget dem Vater.
Sacred vocal music,
Cantatas, Praise and
thanks. Full score. 16
pages. Duration 2
minutes. Carus Verlag #CV
10.021/00. Published by
Carus Verlag
(CA.1002100).
ISBN
9790007016494. Key: G
minor. Language:
German.
Composed by Johann
Stadlmayr. Edited by
Konrad Ruhland.
Coppenrath Series. German
title: Puer Natus In
Bethlehem 1500101. Sacred
vocal music, Christmas.
Full score. Composed
1629. 4 pages. Carus
Verlag #CV 91.107/00.
Published by Carus Verlag
(CA.9110700).
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Wolfgang Horn. Violin 2.
Sacred vocal music,
Praise and thanks. Single
Part, Violin 2. ZWV 145.
12 pages. Duration 35
minutes. Carus Verlag #CV
40.471/12. Published by
Carus Verlag
(CA.4047112).
ISBN
9790007069681. Key: D
major. Language:
Latin.
The division
of the Te Deum into two
parts at Dresden (and
probably also elsewhere)
clearly originated in the
fact that the Eucharistic
blessing was given before
the Salvum fac populum
tuum. Score and part
available separately -
see item CA.4047100.
Cantata
for Christmas.
Composed by Johann
Sebastian Bach. Edited by
Ruprecht Langer. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2.
BWV 191. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
31.191/12. Published by
Carus Verlag
(CA.3119112).
ISBN
9790007210182. Text
language:
German/English.
The
Christmas cantata Gloria
in excelsis Deo BWV 191,
which has always
presented researchers
with many challenging
problems, is among the
few works to Latin words
set by Johann Sebastian
Bach. It consists of
three sections - a
finely-woven duet flanked
by two festive choral
movements - which we are
to encounter again almost
note for note in the
world-famous Mass in B
minor. Score and part
available separately -
see item CA.3119100.
Composed by Antonia
Bembo. Edited by Wolfgang
Furlinger. Te Deum
Laudamus 1701701. Sacred
vocal music. Set of
Orchestra Parts. Duration
17 minutes. Carus Verlag
#CV 91.222/19. Published
by Carus Verlag
(CA.9122219).
ISBN
9790007234256. Text
language:
Latin.
Score and
parts available
separately - see item
CA.9122200.
Composed by Johannes
Herbst. Hymns by Martin
Luther: Ein feste Burg
ist unser Gott. German
title: Ein feste Burg.
Sacred vocal music,
Cantatas, Holy Week,
Reformation day. Choral
Score. 8 pages. Carus
Verlag #CV 10.191/05.
Published by Carus Verlag
(CA.1019105).
ISBN
9790007021771. Language:
German. Text: Luther,
Martin.
Composed by Johannes
Herbst. Hymns by Martin
Luther: Ein feste Burg
ist unser Gott. German
title: Ein feste Burg.
Sacred vocal music,
Cantatas, Holy Week,
Reformation day. Single
Part, Violin 2. 4 pages.
Carus Verlag #CV
10.191/12. Published by
Carus Verlag
(CA.1019112).
ISBN
9790007021795. Language:
German. Text: Luther,
Martin.
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Viola 1. Sacred vocal
music, Requiem. Single
Part, Viola 1. 12 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/13. Published by
Carus Verlag
(CA.2731813).
ISBN
9790007201883. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Wolfgang Horn. Complete
orchestral parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 145. Duration
35 minutes. Carus Verlag
#CV 40.471/19. Published
by Carus Verlag
(CA.4047119).
ISBN
9790007218683. Key: D
major. Language:
Latin.
The division
of the Te Deum into two
parts at Dresden (and
probably also elsewhere)
clearly originated in the
fact that the Eucharistic
blessing was given before
the Salvum fac populum
tuum. Score and parts
available separately -
see item CA.4047100.
Composed by Johannes
Herbst. Hymns by Martin
Luther: Ein feste Burg
ist unser Gott. German
title: Ein feste Burg.
Sacred vocal music,
Cantatas, Holy Week,
Reformation day. Single
Part, Viola 2. 4 pages.
Carus Verlag #CV
10.191/15. Published by
Carus Verlag
(CA.1019115).
ISBN
9790007021825. Language:
German. Text: Luther,
Martin.
Composed
by Anonymous and Johann
Kuhnau. Edited by
Diethard Hellmann.
Arranged by Johann
Sebastian Bach. German
title: Der Gerechte kommt
um. Sacred vocal music,
Lent and Passiontide,
Holy Week. Set of
Orchestra Parts. Carus
Verlag #CV 35.001/19.
Published by Carus Verlag
(CA.3500119).
ISBN
9790007139049. Language:
German/English.
Ada
ptation of the motet
Tristis est anima mea,
attributed to Johann
Kuhnau. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. According to
the research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was adapted -
most likely by Bach -
with a new text and the
addition of instrumental
parts. The motet Der
Gerechte kommt um comes
down to us as part of the
Passion cantata Ein
Lammlein geht und tragt
die Schuld by Carl
Heinrich Graun, into
which movements by
various other composers,
including Bach and
Telemann, were also later
inserted. From the
research of Diethard
Hellmann, editor of this
edition, the motet was
originally an a cappella
composition by Johann
Kuhnau with the text
Tristis est anima mea,
which then was
adapted--most likely by
Bach--with a new text and
the addition of
insturmental parts. Score
and parts available
separately - see item
CA.3500100.
Composed
by Johann Stadlmayr.
Edited by Konrad Ruhland.
Coppenrath Series. German
title: Coelo Rores
1501301. Sacred vocal
music, Advent. Full
score. Composed 1638. 8
pages. Carus Verlag #CV
91.119/00. Published by
Carus Verlag
(CA.9111900).
ISBN
9790007115418. Key: F
major. Language:
Latin.
Composed
by Andreas Hofer. Edited
by Wolfgang Furlinger.
Coppenrath Series. German
title: Missa Valete
1700101. Sacred vocal
music, Masses, Latin.
Single Part, Cello. 8
pages. Carus Verlag #CV
91.206/14. Published by
Carus Verlag
(CA.9120614).
Composed
by Heinrich Ignaz Franz
von Biber. Edited by
Armin Kircher. Arranged
by Paul Horn. Sacred
music from Salzburg.
Violin 1. Sacred vocal
music, Requiem. Single
Part, Violin 1. 8 pages.
Duration 28 minutes.
Carus Verlag #CV
27.318/11. Published by
Carus Verlag
(CA.2731811).
ISBN
9790007201869. Key: F
minor. Text language:
Latin.
Biber's
Requiem in F minor is
amongst the most
impressive settings of
the Requiem Mass of the
17th century. The exact
reason for the
composition of the
Requiem, which can be
dated to 1692, is not
known. The dark key color
of F minor is emphasized
by the instrumental
scoring for two violins,
three violas, basso
continuo and three
trombones (colla parte
with the chorus). The
vivid language of the
Requiem text offered
Biber a wealth of
possibilities for
expressive, musical
interpretation. The
intensity of the musical
language used to portray
lamenting and mourning is
impressive. In the course
of publication of the
Biber Requiem,
surprisingly the primary
source, which until now
had been thought to be
missing, resurfaced and
the edition could be
prepared based on this
astonishing discovery.
This is a work of
mid-level difficulty for
a choir and with the
clear disposition of the
string parts it is well
suited for performance by
amateur choirs. Score and
part available separately
- see item
CA.2731800.