A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing forchildren: straightforward tender affectionate yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointillisteallusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown' and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?

TaReKiTa. for SSAA unaccompanied TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slides, andcaptivating melodies built on the Jog raga.

Stephen Chatman's Sunset for SSAA chorus is an arrangement from his original set Due West for SATB chorus commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg rings specifically to a western theme. Chatman uses simple but exquisite harmonies and sustained arching melodic lines. Duration: 1:40.

Vocal score for Christopher Gunning's Full Of The Moon for SSAA unaccompanied.Christopher Gunning is an English composer of concert works and music for films and television. Gunning was born in Cheltenham  Gloucestershire. He studied at the Guildhall School of Music and Drama where his tutors included Edmund Rubbra and Richard Rodney Bennett.

For unaccompanied SSAA.First performed on 4th February 2011 at Theatre du Chatelet Paris by Maitrise de Radio France conducted by Sofi Jeannin. Esa-Pekka Salonen - Dona Nobis Pacem by musicroom

Elizabeth Maconchy's Prayer Before Birth for SSAA a cappella with words by Louis MacNiece.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Par BRAHMS JOHANNES. Chaleur et lyrisme caractérisent la sortie distingué de Brahm pour les plus petits chorales. Cette sélection présente ses paramètres enrichissantes plus accessibles pour les chorales de voix supérieure. / Date parution : 1995-11-15/ Répertoire / SSAA

O Radix Jesse by Polish composer Pawe ukaszewski is arranged here for unaccompanied SSAA Chorus with divisions. Pawe ukaszewski is part of a younger generation of Polishcomposers who specialise in sacred and choral music. After studying composition and receiving two Ph.Ds ? ukaszewski's work has been performed throughout Europe and the rest of the world. Thiscomposition ?O Radix Jesse is a setting of the Magnificant antiphons used in Christian advent and Catholic Mass.? The haunting harmonies created by the unaccompanied chorus inthis composition are sure to remain with audiences for a long time having been intricately crafted by this master of spiritual music. Please note that the lyrics are inLatin. David Lindley in the September 2015 issue of the Organists' Review writes that? ukaszewski's music 'is often compared to that of Górecki Pärt and John Tavener and this piece manifests thefamily resemblance.'

Commissioned by Richard Gooding and Central Newcastle High School Festival Choir who gave its first performance in December 2008.

A short work for unaccompanied SSSAA choir with music by John Tavener and words by W.B. Yeats. Includes piano accompaniment for rehearsal purpose only.

O that we were there! is a text taken from the Christian hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ but it also conveys a longing to be out of the world oftime and space and in an eternal world.This work was written for Sherborne Girls in gratitude for having educated my daughters Theodora and Sofia. It is dedicated to the memory of Blossom Perronelle Barrow who died ofcancer aged 12.

The Lamb is John Tavener's setting of a poem by William Blake arranged here for unaccompanied Upper Voices by Barry Rose. The work lasts around 3 minutes. TheLamb has long been a favourite of choirs and audiences alike and with this unique arrangement it can also be enjoyed by Upper Voices. The work was composed by Tavener in just a single afternoon and wasdedicated to his nephew's third birthday.   This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.