Composed by Francois Couperin (1668-1733). Edited by Denis Herlin. This edition: urtext edition. Paperback. Barenreiter Urtext. Mit 4 Concerts royaux. Performance score, anthology. Composed 1722. Baerenreiter Verlag #BA10846. Published by Baerenreiter Verlag

By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord Solo, strings. Piano Reduction/Vocal Score; Urtext Edition. BWV 1052. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA5224 90)

By Johann Sebastian Bach. For Harpsichord Solo, strings. Piano Reduction/Vocal Score; Urtext Edition. BWV 1055. Duration 20. Published by Baerenreiter-Ausgaben (German import). (BA5227 90)

Urtext der Neuen Bach-Ausgabe - Urtext of the New Bach-Edition. By Johann Sebastian Bach. Edited by Werner Breig. For Harpsichord, String orchestra, Chamber orchestra. Barenreiter Studienpartituren - Study scores. Pocket Score; Urtext Edition (paperbound). Published by Baerenreiter-Taschenparti turen (German import). (TP410)

Harpsichord

SKU: HL.48024704

Harpsichord. Composed by Jyrki Linjama. BH Piano. Classical. Softcover. Fennica Gehrman #M550114999. Published by Fennica Gehrman (HL.48024704).

ISBN 9781540059857. UPC: 888680955199.

The church sonata has three movements, each of which has a definite liturgical character and a choral tune as cantus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

Harpsichord - intermediate

SKU: HL.49008078

Three Pieces. Composed by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1991. 8 pages. Schott Music #ED 8542. Published by Schott Music (HL.49008078).

ISBN 9790001114790. 9.0x12.0x0.102 inches.

Though technically not too difficult, these 3 pieces by Hans-Martin Linde demand an acute awareness of their rhythmical complexities from the player. The title also contains programmatic allusions: the tonal and rhythmical structural subtleties require a heightened perception from the listener. The pieces are suitable for competition as well as concert performance.

Harpsichord

SKU: HL.14012557

Composed by Per Norgard. Music Sales America. Book Only. Edition Wilhelm Hansen #KP00404. Published by Edition Wilhelm Hansen (HL.14012557).

Danish.

Per Norgard GEMINI RISING for harpsichord soloFirst there is a mountain, then there is no mountain, then there isThe title literally Ascending Twins - was borrowed from astrological terminology but refers, purely musically, to two essential circumnstances in the work: A constant duplicity in the melodic basis, as well as an almost constantly ascending tendency. Even when - as is the case in the start - falling figures appear, the combination of several such figures produces an ascending impression. GEMINI RISING was composed for Elisabeth Chojnacka and premiered at a concert in Copenhagen in November 1990.Per Norgard.

Harpsichord

SKU: FG.55011-499-9

Composed by Jyrki Linjama. Fennica Gehrman #55011-499-9. Published by Fennica Gehrman (FG.55011-499-9).

ISBN 9790550114999.

Sona ta da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones.

Duration c. 12'.

Harpsichord

SKU: OT.21125

Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125).

ISBN 9789655051117. 8.27 x 11.69 inches.

The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication.
As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument.
The piece was composed at the request of Hagai Yodan, who performs it with great skill.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

(for Harpsichord). Composed by William Bolcom. For Harpsichord. E.B. Marks. Softcover. Published by Edward B. Marks Music