Flûte traversière [Partition + CD] - Intermédiaire Mel Bay
Compiled and arranged by Dona Gilliam and Mizzy McCaskill. Level: Intermediate. ...(+)
Compiled and arranged by
Dona Gilliam and Mizzy
McCaskill. Level:
Intermediate. Book/CD
Set. Size 8.75x11.75. 64
pages. Published by Mel
Bay Pub., Inc.
Includes a newly engraved, high-quality music book featuring solo charts for eac...(+)
Includes a newly
engraved, high-quality
music book featuring solo
charts for each tune for
C, B-flat and E-flat
instruments; and a
compact disc featuring a
complete digital stereo
reference recording, plus
recordings of the
accompaniments minus you,
the s. Published by Music
Minus One.
Flute SKU: CL.074-6034-04 Composed by G. Holmes. Orchestra Book/Folio (Co...(+)
Flute
SKU:
CL.074-6034-04
Composed by G. Holmes.
Orchestra Book/Folio
(Concert). Flute book.
Composed 1906. C.L.
Barnhouse #074-6034-04.
Published by C.L.
Barnhouse
(CL.074-6034-04).
CONTENTS: The
Trap Drummer's Dream,
Quadrille * Violetta
Waltz * The Owl Club,
Two-Step * Alabama Queen,
Novelty Two-Step *
Chippewa, Characteristic
Two-Step * Highland Park
Lancers * Roselawn
Two-Step * Youth and
Beauty Waltz * Lolita,
Spanish Waltz * The
Tourist, March and
Two-Step * Fern Dell
Waltz * Ellsworth
Quadrille * Meditation
Waltz * Summer Girl March
and Two-Step * The Oracle
March * Fairyland Waltz
*.
Flute Meditations Flûte traversière - Intermédiaire Faber Music Limited
Composed by Pam Wedgwood. Series; Solo Small Ensembles; Woodwind - Flute Solo....(+)
Composed by Pam Wedgwood.
Series; Solo Small
Ensembles;
Woodwind - Flute Solo.
Faber
Edition. Book. Faber
Music
#12-0571541631. Published
by
Faber Music
Flute SKU: BO.B.3628 Composed by Maria Luisa Ozaita. Published by Editori...(+)
Flute
SKU:
BO.B.3628
Composed by
Maria Luisa Ozaita.
Published by Editorial de
Musica Boileau
(BO.B.3628).
This work was
composed in 1969 and I
had the honor of
releasing it in Algorta
(Vizcaya) on June 22,
1970. I have played
afterwards in several
occasions and recorded on
CD. It is the first work
composed by this author
devoted to the flute and
opens a long series of
her works with this
instrument, which have
narrowed my collaboration
with Maria Luisa Ozaita
who I also have a close
friendship
with.
These
pieces are framed in a
time in which the
composer has reached her
creative maturity and her
inspiration stands out on
its own. These works
shape a brief triptych
which movements have a
characteristic
personality and are well
contrasted. The first one
has a spring-like
lyricism with sparkles of
irony. The second on
presents a meditative
melody that consists of
sighs that are bounded on
the weft of an
accompaniment that the
flute pinpoints a in the
low register. A binary
dance of a very rhythmic
spirit closes the work to
a nice finish.