Kid's March Orchestre - Débutant Childrens Music Workshop
Full Orchestra BEGINNING Composed by Larry Newman. Edited by Larry Newman. Ar...(+)
Full Orchestra
BEGINNING
Composed by Larry Newman.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9781507878910.
Published by Children's
Music
Workshop
Orchestra - Grade 3 SKU: AP.31605 Traditional Folk Melodies of China(+)
Orchestra - Grade 3
SKU: AP.31605
Traditional Folk
Melodies of China.
Arranged by Bob Lipton.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Folk. Score
and Part(s). 124 pages.
Highland/Etling
#00-31605. Published by
Highland/Etling
(AP.31605).
UPC:
038081349558.
English.
Transport
your audience halfway
around the world with
this poignant, powerful
and playful arrangement
of traditional Chinese
folk melodies. Starting
with a plaintive viola
solo, then moving through
a wide variety of moods,
all members of the
orchestra will be fully
engaged playing music
that sounds ancient and
fresh at the same time.
Perfect for concert or
contest, this arrangement
written by a middle
school teacher has been
kid tested and
approved.
Orchestra - Grade 1.5 SKU: AP.43831S Composed by Susan H. Day. Performanc...(+)
Orchestra - Grade 1.5
SKU: AP.43831S
Composed by Susan H. Day.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 12 pages. Duration
2:15. Highland/Etling
#00-43831S. Published by
Highland/Etling
(AP.43831S).
UPC:
038081497013.
English.
Stir the
imagination looking for
dinosaur bones with the
curious melodies in this
kid-friendly piece! A
great teaching piece as
well, with easy rhythms,
lifts, accents, one
optional high 3rd finger
in the viola, and a low
2nd finger in the upper
strings. (2:15).
Composed by Doug Spata.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Score and Part(s).
Duration 2:05.
Highland/Etling
#00-49465. Published by
Highland/Etling
(AP.49465).
ISBN
9781470650209. UPC:
038081570983.
English.
Beginning
string students will have
a diabolically good time
with this all-pizzicato
selection. Gleefully
sinister melodies pass
between all sections and
simple quarter and half
note accompaniment parts
help keep everyone
together. The optional
piano accompaniment sets
the pace with even 8th
notes, helping young
players subdivide their
rhythms. Part
independence and note
range are minimized while
doubling and repetition
are emphasized, making
this an easy piece for
kids to master. Midnight
Mischief by Doug Spata is
a fun piece that kids
will love to play while
supporting essential
ensemble playing and
listening skills. (2:05)
This title is available
in MakeMusic Cloud.
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Score. Duration
2:05. Highland/Etling
#00-49465S. Published by
Highland/Etling
(AP.49465S).
ISBN
9781470650216. UPC:
038081570990.
English.
Beginning
string students will have
a diabolically good time
with this all-pizzicato
selection. Gleefully
sinister melodies pass
between all sections and
simple quarter and half
note accompaniment parts
help keep everyone
together. The optional
piano accompaniment sets
the pace with even 8th
notes, helping young
players subdivide their
rhythms. Part
independence and note
range are minimized while
doubling and repetition
are emphasized, making
this an easy piece for
kids to master. Midnight
Mischief by Doug Spata is
a fun piece that kids
will love to play while
supporting essential
ensemble playing and
listening skills.
(2:05).
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Composed by Benj Pasek,
Justin Paul, and
Lin-Manuel Miranda.
Arranged by Katie O'Hara
LaBrie. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Broadway; Movie. Score.
Alfred Music #00-49440S.
Published by Alfred Music
(AP.49440S).
ISBN
9781470648671. UPC:
038081569475.
English.
Found/Toni
ght arranged by Katie
O'Hara LaBrie is the
emotional mash-up of You
Will Be Found from
Broadway's Dear Evan
Hansen and The Story of
Tonight from Hamilton.
First premiered by Ben
Platt and Lin-Manuel
Miranda at the 2018 March
for Our Lives, this piece
was dedicated to the kids
impacted by gun violence
in the wake of the
Parkland, Florida
tragedy. In this
arrangement for strings
and optional piano,
melodies get passed from
voice to voice, while
rich harmonies tug at
your heart strings.
(3:10) This title is
available in MakeMusic
Cloud.
Treasure Orchestre - Intermédiaire Alfred Publishing
(As recorded by Bruno Mars). Composed by Philip Lawrence, Bruno Mars, Ari Levine...(+)
(As recorded by Bruno
Mars). Composed by Philip
Lawrence, Bruno Mars, Ari
Levine, and Phredley
Brown. Arranged by Victor
L�³pez. Orchestra.
Full Orchestra; Part(s);
Score. Pop Intermediate
Full Orchestra. Latin;
Pop. Grade 3. 250 pages.
Published by Alfred Music
Orchestra - Grade 2 SKU: AP.35898S Composed by Carol J. Johnson. Performa...(+)
Orchestra - Grade 2
SKU: AP.35898S
Composed by Carol J.
Johnson. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Light Concert;
Peace/Brotherhood. Score.
8 pages. Belwin Music
#00-35898S. Published by
Belwin Music (AP.35898S).
UPC: 038081407500.
English.
As soon as
your young string players
have learned their low 2
finger patterns, they are
ready for this catchy
teaching tune. Written in
the attention-grabbing
key of A minor, this
mystical piece reinforces
the neighborly half-step
relationship between E-F
on the D string and B-C
on the A string. Every
section gets the melody,
a winner with the kids,
and you'll like how each
section learns to play
their half steps more in
tune. A great supplement
to your method book, and
also a successful
crowd-pleaser on your
next concert!
Composed by Benj Pasek,
Justin Paul, and
Lin-Manuel Miranda.
Arranged by Katie O'Hara
LaBrie. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Broadway; Movie. Score
and Part(s). Alfred Music
#00-49440. Published by
Alfred Music (AP.49440).
ISBN 9781470648664.
UPC: 038081569468.
English.
Found/Toni
ght arranged by Katie
O'Hara LaBrie is the
emotional mash-up of You
Will Be Found from
Broadway's Dear Evan
Hansen and The Story of
Tonight from Hamilton.
First premiered by Ben
Platt and Lin-Manuel
Miranda at the 2018 March
for Our Lives, this piece
was dedicated to the kids
impacted by gun violence
in the wake of the
Parkland, Florida
tragedy. In this
arrangement for strings
and optional piano,
melodies get passed from
voice to voice, while
rich harmonies tug at
your heart strings.
(3:10) This title is
available in MakeMusic
Cloud.
Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out ...(+)
Featuring: Just the
Way You Are (Amazing) /
When I Was Your Man /
Locked Out of Heaven.
Arranged by Victor Lopez.
Full Orchestra; Score.
Pop Concert Full
Orchestra. Form: Medley.
Pop. 28 pages. Published
by Alfred Music
(AP.43801S).
Orchestra - Grade 3 SKU: AP.44821S As Performed by Trans-Siberian Orch...(+)
Orchestra - Grade 3
SKU: AP.44821S
As Performed by
Trans-Siberian
Orchestra. Composed
by Paul O'neill. Arranged
by Bob Phillips. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Concert Full
Orchestra. Christmas;
Pop/Rock; Rock; Winter.
Score. 16 pages. Duration
2:30. Alfred Music
#00-44821S. Published by
Alfred Music (AP.44821S).
UPC: 038081515625.
English.
For the
night is God's cathedral
and the stars visit in
Dreams of Fireflies. Look
to the fabulous
Trans-Siberian Orchestra
show to add a bit of
spice to your holiday
full orchestra concert.
This piece will be
greatly enhanced by
adding a rhythm section
and electric instruments.
Check it out online or
take your kids to the
concert. (2:30).
Bruno Mars' Greatest Hits Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Just the Way You Are (Amazing) / When I Was Your Man / Locked Out of...(+)
(Featuring: Just the Way
You Are (Amazing) / When
I Was Your Man / Locked
Out of Heaven). Arranged
by Victor Lopez.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Pop. Grade 3. 230 pages.
Published by Alfred Music
Orchestra - Grade 3 SKU: AP.48062 As Performed by Trans-Siberian Orche...(+)
Orchestra - Grade 3
SKU: AP.48062
As Performed by
Trans-Siberian
Orchestra. Composed
by John Olivia and Paul
O'neill. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Christmas; Rock; Winter.
Score and Part(s). 140
pages. Duration 4:05.
Alfred Music #00-48062.
Published by Alfred Music
(AP.48062).
UPC:
038081556826.
English.
Imagine
the quiet, the
anticipation, the tree,
and all the lights as
Christmas Eve becomes
Christmas, and you will
have the feel of this
beautiful rock ballad,
Midnight Christmas Eve.
As seen in the
Trans-Siberian Orchestra
stage show The Christmas
Attic, this lyric piece,
arranged by Bob Phillips,
will add depth to any
holiday or winter
concert. Though an easy
piece for high school
orchestras, the optional
electric violin and
guitar parts provide the
perfect chance to feature
an electric instrument
and a more advanced
player. If you haven't
seen TSO, check it out
online and then share
this one with your
students. Perhaps include
a field trip to see the
band live with lights and
effects.
Listen
to the original
recordings of TSO to
decide which distortion
effects to use with the
electric violin or
electric guitar. This is
a great listening
exercise for the kids.
(4:05) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.48062S As Performed by Trans-Siberian Orch...(+)
Orchestra - Grade 3
SKU: AP.48062S
As Performed by
Trans-Siberian
Orchestra. Composed
by John Olivia and Paul
O'neill. Arranged by Bob
Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Christmas; Rock; Winter.
Score. 24 pages. Duration
4:05. Alfred Music
#00-48062S. Published by
Alfred Music (AP.48062S).
UPC: 038081556833.
English.
Imagine
the quiet, the
anticipation, the tree,
and all the lights as
Christmas Eve becomes
Christmas, and you will
have the feel of this
beautiful rock ballad,
Midnight Christmas Eve.
As seen in the
Trans-Siberian Orchestra
stage show The Christmas
Attic, this lyric piece,
arranged by Bob Phillips,
will add depth to any
holiday or winter
concert. Though an easy
piece for high school
orchestras, the optional
electric violin and
guitar parts provide the
perfect chance to feature
an electric instrument
and a more advanced
player. If you haven't
seen TSO, check it out
online and then share
this one with your
students. Perhaps include
a field trip to see the
band live with lights and
effects.
Listen
to the original
recordings of TSO to
decide which distortion
effects to use with the
electric violin or
electric guitar. This is
a great listening
exercise for the kids.
(4:05) This title
available in MakeMusic
Cloud.