Full Score Full Orchestra; Orchestra (Score) - Grade 4

SKU: HL.4501216

Composed by Andrew Lloyd Webber. Arranged by Calvin Custer. HL Full Orchestra. Broadway, Movies. 44 pages. Published by Hal Leonard (HL.4501216).

UPC: 884088365509. 9.0x12.0x0.092 inches.

Performance time - ca. 11:45 The phenomenon of this stage production continues with the release of the motion picture that has introduced Sir Andrew Lloyd Webber's timeless music to yet another audience. Calvin Custer's medley features six musical highlights from both the film and stage versions: All I Ask of You, Angel of Music, Masquerade, The Music of the Night, The Phantom of the Opera, and Think of Me.

Full Orchestra

SKU: SU.32040110

For Full Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040110. Published by Subito Music Corporation (SU.32040110).

2,1 2,1 2,1 2; 4331; timp, 2perc, cel; stgs Duration: 8' Composed: 2012 Published by: Amy Mills Music, LLC Creative setting of 3 carols: O Come O Come Emanuel intertwined with Ma Navu Ding Dong Merrily on High with bells, glock, chimes Angels We Have Heard on High with charming mixed meter Majestic recap of Rejoice section of O Come O Come Emanuel Maestro Harvey Felder, after the premiere with the Tacoma Symphony: The thing that I really appreciated about your Christmas Angels and Bells was the skillful and artistic writing. As you know, holiday music typically offers little or no musical depth, which leads to a less than enthusiastic reaction from the orchestra. Your piece offered a level of musical sophistication worthy of a professional symphony while still creating a festive holiday spirit. The orchestra and I enjoyed having the opportunity to dig into something substantive yet fun on our holiday concert. See composer website for audio sample. Performance materials available on rental only:.

By Andrew Lloyd Webber. Arranged by Calvin Custer. Full Orchestra. Size 9x12 inches. Published by Hal Leonard.

By Peter Blair. For conductor score. Christmas, Secular Christmas. Instrumental ensemble (woodwind). Published by Heritage Music Press. (50/1139H)

Orchestra

SKU: SU.27020085

For Orchestra. Composed by Graham Gordon Ramsay. Orchestra. Study Score. Subito Music Corporation #27020085. Published by Subito Music Corporation (SU.27020085).

Jacob vs. Angel is a piece about crisis of conscience, ambiguity, and misinterpretation expressed through the depiction of a major battle, the goal of which is never made entirely clear. Based on the biblical story, the work is highly programmatic, with each of the six movements reflecting a corresponding stanza from the titular poem by Alice Weaver Flaherty. The piece was originally composed as a vehicle for virtuoso organist Heinrich Christensen, and later orchestrated. The first movement introduces the main musical material--a five note motive, the intervals of which are reorganized to create melodic and harmonic development throughout the piece. The second, third, and fourth movements depict the brutal fight between Jacob and the angel, and lead one to the next without pause. The fifth movement is about the post-battle scene, and the final movement is an epilogue, reframing the ideas from the previous movements. The music elucidates various actions from the Flaherty poem—sand skittering across the desert, aggressive acts of violence and sensuality between the protagonists, the beating of wings, feathers blowing in the wind, etc. But beyond the music's more literal elements, the work is designed to express an abstract state of mind, a sense of unease, and anticipation of what is yet to come. —Graham Gordon Ramsay2(2) 1,1 2 2; 2221; 7perc, hp, cel; stgs Duration: 24'Composed: 2023 Published by: Distributed Composer Jacob vs Angel was composed originally as a solo concert organ work in 2007; the orchestral version was completed in 2023. A live performance of the organ version can be seen at. Performance materials available on rental:.

Orchestra

SKU: FG.55011-444-9

Composed by Einojuhani Rautavaara. Score (large). Fennica Gehrman #55011-444-9. Published by Fennica Gehrman (FG.55011-444-9).

ISBN 9790550114449.

Eino juhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Symphony No. 7, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music and choral works.
Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism, combining modernism with mystical romanticism in his later works. According to the composer, the role of the composer is to be mediator, a midwife, who helps the music become alive on its own terms; Listen to what the music wants to tell you, he told his composition students, sense where it wants to go.
Rautavaara rose to great international fame with the success of his Symphony No. 7, Angel of Light (1995) powered by the prize-winning recording (Helsinki Philharmonic, Segerstam, Ondine label) later the same year. Many high-profile international commissions followed, creating yet
more prize-winning recordings.
To mark the 25th anniversary of the work's premiere - in its original form as the Bloomington Symphony - by the Bloomington Symphony Orchestra and conductor David Pickett, Fennica Gehrman is publishing an entirely new edition of the symphony based on all available sources, including the composer's manuscript and his markings in various printed scores.
This is a large-sized conductor score with extensive analysis of the work and its genesis.

(Featuring: The Gift / Valentine / Angel Eyes). Arranged by Jack Bullock. Orchestra. Full Orchestra; Part(s); Score. Pop Intermediate Full Orchestra. Light Concert; Pop. Grade 3. 218 pages. Published by Alfred Music Publishing

Full orchestra

SKU: LO.30-3703MD

Composed by Phillip Keveren. Choral. Sacred Anthem, Advent, Christmas. Orchestral score and CD with printable parts. Medallion Music #30/3703MD. Published by Medallion Music (LO.30-3703MD).

UPC: 000308155037.

Orche stral Score and CD with Printable Parts for 10/5311MD Phillip Keveren presents an epic arrangement of the beloved carol, Angels We Have Heard on High. His setting is modern with a classic feel, and the equally impressive orchestration greatly increases the appeal and impact. A fantastic service opener for the Christmas season!

A Holiday Fanfare. Arranged by Patrick Roszell. Full Orchestra; Part(s); Score. Belwin Intermediate Full Orchestra. Form: Fanfare. Christmas; Sacred; Winter. 126 pages. Published by Belwin Music (AP.43776).

Composed by Joel Raney. This edition: Complete. Christmas, choral cantata. Christmas Musicals. Christmas, Sacred. Listening CD. Published by Hope Publishing Company (HP.8482).

Orchestra - Grade 5

SKU: WD.080689367571

Composed by Dave Williamson. Arranged by Dave Williamson. Christmas. Orchestration. Word Music #080689367571. Published by Word Music (WD.080689367571).

UPC: 080689367571.

Orchestra (Soli MsTB, Coro SATB (divisi), Semicoro SATB (divisi), 2 Fl, Pic, 2 Ob, Eh, 2 Clt, Clt basso, 2 Fg, Cfg, 4 Cor, 3 Tr, 3 Trb, Tuba, Timp, Perc, 2 Arpe, Org, 2 Vl, Va, Vc, Cb) - 5

SKU: CA.2300400

Composed by Edward Elgar. Edited by Barbara Mohn. Carus digital: Extra digital products. Full Score. Composed 1900. Op. 38. Duration 100 minutes. Carus Verlag #2300400. Published by Carus Verlag (CA.2300400).

ISBN 9790007240783. English/German. Text: Newman, John Henry.

This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts

Orchestra (Soli MsTB, Coro SATB (divisi), Semicoro SATB (divisi), 2 Fl, Pic, 2 Ob, Eh, 2 Clt, Clt basso, 2 Fg, Cfg, 4 Cor, 3 Tr, 3 Trb, Tuba, Timp, Perc, 2 Arpe, Org, 2 Vl, Va, Vc, Cb) - 5

SKU: CA.2300403

Composed by Edward Elgar. Edited by Barbara Mohn. Vocal score. Composed 1900. Op. 38. Duration 100 minutes. Carus Verlag #2300403. Published by Carus Verlag (CA.2300403).

ISBN 9790007240790. English/German. Text: Newman, John Henry.

This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts

By Michael Davis. For Orchestration. Instrumental accompaniment parts. Published by Jackman Music Corporation

Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. Sheet music. Study score. Composed 1989. 392 pages. Omni Music Publishing #OMNI 50797. Published by Omni Music Publishing

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra (Full Score)

SKU: HL.244904

For Orchestra. Composed by Bryce Dessner. Music Sales America. Classical. Softcover. Composed 2017. 64 pages. Duration 1020 seconds. Chester Music #CH83985. Published by Chester Music (HL.244904).

8.25x12.0x0.508 inches.

Quilting, co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic, is my first stand alone work for orchestraand is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris.During my time there, I thought a lot about what it means to compose symphonic music as a young American in the 21st century, when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century. I began to think of the American crafts-tradition of quilting as a foilto the high-art tradition of European orchestral composition. As the score for my new work began to take shape, I started thinking about the manuscript itself as an object, its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great American tradition of quilting. I imagined about how conducting an orchestra can feellike stitching a piece together, or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries, the African-American quilting tradition is especially fascinating, and the quilts tell the stories of the women and communities who made them. The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder', 'drunkards path', 'solomon's puzzle', and (my favorite for its relevance to this piece) 'the road to California. - Bryce Dessner.

Full orchestra

SKU: LO.30-3489MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score and parts, plus CD with printable parts. Medallion Music #30/3489MD. Published by Medallion Music (LO.30-3489MD).

UPC: 000308147704.

And It Came to Pass, Emmanuel: A compelling musical triumph that invites the listener on a journey that ultimately leads to worship of the Christ Child. The text of the Christmas story blends seamlessly with original narrative and exquisite lyric writing from Rose Aspinall, and Jay Rouse's incredible ability to fashion original melodies and arrange Christmas favorites with nuance and passion is on full display. The musical opens with an ethereal underscore that leads effortlessly into a 6/8 interpretation of Adeste Fideles, followed directly by the theme song and anchor ballad for the musical, And It Came to Pass. Also included are a song written specifically for this work that gives voice to Joseph's fears and longings; a traditional gospel setting of the all-time favorite Jesus, What a Wonderful Child; a syncopated, upbeat angel and shepherd announcement song titled Fire in the Sky; and a tender worship moment at the manger called Jesus, Prince of Peace. With a little something for everyone, this creative work is sure to be an important part of your Christmas season.

By Michael W. Smith and Joanna Carlson. Arranged by Lloyd Larson. For Orchestra. Call To Worship, Children, Hymntune, Contemporary, Hymntune and Sacred. Print Music Single (Orchestration). Published by Hope Publishing Company.

Movement 1 from The Kennedy Dream. Composed by Oliver Nelson. Edited by Dylan Canterbury, Rob DuBoff and Jeffrey Sultanof. Jazz, Ballad. Score and parts. Published by Jazz Lines Publications (JL.JLP-7089).

Orchestra - Grade 3

SKU: AP.47441

Composed by Astor Piazzolla. Arranged by Jim Palmer. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Light Concert. Score and Part(s). 124 pages. Duration 4:45. Belwin Music #00-47441. Published by Belwin Music (AP.47441).

UPC: 038081547879. English.

This lyrical arrangement of an Argentinian tango is a wonderful introduction to the music of Astor Piazzolla. The melody is first introduced by the violas and then passed smoothly to the first violins. Your students will love the beautiful harmonies, interesting rhythms, and the variety of dynamics, and the piece includes many opportunities to teach shifting, glissando, balance, and phrasing. This piece is a perfect choice for a festival or any concert performance. (4:45).

Orchestra - Grade 3

SKU: AP.47441S

Composed by Astor Piazzolla. Arranged by Jim Palmer. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Light Concert. Score. 16 pages. Belwin Music #00-47441S. Published by Belwin Music (AP.47441S).

UPC: 038081547886. English.

This lyrical arrangement of an Argentinian tango is a wonderful introduction to the music of Astor Piazzolla. The melody is first introduced by the violas and then passed smoothly to the first violins. Your students will love the beautiful harmonies, interesting rhythms, and the variety of dynamics, and the piece includes many opportunities to teach shifting, glissando, balance, and phrasing. This piece is a perfect choice for a festival or any concert performance.