Concert Band (Score) - Grade 3 SKU: HL.4005805 Composed by Bob Baker and ...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.4005805
Composed
by Bob Baker and Robert
Buckley. MusicWorks Grade
3. Concert. Softcover. 20
pages. Duration 200
seconds. Published by Hal
Leonard (HL.4005805).
UPC: 888680916381.
9.0x12.0x0.067 inches.
Bob Baker/Robert
Buckley.
From a
song shared by Squamish
First Nation artist and
performer Bob Baker,
comes a new work for
concert band shaped by
Robert Buckley that will
allow your students to
experience the music of
one of North America's
First Peoples. Using
aleatory elements, Wolf
Song flows from a
powerful pentatonic
melody and grows into a
work that is at once
atmospheric and exciting.
Dur: 6:30.
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1145615-140 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1145615-140
As performed by
Sting. Composed by
Sting. Arranged by Roland
Kernen. DHP Pop, Film and
Show. Score Only.
Composed 2014. De Haske
Publications #DHP
1145615-140. Published by
De Haske Publications
(BT.DHP-1145615-140).
Sting’s
song about an Englishman
who lives in New York but
still sees himself as an
outsider became a huge
hit for the
singer-songwriter and has
gone on to be a true
classic. The central
message ‘Be
yourself, no matter what
they say’ is as
timeless and universal as
the melody of the song,
which in Roland
Kernen’s wind band
arrangement is sure to
delight your audience.
De Britse
singer-songwriter Sting
scoorde met dit lied over
een Engelsman die in New
York steeds een
vreemdeling is gebleven,
een grote hit, die
inmiddels een evergreen
is geworden. De boodschap
erachter ‘Blijf
jezelf, wat ze ook
zeggen’ is net zo
tijdloos en universeel
als de melodie, die in
deze blaasorkestversie
van Roland Kernen
uitstekend tot haar recht
komt.
Dem
britischen Sänger und
Songwriter Sting gelang
mit Lied über einen
Engländer, der in New
York stets ein Fremdling
belieben wird, ein
großer Hit, der
mittlerweile zum
Evergreen geworden ist.
Die zentrale Botschaft:
Bleib du selbst, egal,
was sie sagen“ ist
jedoch so zeitlos und
universal wie auch die
Melodie des Liedes, das
in Roland Kernens
Blasorchesterversion bei
jedem Publikum gut
ankommen wird.
In
questa canzone il
cantante e compositore
inglese Sting racconta la
storia di un inglese
eccentrico che arriva a
New York. Il messaggio
centrale « siate voi
stessi, non importa
ciò che gli altri
dicono », resta
attuale e universale,
così come
l’indimenticabile
melodia di questa
splendida canzone.
Englishman in New York Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1145615-010 As performed b...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1145615-010
As performed by
Sting. Composed by
Sting. Arranged by Roland
Kernen. DHP Pop, Film and
Show. Set (Score &
Parts). Composed 2014. De
Haske Publications #DHP
1145615-010. Published by
De Haske Publications
(BT.DHP-1145615-010).
Sting’s
song about an Englishman
who lives in New York but
still sees himself as an
outsider became a huge
hit for the
singer-songwriter and has
gone on to be a true
classic. The central
message ‘Be
yourself, no matter what
they say’ is as
timeless and universal as
the melody of the song,
which in Roland
Kernen’s wind band
arrangement is sure to
delight your audience.
De Britse
singer-songwriter Sting
scoorde met dit lied over
een Engelsman die in New
York steeds een
vreemdeling is gebleven,
een grote hit, die
inmiddels een evergreen
is geworden. De boodschap
erachter ‘Blijf
jezelf, wat ze ook
zeggen’ is net zo
tijdloos en universeel
als de melodie, die in
deze blaasorkestversie
van Roland Kernen
uitstekend tot haar recht
komt.
Dem
britischen Sänger und
Songwriter Sting gelang
mit Lied über einen
Engländer, der in New
York stets ein Fremdling
belieben wird, ein
großer Hit, der
mittlerweile zum
Evergreen geworden ist.
Die zentrale Botschaft:
Bleib du selbst, egal,
was sie sagen“ ist
jedoch so zeitlos und
universal wie auch die
Melodie des Liedes, das
in Roland Kernens
Blasorchesterversion bei
jedem Publikum gut
ankommen wird.
In
questa canzone il
cantante e compositore
inglese Sting racconta la
storia di un inglese
eccentrico che arriva a
New York. Il messaggio
centrale « siate voi
stessi, non importa
ciò che gli altri
dicono », resta
attuale e universale,
così come
l’indimenticabile
melodia di questa
splendida canzone.
Concert Band (Score) - Level 1.5 SKU: HL.4005849 Composed by Robert Buckl...(+)
Concert Band (Score) -
Level 1.5
SKU:
HL.4005849
Composed
by Robert Buckley.
MusicWorks Grade 1.
Concert. Softcover. 12
pages. Duration 185
seconds. Published by Hal
Leonard (HL.4005849).
UPC: 888680930196.
9.0x12.0x0.023
inches.
From a song
shared by Squamish First
Nation artist and
performer Bob Baker,
comes a new work for
concert band shaped by
Robert Buckley that will
allow your students to
experience the music of
one of North America's
First Peoples. Using
aleatory elements, Spirit
of the Wolf flows from a
powerful pentatonic
melody and grows into a
work that is at once
atmospheric and exciting.
Dur: 3:20.
Score and Parts Concert Band (Score & Parts) - Level 1.5 SKU: HL.4005848 ...(+)
Score and Parts Concert
Band (Score & Parts) -
Level 1.5
SKU:
HL.4005848
Composed
by Robert Buckley.
MusicWorks Grade 1.
Concert. Softcover.
Duration 185 seconds.
Published by Hal Leonard
(HL.4005848).
ISBN
9781540049735. UPC:
888680930189.
9.0x12.0x0.344
inches.
From a song
shared by Squamish First
Nation and performer Bob
Baker, comes a new work
for concert band shaped
by Robert Buckley that
will allow your students
to experience the music
of one of North America's
First Peoples. Using
aleatory elements, Spirit
of the Wolf flows from a
powerful pentatonic
melody and grows into a
work that is at once
atmospheric and exciting.
Dur: 3:20.
Arranged by Robert W.
Smith. Full Orchestra;
Performance Music
Ensemble; Single Titles.
RWS - Developing
Orchestra. Score.
Composed 2023. RWS Music
Company #98-RWS238501.
Published by RWS Music
Company
(AP.98-RWS238501).
ISBN 9781470696207.
UPC: 038081612058.
English.
Two
Christmas classics have
been masterfully
re-arranged into a
harmonic minor mode
providing a new twist on
these holiday favorites.
Robert W. Smith has woven
together Joy To The
World, Deck The Halls and
Jingle Bells with quotes
from other familiar
melodies including The
Dreidel Song and
Hallelujah Chorus. A
welcome addition to the
holiday repertoire for
developing
orchestra.
Arranged by Robert W.
Smith. Full Orchestra;
Performance Music
Ensemble; Single Titles.
RWS - Developing
Orchestra. Score and
Part(s). Composed 2023.
RWS Music Company
#98-RWS238500. Published
by RWS Music Company
(AP.98-RWS238500).
ISBN 9781470692711.
UPC: 038081608563.
English.
Two
Christmas classics have
been masterfully
re-arranged into a
harmonic minor mode
providing a new twist on
these holiday favorites.
Robert W. Smith has woven
together Joy To The
World, Deck The Halls and
Jingle Bells with quotes
from other familiar
melodies including The
Dreidel Song and
Hallelujah Chorus. A
welcome addition to the
holiday repertoire for
developing
orchestra.
Composed by
Michael Brand. Band
Music. Score and parts.
Duration 5:30. Published
by G & M Brand Music
Publishers (CN.R10192).
Hear the sounds
of marching bands,
choirs, and the music of
Broadway in this exciting
concert march. Inspired
by an actual parade in
New York, Michael Brand
brings us this
spectacular original
march. Perfect in any
setting throughout the
year.
In June 1997
I was in New York and had
a free weekend. On Sunday
morning I was awoken
early by a great deal of
banging and saw that
barriers and roadblocks
had been erected
throughout Central Park.
Why? I soon heard the
answer: a great parade.
When the Americans put
together a parade they
really mean it! This one
lasted 3 hours and
brought the center of New
York to a standstill.
Bands, dancers and choirs
marched past in
celebration of the Jewish
faith. New York Parade is
completely original but
its starting point in my
imagination was a
marching band, a choir
and Broadway. The
marching band starts in
the distance, passes by
and as it moves away we
hear the next block of
performers singing,
almost chanting, a hymn
(called Jewish Song). The
groups suddenly turn into
Broadway, as a song from
an imaginary show
intervenes but then the
band and choir return in
counterpoint and all
three themes come
together.
Composed by
Michael Brand. Band
Music. Platinum Band
Series. Score only.
Duration 5:30. Published
by G & M Brand Music
Publishers (CN.S11192).
Hear the sounds
of marching bands,
choirs, and the music of
Broadway in this exciting
concert march. Inspired
by an actual parade in
New York, Michael Brand
brings us this
spectacular original
march. Perfect in any
setting throughout the
year.
In June 1997
I was in New York and had
a free weekend. On Sunday
morning I was awoken
early by a great deal of
banging and saw that
barriers and roadblocks
had been erected
throughout Central Park.
Why? I soon heard the
answer: a great parade.
When the Americans put
together a parade they
really mean it! This one
lasted 3 hours and
brought the center of New
York to a standstill.
Bands, dancers and choirs
marched past in
celebration of the Jewish
faith. New York Parade is
completely original but
its starting point in my
imagination was a
marching band, a choir
and Broadway. The
marching band starts in
the distance, passes by
and as it moves away we
hear the next block of
performers singing,
almost chanting, a hymn
(called Jewish Song). The
groups suddenly turn into
Broadway, as a song from
an imaginary show
intervenes but then the
band and choir return in
counterpoint and all
three themes come
together.
Composed
by Michael John Trotta.
Arranged by James
Meredith. Young Band
(YPS). Full score. With
Standard notation. 20
pages. Carl Fischer Music
#YPS201F. Published by
Carl Fischer Music
(CF.YPS201F).
ISBN
9781491152898. UPC:
680160910397.
Alrea
dy one of the most
popular choral settings
in the Carl Fischer Music
catalog, Michael John
Trotta's setting of Veni,
Veni Emmanuel has now
been skillfully
transcribed by James
Meredith for band.
Trotta's setting of this
seminal carol juxtaposes
the old and new together
in a refreshingly
different approach to the
song. The piece can work
with band alone or with
the popular choral
setting. It is
sophisticated enough for
high school groups to put
together quickly and can
also work well with
middle school
groups. This piece was
conceived as a dialogue
between the supplicants
and the creator, a
combination of old and
new, juxtaposing a
personal longing for
something still to come,
with the steadfast
assurance of something
ever-present yet not
always seen. While the
original theme is
associated with the
Christmas season, the
wider theme of longing
for something greater is
universal to the human
condition and allows this
piece to be programmed
throughout the year.This
work may be performed
with SATBÂ Voices
(published by Carl
Fischer Music,
CM9418).
Composed by
Michael John Trotta.
Arranged by James
Meredith. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
16+4+8+4+4+10+4+4+8+8+12+
6+6+1+1+4+20+8+8+4+1+4
pages. Duration 3
minutes, 3 seconds. Carl
Fischer Music #YPS201.
Published by Carl Fischer
Music (CF.YPS201).
ISBN 9781491152218.
UPC: 680160909711. Key: F
minor.
Already one
of the most popular
choral settings in the
Carl Fischer Music
catalog, Michael John
Trotta's setting of Veni,
Veni Emmanuel has now
been skillfully
transcribed by James
Meredith for band.
Trotta's setting of this
seminal carol juxtaposes
the old and new together
in a refreshingly
different approach to the
song. The piece can work
with band alone or with
the popular choral
setting. It is
sophisticated enough for
high school groups to put
together quickly and can
also work well with
middle school
groups. This piece was
conceived as a dialogue
between the supplicants
and the creator, a
combination of old and
new, juxtaposing a
personal longing for
something still to come,
with the steadfast
assurance of something
ever-present yet not
always seen. While the
original theme is
associated with the
Christmas season, the
wider theme of longing
for something greater is
universal to the human
condition and allows this
piece to be programmed
throughout the year.This
work may be performed
with SATBÂ Voices
(published by Carl
Fischer Music,
CM9418).
Concert Band - Grade 1 SKU: AP.BD9956C Percussion Section Feature....(+)
Concert Band - Grade 1
SKU: AP.BD9956C
Percussion Section
Feature. Composed by
Robert W. Smith. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Christmas; Winter. Score.
20 pages. Duration 2:01.
Belwin Music #00-BD9956C.
Published by Belwin Music
(AP.BD9956C).
UPC:
029156998740.
English.
Robert W.
Smith takes one of the
world's best-known and
best-loved melodies and
fashions a highly
effective new work that
features your percussion
section in the concert
spotlight. As we have all
come to expect from this
brilliant young
composer's work, the
energy level is extremely
high, and the writing is
most effective. It is one
of those special works
your players will enjoy
rehearsing and your
audiences will greet with
great enthusiasm.
Driving! (2:01).
Concert Band Concert Band - 3 (Medium Easy) (grade 3) SKU: AP.29603S Comp...(+)
Concert Band Concert Band
- 3 (Medium Easy) (grade
3)
SKU: AP.29603S
Composed by Ralph Ford.
Concert Band. Belwin
Concert Band. Form:
Overture. Score. 28
pages. Belwin Music
#00-29603S. Published by
Belwin Music (AP.29603S).
UPC: 038081318332.
English.
Dillon's
Flight was inspired by
the legend of the
Phoenix, a bird of fire
that does not lay eggs,
has no younglings, was
here at the beginning of
time, and yet still lives
today in a hidden desert
land. Every 500 years,
the sun burns down on the
Phoenix until a flash of
light appears and it
becomes consumed by the
flames of fire. From the
pile of silvery-gray ash
rises up a young Phoenix.
The young Phoenix then
takes flight and sings
its glorious song to the
sun for another five
hundred years. Dedicated
to the Dillon School in
Phoenix, New York, this
musical depiction is
jam-packed with energy.
(5:07) This title is
available in MakeMusic
Cloud.
Concert Band; Orchestra
2.1.1.1: 2.1.00: Pno: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929201
Arranged by Reynaldo Hahn
and ed./arr. R. Mark
Rogers. Full Orchestra.
Kalmus Masterworks
Library. Masterwork.
Score. LudwigMasters
Publications #36-A929201.
Published by
LudwigMasters
Publications
(AP.36-A929201).
ISBN
9781638875185. UPC:
735816238636.
English.
Born in
Venezuela, but raised in
Paris, Reynaldo Hahn
(1874-1947) was drawn
early in life to
fashionable salons,
singing his own songs
from the piano. There he
mingled with such
luminaries as Mallarme
and Proust, the latter
with whom he formed an
amorous relationship.
After the first world
war, he accepted an
appointment of voice
teaching at the École
normale de music de
Paris. His colleagues
included Nadia Boulanger,
Pablo Casals, and Jacques
Thibaud. One of many
musical works he composed
for the stage during this
time, Mozart, a musical
comedy (comédie
musicale) in 3 Acts, IRH
52, premiered at the
Theatre Edouard VII in
Paris on December 2,
1925. The libretto was
written by Sacha Guitry
for their first of two
collaborations. The
Mozart Overture, here
edited by R. Mark Rogers,
serves as a vibrant
introduction to this
underrepresented work.
Instrumentation: 2.1.1.1:
2.1.00: Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.1.1.1: 2.1.00: Pno: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929290
Arranged by Reynaldo Hahn
and ed./arr. R. Mark
Rogers. Full Orchestra.
Kalmus Masterworks
Library. Masterwork.
Score and Part(s).
LudwigMasters
Publications #36-A929290.
Published by
LudwigMasters
Publications
(AP.36-A929290).
UPC:
735816238247.
English.
Born in
Venezuela, but raised in
Paris, Reynaldo Hahn
(1874-1947) was drawn
early in life to
fashionable salons,
singing his own songs
from the piano. There he
mingled with such
luminaries as Mallarme
and Proust, the latter
with whom he formed an
amorous relationship.
After the first world
war, he accepted an
appointment of voice
teaching at the École
normale de music de
Paris. His colleagues
included Nadia Boulanger,
Pablo Casals, and Jacques
Thibaud. One of many
musical works he composed
for the stage during this
time, Mozart, a musical
comedy (comédie
musicale) in 3 Acts, IRH
52, premiered at the
Theatre Edouard VII in
Paris on December 2,
1925. The libretto was
written by Sacha Guitry
for their first of two
collaborations. The
Mozart Overture, here
edited by R. Mark Rogers,
serves as a vibrant
introduction to this
underrepresented work.
Instrumentation: 2.1.1.1:
2.1.00: Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Feller from Fortune Orchestre d'harmonie - Intermédiaire Eighth Note Publications
Swing Around This One. Composed by Bill Thomas. Concert Band; Performance...(+)
Swing Around This
One. Composed by Bill
Thomas. Concert Band;
Performance Music
Ensemble; Single Titles.
Eighth Note Publications.
Form: Overture. Folk.
Part(s); Score. Duration
3:25. Eighth Note
Publications #81-CB14262.
Published by Eighth Note
Publications
(AP.81-CB14262).
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band
SKU:
PR.465000130
For
Large Wind Ensemble.
Composed by Dan Welcher.
Sws. Contemporary. Full
score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013. Published by
Theodore Presser Company
(PR.465000130).
ISBN
9781598064070. UPC:
680160600144. 9x12
inches.
Following a
celebrated series of wind
ensemble tone poems about
national parks in the
American West, Dan
Welcher’s Upriver
celebrates the Lewis &
Clark Expedition from the
Missouri River to
Oregon’s Columbia
Gorge, following the
Louisiana Purchase of
1803. Welcher’s
imaginative textures and
inventiveness are freshly
modern, evoking our
American heritage,
including references to
Shenandoah and other folk
songs known to have been
sung on the expedition.
For advanced players.
Duration:
14’. In 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William
Clark’s Corps of
Discovery to find a water
route to the Pacific and
explore the uncharted
West. He believed woolly
mammoths, erupting
volcanoes, and mountains
of pure salt awaited
them. What they found was
no less mind-boggling:
some 300 species unknown
to science, nearly 50
Indian tribes, and the
Rockies.Ihave been a
student of the Lewis and
Clark expedition, which
Thomas Jefferson called
the “Voyage of
Discovery,†for as
long as I can remember.
This astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri —
and took the travelers up
more than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
— hired trappers
and explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing — and
along with other
trinkets, a box of 200
jaw harps to be used in
trading with the Indians.
Their trip was long,
perilous to the point of
near catastrophe, and
arduous. The dream of a
Northwest Passage proved
ephemeral, but the
northwestern quarter of
the continent had finally
been explored, mapped,
and described to an
anxious world. When the
party returned to St.
Louis in 1806, and with
the Louisiana Purchase
now part of the United
States, they were greeted
as national heroes.Ihave
written a sizeable number
of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks,
doesn’t try to
tell a story. Instead, it
captures the flavor of a
certain time, and of a
grand adventure. Cast in
one continuous movement
and lasting close to
fourteen minutes, the
piece falls into several
subsections, each with
its own heading: The
Dream (in which
Jefferson’s vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III .The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate “river
song,†and which
becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by
Cruzatte’s fiddle.
From various journals and
diaries, we know the men
found enjoyment and
solace in music, and
almost every night
encampment had at least a
bit of music in it. In
addition to Cruzatte,
there were two other
members of the party who
played the fiddle, and
others made do with
singing, or playing upon
sticks, bones, the
ever-present jaw harps,
and boat horns. From
Lewis’ journals, I
found all the tunes used
in Upriver: Shenandoah
(still popular after more
than 200 years),
V’la bon vent,
Soldier’s Joy,
Johnny Has Gone for a
Soldier, Come Ye Sinners
Poor and Needy (a hymn
sung to the tune
“Beech
Springâ€) and
Fisher’s Hornpipe.
The work follows an
emotional journey: not
necessarily step-by-step
with the Voyage of
Discovery heroes, but a
kind of grand arch.
Beginning in the mists of
history and myth,
traversing peaks and
valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of
Jefferson’s
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Band Concert Band SKU: PR.46500013L For Wind Ensemble. Composed by...(+)
Band Concert Band
SKU:
PR.46500013L
For
Wind Ensemble.
Composed by Dan Welcher.
Contemporary. Large
Score. With Standard
notation. Composed 2010.
Duration 14 minutes.
Theodore Presser Company
#465-00013L. Published by
Theodore Presser Company
(PR.46500013L).
UPC:
680160600151. 11 x 14
inches.
I n 1803,
President Thomas
Jefferson sent Meriwether
Lewis and William Clarks
Corps of Discovery to
find a water route to the
Pacific and explore the
uncharted West. He
believed woolly mammoths,
erupting volcanoes, and
mountains of pure salt
awaited them. What they
found was no less
mind-boggling: some 300
species unknown to
science, nearly 50 Indian
tribes, and the Rockies.
I have been a student of
the Lewis and Clark
expedition, which Thomas
Jefferson called the
Voyage of Discovery, for
as long as I can
remember. This
astonishing journey,
lasting more than
two-and-a-half years,
began and ended in St.
Louis, Missouri and took
the travelers up more
than a few rivers in
their quest to find the
Northwest Passage to the
Pacific Ocean. In an age
without speedy
communication, this was
akin to space travel out
of radio range in our own
time: no one knew if,
indeed, the party had
even survived the voyage
for more than a year.
Most of them were
soldiers. A few were
French-Canadian voyageurs
hired trappers and
explorers, who were
fluent in French (spoken
extensively in the
region, due to earlier
explorers from France)
and in some of the Indian
languages they might
encounter. One of the
voyageurs, a man named
Pierre Cruzatte, also
happened to be a
better-than-average
fiddle player. In many
respects, the travelers
were completely on their
own for supplies and
survival, yet,
incredibly, only one of
them died during the
voyage. Jefferson had
outfitted them with food,
weapons, medicine, and
clothing and along with
other trinkets, a box of
200 jaw harps to be used
in trading with the
Indians. Their trip was
long, perilous to the
point of near
catastrophe, and arduous.
The dream of a Northwest
Passage proved ephemeral,
but the northwestern
quarter of the continent
had finally been
explored, mapped, and
described to an anxious
world. When the party
returned to St. Louis in
1806, and with the
Louisiana Purchase now
part of the United
States, they were greeted
as national heroes. I
have written a sizeable
number of works for wind
ensemble that draw their
inspiration from the
monumental spaces found
in the American West.
Four of them (Arches, The
Yellowstone Fires,
Glacier, and Zion) take
their names, and in large
part their being, from
actual national parks in
Utah, Wyoming, and
Montana. But Upriver,
although it found its
voice (and its finale) in
the magnificent Columbia
Gorge in Oregon, is about
a much larger region.
This piece, like its
brother works about the
national parks, doesnt
try to tell a story.
Instead, it captures the
flavor of a certain time,
and of a grand adventure.
Cast in one continuous
movement and lasting
close to fourteen
minutes, the piece falls
into several subsections,
each with its own
heading: The Dream (in
which Jeffersons vision
of a vast expanse of
western land is opened);
The Promise, a chorale
that re-appears several
times in the course of
the piece and represents
the seriousness of the
presidential mission; The
River; The Voyageurs; The
River II ; Death and
Disappointment; Return to
the Voyage; and The River
III . The music includes
several quoted melodies,
one of which is familiar
to everyone as the
ultimate river song, and
which becomes the
through-stream of the
work. All of the quoted
tunes were either sung by
the men on the voyage, or
played by Cruzattes
fiddle. From various
journals and diaries, we
know the men found
enjoyment and solace in
music, and almost every
night encampment had at
least a bit of music in
it. In addition to
Cruzatte, there were two
other members of the
party who played the
fiddle, and others made
do with singing, or
playing upon sticks,
bones, the ever-present
jaw harps, and boat
horns. From Lewis
journals, I found all the
tunes used in Upriver:
Shenandoah (still popular
after more than 200
years), Vla bon vent,
Soldiers Joy, Johnny Has
Gone for a Soldier, Come
Ye Sinners Poor and Needy
(a hymn sung to the tune
Beech Spring) and Fishers
Hornpipe. The work
follows an emotional
journey: not necessarily
step-by-step with the
Voyage of Discovery
heroes, but a kind of
grand arch. Beginning in
the mists of history and
myth, traversing peaks
and valleys both real and
emotional (and a solemn
funeral scene), finding
help from native people,
and recalling their zeal
upon finding the one
great river that will, in
fact, take them to the
Pacific. When the men
finally roar through the
Columbia Gorge in their
boats (a feat that even
the Indians had not
attempted), the
magnificent river
combines its theme with
the chorale of Jeffersons
Promise. The Dream is
fulfilled: not quite the
one Jefferson had
imagined (there is no
navigable water passage
from the Missouri to the
Pacific), but the dream
of a continental
destiny.
Unforgettable Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-010 Composed by Irvin...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1074203-010
Composed by Irving
Gordon. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1074203-010. Published by
De Haske Publications
(BT.DHP-1074203-010).
9x12 inches.
English-German-French-Dut
ch.
The phenomenal
success of the singer Nat
King Cole, eclipsed the
talent of the jazz
pianist to a legacy that
remains a jazz master and
model. For all of us,
there remains his own
unique interpretations of
such classic songs as
Sweet Lorraine, Mona
Lisa, Embraceable You,
Besame Mucho and, of
course, Unforgettable,
which was re-released
many years after his
death by his daughter,
Natalie Cole. With more
than 60 million discs
sold, Nat King Cole was
one of the first black
American artists to
attain such international
notoriety. His clear and
distinguished voice
allowed for him to become
a renowed crooner to his
legions of loyal
fans.
Unforgett
able van Irving
Gordon, die talloze hits
schreef voor grote
artiesten als Bing
Crosby, Billie Holiday en
Duke Ellington, werd in
1951 opgenomen door de
Amerikaanse jazzpianist
en zanger Nat King Cole.
In 1992 scoordeNatalie
Cole, zijn dochter, een
hit met dezelfde song. De
stem van haar in 1956
overleden vader was
eveneens te horen in deze
bijzondere versie. Toshio
Mashima arrangeerde dit
onvergetelijke nummer
voor
harmonieorkest.
Unforgettable von
Irving Gordon, der
zahlreiche Hits für
große Künstler wie
Bing Crosby, Billie
Holiday, Duke Ellington
u.v.m. schrieb, gesungen
von Nat King Cole im Jahr
1951. Dessen Tochter
Natalie Cole wurde mit
einer Neuaufnahme, auf
der ihre Stimme und die
ihres Vaters zu hören
sind, im Jahr 1992 einen
Grammy für die Single
des Jahres verliehen.
Toshio Mashima
arrangierte das wahrlich
unvergessliche“
Lied für
Blasorchester.
Unforgettable Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074203-140 Composed by Irvin...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1074203-140
Composed by Irving
Gordon. Arranged by
Toshio Mashima. New
Sounds for Concert Band.
Score Only. Composed
2006. 24 pages. De Haske
Publications #DHP
1074203-140. Published by
De Haske Publications
(BT.DHP-1074203-140).
9x12 inches.
English-German-French-Dut
ch.
The phenomenal
success of the singer Nat
King Cole, eclipsed the
talent of the jazz
pianist to a legacy that
remains a jazz master and
model. For all of us,
there remains his own
unique interpretations of
such classic songs as
Sweet Lorraine, Mona
Lisa, Embraceable You,
Besame Mucho and, of
course, Unforgettable,
which was re-released
many years after his
death by his daughter,
Natalie Cole. With more
than 60 million discs
sold, Nat King Cole was
one of the first black
American artists to
attain such international
notoriety. His clear and
distinguished voice
allowed for him to become
a renowed crooner to his
legions of loyal
fans.
Unforgett
able von Irving
Gordon, der zahlreiche
Hits für große
Künstler wie Bing
Crosby, Billie Holiday,
Duke Ellington u.v.m.
schrieb, gesungen von Nat
King Cole im Jahr 1951.
Dessen Tochter Natalie
Cole wurde mit einer
Neuaufnahme, auf der ihre
Stimme und die ihres
Vaters zu hören sind,
im Jahr 1992 einen Grammy
für die Single des
Jahres verliehen. Toshio
Mashima arrangierte das
wahrlich
unvergessliche“
Lied für
Blasorchester.
Composed by Hoagy
Carmichael, J. Goodwin,
L. Shay, and M. Fisher.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Score Only.
Composed 2013. 28 pages.
Music Sales #1942-12-140
MS. Published by Music
Sales
(BT.1942-12-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Even 40 years
after his death, Louis
Armstrong remains one of
the most popular jazz
trumpeters and singers of
all time. In Louis
Armstrong Medley, Naohiro
Iwai has beautifully
arranged
Armstrong’s
unmistakable version of
the Russian folk song,
Dark Eyes (1954).
This is then followed by
two of his greatest hits:
the jazz standard,
Georgia on My Mind
(1930), which
features a tenor
saxophone solo, and
When You’re
Smiling (1929).
Veertig jaar na
zijn dood is Louis
Armstrong nog steeds de
bekendste jazztrompettist
en -zanger ooit. Voor
deze medley gebruikte
Naohiro Iwai Dark
Eyes, een van
oorsprong Russisch
volksliedje waaraan
Armstrong in 1954
zijngeheel eigen
touchgaf. Daarna volgen
twee van zijn grootste
hits uit jongere jaren:
de jazzstandaard
Georgia on My Mind
uit 1930, die hier
een solo voor de
tenorsaxofoon bevat,
en When You’re
Smiling uit
1929.
Louis
Armstrong ist auch 40
Jahre nach seinem Tod
einer der bekanntesten
Jazztrompeter und
-sänger. Naohiro Iwai
verwendete in seinem
Medley Dark Eyes
, ein
ursprünglich
russisches Volkslied, das
Armstrong sich 1954 mit
einer unverwechselbaren
Version zu eigen machte.
Danach folgen mit dem
Jazzstandard Georgia
on My Mind von 1930,
der hier ein
Tenorsaxophonsolo
enthält, und When
You’re Smiling
von 1929 zwei seiner
größten Hits aus
jüngeren
Jahren.
Louis
Armstrong è uno dei
più famosi
trombettisti jazz del
mondo. Naohiro Iwai ha
raccolto nel suo medley
alcuni grandi successi di
questo artista unico nel
suo genere. La canzone
Ochi Chernye
appartiene al patrimonio
della musica folk russa.
Nel 1954, questa
canzone diviene uno
standard del jazz grazie
a Louis Armstrong. La
splendida Georgia on
My Mind, con un caldo
assolo di sax tenore fa
anch’essa parte di
questo medley, così
come When
You’re
Smiling.
Composed by Hoagy
Carmichael, J. Goodwin,
L. Shay, and M. Fisher.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band. Original Light
Music. Set (Score &
Parts). Composed 2013.
Music Sales #1942-12-010
MS. Published by Music
Sales
(BT.1942-12-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Even 40 years
after his death, Louis
Armstrong remains one of
the most popular jazz
trumpeters and singers of
all time. In Louis
Armstrong Medley, Naohiro
Iwai has beautifully
arranged
Armstrong’s
unmistakable version of
the Russian folk song,
Dark Eyes (1954).
This is then followed by
two of his greatest hits:
the jazz standard,
Georgia on My Mind
(1930), which
features a tenor
saxophone solo, and
When You’re
Smiling (1929).
Veertig jaar na
zijn dood is Louis
Armstrong nog steeds de
bekendste jazztrompettist
en -zanger ooit. Voor
deze medley gebruikte
Naohiro Iwai Dark
Eyes, een van
oorsprong Russisch
volksliedje waaraan
Armstrong in 1954
zijngeheel eigen
touchgaf. Daarna volgen
twee van zijn grootste
hits uit jongere jaren:
de jazzstandaard
Georgia on My Mind
uit 1930, die hier
een solo voor de
tenorsaxofoon bevat,
en When You’re
Smiling uit
1929.
Louis
Armstrong ist auch 40
Jahre nach seinem Tod
einer der bekanntesten
Jazztrompeter und
-sänger. Naohiro Iwai
verwendete in seinem
Medley Dark Eyes
, ein
ursprünglich
russisches Volkslied, das
Armstrong sich 1954 mit
einer unverwechselbaren
Version zu eigen machte.
Danach folgen mit dem
Jazzstandard Georgia
on My Mind von 1930,
der hier ein
Tenorsaxophonsolo
enthält, und When
You’re Smiling
von 1929 zwei seiner
größten Hits aus
jüngeren
Jahren.
Louis
Armstrong è uno dei
più famosi
trombettisti jazz del
mondo. Naohiro Iwai ha
raccolto nel suo medley
alcuni grandi successi di
questo artista unico nel
suo genere. La canzone
Ochi Chernye
appartiene al patrimonio
della musica folk russa.
Nel 1954, questa
canzone diviene uno
standard del jazz grazie
a Louis Armstrong. La
splendida Georgia on
My Mind, con un caldo
assolo di sax tenore fa
anch’essa parte di
questo medley, così
come When
You’re
Smiling.
Bohemian Rhapsody Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074237-140 Composed by Fredd...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1074237-140
Composed by Freddie
Mercury. Arranged by
Masamicz Amano. New
Sounds for Concert Band.
Pop & Rock. Score Only.
Composed 2007. 28 pages.
De Haske Publications
#DHP 1074237-140.
Published by De Haske
Publications
(BT.DHP-1074237-140).
9x12
inches.
Bohemian
Rhapsody was a massive
worldwide hit for the pop
groupQueen. It topped the
charts in 1975 and again
in 1991 and 1992. The
song is somewhat unusual
for a pop hit as it is in
the style of a rock opera
and pushed the boundaries
of both pop music and
promotional music video.
This arrangement for
concert band retains all
the operatic gymnastics
of the original and will
be an extremely popular
item at any concert!
Bohemian
Rhapsody, het
klassieke popnummer van
de Engelse groep Queen,
gooit altijd hoge ogen in
de strijd om de hoogste
notering in hitlijsten
aller tijden. In deze
schitterende rapsodie
worden pop, rock en
opera-achtige
elementengecombineerd. De
arrangeur Masamicz Amano
schreef een overtuigende
bewerking voor
harmonieorkest.
De
r Titel Bohemian
Rhapsody, mit dem die
Gruppe Queen 1975 und
noch einmal 1991 und 1992
in vielen Ländern auf
den ersten Platz der
Charts schoss, sprengte
besonders in
stilistischer Hinsicht
die Grenzen der damaligen
- und heutigen - Pop- und
Rockmusik mit Elementen
aus der Oper bis hin zum
Hard Rock. Auch in der
Blasorchesterbearbeitung
von Masamicz Amano ist
die Bohemian
Rhapsody sehr
überzeugend!
Bohemian Rhapsody
è una delle canzoni
più famose della Band
britannica Queen e della
musica rock in generale.
Scritta da Freddie
Mercury, quando fu
estratta come primo
singolo dall’album
A Night at the Opera il
31 ottobre 1975, Bohemian
Rhapsody ottenne subito
un enorme successo
commerciale. La canzone
rimane il terzo singolo
più venduto di sempre
nel Regno Unito.