Organ solo, Timpani,
Percussion, 2 Violins,
Viola, Cello, basso
continuo
SKU:
CA.1808549
Composed
by Kay Johannsen.
Concerto For Organ,
Strings And Perc. Free
organ music. Single Part,
Organ. Composed 2014. 24
pages. Duration 18
minutes. Carus Verlag #CV
18.085/49. Published by
Carus Verlag
(CA.1808549).
Language: all
languages.
The
Concerto for organ,
strings and percussion by
Kay Johannsen, Kantor of
the Stiftskirche in
Stuttgart, is a valuable
addition to the
repertoire for organ and
orchestra. It is a work
composed to appeal to
both performer and
audience alike - with
thrilling rhythmic
sections as well as
moments of great
intimacy. The organ part,
for a three manual
instrument if possible,
is shown to its best
advantage in many and
varied tonal colors,
ranging from the most
delicate solo
registrations to powerful
forte. The organ writing
is demanding, but well
within the capabilities
of experienced organists.
Precise registration
suggestions are contained
in the score. The string
orchestra (minimum
4/4/3/3/1) is scored with
sophistication, with
solos for all
instruments. The
percussion is for two
players - a part for
timpani and one for
other, readily available
percussion instruments.
By avoiding the use of
wind and brass
instruments, the work can
also be performed where
the tuning of the organ
is not ideally suited to
modern orchestral pitch.
Score and part available
separately - see item
CA.1808500.
Organ solo, Timpani,
Percussion, 2 Violins,
Viola, Cello, basso
continuo
SKU:
CA.1808500
Composed
by Kay Johannsen.
Concerto For Organ,
Strings And Perc. Free
organ music. Full score.
Composed 2014. 48 pages.
Duration 18 minutes.
Carus Verlag #CV
18.085/00. Published by
Carus Verlag
(CA.1808500).
ISBN
9790007163952. Language:
all languages.
The
Concerto for organ,
strings and percussion by
Kay Johannsen, Kantor of
the Stiftskirche in
Stuttgart, is a valuable
addition to the
repertoire for organ and
orchestra. It is a work
composed to appeal to
both performer and
audience alike - with
thrilling rhythmic
sections as well as
moments of great
intimacy. The organ part,
for a three manual
instrument if possible,
is shown to its best
advantage in many and
varied tonal colors,
ranging from the most
delicate solo
registrations to powerful
forte. The organ writing
is demanding, but well
within the capabilities
of experienced organists.
Precise registration
suggestions are contained
in the score. The string
orchestra (minimum
4/4/3/3/1) is scored with
sophistication, with
solos for all
instruments. The
percussion is for two
players - a part for
timpani and one for
other, readily available
percussion instruments.
By avoiding the use of
wind and brass
instruments, the work can
also be performed where
the tuning of the organ
is not ideally suited to
modern orchestral
pitch.
Organ solo, 2 Oboes, 2
Violins, Viola, Cello,
Basso continuo
SKU:
CA.4600112
Composed
by George Frideric
Handel. German title:
Sonate In D. Single Part,
Violin 2. HWV. 2 pages.
Carus Verlag #CV
46.001/12. Published by
Carus Verlag
(CA.4600112).
Violin, Violin, Cello, Organ SKU: HL.50484905 Score. Composed by A...(+)
Violin, Violin, Cello,
Organ
SKU:
HL.50484905
Score. Composed by
Antonio Vivaldi. Edited
by Gianfranco Prato.
String. Classical. Score
Only. Composed 1984.
Ricordi #PR1065.
Published by Ricordi
(HL.50484905).
SA vocal soli, SATB choir, 2 violins, viola, cello/contrabass, organ SKU: CA....(+)
SA vocal soli, SATB
choir, 2 violins, viola,
cello/contrabass, organ
SKU: CA.3207619
Composed by Wilhelm
Friedemann Bach. Edited
by Peter Wollny. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wohl dem, der den Herren
furchtet. Sacred vocal
music. Set of Orchestra
Parts. Composed 1752.
BR-WFB F 19. Duration 15
minutes. Carus Verlag #CV
32.076/19. Published by
Carus Verlag
(CA.3207619).
ISBN
9790007138974. Language:
German.
The cantata
is one of the few
surviving vocal works
which Wilhelm Friedemann
Bach composed during the
eighteen years which he
spent as organist and
director of music at the
Marktkirche in Halle
(1746-1764). This
cantata, published here
for the first time in
more than 250 years, was
written to introduce the
autumn sermons in 1752. A
musically and technically
demanding composition, it
consists of two
substantial choral
movements, partly
concertante and partly
polyphonic, based on two
biblical utterances. They
surround a sensitive,
while at the same time
strictly contrapuntal,
duet for soprano and alto
with basso continuo in
which God's sweet
teaching for the soul is
described as the true
manna of the faithful,
forming a link with the
sermons which are to
follow. In the
compactness of the
musical construction and
its intensity of
expression W. F. Bach was
clearly following in the
footsteps of his father
in this work. Score and
parts available
separately - see item
CA.3207600.
SATB choir, 2 violin, bassoon or 2 recorder, cello, organ SKU: CA.9110012 ...(+)
SATB choir, 2 violin,
bassoon or 2 recorder,
cello, organ
SKU:
CA.9110012
Composed
by Alberich Mazak. Edited
by Konrad Ruhland.
Coppenrath Series. German
title: Sancta Maria
1401101. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
basso continuo. Composed
1650. 2 pages. Carus
Verlag #CV 91.100/12.
Published by Carus Verlag
(CA.9110012).
ISBN
9790007232085. Key: F
major. Language:
Latin.
SATB vocal soli, SATB choir, cello/contrabass, organ SKU: CA.2100311 Comp...(+)
SATB vocal soli, SATB
choir, cello/contrabass,
organ
SKU:
CA.2100311
Composed
by Marc-Antoine
Charpentier. Edited by
Annick Fiaschi. Arranged
by Paul Horn. French
Sacred Music. German
title: Magnificat. Sacred
vocal music, Magnificats,
Motets, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1695. H. 4
pages. Duration 9
minutes. Carus Verlag #CV
21.003/11. Published by
Carus Verlag
(CA.2100311).
ISBN
9790007197674. Language:
Latin.
Marc-Antoine
Charpentier's Magnificat
H 78 was composed around
1690 for the Jesuits in
Paris. No less than ten
works by the composer, in
differing vocal and
instrumental scoring and
form comprise this genre.
In the present Magnificat
H 78 for five voices (in
which alto and bass also
have solo roles), two
flutes, strings and basso
continuo, each of the
individual movements
contains its own
expressive profile in
sound. Score and part
available separately -
see item CA.2100300.