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Don Giovanni (MOZART WOLFGANG AMADEUS)
68.10
Don Giovanni (MOZART WOLFGANG AMADEUS)
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Dramma giocoso (Opera) in two acts. Par MOZART WOLFGANG AMADEUS. In early 1787 M...
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Dramma giocoso (Opera) in two acts. Par MOZART WOLFGANG AMADEUS. In early 1787 Mozart made his first visit to Prague, where he attended a performance of Le nozze di Figaro on 17 January and conducted the performance five days later. Thoroughly impressed by the huge success of his opera and the personal triumphs he had enjoyed during his visit, he and his wife left the city on 7 February, but not before he had concluded a contract to write a new opera for the next season. This contract, signed with Pasquale Bondini, the director of Count Nostitz’s National Theater, led to the composition of his first opera for Prague, Don Giovanni (K. 527). Ever since its première on 29 October 1787, the opera has moved audiences over andover again and has occupied a special position in Mozart’s rich and variegated output for the stage. Urtext of the New Mozart Edition Full score (BA4550-01), vocal score (BA4550-90), study score format 22. 5 x 16. 5cm (TP279) available for sale Performance material (BA4550-72) available for hire/ Répertoire / Partition de Poche
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Wassermusik (HAENDEL GEORG FRIEDRICH)
16.41
Wassermusik (HAENDEL GEORG FRIEDRICH)
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Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water ...
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Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water Music makes the work available in a revised edition reflecting the latest research findings. In October 2004, the editor Terence Best found the oldest surviving manuscript score in the archives of the Royal Society of Musicians in London – primary source A, which can be dated to 1718. This discovery demands a dramatic reappraisal of what is probably Handel ’s most famous work. Until this find, the theory formulated by Barrett Lennard in 1950 was regarded as authoritative. He divided the material into three suites according to key and instrumentation. This was based on the fact that some ofthe material in the Water Music is the same as in the Concerto HWV 331. With the help of the latest technology, it has now been possible to date this Concerto to 1722. By doing this, the rationale for dividing the music into three suites has been removed. The newly found primary source A places the movements in a richly varied sequence of keys and instrumentations which offers a great range of colours than the previous arrangement. Based on new sources, editor Terence Best has been able to reconstruct the original order of the suites and correct many points left open or unclarified in earlier publications. - New critical edition based on new sources. - Detailed Prefaces (Ger/Eng). - Urtext of the “Halle Handel Edition”/ Répertoire / Partition de Poche
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Die Hebriden (MENDELSSOHN-BARTHOLDY FELIX)
15.80
Die Hebriden (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. The Hebrides Op. 26 Concert Overture The Hebrid...
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Par MENDELSSOHN-BARTHOLDY FELIX. The Hebrides Op. 26 Concert Overture The Hebrides, the third in Bärenreiter's series of critical editions of Mendelssohn's great overtures, is one of Mendelssohn Bartholdy's most performed compositions. Previously this work was only available in one composite version: the Julius Rietz edition from the 1860s. The new Bärenreiter edition consist of two versions each containing additional material from further sources. Version one, the ; Rome version, exists itself in two versions and has never been published in a performing edition. Version two, the ; London version, also exists in two versions one of which was published by Mendelssohn in 1835. This pioneering edition documents the development of the composition and the various changes made by Mendelssohn. The new edition offers orchestras for the first time the possibility to perform this famous work based on all known sources. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood/ Répertoire / Partition de Poche
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