| Manduell: String Quartet (Parts) Quatuor à cordes: 2 violons, alto, violoncelle Music Sales
String Quartet SKU: HL.14031829 Composed by John Manduell. Music Sales Am...(+)
String Quartet SKU:
HL.14031829 Composed
by John Manduell. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120441.
Published by Music Sales
(HL.14031829).
$26.75 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144407270 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.144407270 Composed
by Sydney F. Hodkinson.
Sws. Set of Score and
Parts. 44+16+16+16+16
pages. Duration 22
minutes. Merion Music
#144-40727. Published by
Merion Music
(PR.144407270). UPC:
680160681891. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440727S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440727S Composed
by Sydney F. Hodkinson.
Sws. Full score. 44
pages. Duration 22
minutes. Merion Music
#144-40727S. Published by
Merion Music
(PR.14440727S). UPC:
680160681907. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Studien zu den Streichquartetten von Wilhelm Stenhammar Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
String quartet SKU: BA.BVK01571 Composed by Signe Rotter. Paperback. Kiel...(+)
String quartet SKU:
BA.BVK01571 Composed
by Signe Rotter.
Paperback. Kieler
Schriften zur
Musikwissenschaft 47.
Book. Baerenreiter Verlag
#BVK01571_00. Published
by Baerenreiter Verlag
(BA.BVK01571). ISBN
9783761815717. 23 x 16 cm
inches. $98.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| No one Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2456 Composed by Isabel Mundry. Cha...(+)
String Quartet
(2vl,va,vc) SKU:
BR.KM-2456 Composed
by Isabel Mundry. Chamber
music.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Graz
(Steirischer Herbst),
October 4, 1995 Music
post-1945; New music
(post-2000). Full score.
Composed 1994/95. 24
pages. Duration 13'.
Breitkopf and Haertel #KM
2456. Published by
Breitkopf and Haertel
(BR.KM-2456). ISBN
9790004502228. 15 x 11.5
inches. No one ist
das kompositorische
Resultat der einjahrigen
Studien am IRCAM, wobei
sich die Anwendung des
Computers lediglich auf
die Kalkulation formaler
und harmonischer Prozesse
konzentrierte, auf die
Erstellung von
,,Spielregeln, denen die
Handschrift folgte.
Grundgedanke war es, alle
Momente der Komposition -
und diese sind
grundsatzlich welche der
Bewegung bzw. Veranderung
- in je vier
verschiedenen Formungen
zu reprasentieren,
entsprechend der vier
beteiligten Instrumente.
So kommt jedem der
Interpreten die Rolle
eines Solisten zu, bei
gleichzeitiger Einbindung
in eine ubergreifende
Ordnung, welche selbst
wiederum in sich die Idee
der polyphonen
Aufspaltung tragt. Diese
Polyphonie vollzieht sich
auch auf der zeitlichen
Ebene; der uberwiegende
Verzicht auf einheitliche
Taktierung intendiert ein
streckenweise asynchrones
Spiel, bei dem die
individuelle Auslegung
des Zeitverlaufes
vorrangig ist, nicht die
gemeinsame Fixierung
durch ein ubergeordnetes
metrisches Raster. So
entsteht vielleicht ein
Bild - von vier
Reisenden, die zwar die
gleichen Orte ansteuern,
jedoch verschiedene Wege
und Tempi wahlen, sich
gelegentlich treffen,
einige Schritte gemeinsam
gehen, dann wieder
trennen... (Isabel
Mundry)CDs:Arditti String
QuartetCD MP 30 / 4 (30
Jahre Musikprotokoll
,,Moderne in Osterreich
1968-1997 (ORF))
Klangforum WienCD Wergo
WER
6542-2Bibliography:Mundry
, Isabel: Regelmassig
unregelmassig - zur
Fluchtigkeit von Mustern
in der zeitgenossischen
Musik, in: Muster.
Ornament, Struktur und
Verhalten (= Kontext
Architektur), hrsg. von
Andrea Gleiniger und
Georg Vrachliotis, pp.
85-96.Mundry, Isabel:
Reflexion und Sehnsucht,
in: Isabel Mundry, hrsg.
von Ulrich Tadday (=
Musik-Konzepte. Neue
Folge, Sonderband),
Munchen: edition
text+kritik 2011, pp.
157-177.
World
premiere: Graz
(Steirischer Herbst),
October 4, 1995. $57.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| No one Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet SKU: BR.KM-2457 Composed by Isabel Mundry. Chamber music. ...(+)
String Quartet SKU:
BR.KM-2457 Composed
by Isabel Mundry. Chamber
music.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Graz
(Steirischer Herbst),
October 4, 1995 Music
post-1945; New music
(post-2000). Set of
parts. Composed 1994/95.
64 pages. Duration 13'.
Breitkopf and Haertel #KM
2457. Published by
Breitkopf and Haertel
(BR.KM-2457). ISBN
9790004502235. 16.5 x
11.5 inches. No one
ist das kompositorische
Resultat der einjahrigen
Studien am IRCAM, wobei
sich die Anwendung des
Computers lediglich auf
die Kalkulation formaler
und harmonischer Prozesse
konzentrierte, auf die
Erstellung von
,,Spielregeln, denen die
Handschrift folgte.
Grundgedanke war es, alle
Momente der Komposition -
und diese sind
grundsatzlich welche der
Bewegung bzw. Veranderung
- in je vier
verschiedenen Formungen
zu reprasentieren,
entsprechend der vier
beteiligten Instrumente.
So kommt jedem der
Interpreten die Rolle
eines Solisten zu, bei
gleichzeitiger Einbindung
in eine ubergreifende
Ordnung, welche selbst
wiederum in sich die Idee
der polyphonen
Aufspaltung tragt. Diese
Polyphonie vollzieht sich
auch auf der zeitlichen
Ebene; der uberwiegende
Verzicht auf einheitliche
Taktierung intendiert ein
streckenweise asynchrones
Spiel, bei dem die
individuelle Auslegung
des Zeitverlaufes
vorrangig ist, nicht die
gemeinsame Fixierung
durch ein ubergeordnetes
metrisches Raster. So
entsteht vielleicht ein
Bild - von vier
Reisenden, die zwar die
gleichen Orte ansteuern,
jedoch verschiedene Wege
und Tempi wahlen, sich
gelegentlich treffen,
einige Schritte gemeinsam
gehen, dann wieder
trennen... (Isabel
Mundry)CDs:Arditti String
QuartetCD MP 30 / 4 (30
Jahre Musikprotokoll
,,Moderne in Osterreich
1968-1997 (ORF))
Klangforum WienCD Wergo
WER
6542-2Bibliography:Mundry
, Isabel: Regelmassig
unregelmassig - zur
Fluchtigkeit von Mustern
in der zeitgenossischen
Musik, in: Muster.
Ornament, Struktur und
Verhalten (= Kontext
Architektur), hrsg. von
Andrea Gleiniger und
Georg Vrachliotis, pp.
85-96.Mundry, Isabel:
Reflexion und Sehnsucht,
in: Isabel Mundry, hrsg.
von Ulrich Tadday (=
Musik-Konzepte. Neue
Folge, Sonderband),
Munchen: edition
text+kritik 2011, pp.
157-177.
World
premiere: Graz
(Steirischer Herbst),
October 4, 1995. $78.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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