Te Deum and Jubilate Deo in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire/avancé Oxford University Press
By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB...(+)
By Henry Purcell
(1659-1695). Arranged by
Robert King. For SSATB
soloists, SSATB choir, 2
trumpets, strings and
continuo (2 trumpets,
violin 1, violin 2,
viola, cello, double
bass, organ, theorbo
(optional)). Mixed
Voices. Classic Choral
Works. Standard Choral
Works. Vocal score. 40
pages. Duration 20'.
Published by Oxford
University Press
2nd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Reinhold
Kubik. German title: Ach
Gott, wie manches. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass.
Composed 1725. BWV 3. 12
pages. Duration 27
minutes. Carus Verlag #CV
31.003/14. Published by
Carus Verlag
(CA.3100314).
ISBN
9790007041472. Key: A
major. Language:
German/English. Text:
Moller, Martin. Text:
Martin Moller.
For
the 2nd Epiphany Sunday
1725, Bach composed the
cantata O God, what glut
of care and pain. It
forms part of the annual
cycle of chorale
cantatas. In the
large-scale opening
movement, a choral
setting full of anguish
with expansive orchestral
sections, the bass
presents the cantus
firmus in segments,
reinforced by one
trombone. This is
followed directly by the
second chorale verse in a
four-part setting in
which, however, each
chorale line is
interrupted by a short
recitative (each one sung
by a different voice).
The bass, who closes the
recitative, also sings
the following continuo
aria which is rich in
melismatic passages. The
second aria is a duet
expanded into a quartet
setting by the addition
of oboes d'amore and
continuo; it leads into
the closing chorale
containing a wealth of
transitions. Score and
part available separately
- see item
CA.3100300.
Dixit Dominus Soli, choeur mixte et accompagnement [Conducteur] Carus Verlag
By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli S...(+)
By George Frideric Handel
(1685-1759). Edited by
Wolfgang Gersthofer. For
Soli SSATB, Choir SSATB,
2 Violin, 2 Viola, Cello,
Basso Continuo. This
edition: Paperbound.
German title: Dixit
Dominus (Psalm 109).
Psalms, Latin. Full
score. Language: Latin.
Composed 1707. HWV 232.
96 pages. Duration 45
minutes. Published by
Carus Verlag
Cantata
for the 23rd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Thomas
Riegler. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music, End
of the church year. Study
score. Composed 1715. BWV
163. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/07. Published
by Carus Verlag
(CA.3116307).
ISBN
9790007141516. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score available
separately - see item
CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year. Full score.
Composed 1715. BWV 163.
24 pages. Duration 18
minutes. Carus Verlag #CV
31.163/00. Published by
Carus Verlag
(CA.3116300).
ISBN
9790007097615. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Cello/Double Bass.
Composed 1724. BWV 62. 12
pages. Duration 23
minutes. Carus Verlag #CV
31.062/14. Published by
Carus Verlag
(CA.3106214).
ISBN
9790007043643. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Kantate zum 1.
Advent. Composed by
Georg Philipp Telemann
and Martin Luther. Edited
by Gunter Graulich.
Arranged by Paul Horn.
This edition: urtext.
Hymns by Martin Luther:
Nun komm, der Heiden
Heiland; Stuttgart Urtext
Edition: Telemann-Archiv.
German title: Nun komm,
der Heiden Heiland.
Sacred vocal music,
Cantatas, Advent. Single
Part, Cello/Double Bass.
TVWV 1:1178. 4 pages.
Duration 7 minutes. Carus
Verlag #CV 39.493/14.
Published by Carus Verlag
(CA.3949314).
ISBN
9790007056407. Language:
German/English.
The
cantata text by Erdmann
Neumeister known from
Bach's work of the same
name (BWV 61), appears
here in a much shorter
composition by Telemann.
Definitely it has a charm
of its own. Score and
part available separately
- see item
CA.3949300.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Organ. Innovative
practice aids, Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1736/1751. HWV
75. 60 pages. Duration 85
minutes. Carus Verlag #CV
55.075/49. Published by
Carus Verlag
(CA.5507549).
ISBN
9790007171315. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and part
available separately -
see item CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Complete
orchestral parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/19. Published by
Carus Verlag
(CA.5507519).
ISBN
9790007171438. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext. 2x
55.075/21 2 flutes, 1x
55.075/22 oboe 1, 1x
55.075/23 oboe 2, 3x
55.075/24 3 bassoons, 2x
55.075/31 2 horns, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets, 3x
55.075/32 2 trumpets.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Innovative practice aids,
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Composed
1736/1751. HWV 75.
Duration 85 minutes.
Carus Verlag #CV
55.075/09. Published by
Carus Verlag
(CA.5507509).
ISBN
9790007226794. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score and
parts available
separately - see item
CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Choral Score. Composed
1736/1751. HWV 75. 40
pages. Duration 85
minutes. Carus Verlag #CV
55.075/05. Published by
Carus Verlag
(CA.5507505).
ISBN
9790007171230. Text
language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements. Score
available separately -
see item CA.5507500.
Ode.
Version of the first
performance and version
of 1751. Composed by
George Frideric Handel.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Handel. Innovative
practice aids, Sacred
vocal music, Oratorios.
Full score. Composed
1736/1751. HWV 75. 184
pages. Duration 85
minutes. Carus Verlag #CV
55.075/00. Published by
Carus Verlag
(CA.5507500).
ISBN
9790007167769. Language:
German/English.
For
the magnificent opening
of the oratorio season at
the beginning of 1736
Handel presented a
composition which, like
hardly any of his other
oratorios, gave him the
opportunity to display
his musical artistry:
John Dryden's ode
Alexander's Feast or the
Power of Music, published
in 1696, demonstrates the
power of music by the
example of the ancient
hero, Alexander the
Great. From the
impressive lament on the
death of Darius, the King
of Persia, to the
boisterous Praise of
Bacchus Handel avails
himself of the entire
breadth of the musical
representation of the
emotions and the
possibilities for
expression. In the text
by Newburg Hamilton added
at the end of work St.
Cecilia elevates the
events of the ancient
heathen story, which
Handel expressed in
plastic, skillful
polyphony. Later, this
homage to the patron
saint of church music,
Handel also present the
opportunity to perform
the work on St. Cecilia's
Day (22 November). For
the first time the
present new edition is
based consistently on
Handel's conducting
score, which he used for
his own performances of
the oratorio, thus not
only eliminating timeworn
errors, but also offering
clarity concerning the
choruses, the arias and
recitatives, actually
performed in Handel's
concerts, as well as
their sequence of
performance. The new
Carus edition offers two
performance versions: the
version of the premiere
in 1736, as well as a
revised version from
1751. Furthermore, the
inclusion of the Concerto
for Harp HWV 294 (CV
55.294) is also possible;
Handel composed this work
especially for
Alexander's Feast (as an
illustration of
Timotheus, the ancient
poet who played the
lyre). For this purpose
the edition contains the
appropriate alternatives
for the sequence of the
movements.
Composed
by Johann David
Heinichen.
Violoncello/double bass.
Sacred vocal music,
Masses, Latin. Single
Part, Cello/Double Bass.
20 pages. Duration 45
minutes. Carus Verlag #CV
27.048/14. Published by
Carus Verlag
(CA.2704814).
ISBN
9790007199432. Key: D
major. Language:
Latin.
The Carus
program featuring music
of the Court of Dresden
has been expanded with
the publication of the
first edition of the
great masses of Johann
David Heinichen, who,
next to Hasse and
Zelenka, was the most
important musical
representative of this
capital of Saxony. A
peculiarity of this work
is the fact that
Heinichen inserted an
actual concerto movement
for solo flute, 2 oboes,
strings and continuo
between the Gloria and
Credo, which recommends
the Mass for concert
performances. Score and
part available separately
- see item
CA.2704800.
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Viola 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/13. Published by
Carus Verlag
(CA.9120113).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Violin 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/11. Published by
Carus Verlag
(CA.9120211).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Viola 3.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/15. Published by
Carus Verlag
(CA.9120115).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Double Bass.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/16. Published by
Carus Verlag
(CA.9120216).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Viola 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/13. Published by
Carus Verlag
(CA.9120213).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Viola 2.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/14. Published by
Carus Verlag
(CA.9120214).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Choral Score. Composed
1706. 12 pages. Duration
11 minutes. Carus Verlag
#CV 91.202/05. Published
by Carus Verlag
(CA.9120205).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Violin 1.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/11. Published by
Carus Verlag
(CA.9120111).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Double Bass.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/16. Published by
Carus Verlag
(CA.9120116).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
This edition: Paperbound.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music. Full
score. Composed 1706. 20
pages. Duration 11
minutes. Carus Verlag #CV
91.202/00. Published by
Carus Verlag
(CA.9120200).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
This edition: Paperbound.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music. Full
score. Composed 1706.
Duration 11 minutes.
Carus Verlag #CV
91.201/00. Published by
Carus Verlag
(CA.9120100).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Violin 2.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/12. Published by
Carus Verlag
(CA.9120212).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Single Part, Viola 2.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.201/14. Published by
Carus Verlag
(CA.9120114).