By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo (2 trumpets, violin 1, violin 2, viola, cello, double bass, organ, theorbo (optional)). Mixed Voices. Classic Choral Works. Standard Choral Works. Vocal score. 40 pages. Duration 20'. Published by Oxford University Press

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100314

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/14. Published by Carus Verlag (CA.3100314).

ISBN 9790007041472. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

By George Frideric Handel (1685-1759). Edited by Wolfgang Gersthofer. For Soli SSATB, Choir SSATB, 2 Violin, 2 Viola, Cello, Basso Continuo. This edition: Paperbound. German title: Dixit Dominus (Psalm 109). Psalms, Latin. Full score. Language: Latin. Composed 1707. HWV 232. 96 pages. Duration 45 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continuo

SKU: CA.3116307

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year. Study score. Composed 1715. BWV 163. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.163/07. Published by Carus Verlag (CA.3116307).

ISBN 9790007141516. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.

SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continuo

SKU: CA.3116300

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year. Full score. Composed 1715. BWV 163. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.163/00. Published by Carus Verlag (CA.3116300).

ISBN 9790007097615. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler.

(2D1.2.2.2/2.1.0.0,timp,s tr)

SKU: TM.02659SET

Composed by Heinrich Proch. Set Type: D. Set of parts. Lucks Music Library #A2991. Published by Lucks Music Library (TM.02659SET).

Key of A. Recit. not in score - scored for vocalist, cem, and continuo only. Cello/Bass.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106214

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Cello/Double Bass. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/14. Published by Carus Verlag (CA.3106214).

ISBN 9790007043643. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 3

SKU: CA.3949314

Kantate zum 1. Advent. Composed by Georg Philipp Telemann and Martin Luther. Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Hymns by Martin Luther: Nun komm, der Heiden Heiland; Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun komm, der Heiden Heiland. Sacred vocal music, Cantatas, Advent. Single Part, Cello/Double Bass. TVWV 1:1178. 4 pages. Duration 7 minutes. Carus Verlag #CV 39.493/14. Published by Carus Verlag (CA.3949314).

ISBN 9790007056407. Language: German/English.

The cantata text by Erdmann Neumeister known from Bach's work of the same name (BWV 61), appears here in a much shorter composition by Telemann. Definitely it has a charm of its own. Score and part available separately - see item CA.3949300.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507549

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios. Single Part, Organ. Composed 1736/1751. HWV 75. 60 pages. Duration 85 minutes. Carus Verlag #CV 55.075/49. Published by Carus Verlag (CA.5507549).

ISBN 9790007171315. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507519

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/19. Published by Carus Verlag (CA.5507519).

ISBN 9790007171438. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507509

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. 2x 55.075/21 2 flutes, 1x 55.075/22 oboe 1, 1x 55.075/23 oboe 2, 3x 55.075/24 3 bassoons, 2x 55.075/31 2 horns, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets, 3x 55.075/32 2 trumpets. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1736/1751. HWV 75. Duration 85 minutes. Carus Verlag #CV 55.075/09. Published by Carus Verlag (CA.5507509).

ISBN 9790007226794. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoons, 2 horns, 2 trumpets, timpani, 2 (3) violins, 2 violas, cello, basso continuo

SKU: CA.5507505

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1736/1751. HWV 75. 40 pages. Duration 85 minutes. Carus Verlag #CV 55.075/05. Published by Carus Verlag (CA.5507505).

ISBN 9790007171230. Text language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.

Orchestra SATB vocal soli, SATB choir, 2 recorders, 2 oboes, 3 bassoon, 2 horns, 2 trumpets, timpani, 2 (3) violin, 2 violas, cello, basso continuo

SKU: CA.5507500

Ode. Version of the first performance and version of 1751. Composed by George Frideric Handel. Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Innovative practice aids, Sacred vocal music, Oratorios. Full score. Composed 1736/1751. HWV 75. 184 pages. Duration 85 minutes. Carus Verlag #CV 55.075/00. Published by Carus Verlag (CA.5507500).

ISBN 9790007167769. Language: German/English.

For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704814

Composed by Johann David Heinichen. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/14. Published by Carus Verlag (CA.2704814).

ISBN 9790007199432. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120113

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper I 1606101. Sacred vocal music. Single Part, Viola 1. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.201/13. Published by Carus Verlag (CA.9120113).

ISBN 9790007233624. Language: Latin.

Score available separately - see item CA.9120100.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120211

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Single Part, Violin 1. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.202/11. Published by Carus Verlag (CA.9120211).

ISBN 9790007233662. Language: Latin.

Score available separately - see item CA.9120200.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120115

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper I 1606101. Sacred vocal music. Single Part, Viola 3. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.201/15. Published by Carus Verlag (CA.9120115).

ISBN 9790007233648. Language: Latin.

Score available separately - see item CA.9120100.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120216

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Single Part, Double Bass. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.202/16. Published by Carus Verlag (CA.9120216).

ISBN 9790007233716. Language: Latin.

Score available separately - see item CA.9120200.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120213

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Single Part, Viola 1. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.202/13. Published by Carus Verlag (CA.9120213).

ISBN 9790007233686. Language: Latin.

Score available separately - see item CA.9120200.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120214

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Single Part, Viola 2. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.202/14. Published by Carus Verlag (CA.9120214).

ISBN 9790007233693. Language: Latin.

Score available separately - see item CA.9120200.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120205

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Choral Score. Composed 1706. 12 pages. Duration 11 minutes. Carus Verlag #CV 91.202/05. Published by Carus Verlag (CA.9120205).

ISBN 9790007121228. Language: Latin.

Score available separately - see item CA.9120200.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120111

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper I 1606101. Sacred vocal music. Single Part, Violin 1. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.201/11. Published by Carus Verlag (CA.9120111).

ISBN 9790007233600. Language: Latin.

Score available separately - see item CA.9120100.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120116

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper I 1606101. Sacred vocal music. Single Part, Double Bass. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.201/16. Published by Carus Verlag (CA.9120116).

ISBN 9790007233655. Language: Latin.

Score available separately - see item CA.9120100.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120200

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. This edition: Paperbound. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Full score. Composed 1706. 20 pages. Duration 11 minutes. Carus Verlag #CV 91.202/00. Published by Carus Verlag (CA.9120200).

ISBN 9790007121211. Language: Latin.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120100

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. This edition: Paperbound. Music from East Bavaria. German title: Marien-Vesper I 1606101. Sacred vocal music. Full score. Composed 1706. Duration 11 minutes. Carus Verlag #CV 91.201/00. Published by Carus Verlag (CA.9120100).

ISBN 9790007121198. Language: Latin.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120212

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper Ii 1606201. Sacred vocal music. Single Part, Violin 2. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.202/12. Published by Carus Verlag (CA.9120212).

ISBN 9790007233679. Language: Latin.

Score available separately - see item CA.9120200.

SATB vocal soli, SATB choir, 2 violin, 2 viola, cello, basso continuo - Level 2

SKU: CA.9120114

Composed by Rupert Ignaz Mayr. Edited by Konrad Ruhland. Music from East Bavaria. German title: Marien-Vesper I 1606101. Sacred vocal music. Single Part, Viola 2. Composed 1706. 4 pages. Duration 11 minutes. Carus Verlag #CV 91.201/14. Published by Carus Verlag (CA.9120114).

ISBN 9790007233631. Language: Latin.

Score available separately - see item CA.9120100.