Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper Ii 1606201.
Sacred vocal music.
Single Part, Viola 3.
Composed 1706. 4 pages.
Duration 11 minutes.
Carus Verlag #CV
91.202/15. Published by
Carus Verlag
(CA.9120215).
Composed
by Rupert Ignaz Mayr.
Edited by Konrad Ruhland.
Music from East Bavaria.
German title:
Marien-Vesper I 1606101.
Sacred vocal music.
Choral Score. Composed
1706. Duration 11
minutes. Carus Verlag #CV
91.201/05. Published by
Carus Verlag
(CA.9120105).
Alcina Soli, choeur mixte et accompagnement [Vocal Score] Barenreiter
Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0nd...(+)
Dramma per musica in tre
atti. Klavierauszug nach
dem Urtext der Hallischen
H0ndel-Ausgabe
(italienisch/deutsch). By
George Frideric Handel.
Edited by Siegfried
Flesch. Arranged by
Kroupova, Olga;T!Pel,
Michael. For soprano solo
(3), mezzo-soprano solo,
alto solo, tenor solo,
bass solo, mixed
choir-SSATB, piccolo,
alto recorder (f,g) (2),
oboe (2), bassoon, horn
(2), Violin Solo, Cello
Solo, strings, basso
continuo. Piano
Reduction/Vocal Score
(paperbound). HWV 34.
Duration 195'. Published
by Baerenreiter-Ausgaben
(German import). (BA4061
90)
Cantata
for the 4th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Tobias Rimek.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violoncello.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Cello. Composed
1732. BWV 177. 12 pages.
Duration 13 minutes.
Carus Verlag #CV
31.177/14. Published by
Carus Verlag
(CA.3117714).
ISBN
9790007209841. Text
language:
German/English.
The
cantata Ich ruf zu dir,
Herr Jesu Christ begins
with an expansive chorale
arrangement, for which
Bach reverted to a proven
model: The four voices of
the solo ensemble take
over the chorale, in
which the melody lies in
the soprano. For stanzas
2-4 Bach chooses the aria
form with a highly
differentiated scoring
from movement to
movement, ranging from a
continuo Aria (1st
movement), up to an aria
accompanied by the
violin, with obbligato
bassoon and continuo. A
straightforward four-part
chorale movement
concludes the cantata.
Score and part available
separately - see item
CA.3117700.
Responsum.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Wolfgang Hochstein.
German title: Domine Ad
Adiuvandum (Responsum).
Sacred vocal music, Daily
hours. Single Part,
Cello/Double Bass.
Composed circa 1737-1756.
2 pages. Duration 2
minutes. Carus Verlag #CV
40.965/14. Published by
Carus Verlag
(CA.4096514).
ISBN
9790007221478. Key: C
major. Language:
Latin.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. Litaniae
Lauretanae In B Rev.2002.
Innovative practice aids,
Litanies, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1771. KV 109
(74e). 4 pages. Duration
11 minutes. Carus Verlag
#CV 40.054/13. Published
by Carus Verlag
(CA.4005413).
ISBN
9790007059323. Key: B
flat major. Language:
Latin.
This Litany
of the Blessed Virgin
Mary is the first and
most straightforward of
four litanies which
Mozart composed from 1771
to 1776 in Salzburg. Its
light instrumental
scoring - only the church
trio of two violins and
continuo, with trombones
used merely to reinforce
the choir - suggest that
this piece was intended
for Marian devotions in
the small Court Chapel of
Schloss Mirabell. Score
and part available
separately - see item
CA.4005400.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Cello/Double Bass.
Composed 1715. BWV 132. 8
pages. Duration 22
minutes. Carus Verlag #CV
31.132/14. Published by
Carus Verlag
(CA.3113214).
ISBN
9790007207953. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Cello/Double Bass.
Warb CW E 4. 28 pages.
Duration 55 minutes.
Carus Verlag #CV
38.109/16. Published by
Carus Verlag
(CA.3810916).
ISBN
9790007054366. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal.
Violoncello/double bass.
Sacred vocal music,
Cantatas, Easter and
Eastertide. Single Part,
Cello/Double Bass.
Composed 1725. BWV 42. 12
pages. Duration 28
minutes. Carus Verlag #CV
31.042/14. Published by
Carus Verlag
(CA.3104214).
ISBN
9790007205874. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score and part available
separately - see item
CA.3104200.
Cantata for the 4th
Sunday in Advent.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Herz Und
Mund Und Tat Und Leben
Bwv 147A. Sacred vocal
music, Cantatas, Advent.
Single Part, Cello/Double
Bass. Composed 1716. BWV
147a. 8 pages. Duration
18 minutes. Carus Verlag
#CV 31.147/14. Published
by Carus Verlag
(CA.3114714).
ISBN
9790007208455. Key: C
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
Original
form of the later BWV
147, composed in Weimar.
Score and part available
separately - see item
CA.3114700.
SATB vocal soli, SATB
choir, oboe I/oboe
d'amore/oboe d'caccia i,
oboe II/oboe d'caccia II,
trumpet, 2 violins,
viola, basso continuo
SKU: CA.3114764
Kantate zum Fest
Mariae Heimsuchung
(Leipziger Fassung).
Composed by Johann
Sebastian Bach. Edited by
Karin Wollschlager.
Arranged by Paul Horn.
Stuttgart Urtext Edition:
Bach vocal. German title:
Herz und Mund und Tat und
Leben. Sacred vocal
music. Single Part,
Cello/Double Bass.
Composed 1723. BWV 147.
16 pages. Duration 34
minutes. Carus Verlag #CV
31.147/64. Published by
Carus Verlag
(CA.3114764).
Language:
German/English.
Sco
re and part available
separately - see item
CA.3114700.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Viola. Composed 1715. BWV
132. 4 pages. Duration 22
minutes. Carus Verlag #CV
31.132/13. Published by
Carus Verlag
(CA.3113213).
ISBN
9790007207946. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Viola 1. Warb CW E
4. 28 pages. Duration 55
minutes. Carus Verlag #CV
38.109/14. Published by
Carus Verlag
(CA.3810914).
ISBN
9790007054342. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Violin 2. Warb CW E
4. 36 pages. Duration 55
minutes. Carus Verlag #CV
38.109/12. Published by
Carus Verlag
(CA.3810912).
ISBN
9790007054328. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext. 1x
50.329/21 oboe 1, 1x
50.329/22 oboe 2, 1x
50.329/31 clarino 1, 1x
50.329/32 clarino 2, 1x
50.329/41 timpani.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1803. MH
826. 64 pages. Duration
45 minutes. Carus Verlag
#CV 50.329/09. Published
by Carus Verlag
(CA.5032909).
ISBN
9790007223922. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and parts available
separately - see item
CA.5032900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Violin 1. Warb CW E
4. 36 pages. Duration 55
minutes. Carus Verlag #CV
38.109/11. Published by
Carus Verlag
(CA.3810911).
ISBN
9790007054311. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Viola. Composed 1803. MH
826. 20 pages. Duration
45 minutes. Carus Verlag
#CV 50.329/13. Published
by Carus Verlag
(CA.5032913).
ISBN
9790007223953. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Set of
Orchestra Parts. Warb CW
E 4. Duration 55 minutes.
Carus Verlag #CV
38.109/19. Published by
Carus Verlag
(CA.3810919).
ISBN
9790007134334. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and parts
available separately -
see item CA.3810900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1803.
MH 826. 24 pages.
Duration 45 minutes.
Carus Verlag #CV
50.329/11. Published by
Carus Verlag
(CA.5032911).
ISBN
9790007223939. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Single
Part, Violin 3. Warb CW E
4. 4 pages. Duration 55
minutes. Carus Verlag #CV
38.109/13. Published by
Carus Verlag
(CA.3810913).
ISBN
9790007054335. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and part
available separately -
see item CA.3810900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. Composed 1803. MH
826. 32 pages. Duration
45 minutes. Carus Verlag
#CV 50.329/49. Published
by Carus Verlag
(CA.5032949).
ISBN
9790007223977. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed 1803.
MH 826. 24 pages.
Duration 45 minutes.
Carus Verlag #CV
50.329/12. Published by
Carus Verlag
(CA.5032912).
ISBN
9790007223946. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and part available
separately - see item
CA.5032900.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed 1715. BWV
132. Duration 22 minutes.
Carus Verlag #CV
31.132/19. Published by
Carus Verlag
(CA.3113219).
ISBN
9790007136741. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and parts
available separately -
see item CA.3113200.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 1. Composed 1715.
BWV 132. 8 pages.
Duration 22 minutes.
Carus Verlag #CV
31.132/11. Published by
Carus Verlag
(CA.3113211).
ISBN
9790007207922. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext. 1x
38.109/21 flute 1, 1x
38.109/22 flute 2, 1x
38.109/23 oboe 1, 1x
38.109/24 oboe 2, 1x
38.109/25 bassoon, 1x
38.109/31 horn 1, 1x
38.109/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Set of
Orchestra Parts. Warb CW
E 4. 88 pages. Duration
55 minutes. Carus Verlag
#CV 38.109/09. Published
by Carus Verlag
(CA.3810909).
ISBN
9790007054304. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score and parts
available separately -
see item CA.3810900.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 2. Composed 1715.
BWV 132. 4 pages.
Duration 22 minutes.
Carus Verlag #CV
31.132/12. Published by
Carus Verlag
(CA.3113212).
ISBN
9790007207939. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score and part
available separately -
see item CA.3113200.
Composed
by Michael Haydn. Edited
by Charles H. Sherman.
This edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Sti Francisci
Seraphici Mh 826. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1803. MH
826. Duration 45 minutes.
Carus Verlag #CV
50.329/19. Published by
Carus Verlag
(CA.5032919).
ISBN
9790007133597. Key: D
major. Language:
Latin.
Johann
Michael Haydn worked for
over 40 years at the
Court of the Prince
Bishop in Salzburg, in
whose employment he
composed most of his
music. However, the Missa
sub titulo Sancti
Francisci Seraphici was
composed in 1803 on
commission from the
Viennese Imperial Court,
on the occasion of the
name day of Emperor Franz
I. Two years previously,
his wife Empress Marie
Theresia had already
commissioned a large Mass
with a gradual, an
offertory and a Te Deum
on the occasion of her
own name day (Missa sub
titulo Sanctae Theresiae,
50.328). Both Masses are
impressive because of
their size and their
unusually large
instrumental forces.
Score and parts available
separately - see item
CA.5032900.
Cantata
for the 4th Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Bereitet die Wege,
bereitet die Bahn. Sacred
vocal music, Cantatas,
Advent. Choral Score.
Composed 1715. BWV 132. 2
pages. Duration 22
minutes. Carus Verlag #CV
31.132/05. Published by
Carus Verlag
(CA.3113205).
ISBN
9790007103163. Language:
German/English.
Bac
h's cantata BWV 132 was
written for the 4th
Sunday in Advent, and the
autograph score is dated
1715. It was composed
while Bach was at Weimar,
to a libretto by the
Weimar Court Preacher
Salomon Franck. Its
subject matter is the
testimony of John the
Baptist addressed to the
Christian community and
to individual believers.
Since the original
concluding chorale, the
fifth verse of the hymn
Herr Christ der einig
Gotts Sohn (Elisabeth
Cruziger), has been lost,
here the cantata ends
with the last movement
(transposed from B flat
to A major), to the same
words, of the cantata BWV
164. Score available
separately - see item
CA.3113200.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gloria In G E. Sacred
vocal music, Mass
sections. Full score.
Warb CW E 4. 296 pages.
Duration 55 minutes.
Carus Verlag #CV
38.109/00. Published by
Carus Verlag
(CA.3810900).
ISBN
9790007054281. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke.
Composed
by Johann Christian Bach.
Edited by Traugott
Fedtke. Arranged by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Gloria In G
E. Sacred vocal music,
Mass sections. Choral
Score. Warb CW E 4.
Duration 55 minutes.
Carus Verlag #CV
38.109/05. Published by
Carus Verlag
(CA.3810905).
ISBN
9790007054298. Language:
Latin.
While the
solos in earlier masses
form an integral part of
the structure of the
entire work, Christian
Bach made the solo
sections independent in
the sense of the
Neopolitan school. The
orchestra is occupied
with longer preludes and
rustling figures. In the
eleven movements, Bach
was able to unite the
compositional techniques
and expressivity of the
Baroque with the
beautiful sound of an
Italian cantilena. From
the forward by Traugott
Fedtke. Score available
separately - see item
CA.3810900.