As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
circa 1747. 16 pages.
Duration 90 minutes.
Carus Verlag #CV
35.502/05. Published by
Carus Verlag
(CA.3550205).
ISBN
9790007213411. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score available
separately - see item
CA.3550200.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Choral Score.
Composed 1725. BWV 151. 2
pages. Duration 19
minutes. Carus Verlag #CV
31.151/05. Published by
Carus Verlag
(CA.3115105).
ISBN
9790007049379. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score available
separately - see item
CA.3115100.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Single Part,
Viola. Composed 1725. BWV
151. 4 pages. Duration 19
minutes. Carus Verlag #CV
31.151/13. Published by
Carus Verlag
(CA.3115113).
ISBN
9790007049409. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and part
available separately -
see item CA.3115100.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Single
Part, Viola. BWV 195. 8
pages. Duration 16
minutes. Carus Verlag #CV
31.195/13. Published by
Carus Verlag
(CA.3119513).
ISBN
9790007210403. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score and
part available separately
- see item
CA.3119500.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/12. Published by
Carus Verlag
(CA.2300712).
ISBN
9790007037697. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Christen, atzet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Viola.
Composed 1715. BWV 63. 8
pages. Duration 27
minutes. Carus Verlag #CV
31.063/13. Published by
Carus Verlag
(CA.3106313).
ISBN
9790007043735. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and part available
separately - see item
CA.3106300.
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice
(Evangelist), solo bass
voice (Jesus), SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
violins, viola, viola da
gamba, basso continuo
SKU: CA.3124581
Version IV.
Composed by Johann
Sebastian Bach. Edited by
Peter Wollny. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title:
Johannespassion 1749.
Innovative practice aids,
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide. Single
Part, 2 Violen d'amore.
Composed 1749. BWV 245. 8
pages. Duration 120
minutes. Carus Verlag #CV
31.245/81. Published by
Carus Verlag
(CA.3124581).
ISBN
9790007211431. Language:
German/English.
Wit
h the unfinished revision
(1739) as an appendix.
The St. John Passion
ranks among the great
vocal works from Bach's
Leipzig years. In
contrast to his other
large-scale choral works,
however, Bach never gave
this work a definitive
final form. Rather, for
every performance he made
numerous changes. All
previous editions of the
St. John Passion have
combined readings from
various layers of
sources. The wish often
expressed by conductors
to perform an authentic
version is made possible
for the first time with
the present edition in
this fourth and final
version which was
performed under Bach's
direction in 1749. At the
same time, with the aid
of the appendix it is
possible to perform the
work in the traditional
mixed version.. Score and
part available separately
- see item
CA.3124500.
Composed by Anton
Diabelli. 1x 23.007/21
flute, 1x 23.007/22
clarinet 1, 1x 23.007/23
clarinet 2, 1x 23.007/31
trumpet 1, 1x 23.007/32
trumpet 2, 1x 23.007/33
horn 1, 1x 23.007/34 horn
2, 1x 23.007/41 timpani.
German title: Messe in Es
8. Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 107.
44 pages. Duration 25
minutes. Carus Verlag #CV
23.007/09. Published by
Carus Verlag
(CA.2300709).
ISBN
9790007037673. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and
parts available
separately - see item
CA.2300700.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
Composed circa 1747.
Duration 90 minutes.
Carus Verlag #CV
35.502/19. Published by
Carus Verlag
(CA.3550219).
ISBN
9790007139629. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and parts
available separately -
see item CA.3550200.
By Alice Parker. For SATB soli, SATB choir, orchestra or organ, guitar, percussi...(+)
By Alice Parker. For SATB
soli, SATB choir,
orchestra or organ,
guitar, percussion (Mixed
Voices). General.
Various. Choral. 132
pages. Published by E.C.
Schirmer Publishing
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext. 1x
31.151/21 flute, 1x
31.151/22 oboe d'amore.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Set of
Orchestra Parts. Composed
1725. BWV 151. 8 pages.
Duration 19 minutes.
Carus Verlag #CV
31.151/09. Published by
Carus Verlag
(CA.3115109).
ISBN
9790007208615. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and parts
available separately -
see item CA.3115100.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Cello/Double
Bass. Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/14. Published by
Carus Verlag
(CA.2300714).
ISBN
9790007037710. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Christen, atzet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 1.
Composed 1715. BWV 63. 8
pages. Duration 27
minutes. Carus Verlag #CV
31.063/11. Published by
Carus Verlag
(CA.3106311).
ISBN
9790007043711. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and part available
separately - see item
CA.3106300.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 1.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/11. Published by
Carus Verlag
(CA.2300711).
ISBN
9790007037680. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Single Part,
Organ. Composed 1725. BWV
151. 8 pages. Duration 19
minutes. Carus Verlag #CV
31.151/49. Published by
Carus Verlag
(CA.3115149).
ISBN
9790007049430. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and part
available separately -
see item CA.3115100.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Single Part,
Cello/Double Bass.
Composed 1725. BWV 151. 8
pages. Duration 19
minutes. Carus Verlag #CV
31.151/14. Published by
Carus Verlag
(CA.3115114).
ISBN
9790007049416. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and part
available separately -
see item CA.3115100.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Single
Part, basso continuo. BWV
195. 12 pages. Duration
16 minutes. Carus Verlag
#CV 31.195/14. Published
by Carus Verlag
(CA.3119514).
ISBN
9790007210410. Text
language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation. Score and
part available separately
- see item
CA.3119500.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Christen, atzet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. Composed 1715. BWV
63. 12 pages. Duration 27
minutes. Carus Verlag #CV
31.063/14. Published by
Carus Verlag
(CA.3106314).
ISBN
9790007043742. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
and part available
separately - see item
CA.3106300.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Single Part,
Violin 1. Composed 1725.
BWV 151. 4 pages.
Duration 19 minutes.
Carus Verlag #CV
31.151/11. Published by
Carus Verlag
(CA.3115111).
ISBN
9790007049386. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and part
available separately -
see item CA.3115100.
Cantata for the 3rd
Sunday of Christmas (1st
version). Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
SUssER TROST, MEIN JESUS
KOMMT NEUAUSGABE. Sacred
vocal music, Cantatas,
Christmas. Single Part,
Violin 2. Composed 1725.
BWV 151. 4 pages.
Duration 19 minutes.
Carus Verlag #CV
31.151/12. Published by
Carus Verlag
(CA.3115112).
ISBN
9790007049393. Key: G
major. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
Bach's
cantata BWV 151, whose
wonderfully heartfelt
opening aria has been
rightly numbered among
Bach's most inspired
ideas (Alfred Durr), was
composed for the 3rd day
of Christmas 1725. Flute
and oboe d'amore lend
pastoral coloring to the
chamber music sound
picture. The oboe d'amore
was not originally
included in Bach's score;
after completing the
score he added the part
to the orchestra for the
first performance. In a
later performance about
1728-1731 Bach replaced
the flute by a solo
violin, adding various
performing instructions
and ornaments, of which a
flautist can make use in
his originally rather
modest part. This new
edition by Klaus Hofmann
replaces the 1962
publication by Diethard
Hellmann. Score and part
available separately -
see item CA.3115100.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. This
edition: Paperbound.
Edition Bach-Archiv
Leipzig - Musical
Monuments. German title:
Markuspassion. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed circa 1747. 136
pages. Duration 90
minutes. Carus Verlag #CV
35.502/00. Published by
Carus Verlag
(CA.3550200).
ISBN
9790007096106. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about.
Wedding cantata.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Dem Gerechten Muss
Das Licht Immer Wieder.
Sacred vocal music,
Cantatas, Wedding. Full
score. BWV 195. 96 pages.
Duration 16 minutes.
Carus Verlag #CV
31.195/00. Published by
Carus Verlag
(CA.3119500).
ISBN
9790007171674. Language:
German/English.
The
Hochzeitskantate (Wedding
Cantata) BWV 195 was
performed by Bach from
around 1730 at various
wedding celebrations in
different forms, and was
evidently also lent out
for performances further
afield. The only
surviving version of the
work dates from the last
years of Bach's life. The
opulently-scored first
part begins and ends with
grand choral movements,
and Bach scored both
parts for soloists and
for chorus. At the centre
of the cantata is an
exceptionally sensitive
bass aria, probably one
of Bach's most modern
vocal compositions of
all. A chorale movement
(Nun danket all and
bringet Ehr/ Now thank we
all and offer praise)
with obbligato horns
concludes the cantata as
the second part after the
consummation.
Messiah Soli, choeur mixte et accompagnement Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemo...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Ton Koopman, Jan Siemons.
Arranged by Siegfried
Petrenz. This edition:
urtext. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition . Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition ; Carus sheet
music series: Vocal
scores XL. Messiah Kart
Ga-Format. Innovative
practice aids, Sacred
vocal music, Oratorios.
Vocal score. Composed
1742. HWV 56. 256 pages.
Duration 150 minutes.
Carus Verlag #CV
55.056/02. Published by
Carus Verlag
(CA.5505602).
Messiah Soli, choeur mixte et accompagnement Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemo...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Ton Koopman, Jan Siemons.
Arranged by Siegfried
Petrenz. This edition:
urtext. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition . Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition ; Carus sheet
music series: Vocal
scores XL. Messiah Kart
Ga-Format. Innovative
practice aids
Cantatas BWV 94, 105,
168/ BWV 46, 101, 102.
Appendix: Various
versions of the obligato
instrumental parts to
movements in BWV 101 and
102. Composed by
Johann Sebastian Bach.
Edited by Robert L.
Marshall. This edition:
Complete edition. Linen.
New Bach Edition (NBA)
I/19. Complete edition,
Critical commentary,
anthology. BWV 94, 105,
168, BWV 101 & 102, BWV
46, 101, 102. 255 pages.
Baerenreiter Verlag
#BA05060_41. Published by
Baerenreiter Verlag
(BA.BA05060-41).
ISBN
9790006462988. 32.5 x
25.5 cm
inches.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
O clap your hands Soli, choeur mixte et accompagnement [Octavo] Galaxy Music Corporation
Composed by Stephen Chatman. Children's Sabbath/Emphasis, 21st Century, Praise/T...(+)
Composed by Stephen
Chatman. Children's
Sabbath/Emphasis, 21st
Century,
Praise/Thanksgiving.
Octavo. Galaxy Music
Corporation #7.0577.
Published by Galaxy Music
Corporation