For Violin. Classical (orchestral). Includes a complete printed edition of the concerto on high-quality ivory paper, with informative liner notes and performance suggestions; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist; then a second performance minus you, the soloist. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.

For Violin. Includes a newly-engraved edition of the concerto on high-quality ivory paper; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist; then a second performance minus you, the soloist. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.

For Violin. Classical (orchestral). Includes a newly-engraved edition of the concerto on high-quality ivory paper, edited complete with performance notes by Ms. Kouzmanova; and a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist; then a second performance minus you, the soloist. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.

For Violin. Contains a printed score and a compact disc featuring the concerto in split-channel stereo with the violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part. Published by Music Minus One.

For Violin. Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part. Published by Music Minus One.

For Violin. Includes newly-engraved music, with performance notes; a CD with complete performance of the concerto with orchestra and soloist; then a second performance minus you, the soloist; and a 2nd CD containing a -20% reduced-tempo version of the accompaniment for practice purposes. Published by Music Minus One.

For Violin. Classical (orchestral). Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part.

For Violin. Contains a newly engraved music score on high-quality ivory paper, edited by Ms. Georgieva, with performance notes and suggestions; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist, and a second performance minus you, the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience. Published by Music Minus One.

Violin

SKU: HL.242899

Violin Solo Part. Composed by Philip Glass. Music Sales America. Classical. Softcover. Composed 2017. 24 pages. Chester Music #DU1116501. Published by Chester Music (HL.242899).

UPC: 888680953126. 9x12.25 inches.

This is the violin solo part of Philip Glass's wonderful Violin Concerto No. 2 “American Four Seasons.” The piece was commissioned by Toronto Symphony Orchestra and London Philharmonic Orchestra, among others, the world premiere was held in Toronto on December 9th 2009, conducted by Peter Oundjian. At this premiere, the violinist was Robert McDuffie, for whom the Concerto was composed. During the summer and autumn of 2009, Glass composed this work after many years of exchanges with McDuffie. His idea of creating a work that would be influenced by, and an accompaniment to Vivaldi's The Four Seasons. Interestingly, Glass has provided no indication in the score of where each season falls, making it open for interpretation by the performers or the audience.

For Violin. Includes newly-engraved music, a CD with complete performance of the concerto with orchestra and soloist; then a second performance minus you, the soloist; and a 2nd CD containing a -20% reduced-tempo version of the accompaniment for practice purposes. Published by Music Minus One.

For Violin. Includes an authoritative, newly engraved music score printed on high-quality ivory paper, and two compact discs containing: a complete version with both soloists; then a second version in digital stereo of the orchestral accompaniment, minus the violinist; and a third version minus both soloists; plus a third compact disc containing a full-speed version of the complete concerto and a -20% slow-tempo version of the "minus violin" accompaniment for practice purposes. Published by Music Minus One.

Violin (Violin)

SKU: HL.48187018

Composed by Georges Delerue. Leduc. Softcover. Alphonse Leduc #HA09323. Published by Alphonse Leduc (HL.48187018).

Delerue Concerto De L'adieu Violin & Piano Book.

Transcription by W. Schneiderhan after the original Cadenzas to the Piano Version of the Concerto. By Ludwig van Beethoven. Edited by Wolfgang Schneiderhan. Violin. Pages: 27. Urtext edition-paper bound. Published by G. Henle.

For Violin. Contains a printed score and a compact disc featuring the concerto in digitally remastered stereo, then again minus the solo violin part; and a second compact disc containing the complete version followed by a -20% slow-tempo version for practice purposes. Both versions feature fully indexed practice sections and orchestra entrances for easy learning and performance. Published by Music Minus One.

For Violin. Classical (orchestral). Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part. Published by Music Minus One

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman. For Violin. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 128 pages. Published by Anne Fuzeau Productions - France

Violin

SKU: HL.48186222

Leduc. CD only. Alphonse Leduc #AL30370. Published by Alphonse Leduc (HL.48186222).

UPC: 888680830182. 9x12 inches.

“Born in 1955, Lebanese-French composer, organist and improviser Naji Hakim studied under Jean Langlais at the Paris Conservatoire before succeeding Olivier Messiaen as organist of the Saint Trinity Church in Paris. Considering his significant musical training, Langlais' compositions are created from a wealth of knowledge and understanding, Concerto for Violin being no exception. Composed in 2002, Concerto for Violin, with String Orchestra or Piano reduction accompaniment, is highly modern in composition. With a typical performance lasting about 35 minutes, the concerto is made up of three movements. The solo Violin line addresses many virtuosic techniques, including double and triple stops, articulation, complex rhythms, varying bowings and a huge range of performance directions, amongst other aspects. For all advanced violinists, seeking varied, modern repertoire, Hakim's Concerto for Violin is an essential addition to the repertoire.&rdquo.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1 and more.

SKU: PR.41641366L

For Violin and Orchestra. Composed by Behzad Ranjbaran. Contemporary. Large Score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366L. Published by Theodore Presser Company (PR.41641366L).

UPC: 680160585755.

From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.

Music Minus One Violin. By Geoffrey Applegate. By Antonio Vivaldi (1678-1741). Music Minus One. Classical. Softcover Audio Online. 28 pages. Music Minus One #MMO3126. Published by Music Minus One

Critical Edition Violin Solo Part. Composed by Erich Wolfgang Korngold (1897- 1957). LKM Music. Classical. Softcover. Lauren Keiser Music Publishing #S510015. Published by Lauren Keiser Music Publishing

Concerto in A minor BWV 1041 and E major BWV 1042. By Johann Sebastian Bach. Edited by Dietrich Kilian. For Violin Solo, orchestra. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Published by Baerenreiter-Taschenparti turen (German import).

For Violin. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus you, the soloist. Published by Music Minus One.

Violin (Violin)

SKU: HL.50575803

Composed by Graciane Finzi. Editions Durand. Solo & Concerto. Score Only. Composed 2002. Editions Durand #DF15446. Published by Editions Durand (HL.50575803).

Violin (Violin)

SKU: HL.50577608

Composed by Marcel Mihalovici. Max Eschig. Solo & Concerto. Score Only. Composed 2001. Hal Leonard #LS195. Published by Hal Leonard (HL.50577608).

Violin

SKU: HL.48186062

Composed by Jean-Marie Leclair. Leduc. Classical. Softcover. Alphonse Leduc #AL29892. Published by Alphonse Leduc (HL.48186062).

UPC: 888680828653. 9.0x12.25x0.136 inches.

Jean-Marie Leclair: Concerto Op.10, No.2 in A major (Score) POUR VIOLON, ORCHESTRE A CORDES, CLAVECIN OU ORGUE (PARTITION) For Violin, String Orchestra, Clavecin or Organ (Score).

Composed by Johann Sebastian Bach (1685-1750). Edited by Wieslaw Novak. Music Minus One. Baroque and Play Along. Softcover Audio Online. With fingerings and piano reduction. 16 pages. Music Minus One #MMO3104. Published by Music Minus One

Composed by Clive Brown. Stapled. Book. Opus 64. 72 pages. Baerenreiter Verlag #BA09060. Published by Baerenreiter Verlag (BA.BA09060).

For Violin. Classical (orchestral). Includes a high-quality printed music score and compact disc with complete and stereo accompaniment recordings. Published by Music Minus One.

For Violin. Includes a high-quality printed music score and two compact discs with the complete work with soloist in split-channel stereo (soloist on right channel for easy isolation); then a second recording in full stereo of the accompaniments, minus the soloist. Published by Music Minus One.

Violin

SKU: AP.6-251241

Composed by Johann Sebastian Bach. String - Violin. Dover Edition. Baroque; Masterwork. Score. Dover Publications #06-251241. Published by Dover Publications (AP.6-251241).

ISBN 9780486251240. English.

Reproduced from the Bach-Gesellschaft edition, this volume includes the full scores for all 3 of Bach's violin concerti: 'Concerto for Violin & Orchestra in A minor, BWV 1041;' 'Concerto for Violin & Orchestra In E Major, BWV 1042;' 'Concerto for 2 Violins & Orchestra in D minor, BWV 1043.' 64 pgs.