Songs and Themes from the Latest Movies and Television Shows (Violin). Arran...(+)
Songs and Themes from the
Latest Movies and
Television
Shows (Violin). Arranged
by
Various. Book; CD; Play-
Along; SmartMusic; String
Series. Alfred's
Instrumental Play-Along.
Movie; Pop; TV. 28 pages.
Published by Alfred Music
Favorite classical themes in jazzy arrangements. By Various. Arranged by Dirko J...(+)
Favorite classical themes
in jazzy arrangements. By
Various. Arranged by
Dirko Juchem, Achim
Brochhausen. (Violin).
This edition: ED9599.
Schott. Book with CD. 24
pages. Published by
Schott Music.
Violon [Partition + Accès audio] - Intermédiaire Hal Leonard
By Various. For violin. Instrumental Folio. Movies and Play Along. Difficulty: m...(+)
By Various. For violin.
Instrumental Folio.
Movies and Play Along.
Difficulty: medium.
Violin solo songbook and
accompaniment CD. 15
pages. Published by Hal
Leonard
Violin. Arranged by Various. Play-Along; Solo; String Series. Instrumental Sol...(+)
Violin. Arranged by
Various.
Play-Along; Solo; String
Series. Instrumental
Solos
Series. Masterwork
Arrangement. Book; CD. 40
pages. Alfred Music #00-
47065. Published by
Alfred
Music
Solo Violin Violin - difficult SKU: HL.49012373 For Solo Violin. C...(+)
Solo Violin Violin -
difficult
SKU:
HL.49012373
For
Solo Violin. Composed
by Rodion Shchedrin. This
edition: Saddle
stitching. Sheet music.
Violin-Bibliothek (Violin
Library). Classical.
Composed 1998. 8 pages.
Duration 9'. Schott Music
#VLB94. Published by
Schott Music
(HL.49012373).
ISBN
9790001126212. UPC:
073999578744.
8.25x11.75x0.067
inches.
Thema der
hintersinnig-virtuosen
Variationen ist das
Andante aus Leopold
Mozarts Sinfonie D-Dur
(Eisen D 26).
By Costel Puscoiu. For Violin. Solos. Bill's Music Shelf. Classic. Beginning-In...(+)
By Costel Puscoiu. For
Violin. Solos. Bill's
Music Shelf. Classic.
Beginning-Intermediate.
Book + Online PDF. 28
pages. Published by Mel
Bay Publications, Inc
For violin. Format: violin solo book (excerpts only). Baroque, Classical Period ...(+)
For violin. Format:
violin solo book
(excerpts only). Baroque,
Classical Period and
Romantic Period. 64
pages. 9x12 inches.
Published by Music Sales.
(MS.AM84153)
A selection of all the
best-known tunes and
themes in the classical
repertoire, carefully
edited for violin solo.
Includes works by Mozart,
Bach, Beethoven, Chopin
and many more great
composers.
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L).
UPC:
680160585755.
From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
Strings. Combination.
Sheet music. Yamaha Music
Media #GPW01096337.
Published by Yamaha Music
Media (YM.GPW01096337).
ISBN
9784636963373.
16
short arranged pieces.
Kids enjoy them as
warm-up, solo, or duet
with friends and
teachers. 16Shou Le
Qu Pian Duan . Rang Hai
Zi Men Xiang Shou He Peng
You Huo Lao Shi Yi Qi Re
Shen , Du Zou , Zhong Zou
De Le Qu .
0.
Sunny and Cloudy; 1. Hug
Shichao(Let's Hug); 2.
Brahms's Symphony No.1; .
3La Cucaracha; 4. Yankee
Doodle; 5. Old MacDonald
Had a Farm; 6. Happy
Birthday to You; 7.
Wagner's Wedding March;
8. Hasty Santa Claus; 9.
Ode to Joy; 10. Dvorak's
Symphony From the New
World; 11. My Neighbor
Totoro; 12. Doraemon no
Uta(Doraemon Main Theme);
13.
Supercalifragilisticexpia
lidocious; 14. Edelweiss;
15. Edelweis(for Quartet)
0. Qing Lang Duo Yun
Lian Xi Qu ; 1. Gei Wo
Bao Bao (Let's Hug); 2.
Bo La Mu Si De Di Yi Jiao
Xiang Qu ; 3. Zhang Lang
Ge ; 4. Yang Ji *Du De Er
; 5. Lao Mai Ke Tang Na
You Ge Nong Chang ; 6.
Sheng Ri Kuai Le Ge ; 7.
Wa Ge Na De Hun Li Jin
Xing Qu ; 8. Cong Mang De
Sheng Dan Lao Ren ; 9.
Huan Le Song ; 10. De Wo
Xia Ke Jiao Xiang Qu Zi
Xin Da Lu ; 11. Lin Jia
De Long Mao ; 12. Chi La
AMeng Zhi Ge (Doraemon
Main Theme); 13.
Supercalifragilisticexpia
lidocious; 14. Xue Rong
Hua ; 15. Xue Rong Hua
(Si Zhong Zou Yong ).
Flexible Arrangements
for Multiple Combinations
of String
Instruments. Arranged
by Bill Galliford. Duet
or Duo; Instrumental
Series; Solo; Solo Small
Ensembles; Trio. Solos,
Duets & Trios for
Strings. Movie. Book and
Digital Download. 68
pages. Alfred Music
#00-48274. Published by
Alfred Music (AP.48274).
ISBN 9781470643270.
UPC: 038081556109.
English.
Adaptable
and flexible to your
unique needs, Solos,
Duets & Trios for Strings
is a versatile series
that encourages playing
in a variety of
combinations. Featuring
three written parts for
every song, the
arrangements are designed
so that the top line is
the melody (Part 1), the
second line (Part 2)
creates a duet, and the
third line (Part 3) forms
a trio. You can play solo
parts alone or form small
string ensembles by
mixing and matching
instrumentation, as well
as mixing the parts
played. Students will
gain the opportunity to
learn how to play in a
small chamber group
setting. Solos, Duets &
Trios for Strings: Movie
Favorites features 19 of
the most familiar and
popular movie themes
ever.
Titles: As
Time Goes By * Can You
Read My Mind? (Love Theme
from Superman) * Cantina
Band * Family Portrait *
From Russia with Love *
Gonna Fly Now (Theme from
Rocky) * Hedwig's Theme *
The Great Escape March *
The Imperial March (Darth
Vader's Theme) * In
Dreams * May the Force Be
with You * James Bond
Theme * The Magnificent
Seven (Main Title) * Newt
Says Goodbye to
Tina/Jacob's Bakery *
Over the Rainbow *
Shallow * Song from
M*A*S*H (Suicide Is
Painless) * Star Wars
(Main Title) * Theme from
Superman.
Violin - Grade 1.5-3 SKU: XC.SB2001 25 Trios for Any Three String Inst...(+)
Violin - Grade 1.5-3
SKU: XC.SB2001
25 Trios for Any Three
String Instruments.
Composed by Matthew R.
Putnam and Tyler Arcari.
Edited by Diana Trietta.
Solo & Ensemble.
Adaptable Trios.
Ensemble, Collection,
Book. Excelcia Music
Publishing #SB2001.
Published by Excelcia
Music Publishing
(XC.SB2001).
ISBN
9781644020357. UPC:
912598032734. 9 x 12
inches.
Adaptable
Trios contains 25
newly-composed or
arranged string trios
that can be flexibly used
with any combination of
string instruments,
making them an invaluable
resource in the modern
orchestra classroom!
Written at an accessible
1.5-3 grade level,
Adaptable Trios follow
the popular Adaptable
Duets books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft trios that are fun
to play and musically
stimulating. Edited by
dedicated Violinist and
educator Diana Traietta,
Adaptable Trios are sure
to become an instant
favorite.
Table of
Contents: Alla
Hornpipe ContredanseDanza de
Hercules Fanfare Fl
amingos German
Dance German
Dance March Minuet<
br>Musette My Country,
'Tis of
Thee Pastorale Path
etique Rondo Sailor
's Song Saint Anthony
Chorale Shenandoah
Sunayama The Ash
Grove The Imp Valse
Noble Volte Wait
just a
Minuet Waltz.
(32 Trios That Can Be Played by Any Combination of String Instruments). By Larry...(+)
(32 Trios That Can Be
Played by Any Combination
of String Instruments).
By Larry Clark. Edited by
Doris Gazda. Arranged by
Larry Clark. For violin.
Violin part. 48 pages.
Published by Carl Fischer
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional
Editing by Doris Gazda).
By George Frideric Handel
Federigo Fiorillo. Edited
by Larry Clark, Leopold
Auer, Doris Gazda.
Arranged by William
Strasser. For Violin,
Violin and Piano. Book.
96 pages. Published by
Carl Fischer
Violin - Grade 1.5 to 3 SKU: XC.SB2008 21 Quartets for Any Combination...(+)
Violin - Grade 1.5 to 3
SKU: XC.SB2008
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2008. Published by
Excelcia Music Publishing
(XC.SB2008).
ISBN
9781644020531. UPC:
812598035513. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Violin - intermediate SKU: BT.DHP-1064024-400 For the developing violi...(+)
Violin - intermediate
SKU:
BT.DHP-1064024-400
For the developing
violinist. Arranged
by Gunter Van Rompaey and
Nico Dezaire. De Haske
Study and Play. Studies
and Exercises. Book with
CD. Composed 2006. 72
pages. De Haske
Publications #DHP
1064024-400. Published by
De Haske Publications
(BT.DHP-1064024-400).
ISBN 9789043124621.
9x12 inches.
English-German-French-Dut
ch.
Studies can be
boring - you usually play
them alone and the lack
of rhythm and harmony can
be dispiriting. This very
practical collection
contains the best studies
written throughout two
centuries of violin
education. The studies -
all in the first position
- have been provided with
completely new piano
accompaniments which give
a harmonic and rhythmic
helping hand, so that
practicing becomes more
instructive and more fun.
Each edition within this
concept features two CDs.
For each study there are
three tracks on the CDs:
a demo version, a
play-along version in
normal tempo and one in a
slower, study tempo. The
following technical
skills are included in
the Selected
Studiesprogramme:
Book 2: For the
right hand: string
shifts, staccato, legato,
spiccato; For the left
hand: position work in
the second and third
position; position
shifts, trills.
By Martin Wulfhorst. This edition: 1st printing 2012 edition. Paperback. A compr...(+)
By Martin Wulfhorst. This
edition: 1st printing
2012 edition. Paperback.
A comprehensive guidebook
with hundreds of
excerpts. Book. Language:
English. 483 pages.
Published by Baerenreiter
Verlag
(11 Well-Known Works for Intermediate Players With a CD of Performances). By Ser...(+)
(11 Well-Known Works for
Intermediate Players With
a CD of Performances). By
Sergei Rachmaninoff
(1873-1943). Arranged by
Hywel Davies. Boosey and
Hawkes Chamber Music.
Softcover with CD. 22
pages. Boosey and Hawkes
#M060121685. Published by
Boosey and Hawkes
By Frederick Muller. Edited by Harold Rusch, Lorraine Fink. (String Collection/...(+)
By Frederick Muller.
Edited by Harold Rusch,
Lorraine Fink. (String
Collection/Study).
Orchestra Method. Quick
Steps to Violin. Level:
Intermediate. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.