Chamber Music violin, viola SKU: PR.114419730 For violin and Viola...(+)
Chamber Music violin,
viola
SKU:
PR.114419730
For
violin and Viola.
Composed by Chen Yi. Sws.
Set of Score and Parts.
8+2+2 pages. Duration
2:30. Theodore Presser
Company #114-41973.
Published by Theodore
Presser Company
(PR.114419730).
ISBN
9781491132333. UPC:
680160681686. 9 x 12
inches.
Chen Yi
describes the cheery
interplay of HAPPY TUNE
as: “When one
instrument plays a
livelymelody, the other
plays a vivid rhythmic
pattern in the
accompaniment. The pair
of string
instrumentsimitates the
sound of primitive
Chinese folk song
singing, as well as the
Chinese traditional
windinstrument sheng, a
mouth pipe organ.â€
Published as a shared
score and extracted
parts, and writtenas a
celebration piece
honoring the 25th
anniversary of the Great
Lakes Chamber Music
Festival. Composed to
celebrate the 25th
Anniversary of the Great
Lakes Chamber Music
Festival, my violin and
viola duet HAPPY TUNE was
written for Kim
Kashkashian and Tien-Hsin
Cindy Wu, and premiered
at the festival on June
16, 2018.I fondly
remember being invited by
the GLCMF (directed by
Prof. James Tocco) to be
the dual Stone
Composers-in-Residence
with my husband Zhou
Long, along with the
Stone Composer Fellow
Nicholas Omiccioli in
2011. We had a dozen of
our chamber works
performed excellently by
the outstanding chamber
ensembles and musicians
during the week, meeting
enthusiastic audiences
and supporters of new
music in various venues
at the festival. The
experience was truly
inspiring, and I created
HAPPY TUNE to honor the
GLCMF, with hopes to
carry on the high spirit
in our new music
society.In this duet,
when one instrument plays
a lively melody, the
other plays a vivid
rhythmic pattern in the
accompaniment. The pair
of string instruments
imitates the sound of
primitive Chinese folk
song singing, as well as
the Chinese traditional
wind instrument sheng, a
mouth pipe organ.
Violin solo SKU: GH.GE-11358 For Solo Violin. Composed by Benjamin...(+)
Violin solo
SKU:
GH.GE-11358
For
Solo Violin. Composed
by Benjamin Staern.
Duration 9 minutes.
Gehrmans Musikforlag #GE
11358. Published by
Gehrmans Musikforlag
(GH.GE-11358).
ISBN
979-0-070-11358-8. A4
inches.
Work
comment by the
composer: The lonely
one was composed during
May and June of the year
2000. It was written for
Annika Gustafsson, to
whom it is also
dedicated. It was
world-premiered on
December 1 the same year
in Caroli Church in
Malmo. After that I had
composed The Threat of
War that was a dramatic
and massive work for
orchestra, I wanted to
focus on melodic as well
as harmonic and
rhyhtmical processes
combined with a inner
dramatic content. In this
case the solo violin
works as a narrator where
the piece itself is like
a monologue without
words. In the score
there are imprinted
expressions like
racontare (tellingly),
piacevole (pleasingly)
och
sospirare(sighing).
The lonely one is divided
in three sections. 1.
Doloroso (Painful) - the
violin plays almost
imperceptly sighing
glissandi that forms the
basic material of the
work. Its character is
constantly searching. It
leads up to the section
Risoluto (Resolute) that
has a very determined and
edgy expression. 2.
Misterioso (Mysteriously)
- the materials from the
previous section are now
further developed. It
builds up and breaks down
during the course of the
journey. Eventually it
reaches a climax on a
high d. 3. Calmando e
espressivo (Calmingly and
expressive) - From the
high d it is stepping
down to a recapture on
material from the first
part slightly changed and
moody character. It dies
out slowly with the
lonely notes.
B-Tonarten, C-Dur, 2.
und 3. Lage, Doppelgriffe
und andere Kniffe.
Composed by Renate
Bruce-Weber. Arranged by
Mark Bruce. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 144
pages. Schott Music #ED
8432. Published by Schott
Music (HL.49015482).
ISBN 9783795754631.
9.0x12.0x0.42 inches.
German.
Vol. 3 of
'Die frohliche Violine'
pursues the same musical
and technical goals as
the first two volumes. It
contains a detailed
introduction to the flat
keys, C major key as well
as the 2nd and 3rd
positions. The last
chapter takes up the
subject matter of the
first chapters again in a
more demanding form and
with longer charming
pieces, giving an insight
into 'virtuoso' violin
technique.
(14 Advanced Studies for Solo Violin). By Mary Cohen. For Violin. Book; String -...(+)
(14 Advanced Studies for
Solo Violin). By Mary
Cohen. For Violin. Book;
String - Violin Studies
or Collection; Technique
Musicianship. Faber
Edition. Advanced.
Published by Faber Music
(Solos with Ensemble Arrangements for Two or More Players) Arranged by Stan Peth...(+)
(Solos with Ensemble
Arrangements for Two or
More Players) Arranged by
Stan Pethel. For violin.
Format: violin songbook.
With standard notation,
solo part and harmony
part. Contemporary
Christian. 23 pages. 9x12
inches. Published by
Daybreak Music.
Violin SKU: M7.VHR-3905 Arbeitsbuch Violine. Composed by Simone Dr...(+)
Violin
SKU:
M7.VHR-3905
Arbeitsbuch
Violine. Composed by
Simone Drebenstedt. Sheet
music. 100 pages.
Holzschuh Musikverlag
#VHR 3905. Published by
Holzschuh Musikverlag
(M7.VHR-3905).
ISBN
9783940069832.
Umfa
ngreiches Schulwerk
für den
Streicherklassenunterrich
t- für 2
JahreBesetzung: Violine
Das neue Schulwerk
verbindet Lieder und
Aufgaben in sehr
übersichtlicher Form.
Viele Liedbeispiele und
Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
By Jenni Norey. Playalong 50- 50. Pop & Rock. Book with Online Audio. Com...(+)
By Jenni Norey. Playalong
50-
50. Pop & Rock. Book
with
Online Audio. Composed
2014.
144 pages. Wise
Publications
#MUSAM1007226. Published
by
Wise Publications
Essential Elements 2000 for Strings. By Pamela Tellejohn Hayes, Michael Allen, R...(+)
Essential Elements 2000
for Strings. By Pamela
Tellejohn Hayes, Michael
Allen, Robert Gillespie.
Essential Elements String
Method. Softcover with
CD. 149 pages. Published
by Hal Leonard.
A violin method for children age four and older. Composed by Egon Saßmannshau...(+)
A violin method for
children
age four and older.
Composed
by Egon Saßmannshaus and
Kurt
Sassmannshaus. Stapled.
With a
Chinese text booklet.
Performance score.
Baerenreiter Verlag
#BA10753.
Published by Baerenreiter
Verlag
(A violin method for children age four and older). By Egon Sassmannshaus; Kurt S...(+)
(A violin method for
children age four and
older). By Egon
Sassmannshaus; Kurt
Sassmannshaus. For
violin. This edition:
Stapled. Barenreiter's
Sassmannshaus. With a
French text supplement.
Instructional.
Performance score,
Teaching material. Text
Language: English/French.
64/11 pages. Published by
Baerenreiter Verlag
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).
Violin - intermediate SKU: BT.DHP-1185780-400 The World's Most Beautif...(+)
Violin - intermediate
SKU:
BT.DHP-1185780-400
The World's Most
Beautiful Arias with Full
Orchestra Play Along.
Opera or Operetta. Book
with CD. Composed 2018.
36 pages. De Haske
Publications #DHP
1185780-400. Published by
De Haske Publications
(BT.DHP-1185780-400).
ISBN 9789043153836.
English-German-French-Dut
ch.
For over three
hundred years, great
opera singers have held
entire audiences under
their spell. In so doing,
they can call on an
etensive repertoire of
arias by many important
composers. Live at the
Opera now makes this
precious treasure trove
available to
instrumentalists, too.
Twelve of the most
beautiful operatic
melodies of all time have
been specially arranged
for violin and are
performed by the renowned
violinist Maximilian
Lohse. The accompanying
audio is performed by an
authentic opera
orchestra, which also
includes a play-along
version without soloist.
Additionally, this unique
collection also includes
background info and tips
on performance for
theindividual arias.
Al meer dan
driehonderd jaar weten
grote operazangers en
-zangeressen hun publiek
te betoveren. Wanneer ze
voor ons op het podium
staan, vertolken ze
melodieën die behoren
tot de allermooiste van
de klassieke muziek.
Live at the opera
maakt deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: twaalf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor viool en opgenomen
door de gerenommeerd
violist Maximilian Lohse.
Een echt operaorkest
neemt de begeleiding voor
zijn rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voorde
uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen ein
ganzes Opernpublikum in
seinen Bann. Dabei
können sie sich aus
einem umfangreichen
Arienrepertoire aus der
Feder zahlreicher
bedeutender Komponisten
bedienen. Live at the
Opera macht diesen
kostbaren Melodienschatz
nun auch
Instrumentalisten
zugänglich: 12 der
schönsten
Opernmelodien aller
Zeiten wurden hier eigens
für Violine
eingerichtet und werden
von dem renommierten
Geiger Maximilian Lohse
vorgespielt. Ein echtes
Opernorchester
übernimmt dabei die
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Hintergrundwissen
undAusführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.