Violin and piano

SKU: BO.B.3673

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3673).

It is a work for violin and piano inspired directly by Paganini's Capriccio No. 13, known as La risata del diavolo and one of the most renowned capriccios from the series of twenty-four composed by the celebrated Genovese violinist and composer. In my version for violin and piano, I have singled out the two essential features of the work: the third notes on a double string that emulate the devil's laughter, and the quick eighth notes that follow, all of it within a light and humorous chromaticism.

Il diavolo begins with a slow and fragmented but suggestive violin cadenza. It then follows the Allegro deciso, built on the two features mentioned above. In the central part, yet another violin cadenza of a similar character but which recalls the devil's laughter more evidently. The Allegro deciso goes on up to a carefree and virtuosic finale.

The work is dedicated to violinist Jesus Reina.

(Rosen aus dem Suden). Composed by Johann Strauss Jr. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. Op. 388. 14 pages. Schott Music #ED07874. Published by Schott Music

Piano Accompaniment; Violin (Score and Solo Part) - difficult

SKU: HL.49044450

Violin and Piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. String. Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic moti. Classical, Contemporary. Softcover. Composed 2013. 32 pages. Duration 6'. Schott Music #ED21888. Published by Schott Music (HL.49044450).

ISBN 9790001198639. 9.0x12.0x0.124 inches.

This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou

Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou.

Chamber Music violin, piano

SKU: CF.FE192

Composed by Louise Talma. Set of Score and Parts. With Standard notation. 18+8 pages. Carl Fischer Music #FE192. Published by Carl Fischer Music (CF.FE192).

ISBN 9780825877568. UPC: 798408077563. 9.5 x 13 inches.

The Pytheas Center for Contemporary Music notes: Talma was the first woman to receive two Guggenheims, the first woman elected to the National Institute of Arts and Letters (1974), the first American woman to have a full-scale opera performed in Germany, the first American to teach at Fontainebleau, and the first woman to receive the Sibelius Medal for composition. This is only the highlights of a long life of composing. Talma spent a good amount of time at the MacDowell Colony, where she wrote many of her finest works, including the Violin Sonata. Having studied composition with Nadia Boulanger over 17 summers in her youth, Talma dedicated the Sonata to her former teacher and long-time friend on the occasion of Boulanger's 75th birthday. The single movement reflects Talma's style in 1962, with more than a passing nod to 12-tone construction. For advanced performers. Duration: 16'.

With online audio of piano accompaniments. By Various. By Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Chamber Music Cello, Clarinet, Flute, Piano, Violin

SKU: PR.14440516S

Composed by Robert Martin. Full score. With Standard notation. 44 pages. Duration 9 minutes, 15 seconds. Theodore Presser Company #144-40516S. Published by Theodore Presser Company (PR.14440516S).

UPC: 680160667864. 9 x 12 inches.

In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. As the title suggests, the music is in a state of perpetual questioning using a variety of approaches. For example, Enigma opens using ostinati (plural of ostinato) that do not match in length, like a staircase with each step a different height. Additionally, the music has sudden starts and stops, again unexplained. There are dramatic and powerful explosive passages that are interrupted. The technique, used to create this feeling of a perplexed music world where things seem often not to make sense and to be left unresolved, is called in poetry and literature, anticlimax. In Enigma, the music suggests one direction; then refuses to continue, striking out in another direction. Artists use approaches such as this to force themselves into creative circumstances that they otherwise might not have discovered. (From the performance notes.).

Chamber Music Cello, Piano, Violin

SKU: PR.114422690

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2+2 pages. Duration 5 minutes. Theodore Presser Company #114-42269. Published by Theodore Presser Company (PR.114422690).

UPC: 680160684809. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Composed by Jean Sibelius (1865-1957). Arranged by Otto Taubmann. Edition Breitkopf. Early 20th Century. Solo part, piano reduction. Breitkopf and Haertel #EB-3122. Published by Breitkopf and Haertel (BR.EB-3122).

Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand Kuechler. Edited by Ulrich Schliephake. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 12. 36 pages. Schott Music #SE 1043. Published by Schott Music

Violin & piano

SKU: HH.HH016-KBD

Composed by Giuseppe Tartini. Arranged by Per Hartmann. Violin & Piano. Keyboard reduction. Duration 15 minutes. Edition HH Music Publishers #HH016-KBD. Published by Edition HH Music Publishers (HH.HH016-KBD).

ISBN 9790708024347.

Over the beautiful second movement Tartini wrote I know you have no mercy using his secret code With the outer movements this concerto is a first class representative of the 18th century concerto. Carefully edited from Tartini's autograph and checked against the only other known source.

(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag

Violin, piano

SKU: BR.EB-9407

Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Kagi. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 68 pages. Breitkopf and Haertel #EB 9407. Published by Breitkopf and Haertel (BR.EB-9407).

ISBN 9790004188811. 9 x 12 inches.

With his Six Morceaux , Raff created a collection of six short pieces with the aim of pleasantly entertaining many a listener and demonstrating that he was also capable of writing something easy. After all, he had made a name for himself in the years before with extremely demanding chamber music for renowned dedicatees. The Six Morceaux , dedicated to the violinist Ludwig Straus, on the other hand, are probably related to Raff's teaching activities at a private piano school in Wiesbaden at that time. Therefore, with the individual pieces varying in difficulty they are well suited for violin lessons without losing any of their musical ambition. The most famous piece is probably the Cavatina. Arranged for various scorings during Raff's lifetime, it continues to be one of the most popular Encore pieces altogether - Fritz Kreisler, Yehudi Menuhin and Itzhak Perlman have made recordings of the piece. They say that a piano quintet version was even heard on the Titanic . This modern Urtext edition is based on the first printing, supervised and initiated by Raff himself. In collaboration with the Joachim-Raff-Archiv Lachen (CH).

Concerto in F Major L'autunno (Autumn) from The Four Seasons RV293, Op.8 No.3 (Critical Edition Violin and Piano Reduction). By Antonio Vivaldi (1678-1741). Edited by Maurizio Carnelli. Violin. String Solo. 20 pages. Ricordi #R138526. Published by Ricordi

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

Violin and Piano. By Antonio Vivaldi. Arranged by Maurizio Carnelli. (Violin). String Solo. 20 pages. Published by Ricordi.

(Instrumental Duet Series, Book 4). Composed by Victor Labenske. String ensemble. For violin and piano. Instrumental Duet Series. Published by Lillenas Publishing Company

Composed by Sergei Rachmaninoff (1873-1943), arranged by Fritz Kreisler (1875-1962). Piano/violin single (includes separate pull out performance part for violin) for violin and piano. 4 pages. Published by Carl Fischer.

(From "Thais"). By Jules Massenet (1842-1912). Arranged by M. P. Marsick. Mixed chamber ensemble. For violin and piano. Classical Period. Difficulty: medium. Piano/violin single (includes separate pull out part for violin). 7 pages. Published by Carl

Composed by Christopf Willibald Gluck, arranged by Fritz Kreisler (1875-1962). For violin and piano. Format: piano/violin single (includes seperate pull out performance part for violin). 20th century. 3 pages. 9x12 inches. Published by Carl Fischer.

Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint- Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag

Violin (flute, oboe) and piano - easy

SKU: HL.49009272

Composed by Istvan Szelé and nyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. 4 pages. Schott Music #ED09767. Published by Schott Music (HL.49009272).

ISBN 9790001115186. UPC: 840126938975. 9.0x12.0x0.042 inches.

Istvan Szelenyi (1904-1972), a student of Kodaly, taught composition at the Budapest conservatory. Apart from chamber music and piano pieces he composed mainly educational material, e.g.for youth orchestra and violin ensemble. Improvisation, composed 1946, is equally suited for violin, flute or oboe. Simple piano chords provide the background for a rhapsodic, improvisatory solo part with an eastern European folkloristic flavour.