(Cello with Piano Accompaniment). Composed by Various. Edited by Elmar Preusser ...(+)
(Cello with Piano
Accompaniment). Composed
by Various. Edited by
Elmar Preusser and Rainer
Mohrs. For Cello, Piano
Accompaniment (Score and
Solo Part). String.
Softcover. 158 pages.
Schott Music #ED21998.
Published by Schott Music
Cello & piano SKU: HH.HH286-FSP Composed by Anton Eberl. Edited by Christ...(+)
Cello & piano
SKU:
HH.HH286-FSP
Composed
by Anton Eberl. Edited by
Christopher Hogwood.
Cello & Piano. This is a
very interesting sonata
as it bridges the gap
between the
cello/continuo sonatas
and the ones by
Beethoven. Eberl's part
for violin is also
included. Full score and
parts. Edition HH Music
Publishers #HH286-FSP.
Published by Edition HH
Music Publishers
(HH.HH286-FSP).
ISBN
9790708092254.
A
true Grand Duo for cello
and piano to provide a
much needed connection
between the first sonatas
for this combination --
by Beethoven -- and the
later 19th century
repertoire. Eberl's
heroic style provides a
masterly alternative to
the over familiar works,
with the balance of power
between the two players
scrupulously maintained
throughout, and ingenious
formal innovations. The
Rhapsodie finale in
particular, with sections
in varying metres and
moods, resolves in an
elegant Pastorale, an
entirely new format for
this combination. The
composer thoughtfully
provided an adaptation of
the cello part for violin
containing many
differences which will be
of interest to players of
both instruments; both
string parts are included
in this publication.
Cello and Piano SKU: BT.EMBZ14832 Composed by Nicola Porpora. Educational...(+)
Cello and Piano
SKU:
BT.EMBZ14832
Composed
by Nicola Porpora.
Educational Tool. Book
Only. Composed 2012. 48
pages. Editio Musica
Budapest #EMBZ14832.
Published by Editio
Musica Budapest
(BT.EMBZ14832).
The source of
this publication was
issued in London in 1745
by John Walsh Jr. Walsh s
publication contains six
four-movement works,
originally written for
violin, solo cello, a
keyboard instrument and a
second cello to reinforce
the bass of the latter,
but the role of the
violin is insignificant,
so these works can be
regarded as pieces for
cello. Of the six works,
the arranger of the
volume was publishing the
three most suitable ones
to that as cello
concertos the piano part
incorporates both the
violin interludes and the
continuo. In the cello
part higher positions do
occur, but they do not
necessarily require use
of the thumb they are
playable after 4-5 years
intensivestudy of the
instrument.
Die
1745 in London
veröffentlichten
Stücke waren
ursprünglich für
Geige, Solo-Cello, ein
Tasteninstrument und ein
zweites Cello
geschrieben. Die Rolle
der Geige war jedoch so
unwesentlich, dass es
sich im Grunde um
Cellowerke handelt. Von
den ursprünglich sechs
Werken hat der Arrangeur
die drei geeignetsten
ausgewählt, wobei die
Klavierstimme die Geigen-
und die Continuostimme in
sich vereint. Die
Cellopassagen sind für
fortgeschrittene Spieler
geeignet.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo...(+)
By Antonio Vivaldi.
Edited by Hoffmann,
Bettina. For Violoncello,
Basso continuo. Score;
Set of Parts
(paperbound). RV 39-47.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006520596.
Cello and piano, basso ad libitum SKU: HL.49044586 Famous Original Pie...(+)
Cello and piano, basso ad
libitum
SKU:
HL.49044586
Famous
Original Pieces for
Violoncello and
Piano. Edited by
Rainer Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
32 pages. Schott Music
#ED22072-01. Published by
Schott Music
(HL.49044586).
ISBN
9783795749330. UPC:
841886023543. German -
English -
French.
13 pieces
of easy to intermediate
standard ideal for
lessons and concerts. As
well as popular Baroque
sonatas by the likes of
Vivaldi and de Fesch,
there are also some
charming, lesser-known
compositions by Lanzetti
and Zocarini. Also
included are Classical
sonatas by J. C. F. Bach,
Stephen Paxton and
Beethoven alongside
pieces from the Romantic
era including
Mendelssohn's Song
Without Words Op. 109,
Faure's Sicilienne Op. 79
as well as two little
pieces by Goltermann.
(Violoncello and Piano (Basso ad lib.)). By Giovanni Battista Cirri. Edited by R...(+)
(Violoncello and Piano
(Basso ad lib.)). By
Giovanni Battista Cirri.
Edited by Rainer Mohrs
and Wolfgang Birtel. For
Cello, Basso Continuo,
Piano Accompaniment
(Score and Solo Part).
Schott. Softcover. 20
pages. Schott Music
#CB244. Published by
Schott Music
By A. Vivaldi (1678-1741). For Cello. DOWANI Urtext 3 Tempi Play Along - Cello...(+)
By A. Vivaldi
(1678-1741). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International. .
Violoncello and Piano (Violin An Cello) SKU: HL.50511974 (No. 4-6)...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511974
(No.
4-6). Composed by
Benedetto Marcello.
Baroque. EMB. Volume 2.
Playing score. Op. 2.
Editio Musica Budapest
#Z13491. Published by
Editio Musica Budapest
(HL.50511974).
ISBN
9790080134917. Bach (23 x
30,2 cm) inches.
Benedetto Marcello; Arpad
Pejtsik.
Territoria
l restrictions may apply.
Please ask before
ordering.
Violoncello and Piano (Violin An Cello) SKU: HL.50511950 Composed by Anto...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511950
Composed
by Antonio Caldara.
Baroque. EMB. Editio
Musica Budapest #Z12043.
Published by Editio
Musica Budapest
(HL.50511950).
ISBN
9790080120439. K/4
(23,5x31) inches. Antonio
Caldara; Laszlo Mezo;
Gyorgy Orban.
The
two manuscripts in oblong
size (by the same hand)
entitled Sinfonia a
Violoncello Solo which
served as the basis for
the present edition are
being kept in the
Osterreichische
Nationalbibliothek in
Vienna under shelf mark
E.M.29. Apart from the
continuo realization and
modifications in the
sense of present-day
notation carried out
tacitly all other changes
are listed in the
footnotes, editorial
additions have been put
in square brackets. The
bass part was supported
in contemporary practice
by a melody instrument.
If performing with piano
accompaniment, the
supporting of the bass is
not necessary. In case of
harpsichord
accompaniment, however,
it is recommended to play
the bass on bassoon
instead of violoncello.
Territorial restrictions
may apply. Please ask
before ordering.
Cello and Piano SKU: BT.EMBZ14110 By Lajos Vigh. By Arpad Pejtsik. Educat...(+)
Cello and Piano
SKU:
BT.EMBZ14110
By Lajos
Vigh. By Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1996. 40
pages. Editio Musica
Budapest #EMBZ14110.
Published by Editio
Musica Budapest
(BT.EMBZ14110).
ABRSM Syllabus
title, Grade 5 The
original source of these
sonatas for cello and
double bass duo was a
collection created by
G.A. Perti and his pupils
in Bologna around 1695.
Among the easy and
small-scale movements (at
most 28 measures long),
the most quintessential
dances of the Baroque era
are represented.Some of
these compositions can be
played after a mere 3
years of instrumental
study, therefore music
students can use them as
an opportunity to
familiarize themselves
with the fundamentals of
baroque style. The simple
development of the
continuo allows for it to
be played by a pupil
performing alongside
their teacher. The pieces
also sound great when
played on two cellos.
Cello and piano SKU: M7.VHR-3431 Für Violoncello (1. Lage) und Klav...(+)
Cello and piano
SKU:
M7.VHR-3431
Für
Violoncello (1. Lage) und
Klavier. Edited by
Anne Terzibaschitsch.
Sheet music. 36 pages.
Holzschuh Musikverlag
#VHR 3431. Published by
Holzschuh Musikverlag
(M7.VHR-3431).
ISBN
9783920470085.
Mit
Continuo-Stimme für 2.
Violoncello ad lib.,
leicht gesetzt. Der
Klavierpart ist leicht
gesetzt. Eine zweite
Cellostimme bietet die
Möglichkeit, alle
Lieder in
Kammermusikalischer
Besetzung als Klaviertrio
oder als Duo für zwei
Celli zu spielen.
Trio op. 44 Violoncelle, Piano [Conducteur et Parties séparées] Furore Verlag
By Louise Farrenc. Edited by Simone Heilgendorff. For violin/clarinet, cello and...(+)
By Louise Farrenc. Edited
by Simone Heilgendorff.
For violin/clarinet,
cello and piano. Winds
with Piano (Basso
Continuo) - Trio. Chamber
Music. Level: advanced.
Score and parts. Composed
1856. Published by
Furore-Verlag (German
import). (fue 3110)
Trio op. 45 Violoncelle, Piano [Conducteur] - Intermédiaire Furore Verlag
By Louise Farrenc. For violin/flute, cello and piano. Winds with Piano (Basso Co...(+)
By Louise Farrenc. For
violin/flute, cello and
piano. Winds with Piano
(Basso Continuo) - Trio.
Chamber Music. Level:
intermediate. Full score.
Composed 1862. Published
by Furore-Verlag (German
import). (fue 3910)
Composed by Leonardo Moja. Edited by Daniele Bogni. For cello with piano or harp...(+)
Composed by Leonardo
Moja. Edited by Daniele
Bogni. For cello with
piano or harp. This
edition: Paperback. Il
violoncello all'Opera.
Romantic. Score and set
of parts. Published by
Musedita Edizioni
Musicali
Violoncello and Piano (Violin An Cello) SKU: HL.50511962 Per violoncel...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511962
Per
violoncello solo, con
violini e basso
continuo. Composed by
Nicola Porpora. Baroque.
EMB. Piano score. Editio
Musica Budapest #Z12802.
Published by Editio
Musica Budapest
(HL.50511962).
ISBN
9790080128022. A/4
inches. Nicola Porpora;
Gyorgy Orban; Arpad
Pejtsik.
The source
of the present edition is
preserved in the Archivio
di Stato, Bologna.
Editorial principles: In
the score, the number of
editorial interventions
has been kept to a
minimum. The original
dynamic and expression
markings are extremely
few and far between, but
precise. Only three
dynamic levels are
specified: forte, dolce (
= piano) and dolce assai
( = pianissimo). As
regards expression
markings we note the
complete absence of the
legato sign, though the
appoggiatura, staccato,
trill and two different
types of bow-vibrato
(both in association with
dolce or dolce assai) can
all be found. It is a
well known fact that 18th
century vibrato, obtained
not by a movement of the
left hand but rather by a
variation in the pressure
of the bow, was an
expressive effect to be
used with discretion and
not, as today, a constant
means of sound
production. Territorial
restrictions may apply.
Please ask before
ordering.
Chamber Music Clarinet, Piano, Viola, Violoncello SKU: CF.MXE5 For Cla...(+)
Chamber Music Clarinet,
Piano, Viola, Violoncello
SKU: CF.MXE5
For Clarinet, Viola,
Violoncello and Piano -
Full Score and Parts.
Composed by David
Carlson. SWS+Inserts.
Carl Fischer Chamber
Music Edition. First
performance: Park City
International Music
Festival - Park City,
Utah. Set of Score and
Parts. With Standard
notation. Composed 1998.
Carl Fischer Music #MXE5.
Published by Carl Fischer
Music (CF.MXE5).
ISBN
9780825853401. UPC:
798408053406. 9 X 12
inches.
Commissione
d in 1998, this chamber
piece is truly unique
experience! A short piece
(18 minutes), the work is
derived from the
composer’s
fascination with a theory
from quantum physics
stating that time is
fluid and that matter can
exist concurrently in one
place. To encompass this
idea, the composer asks
that a passage of music
that he wrote when he was
15 be pre-recorded and
played during the second
movement (Desolato). The
music of the adult David
Carlson is coupled with
music written thirty
years ago, creating a
sonic continuum. The
highly charged,
rhythmically aggressive
music of the first
movement is contrasted by
the nostalgic slow mood
of the second movement.
The final movement is
both energetic and
passionate, which brings
this imaginative work to
a positive
conclusion.