SATB choir and chamber orchestra or piano SKU: MN.CH-1343 Composed by Dal...(+)
SATB choir and chamber
orchestra or piano
SKU: MN.CH-1343
Composed by Dale
Jergenson. 21st Century.
Laurendale Associates
#CH-1343. Published by
Laurendale Associates
(MN.CH-1343).
UPC:
765844006727.
English.
Isaac
Watts (1674 –1748) was
born in Southampton,
England and was brought
up in the home of a
committed religious
Nonconformist; his
father, also Isaac Watts
had been incarcerated
twice for his views.
Watts could not attend
Oxford or Cambridge
because of being a
Noncomformist and because
these universities were
restricted to Anglicans,
instead attending the
Dissenting Academy at
Stoke Newington in 1690.
Watts lived at Abney Hall
in Stoke Newington until
his death in 1748; he was
buried in Bunhill Fields.
He left an extensive
legacy of hymns,
treatises, educational
works, and essays. His
work was influential
amongst Nonconformist
independents and
religious revivalists of
the 18th century by
contributing to English
hymnody with new poetry
to be used in worship.
The older tradition was
based on the poetry of
the Bible which was
developed from the
teachings of the
16th-century Reformation
leader John Calvin.
Watts’ introduction of
extra-Biblical poetry
opened up a new era of
Protestant hymnody with
other poets following in
his path. Many of
Watts’ hymns are
included in the
Christadelphian Hymnal,
the Episcopal Church’s
Hymnal 1982, Evangelical
Lutheran Worship, the
Baptist Hymnal, the
Presbyterian Trinity
Hymnal, and the Methodist
Hymns and Psalms. Many of
his texts are also used
in the American Hymnal
and The Sacred Harp.
Several of his hymns are
used in the hymnals of
the Church of Christ,
Scientist and The Church
of Jesus Christ of
Latter-day Saints. Of the
more that 600 tunes in
the Sacred Harp, 149 of
them have words by Isaac
Watts. Similarly, of the
180 tunes in the Missouri
Harmony 2005 Edition,
Isaac Watts is credited
with the words for 75 of
them. The majority of
these words come from
Watts monumental Psalms
and Hymns, first
published in 1707.
Composed by John Purifoy. Choral (Sacred); Choral Octavo; Performance Music E...(+)
Composed by John Purifoy.
Choral (Sacred); Choral
Octavo; Performance Music
Ensemble; Single Titles;
Worship Resources.
Jubilate
Music: The Music of Holy
Week. Good Friday; Holy
Week;
Lent; Maundy Thursday;
Sacred; Spring. Choral
Octavo. Jubilate Music
Group
#00-47244. Published by
Jubilate Music Group
Choir; French horn; cello; flute; guitar; oboe; orchestra (flute, oboe, horn in ...(+)
Choir; French horn;
cello; flute; guitar;
oboe; orchestra (flute,
oboe, horn in F, cello,
bass guitar, and piano)
SKU: HP.C5629O
Composed by Hal H.
Hopson. Arranged by Lloyd
Larson. Piano
Accompaniment with
Optional Orchestra. Lent,
General Worship,
Communion, Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C5629O. Published by
Hope Publishing Company
(HP.C5629O).
UPC:
763628256296. Words by
Isaac Watts. Galatians
6:14, John 19:25, John
3:16, Luke 23:47-49, Mark
15:38-39, Matthew 27:54,
Philippians 3:7-8, Psalms
34:2, Romans 12:1, 1
Corinthians
1:18-24.
Classic
Lenten hymn with words by
Isaac Watts The
familiar Lenten text from
Isaac Watts is
beautifully paired here
with Hal Hopson's tune,
GIFT OF LOVE, in this
deeply moving choral
setting by Lloyd Larson.
The addition of the
optional instruments
provide a stunning
orchestral sound. The
Orchestration by Mark
Kellner contains a
Conductor's Score and
parts for: Flute, Oboe,
Horn in F, Cello, Bass
Guitar, and Piano.
Choral SSAA choir SKU: CF.CM9570 Composed by John Ratledge. Psalms 47 fro...(+)
Choral SSAA choir
SKU:
CF.CM9570
Composed by
John Ratledge. Psalms 47
from the Bible. Jbc.
Performance Score. With
Standard notation. 8
pages. Duration 1 minute,
44 seconds. Carl Fischer
Music #CM9570. Published
by Carl Fischer Music
(CF.CM9570).
ISBN
9781491153581. UPC:
680160911080. 6.75 x 10.5
inches. Key: Bb major.
Latin. Psalms 47 from the
Bible.
Psalm 47
was commissioned by
the Sigma Alpha Iota
Chapter of Hardin Simmons
University (Abilene,
Texas), Suzanne Watts,
conductor, back in 1978.
I was a graduate student
at the time, and the
premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47A
was commissioned by
the Sigma Alpha Iota
Chapter of Hardin Simmons
University (Abilene,
Texas), Suzanne Watts,
conductor, back in 1978.
I was a graduate student
at the time, and the
premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:A
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47 was
commissioned by the Sigma
Alpha Iota Chapter of
Hardin Simmons University
(Abilene, Texas), Suzanne
Watts, conductor, back in
1978. I was a graduate
student at the time, and
the premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now. In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the people:
(you clap), (you shout),
(you sing) to exemplify
that praise and joy
should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world. Rise up and
claim the power of
JOY!. Psalm 47Â was
commissioned by the Sigma
Alpha Iota Chapter of
Hardin Simmons University
(Abilene, Texas), Suzanne
Watts, conductor, back in
1978. I was a graduate
student at the time, and
the premiere was a great
success. Consequently,
the work has received
many performances since
that time; however, it
remained unpublished
until now.In a modified
tripartite structure, the
psalmist uses the
imperative verb tense as
a command to the
people:Â (you clap),
(you shout), (you sing)
to exemplify that praise
and joy should be public,
intelligent, cheerful,
and constant. The
psalmist admonishes that
praise and joy are
visual, aural, palpable,
and most definitely
contagious. The
contrasting slow section
with a soprano solo
should be like an
accompanied arioso, where
the soloist is supported
by lush, major/minor
seventh chords in
inversion (accompanied
recitative). The soloist
actually becomes the
narrator in this section,
the preacher or deliverer
of the news that the
people will be protected,
sustained and blessed.
The rapid tempo of the
A-section returns and the
staggered entrances in
the last section/coda
indicate the ecstasy
knowing that belief can
manifest itself in
individualized,
energized, emotional
responses that can change
the world.Rise up and
claim the power of
JOY!
HLSPL Showcase Solos Pops Early Intermediate - Level 4. Composed by John W...(+)
HLSPL Showcase Solos Pops
Early Intermediate -
Level
4. Composed by John
Williams. Arranged by
Jennifer Watts and Mike
Watts. Educational Piano
Library. Softcover. 8
pages.
Published by Hal Leonar
By G.F. Handel / Polish Carol / John Menzies Macfarlane / Charles Gabriel / Att....(+)
By G.F. Handel / Polish
Carol / John Menzies
Macfarlane / Charles
Gabriel / Att. To John F.
Wade. Arranged by A.
Laurence Lyon. Text:
Isaac Watts/Nancy Boyd
Turner/John Menzies
Macfarlane/Martin
Luther/att. To John F.
Wade. For SATB Choir.
Christmas. Duration 4:30.
Published by Jackman
Music Corporation.
Level: Medium /
Medium-Difficult
(accompaniment).
SSAA chorus and organ - Medium SKU: JK.01534 Composed by John J. McClella...(+)
SSAA chorus and organ -
Medium
SKU:
JK.01534
Composed by
John J. McClellan.
Arranged by Robert P.
Manookin. Choral 2 Part,
Choral SA, Difficulty
Medium, Organ Choir, Joy,
Praise and Worship,
Restoration, Sabbath Day,
Service, Spirituality.
Christian, Inspirational.
Duration 3:20. Jackman
Music Corporation #01534.
Published by Jackman
Music Corporation
(JK.01534).
Psalm
92:1-5, Enos
1:27.
Tender hymn
arrangement for women's
chorus (SSAA) and organ
accompaniment. Compose
r: John J. McClellan
Arranger: Robert P.
Manookin Lyricist:
Isaac Watts
Difficulty: Medium
Performance time:
3:20 References: Psalm
92:1-5, Enos 1:27.
SATB choir, organ accompaniment - Intermediate SKU: GI.G-3472 Composed by...(+)
SATB choir, organ
accompaniment -
Intermediate
SKU:
GI.G-3472
Composed by
John Hatton. Arranged by
John Ferguson. Choral.
Choral. Tune name: Duke
Street. Sacred. Octavo.
12 pages. GIA
Publications #3472.
Published by GIA
Publications (GI.G-3472).
Thirty-Nine Famous Songs for Piano with Words, Ten of Which Are Also Arranged As...(+)
Thirty-Nine Famous Songs
for Piano with Words, Ten
of Which Are Also
Arranged As Piano Duets.
By George Frideric
Handel, James R. Murray,
Franz Xaver Gruber, 347.
Edited by Maxwell
Eckstein. Arranged by
Maxwell Eckstein. Text:
A. Mattullath; Anonymous;
Charles Wesley; Edmund H.
Sears; Isaac Watts; John
Mason Neale; John T.
Mcfarland; Joseph Mohr;
Martin Luther; Phillips
Brooks; Samuel Mack. For
Piano. Solo part. 63
pages. Published by Carl
Fischer.
Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in ...(+)
Soprano voice solo, SATB
choir, and piano (E-flat
Soprano saxophone, 2
Horns in F, Piano, Organ
(or digital keyboard),
Double String Quartet,
Double Bass) - Early
Intermediate
SKU:
MN.56-0109
Composed
by Howard Goodall. Holy
Week, Triduum/Three Days,
Tenebrae, 21st Century.
Score & instrument parts.
Duration 6 minutes, 57
seconds. MorningStar
Music Publishers
#56-0109. Published by
MorningStar Music
Publishers (MN.56-0109).
UPC: 688670221262.
English, Latin. John
20:1.
Invictus: A
Passion addresses one of
the world’s most
powerful stories through
the lens of the modern
world. The texts, written
or inspired by women,
describe not only human
suffering and persecution
but also the human
capacity for love and
humility in the face of
tyranny. Composer Howard
Goodall is uniquely
suited to bring these
texts to life with music
of emotional clarity and
sweeping force. This
excerpt is scored for
soprano solo, tenor solo,
SATB choir and piano. The
text is by Christina
Georgina Rossetti, Isaac
Watts (“When I
survey the wondrous
cross,â€) and drawn
from John 20:1 (this text
in Latin). The music is
serene, acknowledging the
grief of those who are
left to mourn. Duration
6:57.
SSAATTBB chorus and piano - Difficult / difficult acc. SKU: JK.00600 Comp...(+)
SSAATTBB chorus and piano
- Difficult / difficult
acc.
SKU: JK.00600
Composed by John J.
McClellan. Arranged by
Ralph Laycock. Choral
SATB, Difficulty Hard,
Piano Choir, Joy, Praise
and Worship, Sabbath Day,
Service, Spirituality.
Christian, Inspirational.
Duration 4:00. Jackman
Music Corporation #00600.
Published by Jackman
Music Corporation
(JK.00600).
Psalm
92:1-5, Enos
1:27.
Stirring hymn
arrangement for double
mixed chorus (SSAATTBB)
and piano. Highest
soprano note:
A. Composer: John J.
McClellan Arranger:
Ralph Laycock
Lyricist: Isaac Watts
Difficulty: Difficult /
difficult acc.
Performance time:
4:00 References: Psalm
92:1-5, Enos 1:27.
SATB chorus and piano - medium SKU: JK.01734 Composed by George Job Elvey...(+)
SATB chorus and piano -
medium
SKU:
JK.01734
Composed by
George Job Elvey, John
Hatton, and Louis
Bourgeois. Arranged by
Brent Jorgensen. Choral
SATB, Difficulty Medium,
Piano Choir, Seasonal
Music Thanksgiving,
Special Events Conference
(Ward, God the Father,
Jesus Christ - Savior,
Prayer, Thanksgiving.
Christian, Inspirational.
Duration 5:25. Jackman
Music Corporation #01734.
Published by Jackman
Music Corporation
(JK.01734).
Psalm
92:1, 1 Thessalonians
5:18.
Thanksgiv
ing medley for mixed
chorus (SATB) and piano,
including text and
melodies from Praise God,
from Whom All Blessings
Flow, Come Ye Thankful
People, All That Dwell
below the Skies and
finishing with Prayer of
Thanksgiving. Composer
: Louis Bourgeois, George
J. Elvey, John Hatton
Arranger: Brent
Jorgensen Lyricist:
Thomas Kern, Henry
Alford, Isaac Watts, Jan
Pinborough
Difficulty: medium
Performance time:
5:25 Reference: Psalm
92:1, 1 Thessalonians
5:18.
SSAATTB chorus and organ - medium SKU: JK.01919 Composed by John J. McCle...(+)
SSAATTB chorus and organ
- medium
SKU:
JK.01919
Composed by
John J. McClellan.
Arranged by James C.
Kasen. Choral SATB,
Difficulty Medium, Organ
Choir, Joy, Missionary
Work, Praise and Worship,
Restoration, Service,
Spirituality. Christian,
Inspirational. Jackman
Music Corporation #01919.
Published by Jackman
Music Corporation
(JK.01919).
UPC:
093285019195. Psalm
92:1-5, Enos
1:27.
Arranged for
the Saturday afternoon
session of the October
2019 General Conference,
James Kasen's setting of
Sweet Is the Work is
nothing short of
awe-inspiring! A
soul-stirring organ
accompaniment elevates
the old and familiar hymn
to more contemplative
worship of the King who
rules in the eternal
world of joy. This piece
will be appropriate in
any sacred setting. It
features verses 1, 3, 4
and 6 of the
hymn. Text: Isaac
Watts Music: John J.
McClellan Arranger:
James C. Kasen
Difficulty: medium
Performance Time:
3:30 References: Psalm
92:1-5, Enos 1:27
Chorus, piano (SAB chorus, piano) - Medium Easy SKU: AU.9781506452531 Com...(+)
Chorus, piano (SAB
chorus, piano) - Medium
Easy
SKU:
AU.9781506452531
Composed by John Carter.
Augsburg choral Library.
Published by Augsburg
Fortress
(AU.9781506452531).
ISBN 9781506452531.
Isaac Watts.
Tony
Ward has adapted the text
of St. Patrick's
Breastplate and composed
a new gentle, lilting
melody. Several possible
optional instrumental
parts available, as well
as optional assembly
participation. Especially
appropriate for
celebrations of
baptism.
(from The Passion of The Christ). By John Debney. Arranged by Mike Watts. (2 par...(+)
(from The Passion of The
Christ). By John Debney.
Arranged by Mike Watts.
(2 part). Sacred Choral.
Size 6.75x10.5 inches. 11
pages. Published by
CHERRY LANE.
For Voice and Piano. By Felix Mendelssohn Bartholdy; Francois A. Gevaert; Franz ...(+)
For Voice and Piano. By
Felix Mendelssohn
Bartholdy; Francois A.
Gevaert; Franz Gruber;
George Frideric Handel;
Martin Luther; Melchior
Vulpius. Arranged by
Johann Sebastian Bach;
Michael Praetorius;
Norwood Hinkle. Text:
Anonymous; Archer Gurney;
Charles Wesley; Isaac
Watts; James F.
Montgomery; John Mason
Neale; Martin Luther;
Oley Edsall; Sir Walter
Scott; W.E.A.; William C.
Dix. For Voice Solo,
Piano. Classical.
Piano/Vocal Score. 34
pages. Published by
Theodore Presser Company.
By John J. Mcclellan / Arr. Nibley. Arranged by Reid Nibley. Text: Isaac Watts. ...(+)
By John J. Mcclellan /
Arr. Nibley. Arranged by
Reid Nibley. Text: Isaac
Watts. For SAATB Choir.
Level: Medium Difficullt.
Published by Jackman
Music Corporation.
(from The Passion of The Christ). By John Debney. Arranged by Mike Watts. (SATB)...(+)
(from The Passion of The
Christ). By John Debney.
Arranged by Mike Watts.
(SATB). Sacred Choral.
Size 6.75x10.5 inches. 11
pages. Published by Hal
Leonard Sacred.
SATB choir and keyboard accompaniment SKU: AU.9780800675561 Composed by J...(+)
SATB choir and keyboard
accompaniment
SKU:
AU.9780800675561
Composed by John Carter.
General. Augsburg Choral
Library. Anthem. Octavo.
Published by Augsburg
Fortress
(AU.9780800675561).
ISBN
9780800675561.
You
see the title We Sing the
Mighty Power, O God and
you think big and loud -
not with this exquisite
setting. Here the
composer takes the
awesome angle and treats
us to a setting of the
Isaac Watts text with
quiet reverence.